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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
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TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
The Sombre Suite
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
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Vous avez sélectionné:
The Sombre Suite
Violon, Guitare (duo)
Partitions à imprimer
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Lightly Suite (for violin and guitar)
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Violon, Guitare (duo)
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Contemporain
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Paul SanGregory
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Lightly Suite
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Distant Engraver Music
#
SheetMusicPlus
Instrumental Duet Guitar,Instrumental Duet,Violin - SKU: A0.977033 Composed by Paul SanGregory. Contemporary. Score and parts. 48 pages. Distant Engrave...
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Instrumental Duet Guitar,Instrumental Duet,Violin - SKU: A0.977033 Composed by Paul SanGregory. Contemporary. Score and parts. 48 pages. Distant Engraver Music #3534793. Published by Distant Engraver Music (A0.977033). (Score and parts are included in a single download.)As the pun used for the title for this piece suggests, it is a suite of generally light movements that still possess a certain amount of depth. Though the harmonies are generally pleasant, seeming to have popular or jazz origins, there are various musical spices adding more body to that sweetness. The first movement, Improvisation, captures the mood of a free-form prelude, as if the players were improvising on a set of chords, some of which seem to be influenced by jazz or other non-classical idioms. Dialogue, the second movement, is a conversation between the violin and guitar. There are times when one instrument accompanies the other, but generally both players add important thoughts to the rhythmically diverse conversation. The third movement begins with a guitar accompaniment supporting the violin’s Song. Later, these two roles are reversed. Dance is essentially a disagreement. The violin plays a quasi-aristocratic eighteenth-century gavotte while the guitar prefers a sombre chromatic waltz. There is emphatic disagreement over which dance the players should perform, but in the end a solution seems to be found. The last movement, Pursuit, is a playful chase that is interrupted by a dreamy pause to catch one’s breath. Complete performance duration is ca. 15 minutes.
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The Sombre Suite
