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Look At Me
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Vous avez sélectionné:
Look At Me
facile
Piano, Voix et Guitare
Partitions à imprimer
6 partitions trouvées
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1
The Day Got Away From Me
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Piano, Voix et Guitare
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FACILE
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Comédie Musicale
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Elizabeth Doyle and Jon Steinh
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The Day Got Away From Me
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Bix & Bets Music Publishing
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.938222 Composed by Elizabeth Doyle and Jon Steinhagen. Musical/Show,Pop. Score. 7 pages. Bix & Bets Music P...
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Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.938222 Composed by Elizabeth Doyle and Jon Steinhagen. Musical/Show,Pop. Score. 7 pages. Bix & Bets Music Publishing #5896805. Published by Bix & Bets Music Publishing (A0.938222). A contemporary ballad from the musical Alice In Analysis. A contemplative look at taking control of one's daily time.....carpe diem.
$4.99
Here to See Santa Claus (Jolly Old Saint Nicholas) solo and piano
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Piano, Voix et Guitare
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FACILE
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James R
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Connie Boss
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Here to See Santa Claus
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Connie Boss
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.1335072 Composed by James R. Murray. Arranged by Connie Boss. Children,Christmas. Score. 4 pages. Connie Bo...
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Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.1335072 Composed by James R. Murray. Arranged by Connie Boss. Children,Christmas. Score. 4 pages. Connie Boss #920918. Published by Connie Boss (A0.1335072). I put a twist on Jolly Old Saint Nicholas. I added verses and a different melody along with the familiar melody of Jolly Old Saint Nicholas. This song starts off with a child waiting patiently in line to see Santa so he can tell him what he wishes for him to bring him for Christmas. I started off with my own original melody and lyrics and then in the middle of the song, when the child finally reaches Santa, I switch to the melody of Jolly Old Saint Nicholas. However, to modernize it, I switched to Jolly Old Dear Santa Claus. I kept verse one lyrics the same except for that part. I changed the lyrics entirely for the second verse. The child tells Santa where he can put the presents and hopes one is for him. He also tells him he tries to wait up for him each year, but Santa is so quiet, he sleeps through the night. The last verse is back to my original melody and lyrics where Santa tells him it will be a surprise what he brings him this year. This brings the song all the way from waiting in line to see Santa to sitting on his knee and Santa telling him it will be a surprise. Let me know if you have any questions or request at cdboss@cvalley.net.Lyrics:Here to see Santa Claus “Jolly Old St Nicholasâ€Â I’m here to see Santa Claus But, it’s a long, long line, With lot’s of kids ahead of me, It will take some time I have with me my Christmas listTo tell dear Santa what I wish Now my time is finally hereTo sit up on his kneeHe asked me what I want this yearSo I whisper in his ear Jolly old dear Santa Claus, lean your ear this wayDon’t you tell a single soul what I’m going to sayChristmas eve is coming soon, now you dear old manWhisper what you’ll bring to me – tell me if you can Down the chimney you will comeRight next to the tree,You can put the presents thereI hope there’s one for me You never make any noiseI wait for you each yearBut I sleep all through the nightSo I can’t catch you here Then he looked and smiled at me and whispered in my earIt will be a big surprise what I bring to you this year.
$5.50
Old Rocking Chair
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Piano, Voix et Guitare
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FACILE
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Anne Britt, Gay Tregaskis
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Old Rocking Chair
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Anne Britt
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.741158 Composed by Anne Britt, Gay Tregaskis. Children,Folk,Holiday,Pop. Score. 6 pages. Anne Britt #338198...
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Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.741158 Composed by Anne Britt, Gay Tregaskis. Children,Folk,Holiday,Pop. Score. 6 pages. Anne Britt #3381981. Published by Anne Britt (A0.741158). When an acquaintance of mine, Gay Tregaskis, sent me a poem she’d written and told me the story behind it, I was honored to be able to put her beautiful and touching words to music. The story is best told in her own words: When I was expecting my first baby, I wanted an antique rocking chair. I found one listed in the newspaper that said, ‘old, but loved.’ I remember going to look at it with my husband in November. It was old and worn… the seat springs were broken, the fabric was faded and torn. I loved it! We bought it for a forgotten amount and my sweet mother-in-law had it repaired and re-upholstered for my Christmas gift. Our little son was born on January 31st. I spent hours and hours just rocking God’s little miracle. On Mother’s Day that year, I woke up and just began writing. There were only one or two lines I shifted. It felt like all the babes and parents who ever sat in the old chair wanted me and mommies-to-be to understand the precious moments spent rocking and bonding. It still brings tears to my eyes. These words are a gift given to me for my children and all who they touch. Our moments to share pass on fleet feet… especially with our children. Please – if any of my poems can be given forward in song, this is the one I want parents to share and to be impressed to never forget how quickly time passes – to cherish the ‘now.’ If singing our song will give pause for parents to bond, then those souls passed on who visited and inspired this verse will have peace. 6 pages.Visit the composer's website for contact info and some free sheet music downloads: https://annebrittmusic.com/
$3.99
Come Monday
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Piano, Voix et Guitare
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FACILE
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Jimmy Buffett
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Jeff Tincher
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Come Monday
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Jeff Tincher
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.1287183 By Jimmy Buffett. By Jimmy Buffett. Arranged by Jeff Tincher. Contemporary,Pop. Score. 7 pages. Jef...
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Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.1287183 By Jimmy Buffett. By Jimmy Buffett. Arranged by Jeff Tincher. Contemporary,Pop. Score. 7 pages. Jeff Tincher #878192. Published by Jeff Tincher (A0.1287183). I did this song as a tribute to the man that created a whole new genre with his music. Today (9/2/23) they announced that Jimmy Buffet passed away. If you weren't a parrothead, you missed something. This is Jimmy's first big hit. Now here is something that surprised me in a weird way. 9/2 is part of Labor Day weekend this year. If you look at the lyrics of this love song, you will see the starting line, Headin' out to San Francisco for the Labor Day weekend show. And then the song is from his 4th LP Living and Dying in 3/4 Time. Enjoy. Duration = 2:55. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing/.
$5.99
Happy Birthday
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Piano, Voix et Guitare
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FACILE
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Thea Wray
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Althea Wray
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Happy Birthday
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Water II Wine Publishing
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.1412841 By Thea Wray. By Louise Bennett and Norman Span. Arranged by Althea Wray. 21st Century,Children,Con...
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Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.1412841 By Thea Wray. By Louise Bennett and Norman Span. Arranged by Althea Wray. 21st Century,Children,Contemporary,Multicultural,Traditional,World. Score. 3 pages. Water II Wine Publishing #994724. Published by Water II Wine Publishing (A0.1412841). Written originally by Norman Span AKA King of the Radio, Harry Belafonte made the Calypso song ' Matilda' famous and Rt Honourable Dr Louise Bennett Coverley OM OJ MBE known affectionately as Miss Lou went on to adapt the tune as a children's Happy Birthday song for her childrens programmes.I actually played with her as a teenager on her children's programme, Ring Ding, which aired on JBCin the 1070's. I had the honour and pleasure of playing this and other songs with her a few times as Marjorie Whylie, her usual pianist, had broken her wrist (my mothere even looked after her at the University Hospital - small world Kingston !). Â I remember her taking me under her wing and I even had a chance to visit her in her lovely home in Gordon Town, St Andrew. She left an indelible mark on me. Â Now I have a chance to write,arrange and record my favourite pieces from her repertoire. Â I have sung this to children in primary schools in South London. Â I have tried to retain but update the calyspo feel in the bass clef and my producer Jaja Wray has enhanced this with his percussion and drum patterns and other fills. This track will be released in April 2024.
$3.50
We Must Learn to Walk Together
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Piano, Voix et Guitare
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FACILE
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Musique Sacrée
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Lisa Waites
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Lisa Waites
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We Must Learn to Walk Together
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Servant Song Music and Ministry
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.1044425 By Lisa Waites. By Lisa Waites. Arranged by Lisa Waites. Folk,Holiday,Multicultural,Praise & Worshi...
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Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.1044425 By Lisa Waites. By Lisa Waites. Arranged by Lisa Waites. Folk,Holiday,Multicultural,Praise & Worship,Sacred,World. Score. 2 pages. Servant Song Music and Ministry #649158. Published by Servant Song Music and Ministry (A0.1044425). I wrote this reconciliation hymn back in 2016, when elders from the Blood Tribe, Metis, Piikani, and Siksika nations of Southern Alberta led the Reconciliation Week events at Medicine Hat College, in Medicine Hat, Alberta. They invited me to write and teach this hymn as part of the sessions at MHC, where I was (then) the ecumenical Chaplain. It has been an honour to participate in this annual tradition of indigenous leaders sharing their distinctive cultural practices, traditions, and values with the public in Medicine Hat (and the surrounding communities) for a decade, now. During the session I was asked to assist with, the Elders were sharing the Seven Grandfathers' Teachings, and so I included these core values into the lyrics of the hymn. The work in Medicine Hat started with expressions of lament and support from a group of local churches and the Medicine Hat College Chaplaincy program while the Truth and Reconciliation Commission was crossing the country. We quickly realized that many non-indigenous Canadians genuinely wanted to learn more about their First Nations, Metis, and Inuit neighbours. Seeing an urgent need for greater awareness about the intergenerational damage that was done by the Indian Residential School system here in Canada, and also identifying these Reconciliation events as a way to decrease racist stereotypes and assumptions about indigenous peoples, we decided to continue offering an annual reconciliation session, which grew, year by year. A decade later, I'm delighted to have seen deeper, healthier relationships being built between indigenous and non-indigenous people. Musically, this hymn loosely imitates the style of the French Canadian Voyageurs, the folk melodies of the 18th and 19th centuries. The lyrics incorporate the Seven Grandfathers' Teachings. This core ethical framework has many different versions, but many First Nations communities have adopted these teachings in some form. (I've heard Elders say that Respect must come first, because it is the foundation that we build on, but for this particular group at Medicine Hat College, Humility was first on the list). I have Metis ancestry myself, and as an adult, I have researched the long-hidden genealogical and cultural treasures of my family tree. Whether you are an indigenous person looking to support other indigenous Christian composers, or whether you are a non-indigenous person who is trying to broaden the repertoire of your congregation, We Must Learn to Walk Together is an upbeat, hope-filled hymn that sings about reconciliation as if it is not only possible in the distant future - but also achievable today, using the concrete steps suggested by the lyrics. The indigenous wisdom of the Seven Grandfathers' Teachings lines up beautifully with the teachings of Christ. Musically, this hymn is highly accessible for congregational singing; the range is moderate and the rhythms provide musical interest without becoming overly complex; to hear the guitar version and melody line of the hymn being played and sung by the composer, please go to the following YouTube link: https://youtu.be/3DpkFCLxgEs. The musical format of the hymn alternates between the chorus and three verses. The piece takes roughly 3:30 to perform. This hymn has been transcribed in the key of C Major, so it is as easy as possible for church accompanists to play and for congregations to sing; guitarists are invited to play in the key of A Major and simply capo 3. Guitar chords are included. I hope and pray that this hymn for reconciliation will help you, your congregation, and the wider community to think about, pray for, and enact the calls to action of the Canadian Truth and Reconciliation Commission in new and deeper ways this year.
$3.99
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