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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Two Baroque
Non classifié
839
Piano & claviers
Piano seul
316
2 Pianos, 4 mains
35
Piano Facile
33
Orgue, Trompette (duo)
32
Orgue
32
Piano, Voix
16
1 Piano, 4 mains
10
Clavecin
7
Orgue, Piano (duo)
5
Piano Quatuor: piano, violon, alto, violoncelle
4
Accompagnement Piano
4
Piano Trio: piano, violon, violoncelle
4
Instruments en Do
3
Piano, Voix et Guitare
3
2 Accordéons
3
Accordéon
2
Fake Book
1
+ 12 instrumentations
Retracter
Guitares
2 Guitares (duo)
39
Guitare
36
Guitare notes et tablatures
30
Ukulele
14
Mandoline
5
4 Guitares (Quatuor)
3
Basse electrique
1
2 Mandolines (duo)
1
Ligne De Mélodie, (Paroles) et Accords
1
2 Dulcimers (duo)
1
Ensemble de guitares
1
2 Ukuleles
1
Dulcimer
1
3 Guitares (trio)
1
Piano, Guitare (duo)
1
+ 10 instrumentations
Retracter
Voix
Chorale SATB
26
Voix duo, Piano
12
Chorale 2 parties
12
Chorale 3 parties
11
Voix duo
9
Chorale Unison
6
Voix haute
5
Voix moyenne, Piano
4
Voix Soprano, Piano
4
Voix seule
4
Chorale TTBB
3
Chorale SSAA
2
+ 7 instrumentations
Retracter
Vents
2 Flûtes traversières (duo)
151
2 Clarinettes (duo)
118
2 Saxophones (duo)
74
Flûte traversière et Piano
51
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
35
Flûte, Hautbois, Clarinette, Basson
34
Quatuor de Saxophones: 4 saxophones
34
Clarinette et Piano
33
3 Clarinettes (trio)
29
2 Hautbois (duo)
29
Hautbois, Piano (duo)
29
Quintette de Saxophone: 5 saxophones
27
2 Flûte à bec (duo)
20
Quatuor de Flûtes : 4 flûtes
20
3 Saxophones (trio)
18
2 Flûtes traversières, Piano
17
Hautbois, Basson (duo)
17
Saxophone Alto et Piano
16
Quatuor de Clarinettes: 4 clarinettes
16
Trio de Flûtes: 3 flûtes
15
Flûte, Clarinette (duo)
12
Saxophone Tenor et Piano
12
Flûte, Hautbois, Clarinette (trio)
11
Clarinette
11
Flûte traversière
11
Saxophone Soprano et Piano
11
Ensemble de Clarinettes
10
Quatuor de Flûtes à bec
9
Clarinette, Violon (duo)
9
Flûte, Violoncelle
9
Flûte, Violon
9
Hautbois, Violoncelle
9
Cor anglais, Piano
8
2 Cors Anglais Et Pianoforte
7
Saxophone, Clarinette (duo)
7
Ensemble De Flûte à bec
7
Clarinette, Violoncelle (duo)
7
Ensemble de Flûtes
7
Flûte, Clarinette et Basson
7
Clarinette, Basson (duo)
6
Quintette de Clarinettes: 5 clarinettes
6
Saxophone Baryton, Piano
5
Hautbois, Clarinette (duo)
5
Flûte, Alto (duo)
5
Quintette de Flûte : 5 flûtes
5
Flûte, Clarinette, Piano (trio)
4
Clarinette, Trompette (duo)
4
Flûte, Saxophone (duo)
4
Ensemble de saxophones
4
Saxophone Alto
4
Hautbois (partie séparée)
4
Flûte, Hautbois, Basson
4
Flûte à bec Tenor
4
Flûte et Guitare
3
Clarinette Basse, Piano
3
Saxophone (partie séparée)
3
Saxophone Tenor
3
Flûte à bec Soprano, Piano
3
3 Flûtes à bec (trio)
3
Flûte, Violon et Violoncelle
3
Clarinette et Alto
2
5 Flûtes à bec
2
Clarinette, Violoncelle, Piano (trio)
2
Flûte, Violoncelle, Guitare
2
2 Clarinettes, Basson
2
Flûte, Hautbois, Piano (trio)
2
Flûte, Trompette (duo)
2
Hautbois, Flûte
2
Clarinette, Harpe (duo)
2
Flûte à bec Soprano
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Clarinette, trompette et piano
1
2 Hautbois et Cor anglais
1
Flûte et Trio à cordes
1
Ensemble de Hautbois
1
Flûte irlandaise
1
Flûte, Basson et Piano
1
Flûte, Hautbois (duo)
1
Piccolo
1
2 Flûtes traversières, Harpe
1
Flûte, Violon, Piano
1
Hautbois, Clarinette et Piano (Trio)
1
Clarinette, Guitare (duo)
1
Cor anglais et Harpe (duo)
1
Cor Anglais
1
2 Hautbois et Basson
1
Melodica
1
Saxophone et violoncelle
1
Flûte, Alto et Piano
1
Piccolo, Piano
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Saxophone
1
4 Hautbois
1
Flûte, Hautbois, Violon
1
Flûte, Violon, Guitare
1
Flûte, Violoncelle, Piano (trio)
1
2 Clarinettes, Piano
1
Hautbois, Harpe
1
+ 93 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
55
2 Trombones (duo)
39
2 Trompettes (duo)
38
Trompette, Piano
22
Quatuor de Cuivres : 2 trompettes, trombone, tuba
21
Trompette
18
Trombone et Piano
18
Quatuor de Cuivres: 2 trompettes, Cor, trombone
15
Ensemble de Trombones
15
Quatuor de cuivres: 4 trombones
12
2 Cors (duo)
12
2 Trompettes, Clavier (piano ou orgue)
9
Ensemble de Trompettes
9
Trompette, Trombone (duo)
9
Cor et Piano
8
2 Tubas (duo)
8
Cor anglais, Piano
8
2 Cors Anglais Et Pianoforte
7
3 Trombones (trio)
7
Trombone
7
Trompette, Basson (duo)
6
2 Euphoniums (duo)
6
Trompette, Saxophone (duo)
5
Euphonium, Piano (duo)
5
Tuba
4
Trompette, Violoncelle (duo)
4
Cor
4
Quatuor de cuivres: 4 cors
4
Cor, Violoncelle (duo)
3
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Quatuor de cuivres: 4 trompettes
3
2 Euphoniums et 2 Tubas
3
Euphonium
2
3 Cors (trio)
2
Tuba et Orgue
2
3 Tubas (trio)
2
Cor et Harpe
2
Cor et Basson (duo)
2
Trompette, Cor (duo)
2
Ensemble de Cors
2
Trompette (partie séparée)
2
Tuba et Piano
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Trombone basse
1
3 Euphoniums
1
Trompette, Trombone, Piano
1
Cor, Violoncelle et Piano
1
Cor anglais et Harpe (duo)
1
Cor Anglais
1
Trio de Cuivres
1
Euphonium, Tuba (duo)
1
Trompette, Harpe
1
Quatuor de Cuivres
1
4 Tubas
1
+ 49 instrumentations
Retracter
Cordes
2 Violons (duo)
149
Quatuor à cordes: 2 violons, alto, violoncelle
112
Violon, Violoncelle (duo)
106
2 Violoncelles (duo)
78
Trio à Cordes: violon, alto, violoncelle
55
Trio à Cordes: 2 violons, violoncelle
52
2 Altos (duo)
50
Violon et Piano
48
Violon
46
Violon, Alto (duo)
42
Harpe
30
Alto, Piano
29
Violoncelle, Piano
26
Trio à Cordes: 2 violons, alto
18
Violoncelle
17
2 Violons, Piano
16
Quintette à cordes: 2 violons, alto, violoncelle, basse
15
2 Harpes (duo)
14
Alto, Violoncelle (duo)
10
Harpe, Flûte (duo)
7
4 Violoncelles
7
Alto seul
6
Harpe, Violon (duo)
6
Alto (partie séparée)
6
Violon (partie séparée)
6
Trio à cordes: 3 violins
6
Violon, Basson (duo)
5
Quatuor à cordes: 4 violons
5
Alto et Basson
5
Contrebasse, Piano (duo)
5
Trio à Cordes: 3 violoncelles
4
2 Contrebasses (duo)
4
Trio à cordes
4
Ensemble de Violons
3
Ensemble d'Altos
3
Harpe et Piano
2
Contrebasse (partie séparée)
2
Quatuor à cordes : 4 altos
2
Violoncelle, Contrebasse (duo)
2
Violoncelle, Basse continue
2
Contre Basse
2
Violoncelle (partie séparée)
1
Harpe, Violoncelle (duo)
1
Alto et Harpe
1
Trio à cordes: 3 altos
1
Harpe, Violon, Violoncelle
1
Piano Trio: Violon, Alto, Piano
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
+ 43 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
85
Orchestre de chambre
65
Ensemble de cuivres
51
Orchestre
16
2 Marimbas
14
Orchestre d'harmonie
14
Cloches
4
Xylophone
2
Marimba
2
2 Xylophones
1
Ensemble Jazz
1
Xylophone, Piano
1
Ensemble de Percussions
1
+ 8 instrumentations
Retracter
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BASSE
BASSON
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CHARANGO
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CLAIRON
CLARINETTE
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COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
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FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
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PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
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VIOLON
VIOLONCELLE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
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METHODE : TECHNIQUES
NOËL
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OPERA
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POP ROCK - ROCK CLAS…
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PUNK
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Vous avez sélectionné:
Two Baroque
Trompette, Trombone (duo)
Partitions à imprimer
9 partitions trouvées
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1
Canon in D (Brass Quartet): Two Trumpets and Two Trombones
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Trompette, Trombone (duo)
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INTERMÉDIAIRE
#
Classique
#
Johann Pachelbel
#
John A
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Canon in D
#
John A. Dempsey
#
SheetMusicPlus
Trombone,Trumpet - Level 3 - SKU: A0.524905 Composed by Johann Pachelbel. Arranged by John A. Dempsey. Baroque,Christmas,Classical,Traditional,Wedding. ...
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Trombone,Trumpet - Level 3 - SKU: A0.524905 Composed by Johann Pachelbel. Arranged by John A. Dempsey. Baroque,Christmas,Classical,Traditional,Wedding. 19 pages. John A. Dempsey #6462323. Published by John A. Dempsey (A0.524905). A celebrated Baroque work, Pachelbel's Canon in D radiates warmth, beauty and serenity, all in a stylishly flowing, timeless way. A  favorite for concerts and recitals, this peaceful brass quartet for two Bb trumpets and two trombones  is recommended for weddings, as a prelude, unity candle music, a bridal march, bridesmaid processional or wedding recessional.  Also recommended for traditional church services and other worship events, as a prelude, postlude, an offertory, interlude, silent prayer accompaniment and special music.  15 pages of music (that includes the score and separate two-page parts for trumpet 1, trumpet 2, trombone 1 and trombone 2).  Concert Key: Bb Major
$11.99
Vivaldi Double Cello Concerto for Two Brass Instruments in Bb Treble clef
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Trompette, Trombone (duo)
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INTERMÉDIAIRE
#
Classique
#
Antonio Vivaldi
#
Dale Vail
#
Vivaldi Double Cello Concerto
#
Dale Vail
#
SheetMusicPlus
Instrumental Duet,Trombone,Trumpet - Level 3 - SKU: A0.1023929 Composed by Antonio Vivaldi. Arranged by Dale Vail. Baroque. 49 pages. Dale Vail #6488477...
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Instrumental Duet,Trombone,Trumpet - Level 3 - SKU: A0.1023929 Composed by Antonio Vivaldi. Arranged by Dale Vail. Baroque. 49 pages. Dale Vail #6488477. Published by Dale Vail (A0.1023929). Concerto for Two Cellos by Vivaldi, arranged for two Brass instruments by Dale Vail Playing level: Grade 8 A transcription of the famous Vivaldi Concerto for Two Cellos. This version can be used for any combination of instruments in Bb or C Bass Clef. Parts in Treble Clef Bb, and Bass Clef in C for both parts. www.dalevail.com
$10.00
Gabrieli: Canzon Septimi Toni Ch. 172 for Trumpet & Trombone Double Choir
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Trompette, Trombone (duo)
#
FACILE
#
Giovanni Gabrieli
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James M
#
1 Bass Trombone
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Gabrieli: Canzon Septimi Toni
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jmsgu3
#
SheetMusicPlus
Brass Ensemble Trombone,Trumpet - Level 2 - SKU: A0.1224064 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Fes...
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Brass Ensemble Trombone,Trumpet - Level 2 - SKU: A0.1224064 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Renaissance. Score and Parts. 51 pages. Jmsgu3 #820156. Published by jmsgu3 (A0.1224064). From Sacrae Symphoniae, Venice, 1597Minimum instrumentation: Two choirs of 2 Trumpets, 1 Tenor Trombone & 1 Bass Trombone.InnovationsFirst of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.Polychoral WorksGabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well.Spatial MusicAbove all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance.First WorksFinally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung.HomophonyHence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Gabrieli: Sonata Pian e Forte, Ch. 175 for Trumpet & Trombone Choir
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Trompette, Trombone (duo)
#
FACILE
#
Giovanni Gabrieli
#
James M
#
Gabrieli: Sonata Pian e Forte,
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jmsgu3
#
SheetMusicPlus
Brass Band Trombone,Trumpet,Tuba - Level 2 - SKU: A0.1220622 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Contest,Early Music,Fes...
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Brass Band Trombone,Trumpet,Tuba - Level 2 - SKU: A0.1220622 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Contest,Early Music,Festival,Historic,Instructional,Renaissance. Score and Parts. 45 pages. Jmsgu3 #816951. Published by jmsgu3 (A0.1220622). A musical monument: the first composition to employ dynamics Minimum Instrumentation: 4 Trumpets, 2 Alto Trombones, 3 Tenor Trombones, 1 Bass Trombone, and 1 Tuba. Suggested instrumentation: 8 trumpets, 4 Alto Trombones, 6 Tenor Trombones, 2 Bass Trombones, 4 Tubas.InnovationsFirst of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.Polychoral WorksGabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well.Spatial MusicAbove all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance.First WorksFinally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung.HomophonyHence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which he calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Trumpet Voluntary, (Prince of Denmark's March), Duet for Trumpet and Trombone
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Trompette, Trombone (duo)
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INTERMÉDIAIRE
#
Jeremiah Clarke
#
David McKeown
#
Trumpet Voluntary,
#
David McKeown
#
SheetMusicPlus
Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 3 - SKU: A0.587535 Composed by Jeremiah Clarke. Arranged by David McKeown. Baroque,Concert,...
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Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 3 - SKU: A0.587535 Composed by Jeremiah Clarke. Arranged by David McKeown. Baroque,Concert,Instructional,Standards,Wedding. Score and parts. 3 pages. David McKeown #4355085. Published by David McKeown (A0.587535). The Prince of Denmark’s March is better known nowadays as the Trumpet Voluntary and is often used in wedding ceremonies. It was in fact written for organ, with the melody played on thetrumpet stop. Written around 1700, for many years this piece was mistakenly attributed to Henry Purcell. Only recently has it been established that the composer was Jeremiah Clarke, organist at St Paul’s Cathedral. It is somewhat ironic that this composer of a wedding mainstay was himself a victim of unrequited love. He consequently shot himself in the cathedral graveyard. This full version is arranged as a duet for Trumpet and Trombone and the performance time is around two and a half minutes. Of course, performers, especially at weddings, may wish to abridge and shorten the arrangement. This is easily done as the different sections are self-contained and the repeat may be ignored. The complete performance on youtube and the short audio sample are from the Clarinet Duet version of this arrangement. Musicians at an intermediate level and above will find this ideal for formal and informal performances, with both parts enjoying melodic interest. Teachers will enjoy using this arrangement as a fun way to help with strict time, full tone and dynamics. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
Trumpet Tune and Air, by Purcell; Trumpet and Trombone Duet
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Trompette, Trombone (duo)
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INTERMÉDIAIRE
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Henry Purcell
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David McKeown
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Trumpet Tune and Air, by Purce
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David McKeown
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 3 - SKU: A0.587674 Composed by Henry Purcell. Arranged by David McKeown. Baroque,Concert,In...
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Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 3 - SKU: A0.587674 Composed by Henry Purcell. Arranged by David McKeown. Baroque,Concert,Instructional,Standards,Wedding. Score and parts. 3 pages. David McKeown #4729551. Published by David McKeown (A0.587674). The Trumpet Tune and Air was in fact written for organ, with the melody played on thetrumpet stop. Written around 1700, for many years this piece was attributed to Henry Purcell. But more recently many have questioned whether the composer was in fact Jeremiah Clarke, organist at St Paul’s Cathedral. What is known is that the piece was written for a semi-opera called The Island Princess, and that both men contributed music to the production. In recent years this piece has become a popular wedding favourite. This full version is arranged as a duet for Trumpet and Trombone and the performance time is around two and a half minutes. Of course, performers, especially at weddings, may wish to abridge and shorten the arrangement. This is easily done as the different sections are self-contained and the repeat may be ignored. The short sample here and the full length version on the youtube link are from the Clarinet and Alto Saxophone version of this arrangement.Musicians at an intermediate level and above will find this ideal for formal and informal performances. There are of course separate piano and instrumental parts included in downloaded the file.Teachers will enjoy using this arrangement as a fun way to help with strict time, full tone and dynamic contrast. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
In My Life
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Trompette, Trombone (duo)
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INTERMÉDIAIRE
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Rock
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The Beatles
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David McKeown
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In My Life
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David McKeown
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 3 - SKU: A0.589079 By The Beatles. By John Lennon and Paul McCartney. Arranged by David McK...
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Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 3 - SKU: A0.589079 By The Beatles. By John Lennon and Paul McCartney. Arranged by David McKeown. Rock. Score and parts. 4 pages. David McKeown #5324703. Published by David McKeown (A0.589079). In My Life by the Beatles, was released on the 1965 album, Rubber Soul. It was chiefly written and sung by John Lennon, who claimed it was his first serious attempt at personal song-writing. The song features a baroque style piano solo by George Martin. The tempo was too fast for him to perform it, so he played it at half tempo and layer doubled the tape speed. The resulting tinny sound gave rise to a host of copycat harpsichord solos on contemporary pop songs.This version of In My Life is arranged as a duet for one Trumpet and one Trombone. Musicians at an intermediate level will find In My Life ideal for formal and informal concert performance. Most of the duet is straightforward though the transcribed piano solo is difficult for both players; these eight bars can be skipped without affecting the overall structure of the song. The overall performance time is around two and a half minutes. The full YouTube performance above is the Clarinet Duet version of In My Life.Teachers will enjoy using this arrangement as a fun way to help with ensemble skills and syncopated rhythms.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99
10 Love Duets for Trumpet and Trombone
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Trompette, Trombone (duo)
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INTERMÉDIAIRE
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David McKeown
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10 Love Duets for Trumpet and
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David McKeown
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 3 - SKU: A0.590911 Composed by David McKeown. Concert,Holiday,Love,Wedding,World. Score and...
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Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 3 - SKU: A0.590911 Composed by David McKeown. Concert,Holiday,Love,Wedding,World. Score and parts. 37 pages. David McKeown #6249143. Published by David McKeown (A0.590911). 10 Love Duets is an exciting collection of original compositions by David McKeown for one Trumpet and one Trombone.The title of each Duet is Love, but in ten different languages. Each duet explores the romantic music of its country, with imaginative arrangements in each national style.Most of these duets are ideal for players of an Intermediate standard, with two or three more suitable for Advanced Intermediate. Click the link above to hear short samples of each duet on YouTube played on clarinet.10 Love Duets areperfect for concert performances large and small; each piece lasts between three and four minutes.Perfect as a musical gift for Valentine’s Day fully articulated to help interpret each style.great for helping with complex rhythms.road tested with scores of students and performed all over the world.fun to play.an exciting introduction to different musical cultures around the world.35 pages adding up to more than half an hour of quality music.The ten titles are, 1. Amore from Italy, as in a Verdi opera, 2. Ahava (×ַהֲבָה) from Israel, like a stately wedding dance, 3. Grá from Ireland, as in traditional Gaelic singing, 4. L’Amour from France, as in Parisian café music, 5. Ai (æ„›) from Japan, as in Enka popular music, 6. Love from USA, as in a Broadway musical, 7. Pyar (पà¥à¤¯à¤¾à¤°) from India, as in a Bollywood film, 8. Liebe from Germany, as in a slow expressive Baroque piece, 9. Hubb (Øب) from Morocco, as in traditional love poetry set to music, 10. Amor from Brazil, as in a romantic Bossa Nova from Rio. There are many more top quality arrangements and compositions by David McKeown for you to browse at https://www.sheetmusicplus.com/publishers/david-mckeown/6203
$11.99
Arioso by Bach for Trumpet and Trombone
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Trompette, Trombone (duo)
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DÉBUTANT
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Classique
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Johann Sebastian Bach
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Ander
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Arioso by Bach for Trumpet and
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Woods Only, Arrangements
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SheetMusicPlus
B-Flat Trumpet,Instrumental Duet,Trombone - Level 1 - SKU: A0.1125339 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Christmas,Easter,Sac...
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B-Flat Trumpet,Instrumental Duet,Trombone - Level 1 - SKU: A0.1125339 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Christmas,Easter,Sacred,Wedding. 5 pages. Woods Only, Arrangements #726124. Published by Woods Only, Arrangements (A0.1125339). This easy arrangement for trumpet and trombone duet was adapted to be simple to perform and understand the structure of the original work for various levels of musical knowledge. It can be played freely by beginning students due to the ease imposed on the piece; however, this does not preclude it from being played by professionals and music teachers. It is also ideal for academic recitals, weddings, student method and ceremonies that are arranged in the same way as the piece contains. The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part.
$3.99
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