Partitions Numériques de Parts pour Mandoline, Guitare (duo)

Parts

Odeon for Mandolin & Acoustic Guitar #Mandoline, Guitare (duo) #INTERMÉDIAIRE/AVANCÉ #FERNANDO LUIZ NEVES #FERNANDO LUIZ NEVES #Odeon for Mandolin & Acous #Fernando Neves #SheetMusicPlus

Mandolin - Level 4 - SKU: A0.1272980 By FERNANDO LUIZ NEVES. By Ernesto Nazareth. Arranged by FERNANDO LUIZ NEVES. 20th Century,Classical,Folk,Latin,Pop...(+)

Mandolin - Level 4 - SKU: A0.1272980 By FERNANDO LUIZ NEVES. By Ernesto Nazareth. Arranged by FERNANDO LUIZ NEVES. 20th Century,Classical,Folk,Latin,Pop. Score. 12 pages. Fernando Neves #865167. Published by Fernando Neves (A0.1272980). Arrangement for mandolin and two guitars, set in the key of E minor, highlighting the Brazilian chorinho style of Odeon by Ernesto Nazareth. In this arrangement, the mandolin takes on the melody, while the first acoustic guitar accompanies, and the second acoustic guitar provides the bassline. The PDF includes 12 pages, comprising a complete score, separate parts for the mandolin (2 pages), first guitar (3 pages), and second guitar (2 pages). This rendition allows musicians to delve into the soulful rhythms and melodic essence of this timeless Brazilian classic, where each instrument plays an essential role in crafting a harmonious masterpiece.

Carolan: 174 #Mandoline, Guitare (duo) #INTERMÉDIAIRE/AVANCÉ #Turlough Ã“ Carolan #Gordon Jackson #Carolan: 174 #Gordon Jackson #SheetMusicPlus

Instrumental Duet Guitar,Instrumental Duet,Mandolin - Level 4 - SKU: A0.1017672 Composed by Turlough Ã“ Carolan. Arranged by Gordon Jackson. Baroque,...(+)

Instrumental Duet Guitar,Instrumental Duet,Mandolin - Level 4 - SKU: A0.1017672 Composed by Turlough Ã“ Carolan. Arranged by Gordon Jackson. Baroque,Celtic,Classical,Folk,Irish,Multicultural,World. Score and parts. 2 pages. Gordon Jackson #6434379. Published by Gordon Jackson (A0.1017672). 174Turlough Ã“ Carolan (1670-1738) was an Irish harper and composer. Carolanâ€™s music does not sit comfortably in any one particular musical tradition. He was the product of a long line of Irish harpers dating from medieval times or before. He was also aware of Irish folk music, with many of his tunes having a â€˜tradâ€™ quality, particularly in his jig-like compositions. Finally, Carolan was influenced by the music of Italian Baroque composers that he would have heard played at the great houses he visited. Carolanâ€™s Draught is an example of the latter.The rather prosaically titled â€˜174â€™ is simply the result of the airâ€™s original name being lost in the mists of time, and Donal Oâ€™Sullivan, in his Carolan: The Life Times and Music of an Irish Harper [sic.] allocated numbers to the tunes that had no titles (171-180). I have arranged this primarily for solo mandolin, although Iâ€™m sure it can be adapted for other instruments. The piece is played three times through: first, the basic unadorned melody; second, with just a few simple double stops and open strings; third, a fully-realised romp with many, often quite tricky, double stops (and open strings, of course, but theyâ€™re pretty easy!). Iâ€™ve added guitar chords above the staff (letter names only), not that it necessarily needs further accompaniment. The melody is so heavily arpeggiated the chords more or less wrote themselves. A word of warning â€“ easily discovered for yourselves, really â€“ beware of attempting to play this too fast lest those runs of quavers (16th notes) catch you unawares!