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Two Of Us
Non classifié
48
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70
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11
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7
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6
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3
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2
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2
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2
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1
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1
+ 5 instrumentations
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38
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9
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2
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20
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2
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1
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62
Clarinette et Piano
61
Flûte traversière et Piano
59
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38
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36
2 Saxophones (duo)
10
Flûte traversière
7
Hautbois (partie séparée)
6
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5
Clarinette
5
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3
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2
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1
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1
Clarinette, Basson (duo)
1
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1
Saxophone Baryton, Piano
1
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1
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1
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1
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1
+ 17 instrumentations
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53
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37
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29
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8
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7
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5
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1
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1
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1
2 Trombones (duo)
1
Quatuor de Cuivres
1
+ 6 instrumentations
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48
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46
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40
Trio à Cordes: violon, alto, violoncelle
15
Quatuor à cordes: 2 violons, alto, violoncelle
15
Violon
6
Violoncelle
6
Violon, Violoncelle (duo)
6
Alto seul
5
Trio à Cordes: 2 violons, violoncelle
4
Harpe, Violon (duo)
2
Trio à Cordes: 2 violons, alto
2
Alto (partie séparée)
2
Harpe
2
2 Violons (duo)
1
2 Violoncelles (duo)
1
+ 11 instrumentations
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Ensemble Jazz
8
Orchestre
7
Ensemble de cuivres
4
Orchestre d'harmonie
4
Orchestre de chambre
2
Batterie
1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
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FLUTE TRAVERSI…
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Crtitères actifs :
Two Of Us
avancé
Piano, Voix et Guitare
Partitions à imprimer
6 partitions trouvées
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1
All Of Me
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Piano, Voix et Guitare
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INTERMÉDIAIRE/AVANCÉ
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Gerald Marks and Seymour Simon
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John Fries
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All Of Me
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John Fries
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1197478 Composed by Gerald Marks and Seymour Simons. Arranged by John Fries. 20th Century,Jazz,Standards. S...
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Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1197478 Composed by Gerald Marks and Seymour Simons. Arranged by John Fries. 20th Century,Jazz,Standards. Score. 2 pages. John Fries #796649. Published by John Fries (A0.1197478). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer. Gerald Marks and Seymour Simons wrote the words and music of All of Me in 1931. All of Me first came to public awareness when a performance by Belle Baker was broadcast over the radio in 1931. Paul Whiteman and His Orchestra recorded the song on December 1 that year, with vocalist Mildred Bailey; this went to the top of the US pop charts. Within weeks, another two versions were in the charts, with a Louis Armstrong rendition also reaching No. 1, and Ben Selvin and His Orchestra peaking at No. 19.
$4.99
Fragments des Fragments du Narcisse, after Paul Valéry, for alto and guitar
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Piano, Voix et Guitare
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INTERMÉDIAIRE/AVANCÉ
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David Warin Solomons
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Fragments des Fragments du Nar
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David Warin Solomons
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1402627 By David Warin Solomons. By David Warin Solomons. Classical,Contemporary,Singer/Songwriter. Score. ...
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Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1402627 By David Warin Solomons. By David Warin Solomons. Classical,Contemporary,Singer/Songwriter. Score. 10 pages. David Warin Solomons #985851. Published by David Warin Solomons (A0.1402627). This song is based on parts of the poem by Paul Valéry Fragments du Narcisse which explains and ponders the idea of the origin of narcissism (self-love)The words are as followsMais moi, Narcisse aimé, je ne suis curieuxQue de ma seule essence ;Tout autre n’a pour moi qu’un cœur mystérieux,Tout autre n’est qu’absence.Ô mon bien souverain, cher corps, je n’ai que toi !Le plus beau des mortels ne peut chérir que soi... Douce et dorée, est-il une idole plus sainte,De toute une forêt qui se consume, ceinte,Et sise dans l’azur vivant par tant d’oiseaux ?Est-il don plus divin de la faveur des eaux,Et d’un jour qui se meurt plus adorable usageQue de rendre à mes yeux l’honneur de mon visage ?Quitte enfin le silence, ose enfin me répondre,Bel et cruel Narcisse, inaccessible enfant,Tout orné de mes biens que la nymphe défend...Formons, toi sur ma lèvre, et moi, dans mon silence,Une prière aux dieux qu’émus de tant d’amourSur sa pente de pourpre ils arrêtent le jour !...Dieux ! de l’auguste jour, le pâle et tendre resteVa des jours consumés joindre le sort funeste ;Il s’abîme aux enfers du profond souvenir !Hélas ! corps misérable, il est temps de s’unir...Penche-toi... Baise-toi. Tremble de tout ton être !L’insaisissable amour que tu me vins promettrePasse, et dans un frisson, brise Narcisse, et fuit..English translation by D W SolomonsBut I, beloved Narcissus, am curious onlyabout my very beingeverything else has nothing more than a heart of mysteryeverything else is nothing but absenceOnly what I own, my dear sovereign body, is what I haveThe most beautiful of mortals cannot cherish anything more than itselfSweet and golden, is there a more holy idolwithin an entire forest, self-consumed and heldand set in the living azure by so many birds?Is there a more divine gift than the favour of the watersand a more adorable use of the dying daythan to return to me the honour of my face?Please don't be silent, please dare to replyBeautiful and cruel Narcissus, unreachable child owning what I hold dear but guarded by the nymphLet the two of us, you on my lips and I in my silencemake a prayer to the gods that they should be moved by so much lovethat they would keep the day held in its purple sunsetGods! only the pale and tender parts remain of the august day,It joins the fate of other days that were consumedIt goes down into the hell of deep memoryAlas, miserable body, it is time to become as oneBend down - kiss yourself - tremble with all your beingThe intangible love that you promisedhas gone by, and in a shiver, shatters Narcissus and flees.
$11.00
You're Still The One
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Piano, Voix et Guitare
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INTERMÉDIAIRE/AVANCÉ
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Shania Twain
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John Fries
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You're Still The One
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John Fries
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1201298 By Shania Twain. By Robert John Mutt Lange and Shania Twain. Arranged by John Fries. 20th Century,P...
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Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1201298 By Shania Twain. By Robert John Mutt Lange and Shania Twain. Arranged by John Fries. 20th Century,Pop,Standards. Score. 2 pages. John Fries #799952. Published by John Fries (A0.1201298). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns. Â You can also type John Fries in the searchbar to see all I have to offer. Thanks, John. You're Still the One peaked at number two on the US Billboard Hot 100 for nine weeks, becoming Twain's first top-ten hit in the US. Although it never topped the chart, the song is recognized as Twain's most successful crossover single and is one of her most successful singles at country radio. You're Still the One was nominated for four Grammy Awards in 1999, winning two. It won Best Country Song and Best Female Country Vocal Performance and lost Record of the Year and Song of the Year to fellow Canadian, Celine Dion's My Heart Will Go On.
$4.99
Don't Stop
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Piano, Voix et Guitare
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INTERMÉDIAIRE/AVANCÉ
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Fleetwood Mac
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John Fries
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Don't Stop
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John Fries
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1201290 By Fleetwood Mac. By Christine Mcvie. Arranged by John Fries. 20th Century,Pop,Rock,Standards. Scor...
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Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1201290 By Fleetwood Mac. By Christine Mcvie. Arranged by John Fries. 20th Century,Pop,Rock,Standards. Score. 2 pages. John Fries #799942. Published by John Fries (A0.1201290). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer. Thanks, John. Don't Stop is a song by British-American rock band Fleetwood Mac, written by vocalist and keyboard player Christine McVie. One of the band's most enduring hits, Don't Stop was released as the third single from Rumours, peaking at No. 3 on the US Billboard Hot 100 in October 1977. The song was the theme music for United States presidential candidate Bill Clinton's 1992 presidential campaign.
$4.99
Bad, Bad Leroy Brown
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Piano, Voix et Guitare
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INTERMÉDIAIRE/AVANCÉ
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Frank Sinatra
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John Fries
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Bad, Bad Leroy Brown
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John Fries
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1428255 By Frank Sinatra. By Jim Croce. Arranged by John Fries. 20th Century,Pop,Rock,Standards. Score. 2 p...
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Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1428255 By Frank Sinatra. By Jim Croce. Arranged by John Fries. 20th Century,Pop,Rock,Standards. Score. 2 pages. John Fries #1009040. Published by John Fries (A0.1428255). TYPE JOHN FRIES IN THE SEARCH BAR TO SEE ALL I HAVE TO OFFER. Thanks, John. Bad, Bad Leroy Brown is an uptempo, story song written by American folk rock singer Jim Croce. Released as part of his 1973 album Life and Times, the song was a No. 1 hit for him, spending two weeks at the top of the Billboard Hot 100 in July 1973. Billboard ranked it as the No. 2 song for 1973. Croce's inspiration for the song was a friend he met in his brief time in the US Army: I met him at Fort Dix, New Jersey. We were in lineman (telephone) school together. He stayed there about a week, and one evening he turned around and said he was really fed up and tired. He went AWOL, and then came back at the end of the month to get his paycheck. They put handcuffs on him and took him away. Just to listen to him talk and see how 'bad' he was, I knew someday I was gonna write a song about him..
$4.99
Don't Get Around Much Anymore
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Piano, Voix et Guitare
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INTERMÉDIAIRE/AVANCÉ
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Jazz
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Bob Russell and Duke Ellington
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John Fries
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Don't Get Around Much Anymore
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John Fries
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1193986 Composed by Bob Russell and Duke Ellington. Arranged by John Fries. 20th Century,Film/TV,Jazz,Stand...
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Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1193986 Composed by Bob Russell and Duke Ellington. Arranged by John Fries. 20th Century,Film/TV,Jazz,Standards. Score. 2 pages. John Fries #793461. Published by John Fries (A0.1193986). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer.  Don't Get Around Much Anymore is a jazz standard written by composer Duke Ellington. The song was originally entitled Never No Lament and was first recorded by Duke Ellington and his orchestra on May 4, 1940. Don't Get Around Much Anymore quickly became a hit after Bob Russell wrote its lyrics in 1942. Two different recordings of Don't Get Around Much Anymore, one by The Ink Spots and the 1940 instrumental by Ellington's own band, reached No. 1 on the R&B chart in the US in 1943. Both were top-ten pop records, along with a version by Glen Gray. The Duke Ellington version reached No. 8 on the pop chart. This arrangement includes the lyrics.
$4.99
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1
Two Of Us