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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Eight
Non classifié
1 421
Piano & claviers
Piano seul
1 304
Piano Facile
407
Piano, Voix et Guitare
267
Piano, Voix
210
Orgue
123
Instruments en Do
101
Accompagnement Piano
55
1 Piano, 4 mains
47
Piano (partie séparée)
15
Piano grosses notes
12
Clavier
7
Piano Trio: piano, violon, violoncelle
6
2 Pianos, 8 mains
5
2 Pianos, 4 mains
5
Accordéon
5
1 Piano, 6 mains
3
Piano Quatuor: piano, violon, alto, violoncelle
3
Piano Quintette: piano, 2 violons, alto, violoncelle
3
Instrument seul et Orgue
2
Piano Quatuor: piano, 2 violons, violoncelle
2
Ensemble de Pianos
1
Ensemble d'Accordéons
1
Orgue, Piano (duo)
1
Ligne De Mélodie, Piano
1
+ 19 instrumentations
Retracter
Guitares
Guitare notes et tablatures
199
Guitare
107
Ligne De Mélodie, (Paroles) et Accords
67
Ukulele
39
Paroles et Accords
33
Guitare (partie séparée)
26
Basse electrique
19
2 Guitares (duo)
15
Banjo
13
Mandoline
10
Dulcimer
5
4 Guitares (Quatuor)
5
Piano, Guitare (duo)
3
Basse électrique (partie séparée)
3
Ensemble de Ukulélés
2
Ukulele Baryton
2
Ensemble de guitares
1
3 Guitares (trio)
1
Partitions De Groupes
1
+ 14 instrumentations
Retracter
Voix
Chorale SATB
579
Chorale 3 parties
94
Chorale 2 parties
54
Chorale Unison
46
Chorale TTBB
38
Chorale SSAA
29
Pack Instrumental pour Chorale
20
Chorale
12
Chorale SSAATTBB
12
Voix haute
8
Voix Soprano, Piano
4
Voix Baryton, Piano
3
Voix basse, Piano
3
Voix duo, Piano
3
Chorale SSATB
2
Voix duo
2
Voix Alto, Piano
2
Voix basse
1
Chorale SATBB
1
Voix Mezzo-Soprano, Piano
1
Voix seule
1
Voix Soprano
1
Voix Tenor, Piano
1
Chorale SSATTB
1
Chorale SSAB, Piano
1
+ 20 instrumentations
Retracter
Vents
Saxophone (partie séparée)
101
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
73
Quatuor de Saxophones: 4 saxophones
67
Flûte traversière et Piano
62
2 Saxophones (duo)
61
Clarinette et Piano
57
Flûte traversière
56
Flûte, Violon, Piano
50
Hautbois, Piano (duo)
49
Quatuor de Clarinettes: 4 clarinettes
48
Saxophone Alto
46
Saxophone Tenor
40
Saxophone Alto et Piano
38
2 Clarinettes (duo)
34
Flûte, Hautbois, Clarinette, Basson
34
Saxophone Tenor et Piano
32
Clarinette
31
Quintette de Saxophone: 5 saxophones
30
Clarinette (partie séparée)
29
2 Flûtes traversières (duo)
29
Flute (partie séparée)
21
Saxophone Soprano et Piano
20
Saxophone, Clarinette (duo)
20
Quatuor de Flûtes : 4 flûtes
19
Ensemble de saxophones
18
Ensemble de Clarinettes
18
3 Clarinettes (trio)
16
Clarinette, Trompette (duo)
16
Hautbois (partie séparée)
16
Cor anglais, Piano
15
Hautbois, Basson (duo)
15
Ensemble de Flûtes
15
Clarinette, Violon (duo)
15
Flûte, Clarinette (duo)
15
Saxophone Baryton, Piano
14
Quintette de Clarinettes: 5 clarinettes
13
Ensemble De Flûte à bec
10
2 Hautbois (duo)
10
Hautbois, Clarinette (duo)
9
Trio de Flûtes: 3 flûtes
9
Flûte à bec Soprano
9
Flûte, Trompette (duo)
9
Quintette de Flûte : 5 flûtes
8
Flûte, Violon
8
2 Flûte à bec (duo)
8
Clarinette et Alto
8
3 Saxophones (trio)
8
Quatuor de Flûtes à bec
7
Flûte à bec Alto
7
Flûte, Clarinette et Basson
7
3 Flûtes à bec (trio)
7
Saxophone Soprano
6
Clarinette Basse, Piano
6
Hautbois, Flûte
5
Flûte, Hautbois, Basson
5
Flûte, Saxophone (duo)
5
Flûte à bec Tenor
5
Flûte, Hautbois, Clarinette (trio)
5
Hautbois
5
Flûte, Alto (duo)
5
Flûte à Bec
4
Hautbois, Clarinette, Basson (trio d'anches)
4
Clarinette, Basson (duo)
4
Flûte et Guitare
4
2 Flûtes traversières, Piano
3
Flûte, Clarinette, Piano (trio)
3
Flûte, Trombone (duo)
3
Quintette de Clarinette: Clarinette, Quatuor à Cordes
2
Instruments en Mib
2
Flûte, Clarinette, Cor, Basson (Quartet)
2
Flûte à bec Alto, Piano
2
Cor Anglais
2
Flûte, Basson et Piano
2
Harmonica
2
2 Saxophones, Piano
2
Flûte à bec Soprano, Piano
2
Saxophone Baryton
2
Clarinette, Violoncelle (duo)
2
Flûte, Violoncelle
2
Saxophone
2
Flûte irlandaise
1
5 Flûtes à bec
1
Clarinette, Guitare (duo)
1
2 Flûtes à bec, Piano
1
Flûte traversière, Orgue (duo)
1
Flûte, Hautbois, Piano (trio)
1
Flûte, Violoncelle, Piano (trio)
1
Hautbois, Clarinette et Piano (Trio)
1
Clarinette, Violoncelle, Piano (trio)
1
Clarinette, Basson, Piano (trio)
1
Flûte, Alto et Piano
1
Hautbois, Basson et Piano
1
Ocarina
1
Clarinette Basse
1
Clarinette, Harpe (duo)
1
2 Clarinettes, Piano
1
Flûte, Violon et Violoncelle
1
Saxophone, Violon (duo)
1
Flûte, Hautbois (duo)
1
Clarinette, Orgue
1
+ 95 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
86
Trompette (partie séparée)
72
Trombone (partie séparée)
71
Trompette
53
Trombone et Piano
43
Quatuor de Cuivres : 2 trompettes, trombone, tuba
34
Trompette, Piano
33
Trombone
26
Cor et Piano
24
Tuba et Piano
23
Quatuor de Cuivres: 2 trompettes, Cor, trombone
21
Cor
21
Euphonium, Piano (duo)
17
Ensemble de Trombones
17
Cor anglais, Piano
15
2 Trompettes (duo)
15
Cor (partie séparée)
15
Tuba (partie séparée)
14
Quatuor de Cuivres
14
Tuba
14
Trompette, Saxophone (duo)
11
2 Trombones (duo)
11
Trompette, Trombone (duo)
10
Ensemble de Trompettes
9
2 Cors (duo)
8
Quatuor de cuivres: 4 trombones
8
Bass Clef Instruments
5
2 Euphoniums et 2 Tubas
4
3 Trombones (trio)
4
2 Tubas (duo)
4
Tuba ou Euphonium ou Saxhorn
4
Euphonium
3
Trombone basse
2
Instruments en Sib
2
Cor Anglais
2
Ensemble de Cors
2
Quatuor de cuivres: 4 cors
2
Trombone, Cor (duo)
2
2 Euphoniums (duo)
2
Euphonium, Tuba (duo)
2
4 Tubas
1
3 Euphoniums
1
Trombone basse et Piano
1
Trompette, violon (duo)
1
Ensemble de Tubas
1
Trombone, Tuba (duo)
1
Trio de Cuivres
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Trompette, Violoncelle (duo)
1
+ 44 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
186
Violon
86
Violon et Piano
85
Alto, Piano
57
Violoncelle, Piano
55
Harpe
52
Violoncelle
50
Violon, Violoncelle (duo)
38
2 Violons (duo)
31
Alto seul
28
Violon (partie séparée)
26
Contrebasse (partie séparée)
26
Trio à Cordes: violon, alto, violoncelle
26
Contrebasse, Piano (duo)
21
Violon, Alto (duo)
20
Quintette à cordes: 2 violons, alto, violoncelle, basse
19
2 Violoncelles (duo)
18
2 Altos (duo)
16
Alto (partie séparée)
13
Contre Basse
12
Trio à Cordes: 2 violons, violoncelle
12
Alto, Violoncelle (duo)
5
2 Harpes (duo)
4
Trio à Cordes: 3 violoncelles
4
4 Violoncelles
4
Violoncelle (partie séparée)
4
2 Contrebasses (duo)
3
Trio à Cordes: 2 violons, alto
3
Trio à cordes: 3 violins
3
Harpe, Flûte (duo)
3
4 Harpes
2
Violoncelle , Guitare (duo)
2
Quatuor à cordes: 4 violons
2
Violon, Guitare (duo)
2
Harpe, Voix
1
Violon, Orgue
1
Ensemble d'Altos
1
Trio à cordes
1
Violon, Basson (duo)
1
Ensemble de Violoncelles
1
Ensemble de Violons
1
Piano Trio: Violon, Alto, Piano
1
+ 37 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
678
Cloches
236
Orchestre à Cordes
230
Ensemble Jazz
144
Orchestre
100
Ensemble de cuivres
84
Batterie
34
Orchestre de chambre
29
Fanfare
27
Jazz combo
22
Ensemble de Percussions
20
Percussion
19
Batterie (partie séparée)
19
Percussion (partie séparée)
11
Marimba
5
Xylophone
4
Xylophone, Piano
4
Timbales
2
Caisse Claire
2
Marimba, Piano (duo)
1
2 Caisses Claires (duo)
1
Timbales (partie séparée)
1
+ 17 instrumentations
Retracter
Autres
Formation musicale - Solfège
7
Partitions Gratuites
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
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Vous avez sélectionné:
Eight
Partitions à imprimer
10 342 partitions trouvées
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9976
Eight More Chorales: Semicircle of Fifths
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Tyler James Cook
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Eight More Chorales: Semicircl
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Tyler James Cook
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SheetMusicPlus
Bassoon,Flute,Oboe - Level 1 - Interactive Download SKU: A0.1492378 Composed by Tyler James Cook (ASCAP). This edition: Interactive Download. Classical,C...
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Bassoon,Flute,Oboe - Level 1 - Interactive Download SKU: A0.1492378 Composed by Tyler James Cook (ASCAP). This edition: Interactive Download. Classical,Contest,Praise & Worship,Wedding. 6 pages. Duration 243. Tyler James Cook #20k05VgdzzVgWgwbSrCswg. Published by Tyler James Cook (A0.1492378). Key: C major.Eight More Chorales: Semicircle of Fifths is a collection of eight short chorales for flute, oboe, and bassoon trio. The chorales start in the key of C, and circle through keys going up by fifths (C to G, G to D, etc.), before an eighth chorale back in C major. Great for warmups or for establishing a shimmering, atmospheric sound for a worship service, Eight More Chorales is a fun exploration of harmonies and voicings, and couples nicely with its companion piece, Eight Chorales: Semicircle of Fourths..
$4.99
Eight Pieces for Piano
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Piano seul
#
INTERMÉDIAIRE/AVANCÉ
#
Malcolm D Robertson
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Eight Pieces for Piano
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Mr Malcolm D Robertson
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.927997 Composed by Malcolm D Robertson. Concert,Contemporary. Score. 15 pages. Mr Malcolm D Robertson #6037989. Published...
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Piano Solo - Level 4 - SKU: A0.927997 Composed by Malcolm D Robertson. Concert,Contemporary. Score. 15 pages. Mr Malcolm D Robertson #6037989. Published by Mr Malcolm D Robertson (A0.927997). The Eight Pieces were composed between 1985 & 1991 during a period in which I was searching for a distinctive musical voice. The first two pieces were composed in 1985, the first reflective and the second short & rhythmic based around six notes. The third piece from 1988 is in the manner of my earlier Pastoral Prelude and simple to play. Pieces four to eight were all composed in the autumn of 1991. Piece four is a simple study in legato playing. Piece five is short and rather mischievious. Piece six is a delicate waltz in 5/4 time with 3/4 time interludes. Piece seven is a study in rhythm and ostinati. The final eighth piece is a short, simple hymn-like chorale. All eight pieces were revised and edited in July 2020 to form a set.
$8.00
Eight Chorales: Semicircle of Fourths
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Tyler James Cook
#
Eight Chorales: Semicircle of
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Tyler James Cook
#
SheetMusicPlus
Bassoon,Flute,Oboe - Level 1 - Interactive Download SKU: A0.1472825 Composed by Tyler James Cook (ASCAP). This edition: Interactive Download. Christian,C...
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Bassoon,Flute,Oboe - Level 1 - Interactive Download SKU: A0.1472825 Composed by Tyler James Cook (ASCAP). This edition: Interactive Download. Christian,Classical,Wedding. 6 pages. Duration 275. Tyler James Cook #5hicejWUqOi4GYxRfVEvN5. Published by Tyler James Cook (A0.1472825). Key: C major.Eight Chorales: Semicircle of Fourths is a trio for flute, oboe, and bassoon, consisting of eight chorales. Starting in the Key of C major, the chorales move up by a fourth interval, with the seventh chorale in the key of Gb major. The eighth chorale returns to C major.
$4.99
Crazy Eight's
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Piano seul
#
INTERMÉDIAIRE
#
Michael Bufalini
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Crazy Eight's
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Michael Bufalini
#
SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.996284 Composed by Michael Bufalini. Concert,Contemporary,Instructional. Score. 3 pages. Michael Bufalini #5302005. Publi...
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Piano Solo - Level 3 - SKU: A0.996284 Composed by Michael Bufalini. Concert,Contemporary,Instructional. Score. 3 pages. Michael Bufalini #5302005. Published by Michael Bufalini (A0.996284). Everything is in a full scale henceforth the eighths and its enjoyable to listen to or hope you enjoy.
$3.00
Streight Lines
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2 Pianos, 4 mains
#
INTERMÉDIAIRE
#
Robert A
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Streight Lines
#
Robert A. Howard
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.998855 Composed by Robert A. Howard. 21st Century,Chamber,Contemporary,Contest,Festival,Instructional. S...
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2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.998855 Composed by Robert A. Howard. 21st Century,Chamber,Contemporary,Contest,Festival,Instructional. Score. 2 pages. Robert A. Howard #6224931. Published by Robert A. Howard (A0.998855). This graphic score composition 'Streight Lines' is deliberately entitled as such (and spelled that way) as a pun on Steve Reich's minimalist classic 'Eight Lines'. The work focuses on various straight lines, superimposed over traditional music staves. These give an implication of pitch, duration, and texture, and perhaps other elements, without being too specific. The score indicates the basic outline of musical contours on staves (thus always implying certain pitches). However, many elements, such as dynamics, and exact pitches and durations, are left for the performer to determine. The work remains accessible for the listener and is appropriate for most standards of pianist, including students and professionals.Variable durationRegistered with PRS (Performing Rights Society, UK).Composer's website: www.roberthowardmusic.co.uk
$2.49
Eight O'Clock Train
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Traditional Fiddle Tunes
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Heather M Music
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Eight O'Clock Train
#
Heather Mueller Music
#
SheetMusicPlus
Bass Guitar,Instrumental Solo,Piano,Violin - Level 1 - Interactive Download SKU: A0.1399087 By Traditional Fiddle Tunes. By Trad. Arranged by Heather M M...
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Bass Guitar,Instrumental Solo,Piano,Violin - Level 1 - Interactive Download SKU: A0.1399087 By Traditional Fiddle Tunes. By Trad. Arranged by Heather M Music. This edition: Interactive Download. Folk,World. Individual part. 5 pages. Duration 108. Heather Mueller Music #6qUYIb5BlFB0iF0ZrgGWxE. Published by Heather Mueller Music (A0.1399087). Key: A major.Title: Eight O'Clock Train Type/Genre: Traditional Fiddle Tune - Reel (Scottish) Availability: Sheet Music for Sale Embark on a musical journey through the Scottish countryside with Eight O'Clock Train, a spirited reel that evokes the excitement and anticipation of travel by steam locomotive. Key Features: Authentic Scottish Flavor: Eight O'Clock Train captures the essence of Scottish reel music, with its lively rhythm and spirited melody. Delve into the rich tapestry of Scottish musical heritage as you explore this beloved tune. Interactive Sheet Music: Customize tempo and key adjustments using interactive sheet music, enabling personalized renditions of Eight O'Clock Train. While the sheet music features the basic melody, remember that in fiddle music, the music serves as a suggestion, allowing room for your own embellishments and improvisations. Technique Enhancement: Elevate your fiddling skills with targeted exercises inspired by Eight O'Clock Train. Explore scales, bowing techniques, and rhythmic patterns derived from this spirited reel, honing your mastery of Scottish fiddling techniques. Evocative Theme: Connect with the theme of travel and adventure as you delve into Eight O'Clock Train. Let the music transport you to the bustling train stations and scenic routes where passengers embark on journeys filled with excitement and anticipation. Whether you're a seasoned performer or a newcomer to Scottish music, Eight O'Clock Train offers a captivating musical experience that celebrates the spirit of adventure and the timeless allure of Scottish reel music. Join in the spirited rhythms of Eight O'Clock Train and let the music inspire your own musical journey through the landscapes of Scotland.
$2.99
Rhythm Only - Book 2 - Eighths and Sixteenths - Assorted Meters (Sight Reading Exercise Book)
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Chorale SATB
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INTERMÉDIAIRE
#
Nathan Petitpas - Dots and Bea
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Rhythm Only - Book 2 - Eighths
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Dots and Beams
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 3 - SKU: A0.931836 Composed by Nathan Petitpas - Dots and Beams. Instructional. Octavo. 137 pages. Dots and Beams #47...
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Choral Choir (SATB divisi) - Level 3 - SKU: A0.931836 Composed by Nathan Petitpas - Dots and Beams. Instructional. Octavo. 137 pages. Dots and Beams #4776187. Published by Dots and Beams (A0.931836). This collection presents its user with a series of increasingly difficult rhythms on a single pitch. The rhythmic material in this series is organized into 10 difficulty levels. Each difficulty level contains four exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. The first two exercises of each time signature have no ties while the remaining two exercises in each time signature include ties. In Book 1 of this series you’ll find difficulty levels 1 to 5, while Book 2 completes the set with levels 6 to 10. The exercises in this collection are intentionally random and difficult to internalize. They don’t follow any predictable or standard groove pattern, but instead are random successions of eighth- and sixteenth-note groupings within the prescribed difficulty level. In keeping the rhythmic material as unpredictable as possible the door is left open for the materials to be used in conjunction with any number of exercises, while forcing the user to process every rhythm as its own event without relying on pattern recognition to help in identifying the rhythms. To curate the difficulty of rhythm in as objective a way as possible I looked at all of the possible eighth-note and sixteenth-note groupings within the basic unit of one beat. Each difficulty level builds on the exercises of the previous by adding groupings that are slightly more conceptually challenging. Difficulty Level 9 contains all possible groupings, while Level 10 focuses on the more challenging groupings by omitting easy ones. Some suggestions for how to use this book include: Practice sight-reading. When doing so it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Use a metronome! The most important thing you can do with this material is learn how to read these rhythms and play them in time. Advanced metronome work: Place the metronome click on weak beats. With the metronome clicking only on the beat you run the risk of relying on the metronome to give you the time. Placing the metronome click on non-strong beats forces you to take responsibility for the time. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second eighth note of each beat, or the last sixteenth note, or beats 2 and 4, or only the downbeat of each bar. Be creative with this one! The possibilities are limitless. Develop independence between hands by playing a repeating pattern in one hand while reading an exercise in the other. Expand on this by adding patterns in hands and feet while reading a rhythm with a remaining limb. This is a great exercise for drummers and percussionists but any instrumentalist could benefit from coordination practice. Use these rhythms to practice scales. Instead of playing scales in straight sixteenth-notes, try playing them in the rhythms given in these exercises. Write in sticking patterns, dynamics, accents, phrase marks, or other articulations for you or your students to practice. If you’re not happy with the ties I included, feel free to add some of your own. Combine the above exercises in any way that you think will be beneficial to your practice. As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I encourage anybody using this book to find as many uses for these exerci.
$10.00
Rhythm Only - Book 1 - Eighths and Sixteenths - Assorted Meters (Sight Reading Exercise Book)
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Methodes
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Nathan Petitpas - Dots and Bea
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Rhythm Only - Book 1 - Eighths
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Dots and Beams
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SheetMusicPlus
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Clarinet,Double Bass,Drum Set,Drums,English Hor...
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Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Clarinet,Double Bass,Drum Set,Drums,English Horn,Euphonium,Flute,Hand Percussion,Handbell,Harmonica,Harpsichord,Marimba,Multi-Percussion,Oboe,Orff Instrument,Organ,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Timpani,Trombone,Trumpet,Tuba,Ukulele,Vibraphone,Viola,Violin,Voice,Xylophone - Level 1 - SKU: A0.931835 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 137 pages. Dots and Beams #4776185. Published by Dots and Beams (A0.931835). This collection presents its user with a series of increasingly difficult rhythms on a single pitch. The rhythmic material in this series is organized into 10 difficulty levels. Each difficulty level contains four exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. The first two exercises of each time signature have no ties while the remaining two exercises in each time signature include ties. In Book 1 of this series you’ll find difficulty levels 1 to 5, while Book 2 completes the set with levels 6 to 10. The exercises in this collection are intentionally random and difficult to internalize. They don’t follow any predictable or standard groove pattern, but instead are random successions of eighth- and sixteenth-note groupings within the prescribed difficulty level. In keeping the rhythmic material as unpredictable as possible the door is left open for the materials to be used in conjunction with any number of exercises, while forcing the user to process every rhythm as its own event without relying on pattern recognition to help in identifying the rhythms. To curate the difficulty of rhythm in as objective a way as possible I looked at all of the possible eighth-note and sixteenth-note groupings within the basic unit of one beat. Each difficulty level builds on the exercises of the previous by adding groupings that are slightly more conceptually challenging. Difficulty Level 9 contains all possible groupings, while Level 10 focuses on the more challenging groupings by omitting easy ones. Some suggestions for how to use this book include: Practice sight-reading. When doing so it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Use a metronome! The most important thing you can do with this material is learn how to read these rhythms and play them in time. Advanced metronome work: Place the metronome click on weak beats. With the metronome clicking only on the beat you run the risk of relying on the metronome to give you the time. Placing the metronome click on non-strong beats forces you to take responsibility for the time. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second eighth note of each beat, or the last sixteenth note, or beats 2 and 4, or only the downbeat of each bar. Be creative with this one! The possibilities are limitless. Develop independence between hands by playing a repeating pattern in one hand while reading an exercise in the other. Expand on this by adding patterns in hands and feet while reading a rhythm with a remaining limb. This is a great exercise for drummers and percussionists but any instrumentalist could benefit from coordination practice. Use these rhythms to practice scales. Instead of playing scales in straight sixteenth-notes, try playing them in the rhythms given in these exercises. Write in sticking patterns, dynamics, accents, phrase marks, or other articulations for you or your students to practice. If you’re not happy with the ties I included, feel free to add some of your own. Combine the above exercises in any way that you think will be beneficial to your practice. As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I encourage anybody using this book to find as many uses for these exerci.
$10.00
Eight Days A Week
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE
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Rock
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The Beatles
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Ray Thompson
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Eight Days A Week
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RayThompsonMusic
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.805368 By The Beatles. By Jo...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.805368 By The Beatles. By John Lennon and Paul McCartney. Arranged by Ray Thompson. 20th Century,Pop. 7 pages. RayThompsonMusic #412405. Published by RayThompsonMusic (A0.805368). Arranged standard sax quartet SATB Eight Days a Week is a song by the English rock band the Beatles. It was written by Paul McCartney and John Lennon based on McCartney's original idea.[2] The song was released in the United Kingdom in December 1964 on the album Beatles for Sale. In the United States, it was first issued as a single in February 1965 before appearing on the North American release Beatles VI. The song was the band's seventh number 1 single on the Billboard Hot 100, a run of US chart success achieved in just over a year. The single was also number 1 in Canada, Belgium and the Netherlands. The Beatles recorded Eight Days a Week at EMI Studios in London in October 1964. The track opens with a fade-in, marking the first time that this technique had been used on a pop studio recording. The song was reissued worldwide in 2000 on the Beatles compilation album 1. It also provided the title for director Ron Howard's 2016 documentary film on the band's years as live performers, The Beatles: Eight Days a Week. Check out all my sax quartets: A Hard Day’s Night All you need is Live Day Tripper Eight Days a Week Getting Better Here Comes the Sun Hey Jude Lovely Rita Sgt. Pepper’s Lonely Hearts Club Band Yellow Submarine.
$14.95
Ariana in Eight
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Piano seul
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INTERMÉDIAIRE
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Contemporain
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Keir C
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Ariana in Eight
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Keir C Crawley
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1085236 Composed by Keir C. Crawley. Classical,Contemporary. Score. 3 pages. Keir C Crawley #689378. Published by Keir C ...
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Piano Solo - Level 3 - SKU: A0.1085236 Composed by Keir C. Crawley. Classical,Contemporary. Score. 3 pages. Keir C Crawley #689378. Published by Keir C Crawley (A0.1085236). Another entry in the Ariana Suite, 'Ariana in Eight' is a short piano piece akin to a romantic miniature but with a more contemporary harmonic vocabulary. Composed to celebrate the 8th birthday of my good friend's daughter, 'Ariana in Eight' uses the same motif as the other works in the suite which 'exclaims' Ariana's name. This year Ariana is eight years old so the time signatures and rhythmic impetus often follows patterns of eight quavers, with several sections using a 3, 3, 2 emphasis or variations thereof.
$7.00
Eighths, Pizz, Quarters & Halfs
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Orchestre à Cordes
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DÉBUTANT
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Contemporain
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Andrew R
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Eighths, Pizz, Quarters &
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GuarrineMusic
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SheetMusicPlus
String Orchestra - Level 1 - SKU: A0.785985 Composed by Andrew R. Guarrine. Contemporary. Score and parts. 8 pages. GuarrineMusic #5731039. Published by...
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String Orchestra - Level 1 - SKU: A0.785985 Composed by Andrew R. Guarrine. Contemporary. Score and parts. 8 pages. GuarrineMusic #5731039. Published by GuarrineMusic (A0.785985). Eighths, Pizz, Quarters and Halfs (Guarrine)The title pretty much says it all. Only uses the D scale, eighth notes in all the parts, repeats, easy contrary motion and easy imitation. Forte and piano are the only dynamics used. Very playable for the end of that 1st year concert.Grade 1 Key of D 3-part orchestral
$12.95
Big Buck (My Eighteen-Wheelin', Mud-Flappin' Diesel Truck) 2-Part Mixed
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Chorale 2 parties
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FACILE
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Carol Troutman Wiggins
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Big Buck
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Carol Troutman Wiggins
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SheetMusicPlus
Choral Choir (SA) - Level 2 - SKU: A0.727281 Composed by Carol Troutman Wiggins. Children,Comedy,Country,Instructional,Rock. Octavo. 17 pages. Carol Tro...
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Choral Choir (SA) - Level 2 - SKU: A0.727281 Composed by Carol Troutman Wiggins. Children,Comedy,Country,Instructional,Rock. Octavo. 17 pages. Carol Troutman Wiggins #3430817. Published by Carol Troutman Wiggins (A0.727281). BIG BUCK (My Eighteen-Wheelin', Mud-Flappin' Diesel Truck) 2-Part Mixed VoicesThis is that different high-energy song for the guys (and girls!) that you have been looking for!!! Written especially in the interest of young male singers, this upbeat, foot-stomping country song about an eighteen-wheeler is sure to please all of your truck lovers, girls or boys! (And . . . it's not about a pirate! Ha!)Excellent for upper elementary, middle school, and high school male voicesKey of C - shouldn't be too high or too low for any voice rangeA bit wordy, but has a great description of a truck driver's lifeLot of eighth notes and intervals of 4ths & 5thsAdd thigh slaps (or hand claps)Some spoken passagesUse of fermatasOptional action cues included in scoreChords included for additional instrumentsAdd guitar, bass, fiddle, and drums for a make-shift country band.
$2.50
Big Buck (My Eighteen-Wheelin', Mud-Flappin' Diesel Truck) TB
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Chorale 2 parties
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FACILE
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Carol Troutman Wiggins
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Big Buck
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Carol Troutman Wiggins
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SheetMusicPlus
Choral Choir (TB) - Level 2 - SKU: A0.727280 Composed by Carol Troutman Wiggins. Children,Contemporary,Country,Instructional,Pop. Octavo. 17 pages. Caro...
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Choral Choir (TB) - Level 2 - SKU: A0.727280 Composed by Carol Troutman Wiggins. Children,Contemporary,Country,Instructional,Pop. Octavo. 17 pages. Carol Troutman Wiggins #3430811. Published by Carol Troutman Wiggins (A0.727280). BIG BUCK (My Eighteen-Wheelin', Mud-Flappin' Diesel Truck) TB/2-Part Mixed Male VoicesThis is that different high-energy song for the guys that you have been looking for!!! Written especially for young male singers, this upbeat, foot-stomping country song about an eighteen-wheeler is sure to please all of your truck lovers! (And . . . it's not about a pirate! Ha!)Excellent for upper elementary, middle school, and high school male voicesKey of Bb - shouldn't be too high or too low for any voice rangeA bit wordy, but has a great description of a truck driver's lifeLot of eighth notes and intervals of 4ths & 5thsAdd thigh slaps (or hand claps)Some spoken passagesUse of fermatasOptional action cues included in scoreChords included for additional instrumentsAdd guitar, bass, fiddle, and drums for a make-shift country band!Piano Acconpaniment/Rehearsal Track available on this site.
$2.50
Big Buck (My Eighteen-Wheelin', Mud-Flappin' Diesel Truck) TB (Piano Accompaniment Track)
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Carol Troutman Wiggins
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Big Buck
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Carol Troutman Wiggins
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SheetMusicPlus
Banjo,Choir,Guitar,Piano,Ukulele - SKU: A0.1065490 Composed by Carol Troutman Wiggins. Contemporary,Country. Accompaniment. Duration 172. Carol Troutman...
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Banjo,Choir,Guitar,Piano,Ukulele - SKU: A0.1065490 Composed by Carol Troutman Wiggins. Contemporary,Country. Accompaniment. Duration 172. Carol Troutman Wiggins #3430813. Published by Carol Troutman Wiggins (A0.1065490). BIG BUCK (My Eighteen-Wheelin', Mud-Flappin' Diesel Truck) Piano Accompaniment TrackTB/2-Part Mixed Male VoicesThis is that different high-energy song for the guys that you have been looking for!!! Written especially for young male singers, this upbeat, foot-stomping country song about an eighteen-wheeler is sure to please all of your truck lovers! (And . . . it's not about a pirate! Ha!)Excellent for upper elementary, middle school, and high school male voicesKey of Bb - shouldn't be too high or too low for any voice rangeA bit wordy, but has a great description of a truck driver's lifeLot of eighth notes and intervals of 4ths & 5thsAdd thigh slaps (or hand claps)Some spoken passagesUse of fermatasOptional action cues included in scoreChords included for additional instrumentsAdd guitar, bass, fiddle, and drums for a make-shift country band.
$5.99
Big Buck (My Eighteen-Wheelin', Mud-Flappin' Diesel Truck) 2-Part (Piano Accompaniment Track)
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Accompagnement Piano
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Carol Troutman Wiggins
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Big Buck
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Carol Troutman Wiggins
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SheetMusicPlus
Choir,Piano - SKU: A0.1065492 Composed by Carol Troutman Wiggins. Contemporary,Country,Instructional,Standards. Accompaniment. Duration 172. Carol Trout...
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Choir,Piano - SKU: A0.1065492 Composed by Carol Troutman Wiggins. Contemporary,Country,Instructional,Standards. Accompaniment. Duration 172. Carol Troutman Wiggins #3430821. Published by Carol Troutman Wiggins (A0.1065492). BIG BUCK (My Eighteen-Wheelin', Mud-Flappin' Diesel Truck) Piano Accompaniment TrackTB/2-Part Mixed Male VoicesThis is that different high-energy song for the guys (and girls!) that you have been looking for!!! Written especially in the interest of young male singers, this upbeat, foot-stomping country song about an eighteen-wheeler is sure to please all of your truck lovers! (And . . . it's not about a pirate! Ha!)Excellent for upper elementary, middle school, and high school male voicesKey of C - shouldn't be too high or too low for any voice rangeA bit wordy, but has a great description of a truck driver's lifeLot of eighth notes and intervals of 4ths & 5thsAdd thigh slaps (or hand claps)Some spoken passagesUse of fermatasOptional action cues included in scoreChords included for additional instrumentsAdd guitar, bass, fiddle, and drums for a make-shift country band.
$5.99
Six-Eight
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Piano seul
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INTERMÉDIAIRE
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Matyas Seiber
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Thomas Ling
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Six-Eight
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Thomas Swee Chin
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1378329 Composed by Matyas Seiber. Arranged by Thomas Ling. 20th Century,Instructional. Score. 1 pages. Thomas Swee Chin ...
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Piano Solo - Level 3 - SKU: A0.1378329 Composed by Matyas Seiber. Arranged by Thomas Ling. 20th Century,Instructional. Score. 1 pages. Thomas Swee Chin #962952. Published by Thomas Swee Chin (A0.1378329). Mátyás Seiber's Six-Eight from Easy Dances Vol. 2 is a spirited and engaging piece that captures the lively essence of a dance in 6/8 time signature. As part of the Easy Dances series, this composition is tailored to intermediate pianists, offering accessible yet musically rewarding material.The piece unfolds with a buoyant and rhythmic melody, characterized by its jaunty syncopations and energetic pace. Seiber's skillful use of the 6/8 time signature creates a sense of momentum and forward motion, evoking the lively atmosphere of a dance hall.Throughout the piece, Seiber incorporates playful rhythmic patterns and dynamic contrasts, keeping the music vibrant and engaging from start to finish. The melodic lines are catchy and memorable, inviting listeners to tap their feet and sway along with the music.Harmonically, Six-Eight features a blend of traditional tonalities and modern jazz-inflected chords, adding depth and richness to the overall sound. The harmonies provide a colorful backdrop for the melody, enhancing its expressive impact and giving pianists ample opportunity for interpretation and expression.Whether performed as a standalone piece or as part of a set, Six-Eight is sure to delight audiences with its infectious energy and irresistible charm. It is a testament to Seiber's ability to create music that is both accessible and artistically satisfying, making it a welcome addition to any pianist's repertoire.
$4.80
Dating is a sport from Eight Love Songs for High Baritone Voice, Violin, Violoncello and Piano (Full/Vocal Score)
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Stephen Chatman
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Dating is a sport from Eight L
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Galaxy Music Corporation - Digital
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SheetMusicPlus
High baritone voice, violin, cello and piano - Difficult - SKU: MQ.7.0579-5E Composed by Stephen Chatman. Secular, 21st century. Score. 13 pages. Durati...
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High baritone voice, violin, cello and piano - Difficult - SKU: MQ.7.0579-5E Composed by Stephen Chatman. Secular, 21st century. Score. 13 pages. Duration 19 minutes, 30 seconds. Galaxy Music Corporation - Digital #7.0579-5E. Published by Galaxy Music Corporation - Digital (MQ.7.0579-5E). English.Eight Love Songs for High Baritone Voice, Violin, Violoncello, and Piano, formerly known as Love Songs, contains eight contrasting love songs. Commissioned in 2010 by MusicFestVancouver for renowned Canadian baritone, Tyler Duncan, and Australia's pre-eminent chamber music ensemble Freshwater Trio. The set of eight songs is the result of ongoing collaborations between lyricist, Tara Wohlberg, and composer, Stephen Chatman. The lyrics, full of inner rhymes and wit, explore far ranging aspects of love, such as unexpected encounters, tenderness, Schubert and his song Gretchen am Spinnrade, dreams, dating, some Hanky-panky, and the wrong and right moves of Mr. Smooth. The contrasting musical settings typify Chatman's eclectic panoply of classical and popular musical styles, from Ragtime and Tango to Neo-Romanticism. Total Duration: 19:30Contents:1. Excuse Me2. Something like that3. Not that kind of song4. Dream Girl5. Dating is a sport6. Hanky-panky7. My Love8. Mr. Smooth.
$8.25
Not that kind of song from Eight Love Songs for High Baritone Voice, Violin, Violoncello and Piano (Full/Vocal Score)
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Stephen Chatman
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Not that kind of song from Eig
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Galaxy Music Corporation - Digital
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SheetMusicPlus
High baritone voice, violin, cello and piano - Difficult - SKU: MQ.7.0579-3E Composed by Stephen Chatman. Secular, 21st century. Score. 9 pages. Duratio...
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High baritone voice, violin, cello and piano - Difficult - SKU: MQ.7.0579-3E Composed by Stephen Chatman. Secular, 21st century. Score. 9 pages. Duration 19 minutes, 30 seconds. Galaxy Music Corporation - Digital #7.0579-3E. Published by Galaxy Music Corporation - Digital (MQ.7.0579-3E). English.Eight Love Songs for High Baritone Voice, Violin, Violoncello, and Piano, formerly known as Love Songs, contains eight contrasting love songs. Commissioned in 2010 by MusicFestVancouver for renowned Canadian baritone, Tyler Duncan, and Australia's pre-eminent chamber music ensemble Freshwater Trio. The set of eight songs is the result of ongoing collaborations between lyricist, Tara Wohlberg, and composer, Stephen Chatman. The lyrics, full of inner rhymes and wit, explore far ranging aspects of love, such as unexpected encounters, tenderness, Schubert and his song Gretchen am Spinnrade, dreams, dating, some Hanky-panky, and the wrong and right moves of Mr. Smooth. The contrasting musical settings typify Chatman's eclectic panoply of classical and popular musical styles, from Ragtime and Tango to Neo-Romanticism. Total Duration: 19:30Contents:1. Excuse Me2. Something like that3. Not that kind of song4. Dream Girl5. Dating is a sport6. Hanky-panky7. My Love8. Mr. Smooth.
$7.25
Something like that from Eight Love Songs for High Baritone Voice, Violin, Violoncello and Piano (Full/Vocal Score)
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Stephen Chatman
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Something like that from Eight
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Galaxy Music Corporation - Digital
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SheetMusicPlus
High baritone voice, violin, cello and piano - Difficult - SKU: MQ.7.0579-2E Composed by Stephen Chatman. Secular, 21st century. Score. 6 pages. Duratio...
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High baritone voice, violin, cello and piano - Difficult - SKU: MQ.7.0579-2E Composed by Stephen Chatman. Secular, 21st century. Score. 6 pages. Duration 19 minutes, 30 seconds. Galaxy Music Corporation - Digital #7.0579-2E. Published by Galaxy Music Corporation - Digital (MQ.7.0579-2E). English.Eight Love Songs for High Baritone Voice, Violin, Violoncello, and Piano, formerly known as Love Songs, contains eight contrasting love songs. Commissioned in 2010 by MusicFestVancouver for renowned Canadian baritone, Tyler Duncan, and Australia's pre-eminent chamber music ensemble Freshwater Trio. The set of eight songs is the result of ongoing collaborations between lyricist, Tara Wohlberg, and composer, Stephen Chatman. The lyrics, full of inner rhymes and wit, explore far ranging aspects of love, such as unexpected encounters, tenderness, Schubert and his song Gretchen am Spinnrade, dreams, dating, some Hanky-panky, and the wrong and right moves of Mr. Smooth. The contrasting musical settings typify Chatman's eclectic panoply of classical and popular musical styles, from Ragtime and Tango to Neo-Romanticism. Total Duration: 19:30Contents:1. Excuse Me2. Something like that3. Not that kind of song4. Dream Girl5. Dating is a sport6. Hanky-panky7. My Love8. Mr. Smooth.
$6.25
Hanky-panky from Eight Love Songs for High Baritone Voice, Violin, Violoncello and Piano (Full/Vocal Score)
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Stephen Chatman
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Hanky-panky from Eight Love So
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Galaxy Music Corporation - Digital
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SheetMusicPlus
High baritone voice, violin, cello and piano - Difficult - SKU: MQ.7.0579-6E Composed by Stephen Chatman. Secular, 21st century. Score. 13 pages. Durati...
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High baritone voice, violin, cello and piano - Difficult - SKU: MQ.7.0579-6E Composed by Stephen Chatman. Secular, 21st century. Score. 13 pages. Duration 19 minutes, 30 seconds. Galaxy Music Corporation - Digital #7.0579-6E. Published by Galaxy Music Corporation - Digital (MQ.7.0579-6E). English.Eight Love Songs for High Baritone Voice, Violin, Violoncello, and Piano, formerly known as Love Songs, contains eight contrasting love songs. Commissioned in 2010 by MusicFestVancouver for renowned Canadian baritone, Tyler Duncan, and Australia's pre-eminent chamber music ensemble Freshwater Trio. The set of eight songs is the result of ongoing collaborations between lyricist, Tara Wohlberg, and composer, Stephen Chatman. The lyrics, full of inner rhymes and wit, explore far ranging aspects of love, such as unexpected encounters, tenderness, Schubert and his song Gretchen am Spinnrade, dreams, dating, some Hanky-panky, and the wrong and right moves of Mr. Smooth. The contrasting musical settings typify Chatman's eclectic panoply of classical and popular musical styles, from Ragtime and Tango to Neo-Romanticism. Total Duration: 19:30Contents:1. Excuse Me2. Something like that3. Not that kind of song4. Dream Girl5. Dating is a sport6. Hanky-panky7. My Love8. Mr. Smooth.
$8.25
Dream Girl from Eight Love Songs for High Baritone Voice, Violin, Violoncello and Piano (Full/Vocal Score)
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Stephen Chatman
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Dream Girl from Eight Love Son
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Galaxy Music Corporation - Digital
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SheetMusicPlus
High baritone voice, violin, cello and piano - Difficult - SKU: MQ.7.0579-4E Composed by Stephen Chatman. Secular, 21st century. Score. 7 pages. Duratio...
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High baritone voice, violin, cello and piano - Difficult - SKU: MQ.7.0579-4E Composed by Stephen Chatman. Secular, 21st century. Score. 7 pages. Duration 19 minutes, 30 seconds. Galaxy Music Corporation - Digital #7.0579-4E. Published by Galaxy Music Corporation - Digital (MQ.7.0579-4E). English.Eight Love Songs for High Baritone Voice, Violin, Violoncello, and Piano, formerly known as Love Songs, contains eight contrasting love songs. Commissioned in 2010 by MusicFestVancouver for renowned Canadian baritone, Tyler Duncan, and Australia's pre-eminent chamber music ensemble Freshwater Trio. The set of eight songs is the result of ongoing collaborations between lyricist, Tara Wohlberg, and composer, Stephen Chatman. The lyrics, full of inner rhymes and wit, explore far ranging aspects of love, such as unexpected encounters, tenderness, Schubert and his song Gretchen am Spinnrade, dreams, dating, some Hanky-panky, and the wrong and right moves of Mr. Smooth. The contrasting musical settings typify Chatman's eclectic panoply of classical and popular musical styles, from Ragtime and Tango to Neo-Romanticism. Total Duration: 19:30Contents:1. Excuse Me2. Something like that3. Not that kind of song4. Dream Girl5. Dating is a sport6. Hanky-panky7. My Love8. Mr. Smooth.
$6.25
My Love from Eight Love Songs for High Baritone Voice, Violin, Violoncello and Piano (Full/Vocal Score)
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Stephen Chatman
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My Love from Eight Love Songs
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Galaxy Music Corporation - Digital
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SheetMusicPlus
High baritone voice, violin, cello and piano - Difficult - SKU: MQ.7.0579-7E Composed by Stephen Chatman. Secular, 21st century. Score. 9 pages. Duratio...
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High baritone voice, violin, cello and piano - Difficult - SKU: MQ.7.0579-7E Composed by Stephen Chatman. Secular, 21st century. Score. 9 pages. Duration 19 minutes, 30 seconds. Galaxy Music Corporation - Digital #7.0579-7E. Published by Galaxy Music Corporation - Digital (MQ.7.0579-7E). English.Eight Love Songs for High Baritone Voice, Violin, Violoncello, and Piano, formerly known as Love Songs, contains eight contrasting love songs. Commissioned in 2010 by MusicFestVancouver for renowned Canadian baritone, Tyler Duncan, and Australia's pre-eminent chamber music ensemble Freshwater Trio. The set of eight songs is the result of ongoing collaborations between lyricist, Tara Wohlberg, and composer, Stephen Chatman. The lyrics, full of inner rhymes and wit, explore far ranging aspects of love, such as unexpected encounters, tenderness, Schubert and his song Gretchen am Spinnrade, dreams, dating, some Hanky-panky, and the wrong and right moves of Mr. Smooth. The contrasting musical settings typify Chatman's eclectic panoply of classical and popular musical styles, from Ragtime and Tango to Neo-Romanticism. Total Duration: 19:30Contents:1. Excuse Me2. Something like that3. Not that kind of song4. Dream Girl5. Dating is a sport6. Hanky-panky7. My Love8. Mr. Smooth.
$7.25
Mr. Smooth from Eight Love Songs for High Baritone Voice, Violin, Violoncello and Piano (Full/Vocal Score)
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Stephen Chatman
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Mr. Smooth from Eight Love Son
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Galaxy Music Corporation - Digital
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SheetMusicPlus
High baritone voice, violin, cello and piano - Difficult - SKU: MQ.7.0579-8E Composed by Stephen Chatman. Secular, 21st century. Score. 15 pages. Durati...
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High baritone voice, violin, cello and piano - Difficult - SKU: MQ.7.0579-8E Composed by Stephen Chatman. Secular, 21st century. Score. 15 pages. Duration 19 minutes, 30 seconds. Galaxy Music Corporation - Digital #7.0579-8E. Published by Galaxy Music Corporation - Digital (MQ.7.0579-8E). English.Eight Love Songs for High Baritone Voice, Violin, Violoncello, and Piano, formerly known as Love Songs, contains eight contrasting love songs. Commissioned in 2010 by MusicFestVancouver for renowned Canadian baritone, Tyler Duncan, and Australia's pre-eminent chamber music ensemble Freshwater Trio. The set of eight songs is the result of ongoing collaborations between lyricist, Tara Wohlberg, and composer, Stephen Chatman. The lyrics, full of inner rhymes and wit, explore far ranging aspects of love, such as unexpected encounters, tenderness, Schubert and his song Gretchen am Spinnrade, dreams, dating, some Hanky-panky, and the wrong and right moves of Mr. Smooth. The contrasting musical settings typify Chatman's eclectic panoply of classical and popular musical styles, from Ragtime and Tango to Neo-Romanticism. Total Duration: 19:30Contents:1. Excuse Me2. Something like that3. Not that kind of song4. Dream Girl5. Dating is a sport6. Hanky-panky7. My Love8. Mr. Smooth.
$8.25
Excuse Me from Eight Love Songs for High Baritone Voice, Violin, Violoncello and Piano (Full/Vocal Score)
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Stephen Chatman
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Excuse Me from Eight Love Song
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Galaxy Music Corporation - Digital
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SheetMusicPlus
High baritone voice, violin, cello and piano - Difficult - SKU: MQ.7.0579-1E Composed by Stephen Chatman. Secular, 21st century. Score. 13 pages. Durati...
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High baritone voice, violin, cello and piano - Difficult - SKU: MQ.7.0579-1E Composed by Stephen Chatman. Secular, 21st century. Score. 13 pages. Duration 19 minutes, 30 seconds. Galaxy Music Corporation - Digital #7.0579-1E. Published by Galaxy Music Corporation - Digital (MQ.7.0579-1E). English.Eight Love Songs for High Baritone Voice, Violin, Violoncello, and Piano, formerly known as Love Songs, contains eight contrasting love songs. Commissioned in 2010 by MusicFestVancouver for renowned Canadian baritone, Tyler Duncan, and Australia's pre-eminent chamber music ensemble Freshwater Trio. The set of eight songs is the result of ongoing collaborations between lyricist, Tara Wohlberg, and composer, Stephen Chatman. The lyrics, full of inner rhymes and wit, explore far ranging aspects of love, such as unexpected encounters, tenderness, Schubert and his song Gretchen am Spinnrade, dreams, dating, some Hanky-panky, and the wrong and right moves of Mr. Smooth. The contrasting musical settings typify Chatman's eclectic panoply of classical and popular musical styles, from Ragtime and Tango to Neo-Romanticism. Total Duration: 19:30Contents:1. Excuse Me2. Something like that3. Not that kind of song4. Dream Girl5. Dating is a sport6. Hanky-panky7. My Love8. Mr. Smooth.
$8.25
Eight Days A Week
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Flûte, Hautbois, Clarinette, Basson
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FACILE
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Pop musique
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The Beatles
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Ray Thompson
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Eight Days A Week
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RayThompsonMusic
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 2 - SKU: A0.773644 By The Beatles. By John Lennon and Paul McCartney. Arranged by...
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Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 2 - SKU: A0.773644 By The Beatles. By John Lennon and Paul McCartney. Arranged by Ray Thompson. Pop. 8 pages. RayThompsonMusic #381196. Published by RayThompsonMusic (A0.773644). Arranged standard wind quartet Fl, Ob, Cl and BsnEight Days a Week is a song by the English rock band the Beatles. It was written by Paul McCartney and John Lennon based on McCartney's original idea.The song was released in the United Kingdom in December 1964 on the album Beatles for Sale.In the United States, it was first issued as a single in February 1965 before appearing on the North American release Beatles VI.The song was the band's seventh number 1 single on the Billboard Hot 100, a run of US chart success achieved in just over a year. The single was also number 1 in Canada, Belgium and the Netherlands.The Beatles recorded Eight Days a Week at EMI Studios in London in October 1964. The track opens with a fade-in, marking the first time that this technique had been used on a pop studio recording. The song was reissued worldwide in 2000 on the Beatles compilation album 1. It also provided the title for director Ron Howard's 2016 documentary film on the band's years as live performers, The Beatles: Eight Days a Week.My other Beatles quartets
$14.95
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