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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Simple Man
Non classifié
187
Piano & claviers
Piano Facile
341
Piano grosses notes
164
Piano seul
87
Piano, Voix
26
Instruments en Do
20
Piano, Voix et Guitare
15
Orgue
13
Accompagnement Piano
10
1 Piano, 4 mains
5
Piano Quatuor: piano, violon, alto, violoncelle
2
Accordéon
2
Piano Trio: piano, violon, violoncelle
2
Piano Quatuor: piano, 2 violons, violoncelle
1
+ 8 instrumentations
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Guitares
Guitare
39
Guitare notes et tablatures
22
Ukulele
18
Mandoline
8
2 Guitares (duo)
3
Basse electrique
2
Ligne De Mélodie, (Paroles) et Accords
2
Banjo
1
+ 3 instrumentations
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Voix
Chorale 2 parties
37
Chorale Unison
33
Voix Alto, Piano
28
Voix Soprano, Piano
26
Voix Tenor, Piano
26
Chorale SATB
24
Chorale 3 parties
24
Chorale TTBB
6
Voix seule
5
Chorale SSAA
2
Voix duo, Piano
1
Voix duo
1
+ 7 instrumentations
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Vents
Flûte traversière
45
Clarinette
27
Flûte traversière et Piano
25
Hautbois, Piano (duo)
22
Hautbois (partie séparée)
21
Saxophone Alto
21
Saxophone Tenor
20
Clarinette et Piano
20
Saxophone (partie séparée)
18
2 Saxophones (duo)
16
Saxophone Alto et Piano
16
Saxophone Tenor et Piano
14
Quatuor de Saxophones: 4 saxophones
14
Saxophone
13
2 Flûtes traversières (duo)
11
Flûte à bec Soprano
11
Flûte, Clarinette (duo)
10
3 Saxophones (trio)
9
2 Flûte à bec (duo)
8
2 Clarinettes (duo)
8
Flûte, Hautbois, Clarinette, Basson
8
Quintette de Saxophone: 5 saxophones
6
Hautbois
6
2 Hautbois (duo)
6
Clarinette, Basson (duo)
6
Quatuor de Flûtes : 4 flûtes
6
Flûte à bec Alto
5
Hautbois, Clarinette (duo)
5
Cor Anglais
4
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
4
3 Clarinettes (trio)
4
Cor anglais, Piano
4
Flûte, Hautbois (duo)
4
Quatuor de Clarinettes: 4 clarinettes
4
Hautbois, Basson (duo)
4
Flûte à bec Tenor
4
Saxophone Baryton, Piano
4
Flûte, Violon
3
Saxophone Soprano
3
Saxophone Baryton
3
Flûte, Hautbois, Clarinette (trio)
3
Cor anglais, Guitare (duo)
2
Quintette de Flûte : 5 flûtes
2
Saxophone Soprano et Piano
2
Ocarina
2
Quatuor de Flûtes à bec
2
Clarinette, Violon (duo)
2
Trio de Flûtes: 3 flûtes
2
Clarinette, Guitare (duo)
2
3 Flûtes à bec (trio)
2
Flûte, Violoncelle
2
Ensemble de Hautbois
1
Flûte à Bec
1
Hautbois, violon (duo)
1
Flûte, Trombone (duo)
1
Quintette de Clarinettes: 5 clarinettes
1
Clarinette et Alto
1
Flûte, Clarinette et Basson
1
4 Hautbois
1
Flûte à Bec, Piano
1
Piccolo, Piano
1
Flûte, Alto (duo)
1
Clarinette, Violoncelle (duo)
1
Ensemble de Flûtes
1
Hautbois, Violoncelle
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Hautbois et alto (duo)
1
Flûte et Guitare
1
Ensemble de Clarinettes
1
Clarinette Basse
1
Saxophone et Guitare
1
+ 66 instrumentations
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Cuivres
Trompette
31
Trombone
27
Trompette, Piano
19
Cor
18
Cor et Piano
18
Trombone et Piano
16
Tuba
13
Trompette, Trombone (duo)
8
Tuba et Orgue
7
Trombone, Cor (duo)
6
Tuba et Piano
6
2 Cors (duo)
6
2 Trombones (duo)
6
2 Trompettes (duo)
5
2 Tubas (duo)
5
Cor Anglais
4
Cor anglais, Piano
4
Euphonium
4
Trompette, Cor (duo)
4
Cor, Tuba (duo)
3
Quatuor de cuivres: 4 trompettes
3
3 Cors (trio)
2
Cor anglais, Guitare (duo)
2
Trompette, Tuba (duo)
2
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
2
3 Trombones (trio)
2
Quatuor de cuivres: 4 trombones
1
3 Trompettes (trio)
1
Trombone basse
1
Trompette et Guitare
1
Trombone basse et Piano
1
Trombone, Tuba (duo)
1
Quatuor de cuivres: 4 cors
1
4 Tubas
1
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1
+ 30 instrumentations
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Cordes
Violon et Piano
34
Violon
31
Violoncelle
25
Violoncelle, Piano
23
Alto, Piano
22
2 Violons (duo)
18
Quatuor à cordes: 2 violons, alto, violoncelle
14
Alto seul
14
Violon, Violoncelle (duo)
13
Contre Basse
11
Contrebasse, Piano (duo)
11
Violon, Alto (duo)
10
2 Violoncelles (duo)
9
Harpe
9
2 Altos (duo)
9
Alto (partie séparée)
8
Trio à Cordes: 3 violoncelles
6
Violon, Guitare (duo)
6
Trio à cordes: 3 altos
5
Alto, Violoncelle (duo)
5
4 Violoncelles
4
Trio à cordes: 3 violins
4
Violoncelle, Contrebasse (duo)
3
Quatuor à cordes: 4 violons
3
Trio à Cordes: violon, alto, violoncelle
3
Quatuor à cordes : 4 altos
3
Piano Trio: Violon, Alto, Piano
2
2 Contrebasses (duo)
2
Trio à Cordes: 2 violons, violoncelle
1
Violon, Basson (duo)
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Alto, Guitare (duo)
1
+ 27 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
21
Batterie
8
Cloches
7
Orchestre à Cordes
6
Ensemble de cuivres
5
Ensemble d'École
4
Ensemble de Percussions
3
Xylophone
2
Ensemble Jazz
2
Marimba
2
Xylophone, Piano
2
Orchestre
1
Fanfare
1
Percussion
1
+ 9 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
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ORGUE
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Crtitères actifs :
Simple Man
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Violoncelle, Contrebasse (duo)
Partitions à imprimer
3 partitions trouvées
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Gymnopédie No. 1 - 'cello/bass ensemble
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Violoncelle, Contrebasse (duo)
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DÉBUTANT
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Classique
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Contemporain
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Erik Satie
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Gymnopédie No. 1 - 'cel
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Samantha Bramley
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SheetMusicPlus
Instrumental Duet Cello,Double Bass,Instrumental Duet - Level 1 - SKU: A0.800220 Composed by Erik Satie. Arranged by Samantha J Bramley - stringspiratio...
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Instrumental Duet Cello,Double Bass,Instrumental Duet - Level 1 - SKU: A0.800220 Composed by Erik Satie. Arranged by Samantha J Bramley - stringspirational@gmail.com. Romantic Period,Wedding. Score and parts. 10 pages. Samantha Bramley #6014499. Published by Samantha Bramley (A0.800220). Gymnopédie No. 1, by Erik Satie for ‘cello quartet plus continuo (‘cello or bass) This iconic piano piece is one of the most recognisable and widely used classical pieces in the popular repertoire. It is both beautifully simple and elegant making this arrangement accessible to ensembles of beginner/early intermediate standard. Each of the 4 'cello parts has a turn at the melody, and the very easy ‘continuo’ can be played by either ‘cello or double bass. All parts are written in bass clef and none go above 4th position making it perfect for student groups. I like to play it with all ‘cello parts muted (con sordini) but mutes are generally not used on double bass. If playing with both ‘cello 5 and bass, try sempre pizzicato in the bass part for an interesting effect. Note from the arranger: All my arrangements for 'cello quartet, quintet and sextet are conceived specifically with the range and technical capabilities of the 'cello in mind - no simple transpositions or re-orchestrations of string quartet scores. They are therefore both easily playable and enjoyable by any intermediate to advanced 'cello ensemble. Most parts do not go beyond 4th position, making them equally suitable for student, mixed ability groups or ‘cello choirs. A complete score and set of individual parts is included. I also specialise in string arrangements giving the ‘cello and viola a fair share of the limelight! Contact Samantha at stringspirational@gmail.com for more information.
$5.99
Six Sonates d'un genre facile et agréable à violoncello et basso, op. 28
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Violoncelle, Contrebasse (duo)
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DÉBUTANT
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Jean-Baptiste Breval
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Six Sonates d'un genre facile
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Artistic Score Engraving di Galvagno Michele
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SheetMusicPlus
Instrumental Duet Cello,Double Bass,Instrumental Duet - Level 1 - SKU: A0.841356 Composed by Jean-Baptiste Breval. Arranged by Yuriy Leonovich, Michele ...
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Instrumental Duet Cello,Double Bass,Instrumental Duet - Level 1 - SKU: A0.841356 Composed by Jean-Baptiste Breval. Arranged by Yuriy Leonovich, Michele Galvagno. Classical,Instructional,Standards. Score and parts. 106 pages. Artistic Score Engraving di Galvagno Michele #6029285. Published by Artistic Score Engraving di Galvagno Michele (A0.841356). Jean-Baptiste Sebastien Bréval (1753-1823) was a French cellist and composer, who is, perhaps, best known for his cello sonatas, namely the ones in C major (Op. 40, No. 1) and G major (Op. 12, No. 5). Bréval was one of the last students of the cellist and composer Martin Berteau (1691-1771), continuing his teacher’s tradition of composing sonatas for cello with bass accompaniment. With both composers, the bass part was to be played by a second cello, very likely by the cello teacher. Many cellists opt in to have Berteau’s unfigured bass part realised by a harpsichord. However, the two-cello layout was common in the late Classical Era, especially in method books, such as Bréval’s own Traité du violoncelle (where Bréval states that the bass and the cello are one and the same), as well as Romberg’s, Dotzauer’s, et al. Romberg and Dotzauer even composed sonatas for cello and basso (second cello) accompaniment as well, Op. 43 and Op. 103, respectively. Our current publication presents student cellists with a beautifully engraved edition of Bréval’s 6 Cello Sonatas, Op. 28 and Air de Malborough, Op. 13. Bréval composed the Sonatas in c1795, most likely in conjunction with Op. 40, since Op. 28, No. 1 picks up right where Op. 40, No. 6 leaves off. Whereas Op. 40 and Op. 28, Nos. 1-4 are in two fast movements, Op. 28, Nos. 5 and 6 include a slow middle movement, No. 6 even using the thumb. The autograph, which the editor used as the primary source, and the first edition both present each sonata on four pages in score form. Our volume includes a score and parts for each player. The cello part includes fingering and bowing suggestions by Yuriy Leonovich. Each sonata begins with an Allegro movement in sonata form. The finales vary from five-part rondos (Nos. 1, 3, 5), to sonata form (Nos. 2, 6), to theme and variations (No. 4). The slow movement of No. 5 is in simple binary form, and No. 6 is in simple ternary. The six keys Bréval used for Op. 28 are the same as the ones he used for Op. 40, only in a different order. Op. 40 uses the following order: C, F, G, B-flat, A, D. Op. 28 uses the following order: D, C, A, G, B-flat, F. The Op. 28 sonatas are primarily written in tenor clef, whereas Op. 40 is primarily written in bass clef. The playing range is identical for both sets, with the exception of the high B-flat in m. 46 in the slow movement of No. 6, and high B and C in m. 37 of the finale of No. 6. Bréval explores more advanced bow techniques as well.
$24.95
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Simple Man
