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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
ch
Non classifié
290
Piano & claviers
Piano, Voix
334
Piano seul
215
Piano Facile
40
Piano, Voix et Guitare
25
Accordéon
10
Orgue
9
1 Piano, 4 mains
8
Instruments en Do
7
Piano Trio: piano, violon, violoncelle
4
Orgue, Trompette (duo)
2
2 Pianos, 4 mains
1
2 Pianos, 8 mains
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Clavecin
1
Accompagnement Piano
1
+ 10 instrumentations
Retracter
Guitares
Guitare
32
Guitare notes et tablatures
9
3 Guitares (trio)
3
Ligne De Mélodie, (Paroles) et Accords
3
Paroles et Accords
3
Ukulele
3
Mandoline
2
4 Guitares (Quatuor)
1
2 Guitares (duo)
1
Basse electrique
1
+ 5 instrumentations
Retracter
Voix
Chorale SATB
112
Voix seule
49
Chorale 3 parties
36
Chorale TTBB
24
Chorale
18
Chorale SSAA
13
Chorale, Orchestre
10
Voix Baryton, Piano
9
Voix Soprano, Piano
9
Chorale 2 parties
5
Voix Mezzo-Soprano, Piano
4
Voix Alto, Piano
4
Voix basse, Piano
4
Voix Tenor, Piano
3
Chorale SSATTB
3
Voix et basse continue
2
Chorale SAATB A Cappella
1
Voix, Guitare
1
Voix haute
1
Chorale SSAATTBB
1
+ 15 instrumentations
Retracter
Vents
Flûte traversière
38
2 Flûtes traversières, Piano
25
Flûte traversière et Piano
20
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
19
2 Saxophones (duo)
17
Ensemble de Clarinettes
15
Saxophone
15
Quatuor de Saxophones: 4 saxophones
14
Flûte à Bec
12
Flûte, Hautbois, Clarinette, Basson
12
2 Clarinettes (duo)
11
Saxophone, Clarinette (duo)
10
Clarinette
10
2 Flûtes traversières (duo)
10
Quatuor de Clarinettes: 4 clarinettes
9
Clarinette et Piano
9
Clarinette, Violon (duo)
8
Flûte, Clarinette (duo)
7
Hautbois, Piano (duo)
7
Quintette de Saxophone: 5 saxophones
6
Saxophone Alto et Piano
6
Hautbois, Clarinette (duo)
6
Flûte, Trompette (duo)
6
Flûte, Violon
6
Cor anglais, Piano
5
Saxophone (partie séparée)
5
Hautbois
5
Saxophone Tenor et Piano
5
2 Hautbois (duo)
5
Ensemble de Flûtes
5
Ensemble de saxophones
4
Saxophone, Violon (duo)
4
Quatuor de Flûtes : 4 flûtes
4
Hautbois, Trompette (duo)
4
Flûte, Hautbois (duo)
4
Clarinette, Trompette (duo)
4
Hautbois, violon (duo)
4
Quintette de Clarinettes: 5 clarinettes
3
Saxophone Soprano et Piano
3
Hautbois, Basson (duo)
3
Flûte à bec Soprano
3
2 Clarinettes, Piano
2
Ocarina
2
Saxophone Alto
2
Clarinette et Alto
2
Flûte, Saxophone (duo)
2
Quintette de Clarinette: Clarinette, Quatuor à Cordes
2
Flûte, Alto (duo)
2
Flûte et Guitare
2
Hautbois, Flûte
2
Clarinette, Guitare (duo)
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Flûte, Clarinette et Basson
1
Saxophone Baryton, Piano
1
Trio de Flûtes: 3 flûtes
1
Flûte, Violoncelle
1
Flûte traversière, Basse continue
1
2 Flûte à bec (duo)
1
Harmonica
1
Cor anglais, Guitare (duo)
1
Hautbois, Violoncelle
1
Saxophone et violoncelle
1
3 Clarinettes (trio)
1
Instruments en Mib
1
Cor anglais et Harpe (duo)
1
Flûte à bec Tenor
1
Flûte, Trombone (duo)
1
Flute (partie séparée)
1
Flûte à bec, Guitare (duo)
1
Flûte, Violon, Piano
1
Flûte, Violon, Violoncelle et Piano
1
Quintette de Flûte : 5 flûtes
1
Hautbois (partie séparée)
1
Saxophone, Basson (duo)
1
Clarinette, Violoncelle (duo)
1
Flûte à bec Alto
1
Clarinette (partie séparée)
1
Clarinette, Basson (duo)
1
2 Clarinettes, Basson
1
2 Flûtes, 2 Clarinettes (Quatuor)
1
Clarinette, Trombone (duo)
1
Saxophone Tenor
1
+ 77 instrumentations
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
15
Trompette
12
Trompette, Saxophone (duo)
9
Trompette, Piano
8
Quatuor de Cuivres : 2 trompettes, trombone, tuba
7
Trombone
6
Trompette (partie séparée)
6
Cor
5
Cor anglais, Piano
5
2 Trompettes (duo)
5
2 Trombones (duo)
4
Trombone, violoncelle (duo)
4
Quatuor de cuivres: 4 cors
4
Euphonium
4
Cor et Piano
4
Trompette, Trombone (duo)
4
Quatuor de Cuivres: 2 trompettes, Cor, trombone
4
Trompette, violon (duo)
4
Trompette, Basson (duo)
4
Trombone (partie séparée)
4
Tuba
4
Quatuor de cuivres: 4 trombones
3
2 Cors (duo)
3
Quatuor de Cuivres
2
Ensemble de Trompettes
2
Ensemble de Trombones
2
Trombone et Piano
2
3 Trompettes (trio)
2
Trompette, Violoncelle (duo)
1
Euphonium, Piano (duo)
1
Trombone, Violon (duo)
1
Cor anglais, Guitare (duo)
1
Trio de Cuivres
1
Cor anglais et Harpe (duo)
1
Cor (partie séparée)
1
2 Euphoniums (duo)
1
Trombone, Orgue
1
Cor, Violoncelle (duo)
1
Tuba et Piano
1
Instruments en Sib
1
3 Trombones (trio)
1
Cor et Basson (duo)
1
+ 37 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
60
Violon et Piano
19
Violon
18
Violoncelle
18
Violoncelle, Piano
16
Alto seul
10
Harpe
7
Violon, Violoncelle (duo)
7
Alto, Piano
6
2 Violoncelles (duo)
6
2 Violons (duo)
6
2 Altos (duo)
6
Alto, Violoncelle (duo)
5
4 Violoncelles
5
Alto, Guitare (duo)
3
Trio à Cordes: violon, alto, violoncelle
3
Violon, Alto (duo)
3
Violon (partie séparée)
2
Harpe, Flûte (duo)
2
Violon, Guitare (duo)
2
Contre Basse
2
Violoncelle , Guitare (duo)
2
2 Violons, Piano
2
Trio à Cordes: 3 violoncelles
2
Violon, Basson (duo)
2
Trio à cordes
1
2 Violoncelles, Piano
1
Piano Trio: Violon, Alto, Piano
1
Quatuor à cordes : 4 altos
1
Alto et Basson
1
Alto (partie séparée)
1
Violoncelle (partie séparée)
1
+ 27 instrumentations
Retracter
Orchestre & Percussions
Orchestre
28
Ensemble de cuivres
22
Orchestre d'harmonie
20
Ensemble Jazz
17
Orchestre à Cordes
11
Orchestre de chambre
9
Quintette à Vent
5
Percussion
4
Percussion (partie séparée)
3
Jazz combo
3
Cloches
1
+ 6 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
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CLAIRON
CLARINETTE
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Trompette, Trombone (duo)
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The Tulip Ch'Boogie for Trumpet and Trombone Duet
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Trompette, Trombone (duo)
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INTERMÉDIAIRE
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David McKeown
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The Tulip Ch'Boogie for Trumpe
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David McKeown
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 3 - SKU: A0.591361 Composed by David McKeown. Blues,Easter,Pop,R & B,Rock. Score and parts....
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Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 3 - SKU: A0.591361 Composed by David McKeown. Blues,Easter,Pop,R & B,Rock. Score and parts. 3 pages. David McKeown #6292217. Published by David McKeown (A0.591361). The Tulip Ch’Boogie is a fun and original duet written by David McKeown for one Trumpet and one Trombone. The Tulip Ch’Boogie is one in a series of ten Easter-themed duets each written in a different American dance style. Boogie originally referred to the piano style found in Southern State bars where the driving swung bass-line, often double in octaves, cut through the noise. These bass-line patterns were adapted by Big Bands in the ‘30s, and later by Jump bands like that of Louis Jordan. Later still Boogie was quickly incorporated into Rockabilly and Rock’n’Roll. The Tulip Ch’Boogie is suitable for players at an intermediate level and above, with the accessible key and range balanced by the fast tempo and syncopated rhythms and accidentals. With a playing-time of around one and a half minutes, The Tulip Ch’Boogie is a perfect upbeat addition to any performance program, formal or informal. Click the link above to listen to a full performance of the clarinet version of this duet on YouTube. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$2.99
Gabrieli: Canzon Septimi Toni Ch. 172 for Trumpet & Trombone Double Choir
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Trompette, Trombone (duo)
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FACILE
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Giovanni Gabrieli
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James M
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1 Bass Trombone
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Gabrieli: Canzon Septimi Toni
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jmsgu3
#
SheetMusicPlus
Brass Ensemble Trombone,Trumpet - Level 2 - SKU: A0.1224064 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Fes...
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Brass Ensemble Trombone,Trumpet - Level 2 - SKU: A0.1224064 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Renaissance. Score and Parts. 51 pages. Jmsgu3 #820156. Published by jmsgu3 (A0.1224064). From Sacrae Symphoniae, Venice, 1597Minimum instrumentation: Two choirs of 2 Trumpets, 1 Tenor Trombone & 1 Bass Trombone.InnovationsFirst of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.Polychoral WorksGabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well.Spatial MusicAbove all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance.First WorksFinally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung.HomophonyHence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Gabrieli: Sonata Pian e Forte, Ch. 175 for Trumpet & Trombone Choir
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Trompette, Trombone (duo)
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FACILE
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Giovanni Gabrieli
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James M
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Gabrieli: Sonata Pian e Forte,
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jmsgu3
#
SheetMusicPlus
Brass Band Trombone,Trumpet,Tuba - Level 2 - SKU: A0.1220622 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Contest,Early Music,Fes...
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Brass Band Trombone,Trumpet,Tuba - Level 2 - SKU: A0.1220622 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Contest,Early Music,Festival,Historic,Instructional,Renaissance. Score and Parts. 45 pages. Jmsgu3 #816951. Published by jmsgu3 (A0.1220622). A musical monument: the first composition to employ dynamics Minimum Instrumentation: 4 Trumpets, 2 Alto Trombones, 3 Tenor Trombones, 1 Bass Trombone, and 1 Tuba. Suggested instrumentation: 8 trumpets, 4 Alto Trombones, 6 Tenor Trombones, 2 Bass Trombones, 4 Tubas.InnovationsFirst of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.Polychoral WorksGabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well.Spatial MusicAbove all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance.First WorksFinally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung.HomophonyHence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which he calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
10 Easter Rock'n'Roll Duets for Trumpet and Trombone
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Trompette, Trombone (duo)
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INTERMÉDIAIRE
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David McKeown
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10 Easter Rock'n'Roll Duets fo
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David McKeown
#
SheetMusicPlus
Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 3 - SKU: A0.591475 Composed by David McKeown. Blues,Easter,Pop,R & B,Rock. Score and parts....
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Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 3 - SKU: A0.591475 Composed by David McKeown. Blues,Easter,Pop,R & B,Rock. Score and parts. 24 pages. David McKeown #6295207. Published by David McKeown (A0.591475). 10 Easter Rock’n’Roll Duets is a fun collection of original compositions by David McKeown for one Trumpet and one Trombone.Each Easter themed duet is inspired by a different American dance style from the golden age of Rock’n’Roll. These duets are ideal for players of an Intermediate standard and above. While the keys and range are easily accessible for your instrument, the style of music requires accidentals and syncopated rhythms. Click the link above to hear short samples of each duet on YouTube played on clarinet.10 Easter Rock’n’Roll Duets areperfect for concert performances large and small; each piece lasts between one and two minutes. Perfect upbeat pieces to get you moving after a long winter, but playable any time of year. fully articulated to help interpret each style. great for helping with complex rhythms. road tested with scores of students and performed all over the world.fun to play. an exciting introduction to different musical Rock’n’Roll styles. 23 pages adding up to nearly twenty minutes of quality music. The ten titles are, Tulip Ch’Boogie, Baby Sheep Shuffle, Candy Cakewalk, Chocolate Chalypso, Daffodil Doo-Wop, Easter Bonnet Bop, Easter Bunny Hop, Easter Egg Rock, Jellybean Jive and Spring Chicken Swing.There are many more top quality arrangements and compositions by David McKeown for you to browse at https://www.sheetmusicplus.com/publishers/david-mckeown/6203
$8.99
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