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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
One - Full score and set of parts
Non classifié
3 943
Piano & claviers
Accompagnement Piano
36
Piano Trio: piano, violon, violoncelle
33
1 Piano, 4 mains
32
Piano seul
27
Piano Quatuor: piano, 2 violons, violoncelle
24
Piano, Voix et Guitare
20
Piano, Voix
14
Orgue, Trompette (duo)
11
2 Pianos, 4 mains
10
Orgue, Piano (duo)
8
Piano Facile
7
Orgue
7
Piano Quintette: piano, 2 violons, alto, violoncelle
6
Piano Quatuor: piano, violon, alto, violoncelle
3
1 Piano, 6 mains
2
Accordéon
1
Instruments en Do
1
2 Pianos, 8 mains
1
Clavier
1
+ 14 instrumentations
Retracter
Guitares
2 Guitares (duo)
17
4 Guitares (Quatuor)
16
Ukulele
14
Guitare notes et tablatures
8
3 Guitares (trio)
8
Ensemble de guitares
4
Ensemble de Ukulélés
3
Guitare
2
Mandoline
1
Mandoline, Guitare (duo)
1
Guitare, Violon, Violoncelle (trio)
1
Orchestre à Plectres
1
2 Ukuleles
1
+ 8 instrumentations
Retracter
Voix
Chorale SATB
109
Chorale 3 parties
13
Chorale 2 parties
8
Chorale Unison
7
Chorale TTBB
7
Voix duo, Piano
3
Chorale SSAATTBB
2
Voix Baryton, Piano
2
Voix d'Enfants
1
Soli, choeur mixte et accompagnement
1
Voix Tenor
1
Voix, Guitare
1
Voix duo
1
+ 8 instrumentations
Retracter
Vents
Quatuor de Saxophones: 4 saxophones
468
Saxophone Alto et Piano
322
Quintette de Saxophone: 5 saxophones
229
Saxophone Tenor et Piano
223
Saxophone Soprano et Piano
179
Quatuor de Clarinettes: 4 clarinettes
173
2 Saxophones (duo)
141
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
108
Ensemble de saxophones
80
Flûte, Hautbois, Clarinette, Basson
69
3 Saxophones (trio)
66
Flûte, Clarinette (duo)
49
Saxophone et Piano
40
Ensemble de Flûtes
31
Flûte et Guitare
30
Ensemble de Clarinettes
30
Quatuor de Flûtes : 4 flûtes
29
Flûte traversière et Piano
28
Saxophone et Orgue
27
2 Flûtes traversières (duo)
26
Trio de Flûtes: 3 flûtes
16
Quintette de Flûte : 5 flûtes
16
Flûte, Violon, Piano
14
Clarinette, Guitare (duo)
13
3 Clarinettes (trio)
12
Clarinette et Piano
11
2 Clarinettes (duo)
11
Hautbois, Piano (duo)
10
Saxophone Baryton, Piano
8
Saxophone et Guitare
8
Clarinette
7
2 Saxophones, Piano
7
Quintette de Clarinettes: 5 clarinettes
7
Saxophone, Clarinette (duo)
6
Clarinette, Basson (duo)
5
Flûte, Violon et Violoncelle
5
Cor anglais, Guitare (duo)
4
Hautbois, Flûte
4
Saxophone (partie séparée)
4
Flûte, Saxophone (duo)
4
Ensemble à vent
3
Quatuor de Flûtes à bec
3
Hautbois, Guitare (duo)
3
Flûte, Clarinette et Basson
3
Clarinette (partie séparée)
3
Clarinette, Orgue
3
Flûte, Trombone (duo)
3
Hautbois, Clarinette (duo)
2
Flûte, Clarinette, Piano (trio)
2
Saxophone
2
Cor Anglais
2
Hautbois, Basson (duo)
2
Ocarina
2
Clarinette Basse, Piano
2
Saxophone et Harpe
2
Ensemble De Flûte à bec
2
2 Flûte à bec (duo)
2
Flute, harpe et violon
2
Flûte, Violoncelle, Piano (trio)
2
5 Flûtes à bec
2
Flûte, Violoncelle
2
Clarinette, Violoncelle, Piano (trio)
2
Clarinette, Violoncelle (duo)
2
Clarinette, Trombone (duo)
1
Hautbois, Clarinette, Basson (trio d'anches)
1
3 Flûtes à bec (trio)
1
Flûte, Violon, Violoncelle et Piano
1
2 Flûtes à bec, Guitare
1
Flûte, Harpe et Violoncelle
1
Flûte, Hautbois, Clarinette (trio)
1
Flute (partie séparée)
1
2 Hautbois (duo)
1
Flûte, Basson et Piano
1
Clarinette et Alto
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Clarinette, Harpe (duo)
1
2 Flûtes traversières, Piano
1
Clarinette, Orchestre
1
Saxophone Tenor
1
Flûte à bec, Guitare (duo)
1
Flûte, Hautbois (duo)
1
Clarinette, Saxophone, Piano
1
Flute, Cor (duo)
1
Ensemble de Hautbois
1
Cornemuse
1
Hautbois (partie séparée)
1
Saxophone Alto
1
2 Clarinettes, Piano
1
Flûte, Hautbois, Piano (trio)
1
Flûte, Violon
1
Harmonica
1
Flûte traversière, Orgue (duo)
1
+ 87 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
1 232
Trombone et Piano
320
Quatuor de Cuivres : 2 trompettes, trombone, tuba
268
Quatuor de Cuivres: 2 trompettes, Cor, trombone
165
Quatuor de cuivres: 4 trombones
123
Ensemble de Trompettes
89
Ensemble de Trombones
73
Trompette, Piano
49
Trompette, Trombone (duo)
46
Quatuor de Cuivres
45
Trompette, Cor (duo)
39
2 Trombones (duo)
37
3 Trombones (trio)
28
Trombone, Orgue
17
Trio de Cuivres
16
Trompette, Trombone, Piano
14
Trombone (partie séparée)
9
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
8
Euphonium, Piano (duo)
8
Trompette (partie séparée)
7
2 Trombones, Piano
6
3 Trompettes (trio)
6
Trombone et orchestre
6
Quatuor de cuivres: 4 cors
6
Quatuor de cuivres: 2 trompettes, 2 trombones
6
Trompette
5
Cor et Orgue
5
Tuba et Piano
5
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
4
4 Tubas
4
Cor anglais, Guitare (duo)
4
Trombone basse
4
Euphonium, Tuba (duo)
4
Quatuor de cuivres: 4 trompettes
4
Cor et Piano
4
2 Trompettes (duo)
4
2 Trompettes, Clavier (piano ou orgue)
3
2 Cors (duo)
3
2 Euphoniums et 2 Tubas
2
Saxhorn basse ou Euphonium ou Tuba et Piano
2
Cor Anglais
2
2 Tubas (duo)
2
Trombone, Tuba (duo)
2
Cor
2
Trompette, Orchestre
2
Cornet et orchestre
1
Euphonium
1
Trombone
1
2 Euphoniums (duo)
1
Trombone, Cor (duo)
1
Cor, Trompette, Trombone (trio)
1
Trombone basse et Piano
1
Tuba
1
Trompette, Saxophone (duo)
1
Cornet et Piano
1
Ensemble de Tubas
1
Clarinette, Cor (duo)
1
+ 52 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
440
Trio à Cordes: violon, alto, violoncelle
79
Violon, Violoncelle (duo)
76
Violon et Piano
64
Piano Trio: Violon, Alto, Piano
57
Violoncelle, Piano
31
Violon, Alto (duo)
30
Alto, Piano
20
Ensemble de Violons
19
4 Violoncelles
16
Ensemble d'Altos
16
Trio à Cordes: 2 violons, violoncelle
15
2 Violons (duo)
14
2 Violoncelles (duo)
13
Violon, Guitare (duo)
12
Violon
11
Harpe, Flûte (duo)
9
Harpe, Violon (duo)
9
Alto et Harpe
8
Violoncelle
8
Trio à cordes: 3 violins
8
Violoncelle, Contrebasse (duo)
8
2 Harpes (duo)
7
Quintette à cordes: 2 violons, alto, violoncelle, basse
7
Alto, Violoncelle (duo)
7
Harpe, Violoncelle (duo)
7
Quatuor à cordes : 4 altos
5
Violoncelle, Orgue
5
Ensemble de Violoncelles
4
Violon (partie séparée)
4
Harpe, Trombone (duo)
4
2 Altos (duo)
4
Harpe, Voix
3
Trio à Cordes: 3 violoncelles
3
Contre Basse
3
Quatuor à cordes: 4 violons
3
Harpe
3
Violoncelle , Guitare (duo)
2
Trio à Cordes: 2 violons, alto
2
Contrebasse (partie séparée)
2
2 Violons, Piano
2
Alto seul
2
Alto, Guitare (duo)
2
4 Contrebasses
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Violoncelle, Orchestre
2
Trio à cordes
2
Harpe, Orchestre
1
2 Violoncelles, Piano
1
Violon, Clarinette, Piano (trio)
1
Violon, Trompette et Piano
1
Trio à cordes: 3 altos
1
Contrebasse, Piano (duo)
1
+ 48 instrumentations
Retracter
Orchestre & Percussions
Ensemble de cuivres
322
Orchestre d'harmonie
275
Ensemble Jazz
247
Orchestre à Cordes
103
Orchestre de chambre
83
Orchestre
80
Jazz combo
48
Ensemble de Percussions
34
Cloches
29
Fanfare
25
Batterie
17
Quintette de Cuivres: autres combinaisons
7
Ensemble d'École
7
Percussion (partie séparée)
4
Big band
3
Instrumentation Flexible
3
Orchestre, Violon
2
Piano et Orchestre
2
Quintette à Vent
2
2 Percussions
1
Xylophone, Piano
1
Orchestre Symphonique
1
+ 17 instrumentations
Retracter
Autres
Instruments
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ALTO
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BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
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CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
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LUTH, THEOR…
MANDOLINE
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ORGUE
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PAS DE PART…
PERCU. ORCH…
PERCUSSION
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VIELLE A RO…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
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CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
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ENFANTS : EVEIL - IN…
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FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
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Crtitères actifs :
One - Full score and set of parts
Violoncelle, Contrebasse (duo)
Partitions à imprimer
8 partitions trouvées
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1
Limerock (score - vln, bs)
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Violoncelle, Contrebasse (duo)
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AVANCÉ
#
Mark O’Connor
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Mark O'Connor, Edgar Meyer
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Limerock
#
Mark O'Connor Musik International
#
SheetMusicPlus
Instrumental Duet Double Bass,Instrumental Duet,Violin - Level 5 - SKU: A0.861867 Arranged by Mark O'Connor, Edgar Meyer. 20th Century,Contemporary,Folk...
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Instrumental Duet Double Bass,Instrumental Duet,Violin - Level 5 - SKU: A0.861867 Arranged by Mark O'Connor, Edgar Meyer. 20th Century,Contemporary,Folk. Score and parts. 12 pages. Mark O'Connor Musik International #6204391. Published by Mark O'Connor Musik International (A0.861867). Limerock (score – vln, bs) MO123AScore (parts available)Music by Mark O’Connor8 pages - 2:20 minutes in length Limerock adapted for violin and doublebass is an arrangement of one of the most beautiful hoedowns in American fiddling literature. Originally a two part tune, Texas fiddling pioneer Benny Thomasson arranged a version that approximates the one most performed today. Mark O’Connor and Edgar Meyer built upon the Thomasson variations to create a unique and thrilling violin and bass duet that first appeared on O’Connor’s Grammy winning recording, New Nashville Cats. O’Connor has adapted the 2nd part to include viola, viola and cello to offer four different versions of the arrangement. Limerock is a fine example of how a tune O’Connor learned by ear as a youth evolved into a virtuoso piece in a classical setting. It is most suitable for advanced and intermediate levels. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1990 Composed by Mark O’ConnorLimerock can be heard on Appalachian Journey featuring Mark O’Connor, Yo-Yo Ma and Edgar Meyer, Sony ClassicalLimerock can also be heard on Mark O’Connor’s Crossing Bridges OMAC Records, and The New Nashville Cats Warner Bros. Records Catalogue Number MO123ACopyright © 1990 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$6.00
Gymnopédie No. 1 - 'cello/bass ensemble
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Violoncelle, Contrebasse (duo)
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DÉBUTANT
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Classique
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Contemporain
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Erik Satie
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Gymnopédie No. 1 - 'cel
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Samantha Bramley
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SheetMusicPlus
Instrumental Duet Cello,Double Bass,Instrumental Duet - Level 1 - SKU: A0.800220 Composed by Erik Satie. Arranged by Samantha J Bramley - stringspiratio...
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Instrumental Duet Cello,Double Bass,Instrumental Duet - Level 1 - SKU: A0.800220 Composed by Erik Satie. Arranged by Samantha J Bramley - stringspirational@gmail.com. Romantic Period,Wedding. Score and parts. 10 pages. Samantha Bramley #6014499. Published by Samantha Bramley (A0.800220). Gymnopédie No. 1, by Erik Satie for ‘cello quartet plus continuo (‘cello or bass) This iconic piano piece is one of the most recognisable and widely used classical pieces in the popular repertoire. It is both beautifully simple and elegant making this arrangement accessible to ensembles of beginner/early intermediate standard. Each of the 4 'cello parts has a turn at the melody, and the very easy ‘continuo’ can be played by either ‘cello or double bass. All parts are written in bass clef and none go above 4th position making it perfect for student groups. I like to play it with all ‘cello parts muted (con sordini) but mutes are generally not used on double bass. If playing with both ‘cello 5 and bass, try sempre pizzicato in the bass part for an interesting effect. Note from the arranger: All my arrangements for 'cello quartet, quintet and sextet are conceived specifically with the range and technical capabilities of the 'cello in mind - no simple transpositions or re-orchestrations of string quartet scores. They are therefore both easily playable and enjoyable by any intermediate to advanced 'cello ensemble. Most parts do not go beyond 4th position, making them equally suitable for student, mixed ability groups or ‘cello choirs. A complete score and set of individual parts is included. I also specialise in string arrangements giving the ‘cello and viola a fair share of the limelight! Contact Samantha at stringspirational@gmail.com for more information.
$5.99
Six Sonates d'un genre facile et agréable à violoncello et basso, op. 28
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Violoncelle, Contrebasse (duo)
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DÉBUTANT
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Jean-Baptiste Breval
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Six Sonates d'un genre facile
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Artistic Score Engraving di Galvagno Michele
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SheetMusicPlus
Instrumental Duet Cello,Double Bass,Instrumental Duet - Level 1 - SKU: A0.841356 Composed by Jean-Baptiste Breval. Arranged by Yuriy Leonovich, Michele ...
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Instrumental Duet Cello,Double Bass,Instrumental Duet - Level 1 - SKU: A0.841356 Composed by Jean-Baptiste Breval. Arranged by Yuriy Leonovich, Michele Galvagno. Classical,Instructional,Standards. Score and parts. 106 pages. Artistic Score Engraving di Galvagno Michele #6029285. Published by Artistic Score Engraving di Galvagno Michele (A0.841356). Jean-Baptiste Sebastien Bréval (1753-1823) was a French cellist and composer, who is, perhaps, best known for his cello sonatas, namely the ones in C major (Op. 40, No. 1) and G major (Op. 12, No. 5). Bréval was one of the last students of the cellist and composer Martin Berteau (1691-1771), continuing his teacher’s tradition of composing sonatas for cello with bass accompaniment. With both composers, the bass part was to be played by a second cello, very likely by the cello teacher. Many cellists opt in to have Berteau’s unfigured bass part realised by a harpsichord. However, the two-cello layout was common in the late Classical Era, especially in method books, such as Bréval’s own Traité du violoncelle (where Bréval states that the bass and the cello are one and the same), as well as Romberg’s, Dotzauer’s, et al. Romberg and Dotzauer even composed sonatas for cello and basso (second cello) accompaniment as well, Op. 43 and Op. 103, respectively. Our current publication presents student cellists with a beautifully engraved edition of Bréval’s 6 Cello Sonatas, Op. 28 and Air de Malborough, Op. 13. Bréval composed the Sonatas in c1795, most likely in conjunction with Op. 40, since Op. 28, No. 1 picks up right where Op. 40, No. 6 leaves off. Whereas Op. 40 and Op. 28, Nos. 1-4 are in two fast movements, Op. 28, Nos. 5 and 6 include a slow middle movement, No. 6 even using the thumb. The autograph, which the editor used as the primary source, and the first edition both present each sonata on four pages in score form. Our volume includes a score and parts for each player. The cello part includes fingering and bowing suggestions by Yuriy Leonovich. Each sonata begins with an Allegro movement in sonata form. The finales vary from five-part rondos (Nos. 1, 3, 5), to sonata form (Nos. 2, 6), to theme and variations (No. 4). The slow movement of No. 5 is in simple binary form, and No. 6 is in simple ternary. The six keys Bréval used for Op. 28 are the same as the ones he used for Op. 40, only in a different order. Op. 40 uses the following order: C, F, G, B-flat, A, D. Op. 28 uses the following order: D, C, A, G, B-flat, F. The Op. 28 sonatas are primarily written in tenor clef, whereas Op. 40 is primarily written in bass clef. The playing range is identical for both sets, with the exception of the high B-flat in m. 46 in the slow movement of No. 6, and high B and C in m. 37 of the finale of No. 6. Bréval explores more advanced bow techniques as well.
$24.95
Limerock (double bass part - vln, bs)
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Violoncelle, Contrebasse (duo)
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AVANCÉ
#
Mark O’Connor
#
Mark O'Connor, Edgar Meyer
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Limerock
#
Mark O'Connor Musik International
#
SheetMusicPlus
Instrumental Duet Double Bass,Instrumental Duet,Violin - Level 5 - SKU: A0.861869 Arranged by Mark O'Connor, Edgar Meyer. 20th Century,Contemporary,Folk...
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Instrumental Duet Double Bass,Instrumental Duet,Violin - Level 5 - SKU: A0.861869 Arranged by Mark O'Connor, Edgar Meyer. 20th Century,Contemporary,Folk. Score and parts. 12 pages. Mark O'Connor Musik International #6204401. Published by Mark O'Connor Musik International (A0.861869). Limerock (double bass part – vln, bs) MO123CDouble Bass Part (score and parts available)Music by Mark O’Connor4 pages - 2:20 minutes in length Limerock adapted for violin and doublebass is an arrangement of one of the most beautiful hoedowns in American fiddling literature. Originally a two part tune, Texas fiddling pioneer Benny Thomasson arranged a version that approximates the one most performed today. Mark O’Connor and Edgar Meyer built upon the Thomasson variations to create a unique and thrilling violin and bass duet that first appeared on O’Connor’s Grammy winning recording, New Nashville Cats. O’Connor has adapted the 2nd part to include viola, viola and cello to offer four different versions of the arrangement. Limerock is a fine example of how a tune O’Connor learned by ear as a youth evolved into a virtuoso piece in a classical setting. It is most suitable for advanced and intermediate levels. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1990 Composed by Mark O’ConnorLimerock can be heard on Appalachian Journey featuring Mark O’Connor, Yo-Yo Ma and Edgar Meyer, Sony ClassicalLimerock can also be heard on Mark O’Connor’s Crossing Bridges OMAC Records, and The New Nashville Cats Warner Bros. Records Catalogue Number MO123CCopyright © 1990 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$4.50
Limerock (violin part - vln, bs)
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Violoncelle, Contrebasse (duo)
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AVANCÉ
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Mark O’Connor
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Mark O'Connor, Edgar Meyer
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Limerock
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Mark O'Connor Musik International
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SheetMusicPlus
Instrumental Duet Double Bass,Instrumental Duet,Violin - Level 5 - SKU: A0.861868 Arranged by Mark O'Connor, Edgar Meyer. 20th Century,Contemporary,Folk...
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Instrumental Duet Double Bass,Instrumental Duet,Violin - Level 5 - SKU: A0.861868 Arranged by Mark O'Connor, Edgar Meyer. 20th Century,Contemporary,Folk. Score and parts. 8 pages. Mark O'Connor Musik International #6204395. Published by Mark O'Connor Musik International (A0.861868). Limerock (violin part – vln, bs) MO123BViolin Part (score and parts available)Music by Mark O’Connor4 pages - 2:20 minutes in length Limerock adapted for violin and doublebass is an arrangement of one of the most beautiful hoedowns in American fiddling literature. Originally a two part tune, Texas fiddling pioneer Benny Thomasson arranged a version that approximates the one most performed today. Mark O’Connor and Edgar Meyer built upon the Thomasson variations to create a unique and thrilling violin and bass duet that first appeared on O’Connor’s Grammy winning recording, New Nashville Cats. O’Connor has adapted the 2nd part to include viola, viola and cello to offer four different versions of the arrangement. Limerock is a fine example of how a tune O’Connor learned by ear as a youth evolved into a virtuoso piece in a classical setting. It is most suitable for advanced and intermediate levels. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1990 Composed by Mark O’ConnorLimerock can be heard on Appalachian Journey featuring Mark O’Connor, Yo-Yo Ma and Edgar Meyer, Sony ClassicalLimerock can also be heard on Mark O’Connor’s Crossing Bridges OMAC Records, and The New Nashville Cats Warner Bros. Records Catalogue Number MO123BCopyright © 1990 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$4.50
No. 2 Beautiful Little Gem for 'Cello or Double Bass
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Violoncelle, Contrebasse (duo)
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FACILE
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Contemporain
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Chris Cobon
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from flute to tuba and beyond
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No. 2 Beautiful Little Gem for
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Chris Cobon
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SheetMusicPlus
Instrumental Duet Cello,Double Bass,Instrumental Duet - Level 2 - SKU: A0.1001805 Composed by Chris Cobon. Contemporary. Score and parts. 8 pages. Chris...
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Instrumental Duet Cello,Double Bass,Instrumental Duet - Level 2 - SKU: A0.1001805 Composed by Chris Cobon. Contemporary. Score and parts. 8 pages. Chris Cobon #6355153. Published by Chris Cobon (A0.1001805). No. 2 Beautiful Little Gem for 'Cello or Double BassThe Beautiful Series is a set of short solos for all orchestral instruments; from flute to tuba and beyond. The download is supplied with instrumental parts, piano part and backing track.Included in the purchase:Piano scoreCello partDouble Bass part Originally composed as a set of tuba solos; it quickly became apparent that, with just a few adjustments, these melodies could be adapted for most instruments to enjoy.The Music:These pieces move the focus from musical dexterity to: stamina, tone, control
$2.00
No.1 Beautiful Trinket for Cello or Double Bass
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Violoncelle, Contrebasse (duo)
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FACILE
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Contemporain
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Chris Cobon
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from flute to tuba and beyond
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No.1 Beautiful Trinket for Cel
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Chris Cobon
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SheetMusicPlus
Instrumental Duet Cello,Double Bass,Instrumental Duet - Level 2 - SKU: A0.1001790 Composed by Chris Cobon. Contemporary. Score and parts. 7 pages. Chris...
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Instrumental Duet Cello,Double Bass,Instrumental Duet - Level 2 - SKU: A0.1001790 Composed by Chris Cobon. Contemporary. Score and parts. 7 pages. Chris Cobon #6351421. Published by Chris Cobon (A0.1001790). The Beautiful Series is a set of short solos for all orchestral instruments; from flute to tuba and beyond. The download is supplied with instrumental parts, piano part and backing track.Included in the purchase:Piano scoreCello partDouble Bass part (includes some optional lower notes)Originally composed as a set of tuba solos; it quickly became apparent that, with just a few adjustments, these melodies could be adapted for most instruments to enjoy.The Music:These pieces move the focus from musical dexterity to: stamina, tone, control.
$2.00
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