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--INSTRUMENTS--
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134
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26
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7
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6
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4
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4
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1
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1
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3
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1
4 Guitares (Quatuor)
1
+ 2 instrumentations
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42
Chorale 3 parties
6
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3
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2
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1
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1
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10
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8
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6
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5
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5
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2
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2
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1
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1
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1
2 Hautbois (duo)
1
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1
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1
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1
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1
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1
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1
Saxophone
1
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1
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1
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1
Instruments en Mib
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Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
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11
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6
Quatuor de Cuivres : 2 trompettes, trombone, tuba
5
Quatuor de Cuivres
5
Trio de Cuivres
2
2 Trompettes (duo)
2
Cor
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Bass Clef Instruments
1
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1
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1
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1
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Ensemble de Cors
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
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1
Trompette
1
Quatuor de cuivres: 4 trombones
1
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148
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140
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113
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111
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20
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8
Alto seul
4
2 Violoncelles (duo)
3
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2
Violoncelle
2
2 Altos (duo)
2
4 Violoncelles
2
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1
2 Violons (duo)
1
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1
Alto, Violoncelle (duo)
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Trio à Cordes: 2 violons, alto
1
Trio à Cordes: 3 violoncelles
1
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93
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8
Orchestre de chambre
8
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6
Cloches
4
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2
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Piano et Orchestre
1
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Four Seconds
Chorale 2 parties
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Windows of Grace: 3. There Stood His Mother (Downloadable)
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Chorale 2 parties
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FACILE
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Frank Pesci
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Windows of Grace: 3. There Sto
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
2-part choir of mixed or equal voices and organ - Moderately Easy - SKU: MQ.7997-E Composed by Frank Pesci. Holy Week/Three Days, 21st Century. Instrume...
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2-part choir of mixed or equal voices and organ - Moderately Easy - SKU: MQ.7997-E Composed by Frank Pesci. Holy Week/Three Days, 21st Century. Instrument parts. 7 pages. Duration 3 minutes, 17 seconds. E. C. Schirmer Music Company - Digital #7997-E. Published by E. C. Schirmer Music Company - Digital (MQ.7997-E). English.Written between November 2007 and August 2009, this set of four motets was written for and dedicated to the Choir of Grace Episcopal Church in Newton, Massachusetts, and its director, Dr. Linda J. Clark. The choir sits facing four stained glass windows, each depicting a scene from Christ’s life: birth, baptism, death, and resurrection. Each motet is a choral meditation on one of these windows. The set is written for a choir of any size and composition that can be evenly divided into two voice parts.There Stood His Mother (Stabat Mater): Thick dissonances collide and intertwine in this meditation on a mother’s love under a shroud of grief. Duration: 3:17.
$2.25
Sight-singing exercises for two-part choirs vol. 1A - quarters, halves, wholes
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Chorale 2 parties
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DÉBUTANT
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Methodes
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Nicholas Palmer
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Sight-singing exercises for tw
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Nicholas D Palmer
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SheetMusicPlus
Choral Choir (SA) - Level 1 - SKU: A0.782807 Composed by Nicholas Palmer. Instructional. Octavo. 24 pages. Nicholas D Palmer #3507649. Published by Nich...
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Choral Choir (SA) - Level 1 - SKU: A0.782807 Composed by Nicholas Palmer. Instructional. Octavo. 24 pages. Nicholas D Palmer #3507649. Published by Nicholas D Palmer (A0.782807). The purpose of this series of sight-singing exercise books is to give choir directors supplemental materials with which to strengthen the reading skills of singers. These exercises may be used in a variety of ways, starting with unison choir, then two part, then switching parts, etc… to maximize the exercises’ content. No texts are provided, so that the singers may use neutral syllables to focus on tone, or solfege, numbers, or rhythm syllables, depending on the system the teacher uses. This volume contains the first 10 exercises of Volume 1, and then 10 more exercises that use only longer note values. Since Volume 1 also covers eighth note and sixteenth note rhythms and some compound meters, I decided to provide a volume with only the longer note values and then restructure the collection in the following way: in each series of volumes, A includes only longer note values, B introduces eighths and sixteenths, C introduces compound meter, and D introduces melodic minor.Volume 1 (ABCD)- Diatonic Seconds Volume 2 (ABCD) - Diatonic ThirdsVolume 3 (ABCD) - 1-5-1, octave leapsVolume 4 (ABCD) - FourthsVolume 5 (ABCD) - FifthsVolume 6 (ABCD) - SixthsVolume 7 (ABCD) - SeventhsVolume 8 (ABCD) - Chromatic intervalsIn general, the exercises give some direction for articulation, dynamics, and tempo. Though these are optional, the more notation detail the singers pay attention to, the greater their skill will be in reading all the notation on the page. In some cases, vagueness in these instructions leaves opportunities for singers to decide how to articulate, what tempo might be appropriate, and how loud or soft to sing. If you discover any errors, please notify me, and then give your singers a chance to figure out what the error is! Nick Palmer www.nicholaspalmer.com nicholasdpalmer@gmail.com
$9.99
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