Partitions Numériques de Who pour Violoncelle, Contrebasse (duo)

Who

"Green Sleeves" - Beautiful easy version for CELLO and DOUBLE BASS DUET
Violoncelle, Contrebasse (duo)

Cello,Double Bass,Instrumental Duet - Level 1 - Digital Download SKU: A0.1397614 Co…(+)

Cello,Double Bass,Instrumental Duet - Level 1 - Digital Download SKU: A0.1397614 Composed by English Folk Song. Arranged by Iury Cardoso. Chamber,Classical,Medieval,Renaissance,Traditional. 6 pages. Iury Cardoso #980922. Published by Iury Cardoso (A0.1397614). Easy VIOLONCELLO and DOUBLE BASS DUET arrangement of the piece: Green Sleeves (English folk song)(Score and parts: 6 pages)This arrangement of Green Sleeves transforms the traditional English folk song into an easy version for VIOLONCELLO and DOUBLE BASS DUET, presenting new harmonys, textures and musical colors. This arrangement is ideal for beginner students who want to improve their technique and also for presentations at recitals or gatherings, inspiring the public with the timeless beauty of the Green Sleeves melody.Other features of this sheet music:- Easy arrangement: made for beginner or intermediate level musicians.- Chord symbols not included: but, if you prefer, there is also a version of this same arrangement with the chord symbols on this website.- Duet version with piano accompaniment available: On this site, there is also a version of this same arrangement with the piano accompaniment.- Solo version available: On this site, there is also a version of this arrangement for VIOLONCELLO solo or DOUBLE BASS solo (with or without piano accompaniment).See more arrangements by Iury Cardoso, thank you so much!easy green sleeves for violoncello double bass dueteasy green sleeves sheet musicgreensleeves for violoncello and double bass duetgreen sleeves cello double bass duet sheet musicgreen sleeves beautiful violoncello double bass duetbeautiful violoncello double bass duet green sleevesgreen sleeves beautiful arrangement for cello double bass duetgreen sleeves easy violoncello and double bass dueteasy cello and double bass chamber musiceasy violoncello double bass duet for beginnersbeautiful violoncello and double bass duet sheet musiceasy cello and double bassteacher student duetgreen sleeves sheet musicgreensleeves best easy arrangement for cello and double bass duetgreen sleaves arrangement for easy violoncello double bass duetclassic sheet music for violoncello double bass duetMedieval violoncello double bass duetRenaissance violoncello double bass dueteasy chamber music violoncello double bass duet.
$3.99 3.66 € #Violoncelle, Contrebasse (duo) #English Folk Song #Iury Cardoso #"Green Sleeves" - Beautiful easy version for CELLO and DOUBLE BASS DUET #Iury Cardoso #SheetMusicPlus

Instrumental Duet Cello,Double Bass,Instrumental Duet - Level 1 - Digital Download SKU: A0.841356 Composed by Jean-Baptiste Breval. Arranged by Yuriy Leonovich, Michele Galvagno. Classical,Instructional,Standards. Score and parts. 106 pages. Artistic Score Engraving di Galvagno Michele #6029285. Published by Artistic Score Engraving di Galvagno Michele (A0.841356). Jean-Baptiste Sebastien BrÃ©val (1753-1823) was a French cellist and composer, who is, perhaps, best known for his cello sonatas, namely the ones in C major (Op. 40, No. 1) and G major (Op. 12, No. 5). BrÃ©val was one of the last students of the cellist and composer Martin Berteau (1691-1771), continuing his teacherâ€™s tradition of composing sonatas for cello with bass accompaniment. With both composers, the bass part was to be played by a second cello, very likely by the cello teacher. Many cellists opt in to have Berteauâ€™s unfigured bass part realised by a harpsichord. However, the two-cello layout was common in the late Classical Era, especially in method books, such as BrÃ©valâ€™s own TraitÃ© du violoncelle (where BrÃ©val states that the bass and the cello are one and the same), as well as Rombergâ€™s, Dotzauerâ€™s, et al. Romberg and Dotzauer even composed sonatas for cello and basso (second cello) accompaniment as well, Op. 43 and Op. 103, respectively. Our current publication presents student cellists with a beautifully engraved edition of BrÃ©valâ€™s 6 Cello Sonatas, Op. 28 and Air de Malborough, Op. 13. BrÃ©val composed the Sonatas in c1795, most likely in conjunction with Op. 40, since Op. 28, No. 1 picks up right where Op. 40, No. 6 leaves off. Whereas Op. 40 and Op. 28, Nos. 1-4 are in two fast movements, Op. 28, Nos. 5 and 6 include a slow middle movement, No. 6 even using the thumb. The autograph, which the editor used as the primary source, and the first edition both present each sonata on four pages in score form. Our volume includes a score and parts for each player. The cello part includes fingering and bowing suggestions by Yuriy Leonovich. Each sonata begins with an Allegro movement in sonata form. The finales vary from five-part rondos (Nos. 1, 3, 5), to sonata form (Nos. 2, 6), to theme and variations (No. 4). The slow movement of No. 5 is in simple binary form, and No. 6 is in simple ternary. The six keys BrÃ©val used for Op. 28 are the same as the ones he used for Op. 40, only in a different order. Op. 40 uses the following order: C, F, G, B-flat, A, D. Op. 28 uses the following order: D, C, A, G, B-flat, F. The Op. 28 sonatas are primarily written in tenor clef, whereas Op. 40 is primarily written in bass clef. The playing range is identical for both sets, with the exception of the high B-flat in m. 46 in the slow movement of No. 6, and high B and C in m. 37 of the finale of No. 6. BrÃ©val explores more advanced bow techniques as well.