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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Was Renaissance
Non classifié
346
Piano & claviers
Piano, Voix
108
Piano seul
33
Piano Facile
14
Piano, Voix et Guitare
11
Orgue
6
Piano Quatuor: piano, violon, alto, violoncelle
4
Piano Quatuor: piano, 2 violons, violoncelle
2
Instruments en Do
1
Accompagnement Piano
1
2 Pianos, 4 mains
1
Piano Trio: piano, violon, violoncelle
1
+ 6 instrumentations
Retracter
Guitares
Mandoline
102
Guitare
32
Ukulele
21
Guitare notes et tablatures
9
4 Guitares (Quatuor)
3
2 Guitares (duo)
3
3 Guitares (trio)
2
Mandoline, Guitare (duo)
1
Banjo
1
Ligne De Mélodie, (Paroles) et Accords
1
+ 5 instrumentations
Retracter
Voix
Chorale SATB
62
Chorale 3 parties
17
Chorale 2 parties
16
Voix duo, Piano
5
Chorale Unison
5
Chorale TTBB
4
Chorale SSAATTBB
2
Voix duo
2
Voix Alto, Piano
1
Chorale SSAA
1
Chorale
1
Voix Baryton, Piano
1
Voix haute
1
Chorale SSATBB
1
Voix Soprano, Piano
1
Voix basse
1
+ 11 instrumentations
Retracter
Vents
Flûte à bec Soprano
89
Flûte à bec Alto
45
Ocarina
38
Quatuor de Clarinettes: 4 clarinettes
32
Ensemble De Flûte à bec
24
Quatuor de Saxophones: 4 saxophones
22
Flûte, Hautbois, Clarinette, Basson
22
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
22
Ensemble de Clarinettes
21
2 Saxophones (duo)
18
Quatuor de Flûtes à bec
18
Ensemble de Flûtes
16
Quatuor de Flûtes : 4 flûtes
15
Clarinette et Piano
13
3 Saxophones (trio)
11
Flûte traversière et Piano
11
Flûte et Guitare
10
2 Flûtes traversières (duo)
9
Quintette de Saxophone: 5 saxophones
9
Clarinette, Guitare (duo)
8
Saxophone Alto et Piano
8
Hautbois, Piano (duo)
8
Saxophone Tenor et Piano
6
3 Clarinettes (trio)
6
Trio de Flûtes: 3 flûtes
5
Quintette de Flûte : 5 flûtes
5
Ensemble de saxophones
5
Cor anglais, Piano
5
2 Clarinettes (duo)
4
2 Flûte à bec (duo)
4
Cor anglais, Guitare (duo)
4
Quintette de Clarinettes: 5 clarinettes
3
Saxophone et Guitare
3
Saxophone Baryton, Piano
3
Clarinette
2
3 Flûtes à bec (trio)
2
Flûte, Hautbois, Clarinette (trio)
2
Clarinette, Basson (duo)
2
Saxophone Soprano et Piano
2
Flute, harpe et violon
1
Flûte à Bec
1
2 Hautbois (duo)
1
Flûte, Clarinette (duo)
1
Ensemble de Hautbois
1
Flûte à bec Alto, Piano
1
Hautbois, Guitare (duo)
1
Hautbois, Flûte
1
Flute (partie séparée)
1
Hautbois, Violoncelle
1
Hautbois, Basson (duo)
1
Flûte, Hautbois (duo)
1
Saxophone Alto
1
Hautbois (partie séparée)
1
Clarinette, Violoncelle (duo)
1
Flûte, Violoncelle, Piano (trio)
1
Flûte à bec Tenor
1
Flûte traversière
1
+ 52 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
66
Quatuor de Cuivres : 2 trompettes, trombone, tuba
24
Ensemble de Trombones
13
Trombone et Piano
11
Quatuor de Cuivres
8
Quatuor de Cuivres: 2 trompettes, Cor, trombone
8
Quatuor de cuivres: 4 trombones
7
Ensemble de Trompettes
7
Trompette, Trombone (duo)
6
Tuba et Piano
5
Trompette
5
Cor anglais, Piano
5
Trompette, Piano
4
Quatuor de cuivres: 4 cors
4
Cor anglais, Guitare (duo)
4
2 Trompettes (duo)
3
2 Trombones (duo)
3
3 Trombones (trio)
3
Ensemble de Cors
2
Trombone
2
Quatuor de cuivres: 4 trompettes
2
Trio de Cuivres
2
Cor et Piano
2
Quatuor de cuivres: 2 trompettes, 2 trombones
2
Cor
1
2 Euphoniums et 2 Tubas
1
2 Tubas (duo)
1
2 Cors (duo)
1
Euphonium
1
Tuba et Orgue
1
4 Tubas
1
+ 26 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
67
Violon et Piano
13
Alto, Piano
11
Violoncelle, Piano
10
Trio à Cordes: violon, alto, violoncelle
10
2 Violons (duo)
7
Violoncelle
6
2 Violoncelles (duo)
6
2 Harpes (duo)
6
Violon, Violoncelle (duo)
6
Alto, Violoncelle (duo)
5
4 Violoncelles
4
Violoncelle , Guitare (duo)
4
Violon
4
Violon, Alto (duo)
4
Trio à cordes: 3 altos
3
Trio à Cordes: 3 violoncelles
3
Alto, Guitare (duo)
3
2 Altos (duo)
3
Harpe
3
Quatuor à cordes : 4 altos
3
Quatuor à cordes: 4 violons
2
Trio à Cordes: 2 violons, violoncelle
2
Trio à cordes: 3 violins
2
Violon, Guitare (duo)
2
Ensemble d'Altos
1
Contrebasse, Piano (duo)
1
Ensemble de Violons
1
Alto seul
1
+ 24 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
53
Orchestre d'harmonie
51
Ensemble de cuivres
47
Orchestre
4
Orchestre de chambre
3
Ensemble Jazz
3
Marimba
2
Fanfare
2
Xylophone
1
+ 4 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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LATIN POP ROCK
MARIAGE - AMOUR - BA…
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METHODE : ACCORDS ET…
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OPERA
PATRIOTIQUE
POLKA
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POP ROCK - ROCK CLAS…
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PUNK
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Vous avez sélectionné:
Was Renaissance
Trompette, Trombone (duo)
Partitions à imprimer
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Sing Joyfully (Eb) ( Brass Sextet) (3 Trp, 3 Trb)
Trompette, Trombone (duo)
Trombone,Trumpet - Level 4 - Digital Download SKU: A0.1344013 Composed by William B…
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Trombone,Trumpet - Level 4 - Digital Download SKU: A0.1344013 Composed by William Byrd. Arranged by Regis Bookshar. Chamber,Early Music,Historic,Instructional,Renaissance. 27 pages. Regis Bookshar #929495. Published by Regis Bookshar (A0.1344013). Sing Joyfully William Byrd - Brass Sextet - Advanced/Intermediate - Digital Download.William Byrd was the greatest British composer of the late Renaissance. and just maybe, the greatest British composer ever. He wrote a huge body of choral music, some of it profound and timeless. He also composed brilliant, virtuoso pieces and his motet-like anthem, Sing Joyfully, a polyphonic setting of Psalm 81, written in 1590, is perhaps his best-known one. It is enchanting to listen to and fun to sing. Regis Bookshar thought that instrumental performers should have the same opportunity that singers have experienced for years, so he has now transcribed, edited and arranged this wonderful composition for a wide variety of instrumental ensembles, including this one for a Brass Sextet, consisting of 3 Bb Trumpets and 3 Trombones.Since no tempo is indicated and there are no written dynamic or phrase markings in William Byrd's original score, Regis Bookshar has taken the liberty to included them in order to provide direction and life to the piece. This arrangement is suitable for high school and college students, and perhaps even some younger students. It is perfect for concerts, recitals and church services, but could be performed for any occasion. Included are a score and a complete set of parts (27 pages).Please take the time to look for other versions of this composition. You may find something else that may also suit your needs. Also, please feel free to search for other arrangements by Regis Bookshar as there are numerous selections in a variety of styles also available for purchase. You may find something else which might interest you. Please continue to check back periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of William Byrd's magnificaebt anthem, Sing Joyfully, will continue to delight both performers and audiences alike for many years to come.
$30.00
27.53 €
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Trompette, Trombone (duo)
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William Byrd
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Regis Bookshar
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Sing Joyfully
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Regis Bookshar
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SheetMusicPlus
Vere languores for Brass Quartet
Trompette, Trombone (duo)
Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 4 - Digital Download SKU: …
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Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 4 - Digital Download SKU: A0.782212 Composed by Tomas Victoria. Arranged by James Haynor. Praise & Worship,Renaissance,Sacred. Score and parts. 13 pages. James Haynor #3549045. Published by James Haynor (A0.782212). Tomás Luis de Victoria (sometimes translated as da Vittoria; c. 1548 – 27 August 1611) was the most famous composer in 16th-century Spain, and was one of the most important composers of the Counter Reformation, along with Palestrina and Orlando di Lasso. Victoria was not only a composer, but also an accomplished organist and singer as well as a Catholic priest. However, he preferred the life of a composer to that of a performer. Vere Languores is a charming work that would add much to any concert or recital. It would be playable by a good high school or university quartet. ( Duration 1:40 )
$10.00
9.18 €
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Trompette, Trombone (duo)
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Tomas Victoria
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James Haynor
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c
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Vere languores for Brass Quartet
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James Haynor
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SheetMusicPlus
Gabrieli: Canzon Septimi Toni Ch. 172 for Trumpet & Trombone Double Choir
Trompette, Trombone (duo)
Brass Ensemble Trombone,Trumpet - Level 2 - Digital Download SKU: A0.1224064 Compos…
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Brass Ensemble Trombone,Trumpet - Level 2 - Digital Download SKU: A0.1224064 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Renaissance. Score and Parts. 51 pages. Jmsgu3 #820156. Published by jmsgu3 (A0.1224064). From Sacrae Symphoniae, Venice, 1597Minimum instrumentation: Two choirs of 2 Trumpets, 1 Tenor Trombone & 1 Bass Trombone.InnovationsFirst of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.Polychoral WorksGabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well.Spatial MusicAbove all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance.First WorksFinally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung.HomophonyHence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
44 €
#
Trompette, Trombone (duo)
#
Giovanni Gabrieli
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James M
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1 Bass Trombone
#
Gabrieli: Canzon Septimi Toni Ch. 172 for Trumpet & Trombone Double Choir
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jmsgu3
#
SheetMusicPlus
Gabrieli: Sonata Pian e Forte, Ch. 175 for Trumpet & Trombone Choir
Trompette, Trombone (duo)
Brass Band Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.1220622 Compo…
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Brass Band Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.1220622 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Contest,Early Music,Festival,Historic,Instructional,Renaissance. Score and Parts. 45 pages. Jmsgu3 #816951. Published by jmsgu3 (A0.1220622). A musical monument: the first composition to employ dynamics Minimum Instrumentation: 4 Trumpets, 2 Alto Trombones, 3 Tenor Trombones, 1 Bass Trombone, and 1 Tuba. Suggested instrumentation: 8 trumpets, 4 Alto Trombones, 6 Tenor Trombones, 2 Bass Trombones, 4 Tubas.InnovationsFirst of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.Polychoral WorksGabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well.Spatial MusicAbove all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance.First WorksFinally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung.HomophonyHence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which he calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
44 €
#
Trompette, Trombone (duo)
#
Giovanni Gabrieli
#
James M
#
Gabrieli: Sonata Pian e Forte, Ch. 175 for Trumpet & Trombone Choir
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jmsgu3
#
SheetMusicPlus
Here We Come A-Caroling (Trumpet and Trombone Duet)
Trompette, Trombone (duo)
Instrumental Duet B-Flat Trumpet,Instrumental Duet,Trombone - Level 2 - Digital Download
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Instrumental Duet B-Flat Trumpet,Instrumental Duet,Trombone - Level 2 - Digital Download SKU: A0.1100003 Composed by Traditional. Arranged by B. C. Dockery. Christmas,Folk,Holiday,Renaissance,Traditional. Score and parts. 1 pages. Ben Dockery #703872. Published by Ben Dockery (A0.1100003). Here We Come A-Caroling, aka Wassail Song, arranged for Bb trumpet and trombone duet. Great for lessons, recitals, caroling, and Christmas or New Year's celebrations. Easy intermediate level.
$3.99
3.66 €
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Trompette, Trombone (duo)
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Traditional
#
B
#
Here We Come A-Caroling
#
Ben Dockery
#
SheetMusicPlus
Here We Come A-Caroling (Trumpet and Trombone Duet with Piano Accompaniment)
Trompette, Trombone (duo)
Instrumental Duet,Piano B-Flat Trumpet,Instrumental Duet,Piano,Trombone - Level 2 - Digita…
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Instrumental Duet,Piano B-Flat Trumpet,Instrumental Duet,Piano,Trombone - Level 2 - Digital Download SKU: A0.1100002 Composed by Traditional. Arranged by B. C. Dockery. Christmas,Folk,Holiday,Renaissance,Traditional. Score and parts. 5 pages. Ben Dockery #703871. Published by Ben Dockery (A0.1100002). Here We Come A-Caroling, aka Wassail Song, arranged for Bb trumpet and trombone duet with piano accompaniment. Great for lessons, recitals, caroling, and Christmas or New Year's celebrations. Easy intermediate level. Includes score and parts.
$4.99
4.58 €
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Trompette, Trombone (duo)
#
Traditional
#
B
#
Here We Come A-Caroling
#
Ben Dockery
#
SheetMusicPlus
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