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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
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FLUTE A BEC
FLUTE DE PAN
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FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
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Down For Double - Bass
Non classifié
609
Piano & claviers
Piano seul
217
Piano Facile
50
Piano, Voix
43
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30
2 Pianos, 4 mains
30
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27
Instruments en Do
20
Piano (partie séparée)
18
Orgue
11
Piano Trio: piano, violon, violoncelle
6
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4
Accompagnement Piano
3
2 Pianos, 8 mains
3
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2
Piano Quintette: piano, 2 violons, alto, violoncelle
1
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34
Guitare notes et tablatures
30
Guitare
24
Mandoline
5
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5
Mandoline, Guitare (duo)
2
Banjo
2
Dulcimer
1
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1
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1
Ukulele
1
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159
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33
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15
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14
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13
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7
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3
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2
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2
Voix Tenor
1
Voix Alto, Piano
1
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1
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1
Soli, choeur mixte et accompagnement
1
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101
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32
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22
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20
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18
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16
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16
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16
Clarinette
15
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12
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11
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10
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10
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8
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8
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8
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8
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7
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6
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5
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5
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5
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4
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4
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4
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3
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3
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3
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3
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3
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3
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3
Flûte, Clarinette (duo)
3
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3
Flûte, Violon et Violoncelle
3
Flûte, Violoncelle
3
3 Clarinettes (trio)
3
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2
2 Clarinettes (duo)
2
2 Hautbois (duo)
2
Ensemble à vent
2
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2
Cor Anglais
2
Flûte, Trompette (duo)
2
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2
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1
Hautbois, Harpe
1
Cor anglais, Piano
1
Clarinette, Harpe (duo)
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Clarinette, Alto et Piano (trio)
1
Quatuor de Flûtes à bec
1
Clarinette, Orgue
1
Hautbois, Flûte
1
Hautbois
1
Flûte, Alto (duo)
1
Quintette de Clarinettes: 5 clarinettes
1
Cornemuse
1
Flûte et Guitare
1
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73
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68
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48
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35
Trompette
15
Trompette, Piano
8
Cor (partie séparée)
8
Trombone et Piano
8
Cor et Piano
8
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7
Tuba (partie séparée)
5
2 Cors (duo)
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Trombone
5
2 Trompettes (duo)
5
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4
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4
Tuba
3
Trompette, Trombone (duo)
3
Quatuor de Cuivres
3
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3
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2
Trompette, Saxophone (duo)
2
Quatuor de cuivres: 4 cors
2
2 Tubas (duo)
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Cor Anglais
2
Cor anglais, Piano
1
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1
Trompette, Cor (duo)
1
Trombone, Violon (duo)
1
Trio de Cuivres
1
3 Trombones (trio)
1
2 Trompettes, Clavier (piano ou orgue)
1
Cor
1
2 Trombones (duo)
1
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362
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224
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182
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112
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64
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57
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49
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44
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41
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27
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22
2 Altos (duo)
22
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21
Violon (partie séparée)
20
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20
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10
2 Violons, Piano
5
Harpe, Flûte (duo)
3
4 Violoncelles
3
Violoncelle (partie séparée)
3
Trio à Cordes: 2 violons, alto
3
Trio à Cordes: 3 violoncelles
3
Harpe, Violon (duo)
3
2 Violoncelles, Piano
2
Alto et Harpe
2
4 Harpes
1
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1
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1
Violon, Guitare (duo)
1
Trio à cordes: 3 altos
1
Quatuor à cordes: 4 violons
1
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201
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165
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96
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68
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35
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29
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17
Cloches
15
Fanfare
11
Jazz combo
9
Batterie
8
Percussion (partie séparée)
8
2 Xylophones
2
Marimba
1
Xylophone, Piano
1
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Vous avez sélectionné:
Down For Double - Bass
Mandoline, Guitare (duo)
Partitions à imprimer
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Carolan: 174
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Mandoline, Guitare (duo)
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INTERMÉDIAIRE/AVANCÉ
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Turlough Ó Carolan
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Gordon Jackson
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Carolan: 174
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Gordon Jackson
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SheetMusicPlus
Instrumental Duet Guitar,Instrumental Duet,Mandolin - Level 4 - SKU: A0.1017672 Composed by Turlough Ó Carolan. Arranged by Gordon Jackson. Baroque,...
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Instrumental Duet Guitar,Instrumental Duet,Mandolin - Level 4 - SKU: A0.1017672 Composed by Turlough Ó Carolan. Arranged by Gordon Jackson. Baroque,Celtic,Classical,Folk,Irish,Multicultural,World. Score and parts. 2 pages. Gordon Jackson #6434379. Published by Gordon Jackson (A0.1017672). 174Turlough Ó Carolan (1670-1738) was an Irish harper and composer. Carolan’s music does not sit comfortably in any one particular musical tradition. He was the product of a long line of Irish harpers dating from medieval times or before. He was also aware of Irish folk music, with many of his tunes having a ‘trad’ quality, particularly in his jig-like compositions. Finally, Carolan was influenced by the music of Italian Baroque composers that he would have heard played at the great houses he visited. Carolan’s Draught is an example of the latter.The rather prosaically titled ‘174’ is simply the result of the air’s original name being lost in the mists of time, and Donal O’Sullivan, in his Carolan: The Life Times and Music of an Irish Harper [sic.] allocated numbers to the tunes that had no titles (171-180). I have arranged this primarily for solo mandolin, although I’m sure it can be adapted for other instruments. The piece is played three times through: first, the basic unadorned melody; second, with just a few simple double stops and open strings; third, a fully-realised romp with many, often quite tricky, double stops (and open strings, of course, but they’re pretty easy!). I’ve added guitar chords above the staff (letter names only), not that it necessarily needs further accompaniment. The melody is so heavily arpeggiated the chords more or less wrote themselves. A word of warning – easily discovered for yourselves, really – beware of attempting to play this too fast lest those runs of quavers (16th notes) catch you unawares!
$4.99
Carolan's Frolic
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Mandoline, Guitare (duo)
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Turlough Ó Carolan
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Gordon Jackson
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Carolan's Frolic
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Gordon Jackson
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SheetMusicPlus
Instrumental Duet Guitar,Instrumental Duet,Mandolin - SKU: A0.1017674 Composed by Turlough Ó Carolan. Arranged by Gordon Jackson. Baroque,Celtic,Cla...
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Instrumental Duet Guitar,Instrumental Duet,Mandolin - SKU: A0.1017674 Composed by Turlough Ó Carolan. Arranged by Gordon Jackson. Baroque,Celtic,Classical,Folk,World. Score and parts. 2 pages. Gordon Jackson #6434593. Published by Gordon Jackson (A0.1017674). Carolan’s FrolicTurlough Ó Carolan (1670-1738) was an Irish harper and composer. Carolan’s music does not sit comfortably in any one particular musical tradition. He was the product of a long line of Irish harpers dating from medieval times or before. He was also aware of Irish folk music, with many of his tunes having a ‘trad’ quality, particularly in his jig-like compositions. Finally, Carolan was influenced by the music of Italian Baroque composers that he would have heard played at the great houses he visited. Carolan’s Frolic is an example of the latter.This tune is most commonly known in the literature as ‘Thomas Judge’, but best known in Irish music circles as ‘Carolan’s Frolic’. As I have arranged it, there is no real need for accompaniment, as long as it is played by a skilful mandolin player, combining as it does quite speedy runs of semiquavers (32nd notes) and some tricky double stopping.
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