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I Made It Out
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385
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125
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99
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55
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39
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34
Orgue
5
2 Pianos, 4 mains
3
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2
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2
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1
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1
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1
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23
Basse electrique
12
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10
4 Guitares (Quatuor)
7
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4
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3
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1
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1
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1
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1
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59
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9
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6
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5
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4
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3
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2
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2
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2
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2
Voix duo
1
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72
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71
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28
Quatuor de Saxophones: 4 saxophones
28
Clarinette et Piano
28
Clarinette
26
Hautbois, Piano (duo)
25
Saxophone Alto et Piano
23
2 Saxophones (duo)
22
Flûte traversière
21
Ensemble de Clarinettes
18
Saxophone Alto
18
Saxophone Soprano et Piano
18
Quatuor de Clarinettes: 4 clarinettes
17
Flûte, Hautbois, Clarinette, Basson
16
Ensemble de saxophones
15
Hautbois (partie séparée)
14
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13
Saxophone (partie séparée)
11
Saxophone Tenor
11
2 Clarinettes (duo)
9
2 Flûtes traversières (duo)
9
Saxophone Tenor et Piano
8
Saxophone Baryton, Piano
8
Quintette de Flûte : 5 flûtes
8
2 Hautbois (duo)
7
Hautbois
7
Ensemble de Flûtes
7
Saxophone Baryton
6
Cor Anglais
6
Saxophone Soprano
6
Flûte et Guitare
4
Clarinette Basse, Piano
3
Clarinette Basse
3
3 Clarinettes (trio)
3
Hautbois, Guitare (duo)
2
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2
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2
Cor anglais, Piano
2
2 Clarinettes, Piano
1
2 Hautbois, Piano
1
Quatuor de Flûtes à bec
1
Flûte, Hautbois, Piano (trio)
1
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1
Flûte, Violon, Piano
1
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1
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1
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1
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1
2 Flûtes traversières, Piano
1
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1
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1
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50
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44
Trompette
29
Quatuor de Cuivres: 2 trompettes, Cor, trombone
22
Trombone
20
Cor
16
Trompette, Piano
16
Cor et Piano
15
Tuba
14
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14
Quatuor de Cuivres
13
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13
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10
2 Trompettes (duo)
10
Tuba et Piano
8
2 Trombones (duo)
8
2 Cors (duo)
7
Cor Anglais
6
2 Tubas (duo)
2
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2
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2
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1
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1
Quatuor de cuivres: 4 cors
1
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1
2 Cors, Piano
1
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1
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
69
Violon et Piano
37
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28
Violoncelle
23
Alto, Piano
23
Violoncelle, Piano
23
Quintette à cordes: 2 violons, alto, violoncelle, basse
16
Alto seul
14
Contre Basse
14
2 Violons (duo)
12
Trio à Cordes: 2 violons, violoncelle
11
Trio à Cordes: violon, alto, violoncelle
10
2 Violoncelles (duo)
9
Ensemble de Violons
9
Contrebasse, Piano (duo)
8
Ensemble d'Altos
7
2 Altos (duo)
6
Alto (partie séparée)
6
Harpe
5
Trio à Cordes: 2 violons, alto
3
Violon, Violoncelle (duo)
3
Quintette à cordes : 2 violons, alto et 2 violoncelles
2
2 Altos, Piano
2
2 Contrebasses (duo)
2
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1
Harpe, Voix
1
Violoncelle , Guitare (duo)
1
Harpe et Piano
1
4 Contrebasses
1
Violoncelle, Orgue
1
4 Violoncelles
1
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Orchestre de chambre
25
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19
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19
Ensemble Jazz
15
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10
Marimba
9
Jazz combo
8
Xylophone
7
Ensemble de Percussions
4
Ensemble de cuivres
3
Cloches
2
Piano et Orchestre
1
Fanfare
1
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Vous avez sélectionné:
I Made It Out
Chorale 2 parties
Partitions à imprimer
3 partitions trouvées
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Happy Place
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Chorale 2 parties
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INTERMÉDIAIRE
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Pop musique
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Sally Whitwell
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Happy Place
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Sally Whitwell
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SheetMusicPlus
Choral Choir (SA) - Level 3 - SKU: A0.873034 Composed by Sally Whitwell. Pop. Octavo. 11 pages. Sally Whitwell #3869017. Published by Sally Whitwell (A0...
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Choral Choir (SA) - Level 3 - SKU: A0.873034 Composed by Sally Whitwell. Pop. Octavo. 11 pages. Sally Whitwell #3869017. Published by Sally Whitwell (A0.873034). Composer’s Note - Happy PlaceI’m a lesbian who came-of-age/came-out in the mid 1990s, which means I caught the tail end of those lesbian stereotypes you used to hear about. It made me feel like I’d never inherited The Lesbian Gene. I was never one of the herbal tea sipping, yoga loving, hemp textiles wearing, hippie happy clappy campers of that time. I had girlfriends who were and I tried to humour them sometimes but it was always a strain.I had this one girlfriend who made me go camping once, a gathering with her hippie pagan friends. It was all inoffensive enough, I was having a very nice time sitting in the shade reading my book. Rather stupidly, I made the mistake of letting someone rope me into a thing called D​rumming The Boundary​. They thought I’d be good at it, being a professional musician. I thought it would probably please my girlfriend if I got involved, so I agreed to go along.To my surprise, the drums they’d set up were great instruments, some really top quality djembes that you’d be paying some good money for, so I made the rash assumption that the leader of this activity actually knew what she was doing. We were instructed to start drumming a h​eartbeat​ together, whereupon I discovered that these are people who couldn’t even play a plain old crotchet beat in ensemble. But they seemed to think they were playing in time, swooning and swaying and closing their eyes to ‘feel’ the music. It was starting to make me giggle. These were presumably the same lesbians I’d seen out in Sydney nightclubs who couldn’t dance in time with an electronic beat that repeatedly hits you over the head with its obviousness?! Once I’d had that thought, I couldn’t help my giggle becoming a full-blown guffaw. The dreadlocked hempy lady in charge glared at me, telling me I needed to relax into really f​eeling the heartbeat. ​Could she not see that it was because my whole body was shaking with hysterical laughter at their arhythmic playing? Honestly...I guess I just really don’t like hippies. There, I said it out loud. I tried, I tried really hard, but I just prefer my city life. It’s my ​Happy Place.​-- Sally Whitwell
$1.99
Mozart's At the Window [Two-Part Treble]
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Chorale 2 parties
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FACILE
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Classique
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Wolfgang Amadeus Mozart
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Mozart's At the Window [Two-Pa
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Dandelion Music Press
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SheetMusicPlus
Choral Choir (SA) - Level 2 - SKU: A0.891216 Composed by Wolfgang Amadeus Mozart. Arranged by Gunnar Madsen, Laurie Betts Hughes. Children,Classical,Con...
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Choral Choir (SA) - Level 2 - SKU: A0.891216 Composed by Wolfgang Amadeus Mozart. Arranged by Gunnar Madsen, Laurie Betts Hughes. Children,Classical,Contemporary. Octavo. 14 pages. Dandelion Music Press #3106871. Published by Dandelion Music Press (A0.891216). If you are looking to lighten your concert, to program real music, or a piece with rapid text delivery satisfying to mid-level treble choirs and treble community choirs, bring this hilarious 3 minute piece to your outstanding accompanist-pianist and your developing ensemble. Debuted for choir during an educational outreach concert for children with families, Mozart's At the Window is also an effective selection or encore for a Mozart concert, or standing on its own. Piece features lots of vocal doubling and is fully supported by a pianistic reduction-- this piece shines with an amazing accompanist.The choral arranger writes: After getting absolutely sick of the inane music I'd been playing for my young children in the car, I was elated to discover Gunnar Madsen's CD I'm Growing featuring Mozart's At the Window. The kids were delighted with this funny song about some naughty kid, and my husband and I were delighted with the enormous improvement of musical quality in our vehicle. It was shortly thereafter that this choral arrangement was born.Gunnar writes: In my first music theory class in college, the teacher and the students were recalling the silly ways they'd been taught to remember classical melodies when they were young. One of them was for Mozart's 40th symphony (which I'd never heard) which consisted of Now Mozart's at the window - Let him in, Let him in, Let him in. What an ear-worm! For 25 years now I've dreamt of expanding that ditty into something more substantial, and now I'm proud to present the finished piece. I'm really going to get a kick of sending this one to my teacher!Also available in SATB voicingMusic abridged from W. A. Mozart's Symphony No.40 in G minor, K.550 IV. Allegro assai2017 Choral Contest EntryText and concept by Gunnar Madsen, ASCAP | http://www.gunnarspot.com/Arranged for choir by Laurie Betts Hughes, ASCAP | www.LaurieBettsHughes.com
$2.10
Ebony And Ivory
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Chorale 2 parties
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FACILE
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Contemporain
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Paul Mccartney W/Stevie Wonder
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Sandra Milliken
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Ebony And Ivory
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Sandra Milliken
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SheetMusicPlus
Choral Choir (SA) - Level 2 - SKU: A0.774771 By Paul Mccartney W/Stevie Wonder. By Paul McCartney. Arranged by Sandra Milliken. Contemporary. Octavo. 7 ...
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Choral Choir (SA) - Level 2 - SKU: A0.774771 By Paul Mccartney W/Stevie Wonder. By Paul McCartney. Arranged by Sandra Milliken. Contemporary. Octavo. 7 pages. Sandra Milliken #6021503. Published by Sandra Milliken (A0.774771). Ebony and Ivory was written by Paul McCartney and released in March 1982 as a recoding by Paul along with Stevie Wonder. It reached number one on both the UK and the US charts. It was Stevie Wonder's first number-one single in the UK, his only other one being I Just Called to Say I Love You in 1984.At a very basic level, the song is about the black and white keys on a piano. But at a deeper level, the ebony and ivory keys are a metaphor for racial harmony, equality and integration. Paul liked the piano analogy, since you can play the instrument using just the white keys or just the black keys, but to make great music, you really have to combine the two.Ebony and Ivory is available in four arrangements (all with piano accompaniment) for SATB, SSA, SAB and 2-Part choirs.Each arrangement begins with a classically-inspired piano accompaniment that soon modulates into the soft rock feel that made this song so popular for so many decades. Solo options are included and the well-known guitar solo has be rewritten as a scat solo with the option to ad lib over the repeated motifs.
$2.20
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I Made It Out
