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People Help The People
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70
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12
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2
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1
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42
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6
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5
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5
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1
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14
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7
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6
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3
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2
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2
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2
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2
Ensemble de Clarinettes
2
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2
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1
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1
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1
Quatuor de Flûtes à bec
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Piccolo, Piano
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Saxophone Alto
1
Clarinette, Harpe (duo)
1
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Cor anglais, Piano
10
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7
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6
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5
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5
Trombone et Piano
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Trompette, Piano
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Trompette
3
2 Trompettes (duo)
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Quatuor de cuivres: 4 trombones
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Cor
1
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Cor Anglais
1
Quatuor de cuivres: 4 cors
1
Ensemble de Trompettes
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2 Trombones (duo)
1
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6
Violon, Violoncelle (duo)
5
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3
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3
Violon
3
Harpe, Voix
2
2 Violons (duo)
2
Violoncelle
2
Alto, Violoncelle (duo)
1
Trio à Cordes: violon, alto, violoncelle
1
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1
Quatuor à cordes: 4 violons
1
Alto seul
1
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17
Jazz combo
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5
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Orchestre
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Marimba
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Vous avez sélectionné:
People Help The People
SheetMusicPlus
Partitions à imprimer
5 partitions trouvées
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Let Me Make the Songs for the People
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Chorale 2 parties
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INTERMÉDIAIRE
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Christopher Alexander
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Let Me Make the Songs for the
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Christopher Alexander
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SheetMusicPlus
Choral Choir,Choral (2-Part) - Level 3 - SKU: A0.1325222 By Christopher Alexander. By Christopher Alexander. Contest,Festival. 8 pages. Christopher Alex...
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Choral Choir,Choral (2-Part) - Level 3 - SKU: A0.1325222 By Christopher Alexander. By Christopher Alexander. Contest,Festival. 8 pages. Christopher Alexander #913453. Published by Christopher Alexander (A0.1325222). This proud anthem will help your chorus achieve the ability to perform a cappella works at your next concert. With an extended range and differing rhythmic passages, this work will be a rewarding challenge to perform. The song begins with parallel verse-like stanzas then diverting to a new harmonic that builds toward the climactic end.
$2.25
The Lord Bless You and Keep You
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Chorale 2 parties
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FACILE
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Musique Sacrée
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Sylvia Miles
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Sylvia Miles
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The Lord Bless You and Keep Yo
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Sylvia Miles
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SheetMusicPlus
Choral Choir (SA) - Level 2 - SKU: A0.1205860 Composed by Sylvia Miles. Arranged by Sylvia Miles. Christian,Jewish,Praise & Worship,Religious,Sacred. Oc...
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Choral Choir (SA) - Level 2 - SKU: A0.1205860 Composed by Sylvia Miles. Arranged by Sylvia Miles. Christian,Jewish,Praise & Worship,Religious,Sacred. Octavo. 2 pages. Sylvia Miles #804048. Published by Sylvia Miles (A0.1205860). This beautiful prayer is the Aaronic Blessing, given by Moses to Aaron, for the people of God. I wanted it to be uncomplicated and accessible, and as far as possible to follow the rhythms of speech. This version is for 2-part choir, S and A, with an optional top note, and piano accompaniment.The singing is interspersed by a simple piano motif symbolising cheerfulness.I wrote it (proud mama) to mark this year's ordination to Deacon of my daughter. It's one of her favourite prayers.(Though she says the prayer she uses most often is Help!).
$1.99
There Came a Wind like a Bugle
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Chorale 2 parties
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FACILE
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Gerda Blok-Wilson
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There Came a Wind like a Bugle
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CanSing
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SheetMusicPlus
Choral Choir,Choral (SA) - Level 2 - SKU: A0.1395757 By Gerda Blok-Wilson. By Gerda Blok-Wilson. 21st Century,Classical,Contest,Festival,Halloween,Instr...
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Choral Choir,Choral (SA) - Level 2 - SKU: A0.1395757 By Gerda Blok-Wilson. By Gerda Blok-Wilson. 21st Century,Classical,Contest,Festival,Halloween,Instructional. 16 pages. CanSing #979129. Published by CanSing (A0.1395757). Gerda Blok-Wilson’s new composition of Emily Dickinson’s “There Came a Wind Like a Bugle†is a lively setting for SA voices with piano accompaniment. It portrays the arrival of a powerful wind and tells of its effects on the surroundings and impending disaster it brings. The piece has an ominous, almost supernatural sense that is driving to the end.Although the choral or duet piece would work at any time of year, it could set the tone for a Halloween concert, adding an eerie atmosphere and sense of mystery.Beautiful demo recording by ROCKY MOUNTAIN CHAMBER CHOIR - https://www.rockymountainchamberchoir.com/ Visit: www.gerdablokwilson.ca for a comprehensive selection of UPPER, LOWER and MIXED VOICE RepertoirGreat festival selection!YouTube: https://youtu.be/7elBk2jDogkSuggested themes: Nature’s powerFear of the unknownImpermanence and changeResilienceThe Inevitability of Fate. #ChoralMusic #EmilyDickinson #ChoralComposer #ChoirLife #PoetryInMusic #ChoralMagic #ChoralCanada #UpperVoices #Piano #FestivalSelection #GerdaBlok #rmccvc Social Media informationYoutube: Cansing ChoralInstagram: gerdachoralcomposerFaceBook: Gerda Blok-WilsonTwitter: @BlokWilsonThreads: gerdachoralcomposer Email: gerda.blokwilson@gmail.com for information about individual practice files. Also, I’d love to hear a video performance of your choir. Please send. Gerda Blok-Wilson, a Canadian composer, conductor, and educator, is a fervent advocate for the transformative power of choral singing and its remarkable ability to inspire people with diverse abilities. Her motto reflects that belief: If you can talk, you can sing! Since 2018, Gerda has dedicated herself to compiling and editing her compositions for publication. Her portfolio ranges from musicals and choral works tailored to nurture budding choirs to advanced choral repertoire that has garnered acclaim through live performances and recordings. Gerda is artist in residence at St. Patrick’s Regional High School in Vancouver and serves as the artistic director for the Vancouver Cansing Community Choir, which she founded in 2010. She is a frequent guest rehearsal conductor, helping local choirs polish their performances. Gerda's educational background includes a Bachelor of Music, a Kodály Teaching certificate, and a Master of Education with a focus on Kodály pedagogy.
$2.25
Happy Place
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Chorale 2 parties
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INTERMÉDIAIRE
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Pop musique
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Sally Whitwell
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Happy Place
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Sally Whitwell
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SheetMusicPlus
Choral Choir (SA) - Level 3 - SKU: A0.873034 Composed by Sally Whitwell. Pop. Octavo. 11 pages. Sally Whitwell #3869017. Published by Sally Whitwell (A0...
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Choral Choir (SA) - Level 3 - SKU: A0.873034 Composed by Sally Whitwell. Pop. Octavo. 11 pages. Sally Whitwell #3869017. Published by Sally Whitwell (A0.873034). Composer’s Note - Happy PlaceI’m a lesbian who came-of-age/came-out in the mid 1990s, which means I caught the tail end of those lesbian stereotypes you used to hear about. It made me feel like I’d never inherited The Lesbian Gene. I was never one of the herbal tea sipping, yoga loving, hemp textiles wearing, hippie happy clappy campers of that time. I had girlfriends who were and I tried to humour them sometimes but it was always a strain.I had this one girlfriend who made me go camping once, a gathering with her hippie pagan friends. It was all inoffensive enough, I was having a very nice time sitting in the shade reading my book. Rather stupidly, I made the mistake of letting someone rope me into a thing called D​rumming The Boundary​. They thought I’d be good at it, being a professional musician. I thought it would probably please my girlfriend if I got involved, so I agreed to go along.To my surprise, the drums they’d set up were great instruments, some really top quality djembes that you’d be paying some good money for, so I made the rash assumption that the leader of this activity actually knew what she was doing. We were instructed to start drumming a h​eartbeat​ together, whereupon I discovered that these are people who couldn’t even play a plain old crotchet beat in ensemble. But they seemed to think they were playing in time, swooning and swaying and closing their eyes to ‘feel’ the music. It was starting to make me giggle. These were presumably the same lesbians I’d seen out in Sydney nightclubs who couldn’t dance in time with an electronic beat that repeatedly hits you over the head with its obviousness?! Once I’d had that thought, I couldn’t help my giggle becoming a full-blown guffaw. The dreadlocked hempy lady in charge glared at me, telling me I needed to relax into really f​eeling the heartbeat. ​Could she not see that it was because my whole body was shaking with hysterical laughter at their arhythmic playing? Honestly...I guess I just really don’t like hippies. There, I said it out loud. I tried, I tried really hard, but I just prefer my city life. It’s my ​Happy Place.​-- Sally Whitwell
$1.99
On Ilkley Moor Bar t'At
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Chorale 2 parties
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INTERMÉDIAIRE/AVANCÉ
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Melody by Thomas Clark
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Stephen Smith
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On Ilkley Moor Bar t'At
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Stephen Smith
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SheetMusicPlus
Choral Choir,Choral (SA) - Level 4 - SKU: A0.1216084 Composed by Melody by Thomas Clark (1805) and Words Anonymous (ca. 1860). Arranged by Stephen Smith...
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Choral Choir,Choral (SA) - Level 4 - SKU: A0.1216084 Composed by Melody by Thomas Clark (1805) and Words Anonymous (ca. 1860). Arranged by Stephen Smith. Children,Classical,Comedy,Folk,Traditional. 12 pages. Stephen Smith #812710. Published by Stephen Smith (A0.1216084). The comical song On Ilkley Moor Bar t'At is thought to have been invented by the members of a church choir from the Halifax area of Yorkshire, England while on an outing to Ilkley Moor, some time around 1860. In the decades since, it has become so famous and popular that it is considered the unofficial anthem of Yorkshire.  The eight verses of the song warn against venturing on to Ilkley Moor--even to court your beloved-- bar t'at (without thy hat), lest you catch cold and end up as worm-food! Then, when the worms become duck-food, and the ducks become people-food... well, it doesn't bear thinking about! But it's a ton of fun to sing about, especially in this sensational arrangement for treble choir and piano. With wild harmonic twists, mock-serious counterpoint, references to jazz waltzes and funeral marches, and a virtual concerto of a piano accompaniment, this arrangement is a showpiece that will delight performers and wow audiences. And since half the fun is singing it with the customary broad West Yorkshire accent, a helpful pronunciation guide is included.
$1.99
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