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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
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SAXOPHONE
SYNTHETISEUR
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UKULELE
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VIOLON
VIOLONCELLE
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He did eat
Non classifié
105
Piano & claviers
Piano, Voix
77
Piano seul
69
Orgue
13
Piano, Voix et Guitare
10
Instruments en Do
5
Piano Facile
4
2 Pianos, 4 mains
3
Piano Trio: piano, violon, violoncelle
2
1 Piano, 4 mains
1
Accordéon
1
+ 5 instrumentations
Retracter
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4
Guitare notes et tablatures
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2
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Mandoline
1
+ 1 instrumentations
Retracter
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38
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8
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1
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24
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19
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17
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16
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14
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12
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11
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11
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11
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10
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8
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7
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5
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5
2 Saxophones (duo)
4
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4
3 Saxophones (trio)
4
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4
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2 Flûte à bec (duo)
3
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Saxophone (partie séparée)
2
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5 Flûtes à bec
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Saxophone
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3 Flûtes à bec (trio)
1
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1
Ensemble de Flûtes
1
Hautbois, Guitare (duo)
1
Clarinette, Guitare (duo)
1
Quintette de Flûte : 5 flûtes
1
+ 41 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
15
Trombone et Piano
14
Cor anglais, Piano
11
Euphonium, Piano (duo)
11
Cor et Piano
11
Quatuor de Cuivres : 2 trompettes, trombone, tuba
10
Trompette
8
Trompette, Piano
8
Tuba et Piano
4
Trombone
4
Tuba
2
Cor
2
4 Tubas
2
Ensemble de Trompettes
1
Quatuor de cuivres: 4 trompettes
1
Trombone basse et Piano
1
2 Euphoniums et 2 Tubas
1
Quatuor de Cuivres
1
Quatuor de cuivres: 4 trombones
1
Ensemble de Cors
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
+ 16 instrumentations
Retracter
Cordes
Violon et Piano
22
Alto, Piano
20
Quatuor à cordes: 2 violons, alto, violoncelle
18
Violoncelle, Piano
16
Violoncelle
9
Violon
7
Harpe
4
Trio à Cordes: violon, alto, violoncelle
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Alto seul
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4 Violoncelles
2
Trio à Cordes: 2 violons, violoncelle
2
Violon, Violoncelle (duo)
2
Harpe, Voix
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Quatuor à cordes: 4 violons
1
Trio à cordes: 3 violins
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Contrebasse, Piano (duo)
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Violoncelle , Guitare (duo)
1
2 Violoncelles (duo)
1
Trio à Cordes: 3 violoncelles
1
Trio à cordes: 3 altos
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Violon, Alto (duo)
1
Quatuor à cordes : 4 altos
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1
2 Altos (duo)
1
Alto, Violoncelle (duo)
1
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Retracter
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Orchestre d'harmonie
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7
Ensemble de cuivres
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Orchestre de chambre
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Ensemble Jazz
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Vibraphone
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--INSTRUMENTS--
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Crtitères actifs :
He did eat
Piano, Voix et Guitare
Partitions à imprimer
10 partitions trouvées
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1
Because He Lives
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Piano, Voix et Guitare
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INTERMÉDIAIRE/AVANCÉ
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Bill Gaither and Gloria Gaithe
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Mikhail Rimsky-Korsakov
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NotePerformer 4
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Because He Lives
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MRK Studio
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1510395 Composed by Bill Gaither and Gloria Gaither. Arranged by Mikhail Rimsky-Korsakov. Christian,Praise ...
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Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1510395 Composed by Bill Gaither and Gloria Gaither. Arranged by Mikhail Rimsky-Korsakov. Christian,Praise & Worship,Religious,Sacred,Spiritual. Score. 32 pages. MRK Studio #1085584. Published by MRK Studio (A0.1510395). Because He Lives is a classic song (hymn) penned by one of the most lauded couples in Christian music, Bill and Gloria Gaither. This song explores how the resurrection of Christ transforms the lives of believers. At this song's 50th anniversary, in honor of this legacy milestone, Gaither Music Group has initiated a yearlong celebration highlighting numerous performances of the song across many different platforms and genres. First released on October 18, 1971, this song was, and is, one of the most popular songs written by the Gospel Music Hall of Fame members. “People have asked me, ‘Did you know right away that it was going to be a song that was going to be translated in other languages?’” stated Bill. “When you create a new song—and you write as many as we have–you really don’t know. Many times you write one and you think it is going to be the next ‘Amazing Grace,’ and it just dies a natural death. When we wrote ‘Because He Lives’ I felt like it was a good song, but you only find out how good a song is when people start responding to it, and the more we sang it the more people responded. I’m humbled it has been translated into so many languages and did not foresee that.”, he added.Read more here This song was commissioned by a South African Baritone Soloist, Johann Nefdt, to be performed by a Baritone Soloists, 2 Violins, Piano and Pipe Organ. All parts are included in the sale. This arrangement was produced using Dorico 5..1 & NotePerformer 4.5 My arrangements are custom made for any ensemble required and voiced specifically for their instrumentation. Ergo, feel free to contact me should you require any music arranged for your ensemble. I voice it with the tonal colors of your instrumentation (keeping in mind the strong and weaker musicians) to bring the most out of your performance! The best part is, you get it right here from this music publisher for ease of mind! Enquire here for Arrangements / Composition or Publishing requests.
$15.00
Hope
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Piano, Voix et Guitare
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INTERMÉDIAIRE
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Christian contemporain
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Musique Sacrée
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Emily Dickinson
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Apostolos Paraskevas
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Hope
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Silver Sickle Publications
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.942063 Composed by Apostolos Paraskevas. Contemporary,Sacred. Score. 4 pages. Silver Sickle Publications #4...
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Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.942063 Composed by Apostolos Paraskevas. Contemporary,Sacred. Score. 4 pages. Silver Sickle Publications #4755049. Published by Silver Sickle Publications (A0.942063). Hope By Emily Dickinson Hope is the thing with feathers -That perches in the soul -And sings the tune without the words -And never stops - at all -And sweetest - in the Gale - is heard And sore must be the storm -That could abash the little Bird- That kept so many warm -I’ve heard it in the chillest land -And on the strangest Sea -Yet - never - in Extremity, It asked a crumb - of me. Apostolos Paraskevas is a classical guitarist and composer as well as an award-winning film director and producer. He has received multiple international awards for his compositions and was nominated for a Grammy Award. He is the only guitarist ever to have a major orchestral piece performed at Carnegie Hall under the direction of Lukas Foss––and the only musician who has performed there in a Grim Reaper outfit. He was the founder and served for 16 years as the artistic director of the International Guitar Congress-Festival of Corfu, Greece. He is a voting member of the Recording Academy (Grammys). After his undergraduate music studies in Volos he pursued advanced studies in classical guitar with Costas Cotsiolis (diploma, 1990) and Leo Brouwer (Havana 1984, 1988), as well as postgraduate studies in composition with Lukas Foss and Theodore Antoniou (DMA in composition, Boston University, 1998). Paraskevas embarked on a successful career as a guitar soloist and contemporary composer, achieving distinctions in both disciplines: Grammy nomination for Chase Dance (Bridge Records, 1999); first prize for Night Wanderings (Lukas Foss Composition Competition, 2000); first prize for Phygein Adynaton (National Composers Conference, 1997); and numerous prestigious commissions, performances, and publications. Following teaching posts at Northeastern and Boston Universities, Paraskevas has taught since 2001 at the Berklee College of Music in Boston (professor of composition and classical guitar). His eclectic compositional style arises as an idiosyncratic integration of seemingly conflicting influences – from avant-garde approaches to harmonic structure, form, and timbre, to pop-folk modal and rhythmical concepts – amalgamated into a personal evocative musical language, characterized by rhythmic verve, melodic grace, dramatic (and sometimes unexpectedly humorous) gestures, and ritualistic or theatrical elements. The latter feature has also led Paraskevas to the creation of films, notably the acclaimed I Finally Did It (Gold award, California Film Awards 2010), dealing wittily with Death, a recurring extra-musical theme in his music.The Groves Dictionary of Music Costas Tsougras
$3.99
Persecuted Then Crucified solo and piano key of G
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Piano, Voix et Guitare
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INTERMÉDIAIRE
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Connie Boss
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Connie Boss
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Persecuted Then Crucified solo
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Connie Boss
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.1340240 Composed by Connie Boss. Arranged by Connie Boss. Easter,Lent,Religious,Sacred. Score. 10 pages. Co...
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Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.1340240 Composed by Connie Boss. Arranged by Connie Boss. Easter,Lent,Religious,Sacred. Score. 10 pages. Connie Boss #925914. Published by Connie Boss (A0.1340240). This song can be used for Lent or on Good Friday. Jesus was persecuted, then crucified to save us from our sins.This arrangement is for solo and piano. I will have other voices posted as well.questions or requests, email cdboss@cvalley.netLyrics:Persecuted then CrucifiedRefrain:Persecuted, then crucifiedUp to the moment when he diedVerse 1:They stripped him of all His clothesThen they gave Him a scarlet robe A crown of thorns placed on His headBlood ran down His face until His deathRefrain:Verse 2:He Carried the cross to CalvaryWhere it was His destinyThey nailed His feet and then His handsAmong two thieves the cross would standRefrain:Bridge 1:He saved others but he can’t save himself! He says He is the king of Israel! Let him come down from the cross, Then, we will believe in him.Refrain:Verse 3:They put sour wine to His mouthHe did not drink it but spat it outThey divided up all His clothesWith the dice that they had rolledRefrain 2:Persecuted, then crucifiedUp to the moment when he diedThen He gave His final cry“Father please forgive   themâ€Bridge 2:Then he hung his head to dieThen the sky grew dark and dimTerrified, the people then realizedHe truly was the son of God Final ending:Persecuted, then crucifiedUp to the moment when he died.
$5.50
Sing, My Tongue, the Glorious Battle
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Piano, Voix et Guitare
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INTERMÉDIAIRE
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St
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Lyndell Leatherman
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some were not
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Sing, My Tongue, the Glorious
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Leatherman Music Services
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.1295658 By St. Michael’s by-the-sea (using both translations). By Words: Venantius Honorius Fortunat...
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Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.1295658 By St. Michael’s by-the-sea (using both translations). By Words: Venantius Honorius Fortunatus / Music: Trad. French carol. Arranged by Lyndell Leatherman. Christian,Lent,Religious,Sacred. Score. 2 pages. Leatherman Music Services #885956. Published by Leatherman Music Services (A0.1295658). Welcome to this entry in the Leatherman Library of Hymnody (LLOH).Features of the series include:•Intermediate 2-page arrangements suitable as either piano or organ solos.•Chord symbols included as a service to classical guitarists.•Lyrics included (and occasionally updated) to facilitate congregational singing or vocal solo.•Hymn background information included for personal edification or use as printed program notes.•Optional repeats which allow you to fit into the allotted time available in a service.•An introduction and/or tag in many cases, often incorporating a classical excerpt or related hymn fragment.From the early days of Christianity, hymns have been used successfully to reinforce and spread doctrine and faith. Scholars point out a number of hymn fragments in the New Testament. For example, 1 Timothy 3:16:      He appeared in a body,       Was vindicated by the Spirit,         Was seen by angels,     Was preached among the nations,       Was believed on in the world,         Was taken up into glory.The metrical patterns made memorization of creeds easier, especially when associated with a melody.Sing, My Tongue, the Glorious Battle is a great example of an early hymn written to codify Christology (the theology of Jesus Christ), covering his birth to his death, and then ending–as many hymns did–with a doxological stanza. If I were still planning worship services, I would be intrigued by the idea of making this hymn the outline of a Lenten service...perhaps interspersing scripture or other narration between stanzas, alternating between choir and congregation, and varying the accompanying instrumental textures.If you like this format, you may be interested in a published volume of 75 similar arrangements: BEST-LOVED HYMNS I  (© FJH Music, distributed by Alfred Music).************It has long been my passion and privilege to create customized arrangements for the churches and schools with whom I have been associated. Many were published; some were not. During the 2020 slowdown caused by Covid-19, I finally had the time to start posting the unpublished resources on Sheet Music Plus. If you are curious about what else is available, please navigate to my publisher page here on SMP < https://www.sheetmusicplus.com/publishers/leatherman-music-services/16718 >  or slip over to Facebook < https://www.facebook.com/leathermanmusicservices >, where you can see and hear many of my published works. Thanks for your interest!   God bless!Lyndell Leatherman, ASCAP.
$2.99
Temples of The Lord (lead sheet)
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Piano, Voix et Guitare
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DÉBUTANT
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Musique Sacrée
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Cody Weinmann
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Temples of The Lord
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Cody Weinmann
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 1 - SKU: A0.835161 Composed by Cody Weinmann. Christian,Gospel,Praise & Worship,Sacred. Score. 6 pages. Cody Weinmann #...
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Guitar,Piano,Vocal,Voice - Level 1 - SKU: A0.835161 Composed by Cody Weinmann. Christian,Gospel,Praise & Worship,Sacred. Score. 6 pages. Cody Weinmann #6121269. Published by Cody Weinmann (A0.835161). About Temples of The LordThe thought behind Temples of the Lord was tocreate a song that would ultimately bring peopleto the only salvation of Jesus Christ and what he didon the cross for all of our sins, past, present, and future.There is a scripture in the bible talking about howwe are temples of the Lord. The song talks abouthow we long to do what is in the mind of Christ, butour flesh wars against the spirit and what we would,we do not do (Romans 7)There is also an aura of how much is it going to takefor us to get on our knees and get back to God. Weare all guilty of making these empty cisterns that can hold no water, and until we are cleared and cleaned of all of these so that God is the only being we have left, it will be a continual fight this side of heaven.About the Composer:Cody Weinmann is a composer and songwriter of many differentgenres from writing lead sheets to pieces for band, choir, and orchestra. One cannot put him in a box. He continues towrite music especially in the Christian worship music genres tobring the Gospel to those in the world who need it.He is a lover of all different types of sound textures and color,a pianist, and a writer of all things beautiful.In the midst of the current pandemic, the lead sheet could be really accessible for those who play piano,guitar, or different solo instruments and sing. This way,one could have an intimate time of worship at home.
$1.99
Our Love Is Here To Stay
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Piano, Voix et Guitare
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INTERMÉDIAIRE/AVANCÉ
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Jazz
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Jonathan Simon
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John Fries
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Our Love Is Here To Stay
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John Fries
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1198582 Composed by Jonathan Simon. Arranged by John Fries. 20th Century,Broadway,Jazz,Musical/Show,Standar...
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Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1198582 Composed by Jonathan Simon. Arranged by John Fries. 20th Century,Broadway,Jazz,Musical/Show,Standards. Score. 1 pages. John Fries #797689. Published by John Fries (A0.1198582). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer. Love Is Here to Stay is a popular song and jazz standard composed by George Gershwin with lyrics by Ira Gershwin for the movie The Goldwyn Follies (1938). Love Is Here to Stay was the last musical composition George Gershwin completed before his death on July 11, 1937. Ira Gershwin wrote the lyrics after George's death as a tribute to his brother. Although George had not written a verse for the song, he did have an idea for it that both Ira and pianist Oscar Levant had heard before his death. When a verse was needed, Ira and Levant recalled what George had in mind.
$4.99
Everybody Loves Somebody
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Piano, Voix et Guitare
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INTERMÉDIAIRE/AVANCÉ
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Dean Martin
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John Fries
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Everybody Loves Somebody
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John Fries
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1201906 By Dean Martin. By Irving Taylor and Ken Lane. Arranged by John Fries. 20th Century,Pop,Standards. ...
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Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1201906 By Dean Martin. By Irving Taylor and Ken Lane. Arranged by John Fries. 20th Century,Pop,Standards. Score. 2 pages. John Fries #800521. Published by John Fries (A0.1201906). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns. Â You can also type John Fries in the searchbar to see all I have to offer. Thanks, John. Everybody Loves Somebody was made famous by Dean Martin who recorded and released his famous version in 1964. It was originally written in 1946 and recorded by Frank Sinatra with no success! Dean told his son who loved the Beatles, I'm gonna' knock your pallies off the charts, and on August 15, 1964 he did just that: Everybody Loves Somebody knocked The Beatles' A Hard Day's Night off the #1 slot on Billboard.
$4.99
JESUS NA BIGI MAN
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Piano, Voix et Guitare
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INTERMÉDIAIRE
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AYODAMOPE OLURANTI
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AYODAMOPE OLURANTI
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JESUS NA BIGI MAN
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sholexsticks
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.1412235 By AYODAMOPE OLURANTI. By AYODAMOPE OLURANTI. Arranged by AYODAMOPE OLURANTI. Christian,Classical. ...
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Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.1412235 By AYODAMOPE OLURANTI. By AYODAMOPE OLURANTI. Arranged by AYODAMOPE OLURANTI. Christian,Classical. Score. 11 pages. Sholexsticks #994447. Published by sholexsticks (A0.1412235). In the beginning was the Word, and the Word was with God, and the Word was God.He was in the beginning with God.All things were made through Him, and without Him nothing was made...In Him was life, and the life was the light of men...And the light shines in the darkness, and the darkness did not comprehend it...And the Word became flesh and dwelt among us...Thanks to God Almighty for the gift of music...our vehicle for the propagation of the Word - Jesus Christ.In these perilous time when the Lordship of our Lord Jesus Christ and the existence of the Trinityare subjects of intense intellectual gymnastics among the heathen, we will proclaim:In the beginning, JESUS was the WORD with GOD and JESUS WAS GOD -Who no know am call am small boy,JESUS, NA BIGI MAN!Jesus na bigi man was composed in pigin language from Nigeria.
$7.00
The Poohratorio (Winnie the Pooh - the Expotition to the North Pole)
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Piano, Voix et Guitare
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INTERMÉDIAIRE
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David Warin Solomons
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The Poohratorio
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David Warin Solomons
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.1271090 By David Warin Solomons. By David Warin Solomons. 20th Century,Children,Contemporary. Score. 37 pag...
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Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.1271090 By David Warin Solomons. By David Warin Solomons. 20th Century,Children,Contemporary. Score. 37 pages. David Warin Solomons #863483. Published by David Warin Solomons (A0.1271090). Here is my 1976 Oratorio on Winnie the Pooh (Poohratorio) for alto voice, spoken parts, guitar and various optional other instrumentsGreat fun for young and old. It uses the whole of Chapter 8 of A A Milne's Now we are six -The expotition to the North Pole, which is now in the public domain in the USA.The pdf file is the score based on the alto and guitar parts with spoken voices provided in text on the score.CHAPTER 8 ...IN WHICH CHRISTOPHER ROBIN LEADS AN EXPOTITION TO THE NORTH POLEONE fine day Pooh had stumped to the top of the Forest to see if his friend Christopher Robin was interested in Bears at all. At breakfast that morning (a simple meal of marmalade spread lightly over a honeycomb or two) he had suddenly thought of a new song. It began like this:Sing Ho! For the life of a Bear.When he had got as far as this, he scratched his head, and thought to himself That's a very good start for a song, but what about the second line? He tried singing Ho, two or three times, but it didn't seem to help. Perhaps it would be better, he thought, if I sang Hi for the life of a Bear. So he sang it . . . but it wasn't. Very well, then, he said, I shall sing that first line twice, and perhaps if I sing it very quickly, I shall find myself singing the third and fourth lines before I have time to think of them, and that will be a Good Song. Now then:Sing Ho! for the life of a Bear! Sing Ho! for the life of a Bear! I don't much mind if it rains or snows, 'Cos I've got a lot of honey on my nice new nose! I don't much care if it snows or thaws, 'Cos I've got a lot of honey on my nice clean paws! Sing Ho! for a Bear! Sing Ho! for a Pooh! And I'll have a little something in an hour or two! He was so pleased with this song that he sang it all the way to the top of the Forest, and if I go on singing it much longer, he thought, it will be time for the little something, and then the last line won't be true. So he turned it into a hum instead.  ..... etc.
$27.00
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