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Bass Clef Instrument
Violoncelle, Contrebasse (duo)
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Six Sonates d'un genre facile et agréable à violoncello et basso, op. 28
Violoncelle, Contrebasse (duo)
Instrumental Duet Cello,Double Bass,Instrumental Duet - Level 1 - Digital Download SKU:…
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Instrumental Duet Cello,Double Bass,Instrumental Duet - Level 1 - Digital Download SKU: A0.841356 Composed by Jean-Baptiste Breval. Arranged by Yuriy Leonovich, Michele Galvagno. Classical,Instructional,Standards. Score and parts. 106 pages. Artistic Score Engraving di Galvagno Michele #6029285. Published by Artistic Score Engraving di Galvagno Michele (A0.841356). Jean-Baptiste Sebastien Bréval (1753-1823) was a French cellist and composer, who is, perhaps, best known for his cello sonatas, namely the ones in C major (Op. 40, No. 1) and G major (Op. 12, No. 5). Bréval was one of the last students of the cellist and composer Martin Berteau (1691-1771), continuing his teacher’s tradition of composing sonatas for cello with bass accompaniment. With both composers, the bass part was to be played by a second cello, very likely by the cello teacher. Many cellists opt in to have Berteau’s unfigured bass part realised by a harpsichord. However, the two-cello layout was common in the late Classical Era, especially in method books, such as Bréval’s own Traité du violoncelle (where Bréval states that the bass and the cello are one and the same), as well as Romberg’s, Dotzauer’s, et al. Romberg and Dotzauer even composed sonatas for cello and basso (second cello) accompaniment as well, Op. 43 and Op. 103, respectively. Our current publication presents student cellists with a beautifully engraved edition of Bréval’s 6 Cello Sonatas, Op. 28 and Air de Malborough, Op. 13. Bréval composed the Sonatas in c1795, most likely in conjunction with Op. 40, since Op. 28, No. 1 picks up right where Op. 40, No. 6 leaves off. Whereas Op. 40 and Op. 28, Nos. 1-4 are in two fast movements, Op. 28, Nos. 5 and 6 include a slow middle movement, No. 6 even using the thumb. The autograph, which the editor used as the primary source, and the first edition both present each sonata on four pages in score form. Our volume includes a score and parts for each player. The cello part includes fingering and bowing suggestions by Yuriy Leonovich. Each sonata begins with an Allegro movement in sonata form. The finales vary from five-part rondos (Nos. 1, 3, 5), to sonata form (Nos. 2, 6), to theme and variations (No. 4). The slow movement of No. 5 is in simple binary form, and No. 6 is in simple ternary. The six keys Bréval used for Op. 28 are the same as the ones he used for Op. 40, only in a different order. Op. 40 uses the following order: C, F, G, B-flat, A, D. Op. 28 uses the following order: D, C, A, G, B-flat, F. The Op. 28 sonatas are primarily written in tenor clef, whereas Op. 40 is primarily written in bass clef. The playing range is identical for both sets, with the exception of the high B-flat in m. 46 in the slow movement of No. 6, and high B and C in m. 37 of the finale of No. 6. Bréval explores more advanced bow techniques as well.
$24.95
22.96 €
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Violoncelle, Contrebasse (duo)
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Jean-Baptiste Breval
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Six Sonates d'un genre facile et agréable à violoncello et basso, op. 28
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Artistic Score Engraving di Galvagno Michele
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SheetMusicPlus
Gymnopédie No. 1 - 'cello/bass ensemble
Violoncelle, Contrebasse (duo)
Instrumental Duet Cello,Double Bass,Instrumental Duet - Level 1 - Digital Download SKU:…
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Instrumental Duet Cello,Double Bass,Instrumental Duet - Level 1 - Digital Download SKU: A0.800220 Composed by Erik Satie. Arranged by Samantha J Bramley - stringspirational@gmail.com. Romantic Period,Wedding. Score and parts. 10 pages. Samantha Bramley #6014499. Published by Samantha Bramley (A0.800220). Gymnopédie No. 1, by Erik Satie for ‘cello quartet plus continuo (‘cello or bass) This iconic piano piece is one of the most recognisable and widely used classical pieces in the popular repertoire. It is both beautifully simple and elegant making this arrangement accessible to ensembles of beginner/early intermediate standard. Each of the 4 'cello parts has a turn at the melody, and the very easy ‘continuo’ can be played by either ‘cello or double bass. All parts are written in bass clef and none go above 4th position making it perfect for student groups. I like to play it with all ‘cello parts muted (con sordini) but mutes are generally not used on double bass. If playing with both ‘cello 5 and bass, try sempre pizzicato in the bass part for an interesting effect. Note from the arranger: All my arrangements for 'cello quartet, quintet and sextet are conceived specifically with the range and technical capabilities of the 'cello in mind - no simple transpositions or re-orchestrations of string quartet scores. They are therefore both easily playable and enjoyable by any intermediate to advanced 'cello ensemble. Most parts do not go beyond 4th position, making them equally suitable for student, mixed ability groups or ‘cello choirs. A complete score and set of individual parts is included. I also specialise in string arrangements giving the ‘cello and viola a fair share of the limelight! Contact Samantha at stringspirational@gmail.com for more information.
$5.99
5.51 €
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Violoncelle, Contrebasse (duo)
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Erik Satie
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Gymnopédie No. 1 - 'cello/bass ensemble
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Samantha Bramley
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SheetMusicPlus
Six Sonatas for Violoncello Solo and Basso Continuo, Op. 1
Violoncelle, Contrebasse (duo)
Instrumental Duet Cello,Double Bass,Instrumental Duet - Level 2 - Digital Download SKU:…
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Instrumental Duet Cello,Double Bass,Instrumental Duet - Level 2 - Digital Download SKU: A0.841374 Composed by Benedetto Marcello. Arranged by Artistic Score Engraving by Michele Galvagno. Baroque,Concert,Instructional,Standards. Score and parts. 98 pages. Artistic Score Engraving di Galvagno Michele #6856461. Published by Artistic Score Engraving di Galvagno Michele (A0.841374). The Six Sonatas for cello solo and basso continuo by Benedetto Marcello, are a staple of the repertoire for growing cellists and for historical performers all around the globe. They are perfect for students who just learned to read the tenor clef and are looking forward to test their embryonal thumb position skills. Besides all technical aspects, they are universally recognised for their beauty, and are a must-have in every cellists’ collection. This edition is based on the first printed appearance of the Six Sonatas, in Amsterdam, in 1732, and it is therefore an Urtext edition. It is made up of a 98-page book containing: the full score, a cello part, a basso part, and a supplemental cello part dedicated to paper printing. It will soon be enriched with additional cello parts containing bowing and fingering suggestions dedicated to both beginner and more advanced performers. It is available in a bundle containing all files in PDF and EPUB format, or as a score only or parts only version, in PDF format only. I hope you will enjoy this incredibly poignant and soaring music!
$20.00
18.41 €
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Violoncelle, Contrebasse (duo)
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Benedetto Marcello
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Six Sonatas for Violoncello Solo and Basso Continuo, Op. 1
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Artistic Score Engraving di Galvagno Michele
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SheetMusicPlus
Two At A Time
Violoncelle, Contrebasse (duo)
Instrumental Duet Cello,Double Bass,Instrumental Duet - Level 2 - Digital Download SKU:…
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Instrumental Duet Cello,Double Bass,Instrumental Duet - Level 2 - Digital Download SKU: A0.744280 Composed by Miriam Troxler. 20th Century,Instructional,Standards. Score and parts. 2 pages. Miriam Troxler #4274559. Published by Miriam Troxler (A0.744280). Duet in the key of C for two bass clef instruments.
$2.99
2.75 €
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Violoncelle, Contrebasse (duo)
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Miriam Troxler
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Two At A Time
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Miriam Troxler
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SheetMusicPlus
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