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2 Tubas (duo)
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Trompette, Piano
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5
Trompette, Cor (duo)
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Trombone
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2
Cor anglais, Guitare (duo)
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Cor, Tuba (duo)
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Cor
1
2 Euphoniums (duo)
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4 Tubas
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Cor anglais et Harpe (duo)
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Trompette, Trombone, Piano
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3 Trompettes (trio)
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2 Violoncelles (duo)
27
2 Violons (duo)
25
Violon, Alto (duo)
21
2 Altos (duo)
20
Violoncelle, Piano
15
Alto, Piano
13
Violon et Piano
13
Harpe, Flûte (duo)
10
Quatuor à cordes: 2 violons, alto, violoncelle
8
Piano Trio: Violon, Alto, Piano
7
Harpe, Violoncelle (duo)
6
Violon
6
Harpe, Violon (duo)
6
Alto et Harpe
6
Violoncelle , Guitare (duo)
5
Violon, Guitare (duo)
5
Alto, Violoncelle (duo)
5
2 Contrebasses (duo)
4
2 Harpes (duo)
3
Alto, Guitare (duo)
3
Harpe, Voix
2
Harpe
2
Quatuor à cordes: 4 violons
1
Trio à Cordes: violon, alto, violoncelle
1
Violoncelle, Orgue
1
Trio à Cordes: 2 violons, violoncelle
1
Harpe et mandoline
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PERCUSSIONS & ORCHESTRES
Ensemble Jazz
31
Orchestre
28
Orchestre d'harmonie
15
Orchestre de chambre
14
Orchestre à Cordes
5
Jazz combo
5
Cloches
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Vous avez sélectionné:
Vocal Duet
Trompette, Trombone (duo)
Partitions à imprimer
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1
The Easter Bonnet Bop for Trumpet and Trombone Duet
Trompette, Trombone (duo)
Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 3 - Digital Download SKU: …
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Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.591401 Composed by David McKeown. Blues,Easter,Pop,R & B,Rock. Score and parts. 3 pages. David McKeown #6293693. Published by David McKeown (A0.591401). The Easter Bonnet Bop is a fun and original duet written by David McKeown for one Trumpet and one Trombone. The Easter Bonnet Bop is one in a series of ten Easter-themed duets each written in a different American dance style. The origins of the word Bop lie in the scat language of the ‘40s; Bop quickly became associated with the fast Bebop jazz of the period as musicians vocalised the offbeat rhythms of their angular melodies. Later in the ‘50s when Rockabilly and Rock’n’Roll first appeared, Bop was used to describe both the dance moves and the dance venues themselves. The Easter Bonnet Bop is suitable for players at an intermediate level and above, with the accessible key and range balanced by the fast tempo and syncopated rhythms and accidentals. With a playing-time of around one and a half minutes, The Easter Bonnet Bop is a perfect upbeat addition to any performance program, formal or informal. Click the link above to listen to a full performance of the clarinet version of this duet on YouTube. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$2.99
2.72 €
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Trompette, Trombone (duo)
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David McKeown
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The Easter Bonnet Bop for Trumpet and Trombone Duet
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David McKeown
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SheetMusicPlus
The Daffodil Doo-Wop, for Trumpet and Trombone Duet
Trompette, Trombone (duo)
Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 3 - Digital Download SKU: …
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Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.591122 Composed by David McKeown. Easter,Folk,Pop,R & B,Rock. Score and parts. 3 pages. David McKeown #6274725. Published by David McKeown (A0.591122). Daffodil Doo-Wop is a fun and original duet written by David McKeown for one Trumpet and one Trombone. Daffodil Doo-Wop is one in a series of ten Easter-themed duets, each written in a different Rock’n’Roll style. Doo-wop reached the height of its popularity in the early ‘60s but its origins were in the African-American vocal harmony groups in East Coast cities in the ‘40s. Doo-Wop was a major influence on the soul and pop music that followed it, with groups such as the Drifters, the Four Seasons and even the Beach Boys adopting the vocal harmonies. Daffodil Doo-Wop is suitable for players at an intermediate level and above. With a playing-time of around two minutes, Daffodil Doo-Wop is a perfect addition to any performance program, formal or informal. Click on the link above to hear a full YouTube performance played on the clarinet version of this duet. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$2.99
2.72 €
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Trompette, Trombone (duo)
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David McKeown
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The Daffodil Doo-Wop, for Trumpet and Trombone Duet
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David McKeown
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SheetMusicPlus
Merengue de Merlín, for Trumpet and Trombone Duet
Trompette, Trombone (duo)
Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 3 - Digital Download SKU: …
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Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.589088 Composed by David McKeown. Concert,Latin,Standards,World. Score and parts. 8 pages. David McKeown #5744005. Published by David McKeown (A0.589088). Merengue de MerlÃn is an exciting original composition by David McKeown, arranged as a duet for one Trumpet and one Trombone.This duet is based on the traditional Latin style of Merengue that emerged in the Dominican Republic during the Nineteenth Century. Merengue Tipico bands maintain the traditional instrumentation of the double-headed tambora drum, güira, accordion and vocal, while urban bands in the North American diaspora often add saxophone, bass and other percussion. The Merengue dance became hugely popular in the 1950s and new forms continue to draw audiences around the world.If you play to an intermediate standard and upwards, then you and your audience will enjoy this piece. The steady quintilla tambora rhythm is present throughout, and following the precise articulation in the score will help convey the style. The main challenge is the fast tempo and melodies should be clearly articulated. Merengue de MerlÃn has a performance time of around two and a half minutes at full tempo. You can listen to a full performance the Alto Saxophone version of this duet by following the YouTube link above.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
3.63 €
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Trompette, Trombone (duo)
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David McKeown
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Merengue de Merlín, for Trumpet and Trombone Duet
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David McKeown
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SheetMusicPlus
Joropo de Justina, for Trumpet and Trombone Duet
Trompette, Trombone (duo)
Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 4 - Digital Download SKU: …
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Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 4 - Digital Download SKU: A0.589089 Composed by David McKeown. Concert,Latin,Standards,World. Score and parts. 7 pages. David McKeown #5755343. Published by David McKeown (A0.589089). Joropo de Justina is an exciting original composition by David McKeown, arranged as a duet for one Trumpet and one Trombone.This duet is based on the traditional Latin style of Joropo which is the national and traditional music of Venezuela. The music and its accompanying dance comes from the central plains area and is also found over the border in parts of Colombia. The basic pulse of the Joropo is 3, but this is overlaid with complex cross-rhythms. The main instrument is the harp, along with cuatro and maracas as the only percussion instrument. In the modern era other instruments may join the ensemble, especially bass. This arrangement represents the song style of Joropo, with the vocal alternating with instrumental breaks.If you play to an advanced intermediate standard and upwards, then you and your audience will enjoy this piece. The many cross rhythms will provide a rhythmic challenge and there is little time to catch breath; following the articulation in the score will help convey the style. Joropo de Justina has a performance time of around two minutes at full tempo. You can listen to a full performance the Clarinet version of this duet by following the YouTube link above.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
3.63 €
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Trompette, Trombone (duo)
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David McKeown
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Joropo de Justina, for Trumpet and Trombone Duet
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David McKeown
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SheetMusicPlus
पà¥à¤¯à¤¾à¤° (Pyar, Hindi for Love), Trumpet and Trombone Duet
Trompette, Trombone (duo)
Instrumental Duet,Trombone,Trumpet - Level 4 - Digital Download SKU: A0.590872 Comp…
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Instrumental Duet,Trombone,Trumpet - Level 4 - Digital Download SKU: A0.590872 Composed by David McKeown. Film/TV,Hindi,Holiday,Multicultural,World. 6 pages. David McKeown #6247603. Published by David McKeown (A0.590872). पà¥à¤¯à¤¾à¤° (Pyar, Hindi for Love), is a beautiful original composition by David McKeown, arranged as a duet for one Trumpet and one Trombone, and is one of series of pieces celebrating Love in different languages around the world.This duet is inspired by the music of Bollywood Cinema. The film industry has been hugely important in India since the early days of Independence and music has been centre-stage in most productions. The music has always been a hybrid between traditional Indian forms and Western popular music and is renowned for its spectacular dance set-pieces. पà¥à¤¯à¤¾à¤° aims to capture the rhythm and spirit of Bollywood.पà¥à¤¯à¤¾à¤° is written for players at an advanced intermediate standard and upwards. The melody alternates between vocal and instrumental interludes with Bhangra style rhythms underlying throughout. Accurate articulation will help convey the style. पà¥à¤¯à¤¾à¤° has a performance time of around three minutes. Click on the link above to listen to a full YouTube performance of पà¥à¤¯à¤¾à¤° played on Clarinet.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
3.63 €
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Trompette, Trombone (duo)
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David McKeown
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पà¥à¤¯à¤¾à¤°
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David McKeown
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SheetMusicPlus
Yellow Submarine
Trompette, Trombone (duo)
Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 2 - Digital Download SKU: …
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Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 2 - Digital Download SKU: A0.588222 By The Beatles. By John Lennon and Paul McCartney. Arranged by David McKeown. Rock. Score and parts. 5 pages. David McKeown #5309665. Published by David McKeown (A0.588222). Yellow Submarine, by the Beatles, was released on the 1966 album, Revolver. The song was written by Lennon and McCartney with the limited range of Ringo Starr’s voice in mind. The recording of Yellow Submarine included numerous sound effects and backing vocals from everyone from Marianne Faithful to Brian Jones. There has been much speculation as to what the lyrics of Yellow Submarine might mean, but Lennon and McCartney insisted it was just a nonsense rhyme for children.This version of Yellow Submarine is arranged as a duet for one Trumpet and one Trombone. The full YouTube performance above is the Clarinet version off this arrangement.Musicians at an early intermediate level will find this ideal for formal and informal concert performance. The overall performance time is around two and a half minutes. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99
5.45 €
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Trompette, Trombone (duo)
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The Beatles
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David McKeown
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Yellow Submarine
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David McKeown
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SheetMusicPlus
It's Been A Long, Long Time
Trompette, Trombone (duo)
Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 3 - Digital Download SKU: …
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Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.592521 Composed by Jule Styne. Arranged by David McKeown. Contemporary. Score and parts. 4 pages. David McKeown #6366163. Published by David McKeown (A0.592521). It’s Been a Long Long Time is arranged as a duet for one Trumpet and one Trombone.It’s Been a Long Long Time is best known to modern audiences as the song at the end Avengers: Endgame, where Steve Rogers, after seventy years, finally gets to dance with Peggy Carter. The song of course, is much older. Two versions of It’s Been a Long Long Time topped the charts in late 1945, and as US servicemen returned from Europe and the Pacific, it perfectly caught the mood of the times. One version was by Bing Crosby, and the other by the Harry James Orchestra featuring Kitty Kallen on vocals. It is the latter version that is heard in Endgame and the one that forms the basis of this arrangement.Musicians at an intermediate standard will find It’s Been a Long Long Time ideal for formal and informal concert performances. with both parts enjoying plenty of melodic interest. The overall performance time is just over two and a half minutes. Click the link above to listen to a full performance of the clarinet version on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99
5.45 €
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Trompette, Trombone (duo)
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Jule Styne
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David McKeown
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It's Been A Long, Long Time
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David McKeown
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SheetMusicPlus
Here, There And Everywhere
Trompette, Trombone (duo)
Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 3 - Digital Download SKU: …
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Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.589081 By The Beatles. By John Lennon and Paul McCartney. Arranged by David McKeown. Rock. Score and parts. 4 pages. David McKeown #5361001. Published by David McKeown (A0.589081). Here, There and Everywhere by the Beatles, was released on the 1966 album, Revolver. Never released as a single, the song was nevertheless cited by John Lennon, Paul McCartney and George Martin as being amongst their favourite Beatles songs. Primarily written by McCartney, he acknowledged that the vocal harmonies were inspired by recent releases by the Beach Boys.Here, There and Everywhere is arranged as a duet for one Trumpet and one Trombone. Musicians at an intermediate level will find this ideal for formal and informal concert performance. The overall performance time is a little over two minutes. The full YouTube performance linked above is the Clarinet version of this duet.Teachers will enjoy using this arrangement as a fun way to help with ensemble skills and expressive playing. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99
5.45 €
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Trompette, Trombone (duo)
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The Beatles
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David McKeown
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Here, There And Everywhere
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David McKeown
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SheetMusicPlus
Smooth
Trompette, Trombone (duo)
Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 4 - Digital Download SKU: …
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Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 4 - Digital Download SKU: A0.783101 By Santana featuring Rob Thomas. By Itaal Shur and Rob Thomas. Arranged by John Groves. Contemporary. Score and parts. 11 pages. John Groves #4986325. Published by John Groves (A0.783101). NO VOCAL & NO RHYTHM SECTION PARTS.HORN SECTION ONLY (Trumpet & Trombone) This arrangement is in the original key of A-Minor and follows the musical form of the music video featuring SANTANA & ROB THOMAS. The Arrangement is flexible as you can use the horn section in which ever combination of horns you have. Trumpet part can be doubled or played by Tenor Sax. Excellent arrangement for your cover/tribute band horn section. Horn section score and individual parts for Trumpet & Trombone.
$4.99
4.54 €
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Trompette, Trombone (duo)
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Santana featuring Rob Thomas
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John Groves
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NO RHYTHM SECTION PARTS
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Smooth
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John Groves
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SheetMusicPlus
Let's Stay Together
Trompette, Trombone (duo)
Instrumental Duet Instrumental Duet,Trombone,Trumpet - Digital Download SKU: A0.930110
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Instrumental Duet Instrumental Duet,Trombone,Trumpet - Digital Download SKU: A0.930110 By Al Green. By Al Green, Al Jackson, Jr., and Willie Mitchell. Arranged by Jeff Perholtz. Soul. Score and parts. 6 pages. Fab Forward Entertainment #5200017. Published by Fab Forward Entertainment (A0.930110). This arrangement of Al Green's classic Let's Stay Together is great for rock bands that want to perform with a 2 piece horn section. This arrangement should be used to accompany a band performing the song as it was originally recorded, but without the fade-out. The no fade out ending calls for a vocal repeat of Good or bad, happy or sad into the final three bars repeating the lyrics, let's, let's, let's, we ought to stay together.
$12.99
11.83 €
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Trompette, Trombone (duo)
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Al Green
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Jeff Perholtz
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Let's Stay Together
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Fab Forward Entertainment
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SheetMusicPlus
Gabrieli: Canzon Septimi Toni Ch. 172 for Trumpet & Trombone Double Choir
Trompette, Trombone (duo)
Brass Ensemble Trombone,Trumpet - Level 2 - Digital Download SKU: A0.1224064 Compos…
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Brass Ensemble Trombone,Trumpet - Level 2 - Digital Download SKU: A0.1224064 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Renaissance. Score and Parts. 51 pages. Jmsgu3 #820156. Published by jmsgu3 (A0.1224064). From Sacrae Symphoniae, Venice, 1597Minimum instrumentation: Two choirs of 2 Trumpets, 1 Tenor Trombone & 1 Bass Trombone.InnovationsFirst of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.Polychoral WorksGabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well.Spatial MusicAbove all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance.First WorksFinally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung.HomophonyHence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
43.66 €
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Trompette, Trombone (duo)
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Giovanni Gabrieli
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James M
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1 Bass Trombone
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Gabrieli: Canzon Septimi Toni Ch. 172 for Trumpet & Trombone Double Choir
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jmsgu3
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SheetMusicPlus
Gabrieli: Sonata Pian e Forte, Ch. 175 for Trumpet & Trombone Choir
Trompette, Trombone (duo)
Brass Band Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.1220622 Compo…
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Brass Band Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.1220622 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Contest,Early Music,Festival,Historic,Instructional,Renaissance. Score and Parts. 45 pages. Jmsgu3 #816951. Published by jmsgu3 (A0.1220622). A musical monument: the first composition to employ dynamics Minimum Instrumentation: 4 Trumpets, 2 Alto Trombones, 3 Tenor Trombones, 1 Bass Trombone, and 1 Tuba. Suggested instrumentation: 8 trumpets, 4 Alto Trombones, 6 Tenor Trombones, 2 Bass Trombones, 4 Tubas.InnovationsFirst of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.Polychoral WorksGabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well.Spatial MusicAbove all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance.First WorksFinally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung.HomophonyHence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which he calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
43.66 €
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Trompette, Trombone (duo)
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Giovanni Gabrieli
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James M
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Gabrieli: Sonata Pian e Forte, Ch. 175 for Trumpet & Trombone Choir
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jmsgu3
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SheetMusicPlus
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