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--INSTRUMENTS--
ACCORDEON
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Wind of Change
Non classifié
226
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57
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15
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8
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7
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2
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2
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1
Instruments en Do
1
Piano grosses notes
1
+ 4 instrumentations
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Guitares
Basse electrique
12
Guitare notes et tablatures
11
Guitare
5
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3
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2
Ukulele
1
+ 1 instrumentations
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Voix
Chorale SATB
17
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5
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3
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3
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1
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1
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1
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149
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108
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94
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58
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44
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34
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30
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28
Saxophone
24
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19
Hautbois, Piano (duo)
17
3 Clarinettes (trio)
17
Trio de Flûtes: 3 flûtes
16
Clarinette
15
Ensemble de Flûtes
14
Flûte traversière
11
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11
Saxophone Alto et Piano
10
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9
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8
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8
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7
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6
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6
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6
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6
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5
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1
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11
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7
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4
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4
Trombone et Piano
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2
Tuba (partie séparée)
2
Trompette (partie séparée)
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1
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1
Cor
1
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1
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1
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9
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7
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6
Violon
5
Violoncelle
5
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4
Alto (partie séparée)
3
Contrebasse (partie séparée)
2
Alto seul
2
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1
2 Altos (duo)
1
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133
Orchestre
50
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22
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16
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10
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8
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6
Jazz combo
5
Fanfare
3
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3
Cloches
2
Vibraphone
1
Piano et Orchestre
1
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Vous avez sélectionné:
Wind of Change
Chorale 2 parties
Partitions à imprimer
3 partitions trouvées
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There Came a Wind like a Bugle
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Chorale 2 parties
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FACILE
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Gerda Blok-Wilson
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There Came a Wind like a Bugle
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CanSing
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SheetMusicPlus
Choral Choir,Choral (SA) - Level 2 - SKU: A0.1395757 By Gerda Blok-Wilson. By Gerda Blok-Wilson. 21st Century,Classical,Contest,Festival,Halloween,Instr...
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Choral Choir,Choral (SA) - Level 2 - SKU: A0.1395757 By Gerda Blok-Wilson. By Gerda Blok-Wilson. 21st Century,Classical,Contest,Festival,Halloween,Instructional. 16 pages. CanSing #979129. Published by CanSing (A0.1395757). Gerda Blok-Wilson’s new composition of Emily Dickinson’s “There Came a Wind Like a Bugle†is a lively setting for SA voices with piano accompaniment. It portrays the arrival of a powerful wind and tells of its effects on the surroundings and impending disaster it brings. The piece has an ominous, almost supernatural sense that is driving to the end.Although the choral or duet piece would work at any time of year, it could set the tone for a Halloween concert, adding an eerie atmosphere and sense of mystery.Beautiful demo recording by ROCKY MOUNTAIN CHAMBER CHOIR - https://www.rockymountainchamberchoir.com/ Visit: www.gerdablokwilson.ca for a comprehensive selection of UPPER, LOWER and MIXED VOICE RepertoirGreat festival selection!YouTube: https://youtu.be/7elBk2jDogkSuggested themes: Nature’s powerFear of the unknownImpermanence and changeResilienceThe Inevitability of Fate. #ChoralMusic #EmilyDickinson #ChoralComposer #ChoirLife #PoetryInMusic #ChoralMagic #ChoralCanada #UpperVoices #Piano #FestivalSelection #GerdaBlok #rmccvc Social Media informationYoutube: Cansing ChoralInstagram: gerdachoralcomposerFaceBook: Gerda Blok-WilsonTwitter: @BlokWilsonThreads: gerdachoralcomposer Email: gerda.blokwilson@gmail.com for information about individual practice files. Also, I’d love to hear a video performance of your choir. Please send. Gerda Blok-Wilson, a Canadian composer, conductor, and educator, is a fervent advocate for the transformative power of choral singing and its remarkable ability to inspire people with diverse abilities. Her motto reflects that belief: If you can talk, you can sing! Since 2018, Gerda has dedicated herself to compiling and editing her compositions for publication. Her portfolio ranges from musicals and choral works tailored to nurture budding choirs to advanced choral repertoire that has garnered acclaim through live performances and recordings. Gerda is artist in residence at St. Patrick’s Regional High School in Vancouver and serves as the artistic director for the Vancouver Cansing Community Choir, which she founded in 2010. She is a frequent guest rehearsal conductor, helping local choirs polish their performances. Gerda's educational background includes a Bachelor of Music, a Kodály Teaching certificate, and a Master of Education with a focus on Kodály pedagogy.
$2.25
Clouds (White Sheep, White Sheep, on a Blue Hill)
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Chorale 2 parties
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DÉBUTANT
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Joanna Mills
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Joanna Mills
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Clouds
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Joanna Mills Music
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SheetMusicPlus
Choral Choir,Choral (2-Part) - Level 1 - SKU: A0.1182947 By Joanna Mills. By Joanna Mills. Arranged by Joanna Mills. Children,Contest,Festival,Holiday,T...
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Choral Choir,Choral (2-Part) - Level 1 - SKU: A0.1182947 By Joanna Mills. By Joanna Mills. Arranged by Joanna Mills. Children,Contest,Festival,Holiday,Traditional. 12 pages. Joanna Mills Music #782700. Published by Joanna Mills Music (A0.1182947). This beautiful setting of Christina Rossetti's classic children's poem Clouds is a perfect for competition or concerts with beginning choirs. Featuring a lovely piano accompaniment and optional flute part, the simple text is set to a melody in an accessible range for children, which can be sung in canon. The key change, easy harmonies and echoes, and the final canon keep your audience engaged from start to finish. Suitable for any season, it is the perfect addition to your young choir's repertoire! Piano Accompaniment Track also available:Sheet Music PlusSheet Music DirectThemes: Spring, Summer, Fall, Winter, Weather, Dreams, Imagination, Wind, Clouds, AnimalsClouds Christina RossettiWhite sheep, white sheep,On a blue hill,When the wind stopsYou all stand stillWhen the wind blowsYou walk away slow,White sheep, white sheep,Where do you go?
$1.99
Die Forelle
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Chorale 2 parties
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INTERMÉDIAIRE
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Classique
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Franz Schubert
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D
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Die Forelle
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Tully Road Music
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SheetMusicPlus
Choral Choir,Choral (TB) - Level 3 - SKU: A0.1346467 Composed by Franz Schubert. Arranged by D. Jason Bishop. 19th Century,Classical,Instructional,Roman...
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Choral Choir,Choral (TB) - Level 3 - SKU: A0.1346467 Composed by Franz Schubert. Arranged by D. Jason Bishop. 19th Century,Classical,Instructional,Romantic Period. 8 pages. Tully Road Music #931253. Published by Tully Road Music (A0.1346467). Die Forelle (D. 550, Op. 32) is among Schubert’s early contributions to the genre of the Lied, a 19th-century German art song for solo voice and piano. Schubert composed over 600 Lieder, and although many of them became popular, Die Forelle was – and still is – one of the most widely recognized and performed. Composed in 1817, Die Forelle takes its text from a 1783 poem of the same name by Christian Friedrich Daniel Schubart. In it, a casual observer stands on the banks of a tranquil stream, admiring the movements of a “frisky†fish as it darts below the surface. The tone of the music changes when, to the observer’s horror, a fisherman puts an end to both his and the trout’s merriment by snagging the fish on his hook and reeling him in. In a final stanza which Schubert omits from his setting, we learn that Schubart’s poem is actually a metaphorical story intended to warn young women against the trickery of their young male suitors. As in Gretchen am Spinnrade and many other Lieder, Schubert “characterizes†the piano accompaniment, in this case through both the upward-winding sixteenth-note triplets representing the wriggling movements of a fish, and the abrupt shift towards agitated rhythms in measure 33 when the fish is hooked. The song gained such swift popularity that only two years after its composition in 1817, Schubert was commissioned to write an instrumental chamber work incorporating music from Die Forelle. The result was his Trout Quintet of 1819 (Piano Quintet in A Major, D. 667), the fourth movement of which is a set of variations on the Die Forelle tune.This arrangement is also available for 3-part treble (SSA) voices published by Hal Leonard Corporation, 10500871.
$2.50
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