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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Sing Out
Non classifié
4 821
Piano & claviers
Piano seul
2 621
Piano, Voix
2 170
Piano, Voix et Guitare
1 542
Piano Facile
1 344
Instruments en Do
546
Accompagnement Piano
223
Orgue
219
1 Piano, 4 mains
93
Piano grosses notes
51
Piano Trio: piano, violon, violoncelle
29
2 Pianos, 4 mains
23
Accordéon
15
Piano Quatuor: piano, violon, alto, violoncelle
10
Piano (partie séparée)
9
Piano Quatuor: piano, 2 violons, violoncelle
6
Orgue, Piano (duo)
5
Piano Quintette: piano, 2 violons, alto, violoncelle
5
Clavecin
4
Orgue, Trompette (duo)
3
Accordéon, Voix
3
Ensemble de Pianos
1
Clavier
1
1 Piano, 6 mains
1
2 Pianos, 8 mains
1
+ 19 instrumentations
Retracter
Guitares
Guitare notes et tablatures
377
Basse electrique
326
Guitare
170
Ukulele
168
Ligne De Mélodie, (Paroles) et Accords
133
Paroles et Accords
22
Guitare (partie séparée)
19
2 Guitares (duo)
13
Piano, Guitare (duo)
10
4 Guitares (Quatuor)
10
Dulcimer
8
Banjo
5
3 Guitares (trio)
5
Ensemble de guitares
4
Mandoline
4
Mandoline, Guitare (duo)
3
2 Ukuleles
2
Basse électrique (partie séparée)
2
Ukulele Baryton
1
+ 14 instrumentations
Retracter
Voix
Chorale SATB
1 735
Chorale 3 parties
782
Chorale 2 parties
704
Chorale Unison
478
Chorale TTBB
327
Chorale SSAA
268
Voix duo, Piano
91
Voix seule
79
Voix Alto, Piano
53
Voix Soprano, Piano
51
Voix duo
45
Voix Tenor, Piano
40
Voix Tenor
35
Voix Baryton, Piano
34
Voix Soprano
30
Voix haute
23
Chorale
21
Voix moyenne, Piano
9
Voix basse, Piano
8
Voix basse
3
Chorale SSATB
3
Chorale SSAATTBB
3
Chorale SSATTB
2
Chorale SAATB A Cappella
2
Voix Mezzo-Soprano, Piano
2
Chorale SSAB a cappella
2
Pack Instrumental pour Chorale
2
Voix duo, Orgue
1
Chorale SSAB, Piano
1
Chorale SATBB
1
Voix, Guitare
1
Chorale SSAATB
1
+ 27 instrumentations
Retracter
Vents
2 Saxophones (duo)
351
Flûte traversière et Piano
305
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
237
Saxophone Alto et Piano
234
Hautbois, Piano (duo)
232
Clarinette et Piano
225
Flûte traversière
222
Clarinette
175
Saxophone Alto
175
2 Flûtes traversières (duo)
168
Quatuor de Saxophones: 4 saxophones
160
Saxophone, Clarinette (duo)
150
Flûte, Hautbois, Clarinette, Basson
149
Saxophone (partie séparée)
139
2 Clarinettes (duo)
135
Quintette de Saxophone: 5 saxophones
133
Saxophone Tenor et Piano
131
Saxophone Tenor
121
Saxophone Soprano et Piano
116
Clarinette, Violon (duo)
98
Quatuor de Clarinettes: 4 clarinettes
92
Hautbois (partie séparée)
90
Flûte irlandaise
81
Clarinette, Trompette (duo)
77
2 Hautbois (duo)
71
Flûte, Clarinette (duo)
70
Saxophone Baryton, Piano
64
Hautbois, Clarinette (duo)
58
Hautbois, Basson (duo)
55
Flûte, Violon
55
Flûte à bec Soprano
53
Hautbois, Flûte
49
Clarinette et Alto
48
Flûte, Saxophone (duo)
45
Ensemble de Clarinettes
44
Flûte à Bec
41
Ensemble de saxophones
40
Ensemble de Flûtes
39
Flûte, Trompette (duo)
39
Flûte, Alto (duo)
36
Flûte et Guitare
31
Hautbois
30
Flûte à bec Alto
30
Ensemble De Flûte à bec
29
3 Saxophones (trio)
27
Clarinette Basse, Piano
27
Quatuor de Flûtes : 4 flûtes
27
Quintette de Clarinettes: 5 clarinettes
24
Cor anglais, Piano
22
Flûte à bec Tenor
22
2 Flûte à bec (duo)
22
3 Clarinettes (trio)
20
Quintette de Flûte : 5 flûtes
18
Cor Anglais
16
Saxophone Soprano
15
Clarinette, Guitare (duo)
14
Flute (partie séparée)
12
Flûte, Trombone (duo)
11
Saxophone Baryton
11
Flûte, Hautbois, Clarinette (trio)
10
Trio de Flûtes: 3 flûtes
10
Flûte, Clarinette et Basson
8
Clarinette, Violoncelle (duo)
8
Hautbois, Clarinette, Basson (trio d'anches)
7
Clarinette (partie séparée)
6
Quatuor de Flûtes à bec
6
Flûte, Hautbois (duo)
5
Flûte, Violoncelle, Piano (trio)
5
Flûte, Violoncelle
4
Ensemble à vent
4
Clarinette Basse
4
Saxophone
4
Clarinette, Violoncelle, Piano (trio)
4
Hautbois, violon (duo)
4
Flûte, Violon, Piano
3
Saxophone et Guitare
3
Flûte, Hautbois, Basson
3
Saxophone et Orgue
3
Clarinette, Basson (duo)
3
Hautbois, Guitare (duo)
3
3 Flûtes à bec (trio)
3
Hautbois, Violoncelle
3
Flûte, Clarinette, Cor, Basson (Quartet)
3
Clarinette, Trombone (duo)
3
Flûte à bec Soprano, Piano
3
Harmonica
3
Flûte, Hautbois, Piano (trio)
3
2 Clarinettes, Piano
2
5 Flûtes à bec
2
Flûte, alto et harpe
2
Flûte, Basson et Piano
2
Piccolo
2
Hautbois et alto (duo)
2
Flûte, Clarinette, Piano (trio)
2
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
2
2 Flûtes traversières, Piano
1
2 Cors Anglais Et Pianoforte
1
Flûte à Bec, Piano
1
Flûte, Harpe et Violoncelle
1
Cor anglais, Guitare (duo)
1
Piccolo, Piano
1
Flûte de Pan
1
Clarinette, Harpe (duo)
1
Hautbois, trombone (duo)
1
Flûte à bec Alto, Piano
1
Ocarina
1
Flûte, Violon, Violoncelle et Piano
1
Instruments en Mib
1
Flute, Cor (duo)
1
Flûte traversière, Orgue (duo)
1
Clarinette, Contrebasse (duo)
1
Flûte, Violon et Violoncelle
1
+ 107 instrumentations
Retracter
Cuivres
Trompette, Piano
229
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
204
Trompette
180
Trombone et Piano
169
Trombone
143
Cor et Piano
141
Quatuor de Cuivres : 2 trompettes, trombone, tuba
115
Cor
112
Trompette, Saxophone (duo)
103
Tuba et Piano
89
2 Trompettes (duo)
75
Tuba
72
Trompette, Trombone (duo)
63
2 Trombones (duo)
60
Trompette (partie séparée)
56
Quatuor de Cuivres: 2 trompettes, Cor, trombone
55
Trombone (partie séparée)
52
Euphonium, Piano (duo)
42
Quatuor de Cuivres
28
Ensemble de Trombones
26
Quatuor de cuivres: 4 trombones
25
Cor anglais, Piano
22
Euphonium
20
Ensemble de Trompettes
18
Cor Anglais
16
2 Cors (duo)
15
2 Tubas (duo)
12
Trio de Cuivres
9
Trompette, Cor (duo)
8
Tuba (partie séparée)
6
Cor (partie séparée)
6
Tuba et Orgue
5
Instruments en Sib
5
Quatuor de cuivres: 4 cors
5
4 Tubas
4
Trompette, violon (duo)
4
Trombone, Orgue
3
Quatuor de cuivres: 4 trompettes
3
2 Euphoniums et 2 Tubas
3
Ensemble de Cors
3
Trombone basse et Piano
2
Quatuor de cuivres: 2 trompettes, 2 trombones
2
Trombone, Tuba (duo)
2
3 Trombones (trio)
2
3 Euphoniums
2
Trombone et orchestre
2
Cor et Orgue
1
2 Cors Anglais Et Pianoforte
1
Trompette, Tuba (duo)
1
Trompette, Euphonium (duo)
1
Cor, Tuba (duo)
1
Cor anglais, Guitare (duo)
1
3 Trompettes (trio)
1
Ensemble de Tubas
1
Trombone, Cor (duo)
1
Trompette, Violoncelle (duo)
1
Clarinette, Cor (duo)
1
Trombone basse
1
Cor, Violoncelle (duo)
1
Tuba ou Euphonium ou Saxhorn
1
Bass Clef Instruments
1
+ 56 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
624
Violon et Piano
366
Violon
277
Violoncelle, Piano
252
Alto, Piano
246
Violoncelle
227
Violon, Violoncelle (duo)
168
Alto seul
139
Harpe
113
2 Violons (duo)
111
Trio à Cordes: violon, alto, violoncelle
104
Trio à Cordes: 2 violons, violoncelle
88
2 Altos (duo)
85
Violon, Alto (duo)
84
2 Violoncelles (duo)
79
Quintette à cordes: 2 violons, alto, violoncelle, basse
75
Contrebasse, Piano (duo)
63
Contre Basse
57
Alto (partie séparée)
28
Contrebasse (partie séparée)
15
Trio à cordes: 3 violins
14
Violon, Guitare (duo)
12
Alto, Violoncelle (duo)
12
Ensemble de Violons
11
Violoncelle , Guitare (duo)
10
Violon (partie séparée)
9
Ensemble d'Altos
9
Harpe, Flûte (duo)
8
2 Harpes (duo)
8
Piano Trio: Violon, Alto, Piano
7
Violoncelle, Contrebasse (duo)
7
Trio à Cordes: 2 violons, alto
6
Harpe, Voix
5
Trio à Cordes: 3 violoncelles
5
Alto, Guitare (duo)
4
Trio à cordes
3
2 Contrebasses (duo)
3
Trio à cordes: 3 altos
3
Quintette à cordes : 2 violons, alto et 2 violoncelles
3
Violon, Orgue
2
4 Contrebasses
2
Violon, Basson (duo)
2
Flûte, Contrebasse (duo)
1
4 Harpes
1
Violon, Tuba (duo)
1
4 Violoncelles
1
2 Violons, Piano
1
Alto et Basson
1
Harpe, Violoncelle (duo)
1
3 Harpes
1
Violoncelle, Orgue
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Alto et Harpe
1
Violoncelle, Basse continue
1
Violon, Clarinette, Piano (trio)
1
Quatuor à cordes: 4 violons
1
Quatuor à cordes : 4 altos
1
+ 52 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
643
Orchestre
271
Ensemble Jazz
266
Orchestre à Cordes
207
Cloches
155
Ensemble de cuivres
144
Orchestre de chambre
111
Fanfare
70
Jazz combo
58
Batterie
31
Ensemble de Percussions
29
Xylophone, Piano
16
Batterie (partie séparée)
11
Marimba
10
Xylophone
6
Percussion (partie séparée)
6
Ensemble d'École
5
Vibraphone
4
Percussion
4
Xylophone ou Marimba ou Vibraphone
3
2 Xylophones
2
Big band
1
Instrumentation Flexible
1
Orchestre, Violon
1
Piano et Orchestre
1
2 Marimbas
1
+ 21 instrumentations
Retracter
Autres
Formation musicale - Solfège
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
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Sing Out
Violoncelle, Contrebasse (duo)
Partitions à imprimer
7 partitions trouvées
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1
Six Sonates d'un genre facile et agréable à violoncello et basso, op. 28
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Violoncelle, Contrebasse (duo)
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DÉBUTANT
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Jean-Baptiste Breval
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Six Sonates d'un genre facile
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Artistic Score Engraving di Galvagno Michele
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SheetMusicPlus
Instrumental Duet Cello,Double Bass,Instrumental Duet - Level 1 - SKU: A0.841356 Composed by Jean-Baptiste Breval. Arranged by Yuriy Leonovich, Michele ...
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Instrumental Duet Cello,Double Bass,Instrumental Duet - Level 1 - SKU: A0.841356 Composed by Jean-Baptiste Breval. Arranged by Yuriy Leonovich, Michele Galvagno. Classical,Instructional,Standards. Score and parts. 106 pages. Artistic Score Engraving di Galvagno Michele #6029285. Published by Artistic Score Engraving di Galvagno Michele (A0.841356). Jean-Baptiste Sebastien Bréval (1753-1823) was a French cellist and composer, who is, perhaps, best known for his cello sonatas, namely the ones in C major (Op. 40, No. 1) and G major (Op. 12, No. 5). Bréval was one of the last students of the cellist and composer Martin Berteau (1691-1771), continuing his teacher’s tradition of composing sonatas for cello with bass accompaniment. With both composers, the bass part was to be played by a second cello, very likely by the cello teacher. Many cellists opt in to have Berteau’s unfigured bass part realised by a harpsichord. However, the two-cello layout was common in the late Classical Era, especially in method books, such as Bréval’s own Traité du violoncelle (where Bréval states that the bass and the cello are one and the same), as well as Romberg’s, Dotzauer’s, et al. Romberg and Dotzauer even composed sonatas for cello and basso (second cello) accompaniment as well, Op. 43 and Op. 103, respectively. Our current publication presents student cellists with a beautifully engraved edition of Bréval’s 6 Cello Sonatas, Op. 28 and Air de Malborough, Op. 13. Bréval composed the Sonatas in c1795, most likely in conjunction with Op. 40, since Op. 28, No. 1 picks up right where Op. 40, No. 6 leaves off. Whereas Op. 40 and Op. 28, Nos. 1-4 are in two fast movements, Op. 28, Nos. 5 and 6 include a slow middle movement, No. 6 even using the thumb. The autograph, which the editor used as the primary source, and the first edition both present each sonata on four pages in score form. Our volume includes a score and parts for each player. The cello part includes fingering and bowing suggestions by Yuriy Leonovich. Each sonata begins with an Allegro movement in sonata form. The finales vary from five-part rondos (Nos. 1, 3, 5), to sonata form (Nos. 2, 6), to theme and variations (No. 4). The slow movement of No. 5 is in simple binary form, and No. 6 is in simple ternary. The six keys Bréval used for Op. 28 are the same as the ones he used for Op. 40, only in a different order. Op. 40 uses the following order: C, F, G, B-flat, A, D. Op. 28 uses the following order: D, C, A, G, B-flat, F. The Op. 28 sonatas are primarily written in tenor clef, whereas Op. 40 is primarily written in bass clef. The playing range is identical for both sets, with the exception of the high B-flat in m. 46 in the slow movement of No. 6, and high B and C in m. 37 of the finale of No. 6. Bréval explores more advanced bow techniques as well.
$24.95
Limerock (double bass part - vln, bs)
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Violoncelle, Contrebasse (duo)
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AVANCÉ
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Mark O’Connor
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Mark O'Connor, Edgar Meyer
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Limerock
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Mark O'Connor Musik International
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SheetMusicPlus
Instrumental Duet Double Bass,Instrumental Duet,Violin - Level 5 - SKU: A0.861869 Arranged by Mark O'Connor, Edgar Meyer. 20th Century,Contemporary,Folk...
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Instrumental Duet Double Bass,Instrumental Duet,Violin - Level 5 - SKU: A0.861869 Arranged by Mark O'Connor, Edgar Meyer. 20th Century,Contemporary,Folk. Score and parts. 12 pages. Mark O'Connor Musik International #6204401. Published by Mark O'Connor Musik International (A0.861869). Limerock (double bass part – vln, bs) MO123CDouble Bass Part (score and parts available)Music by Mark O’Connor4 pages - 2:20 minutes in length Limerock adapted for violin and doublebass is an arrangement of one of the most beautiful hoedowns in American fiddling literature. Originally a two part tune, Texas fiddling pioneer Benny Thomasson arranged a version that approximates the one most performed today. Mark O’Connor and Edgar Meyer built upon the Thomasson variations to create a unique and thrilling violin and bass duet that first appeared on O’Connor’s Grammy winning recording, New Nashville Cats. O’Connor has adapted the 2nd part to include viola, viola and cello to offer four different versions of the arrangement. Limerock is a fine example of how a tune O’Connor learned by ear as a youth evolved into a virtuoso piece in a classical setting. It is most suitable for advanced and intermediate levels. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1990 Composed by Mark O’ConnorLimerock can be heard on Appalachian Journey featuring Mark O’Connor, Yo-Yo Ma and Edgar Meyer, Sony ClassicalLimerock can also be heard on Mark O’Connor’s Crossing Bridges OMAC Records, and The New Nashville Cats Warner Bros. Records Catalogue Number MO123CCopyright © 1990 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$4.50
Limerock (violin part - vln, bs)
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Violoncelle, Contrebasse (duo)
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AVANCÉ
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Mark O’Connor
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Mark O'Connor, Edgar Meyer
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Limerock
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Mark O'Connor Musik International
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SheetMusicPlus
Instrumental Duet Double Bass,Instrumental Duet,Violin - Level 5 - SKU: A0.861868 Arranged by Mark O'Connor, Edgar Meyer. 20th Century,Contemporary,Folk...
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Instrumental Duet Double Bass,Instrumental Duet,Violin - Level 5 - SKU: A0.861868 Arranged by Mark O'Connor, Edgar Meyer. 20th Century,Contemporary,Folk. Score and parts. 8 pages. Mark O'Connor Musik International #6204395. Published by Mark O'Connor Musik International (A0.861868). Limerock (violin part – vln, bs) MO123BViolin Part (score and parts available)Music by Mark O’Connor4 pages - 2:20 minutes in length Limerock adapted for violin and doublebass is an arrangement of one of the most beautiful hoedowns in American fiddling literature. Originally a two part tune, Texas fiddling pioneer Benny Thomasson arranged a version that approximates the one most performed today. Mark O’Connor and Edgar Meyer built upon the Thomasson variations to create a unique and thrilling violin and bass duet that first appeared on O’Connor’s Grammy winning recording, New Nashville Cats. O’Connor has adapted the 2nd part to include viola, viola and cello to offer four different versions of the arrangement. Limerock is a fine example of how a tune O’Connor learned by ear as a youth evolved into a virtuoso piece in a classical setting. It is most suitable for advanced and intermediate levels. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1990 Composed by Mark O’ConnorLimerock can be heard on Appalachian Journey featuring Mark O’Connor, Yo-Yo Ma and Edgar Meyer, Sony ClassicalLimerock can also be heard on Mark O’Connor’s Crossing Bridges OMAC Records, and The New Nashville Cats Warner Bros. Records Catalogue Number MO123BCopyright © 1990 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$4.50
Limerock (score - vln, bs)
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Violoncelle, Contrebasse (duo)
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AVANCÉ
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Mark O’Connor
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Mark O'Connor, Edgar Meyer
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Limerock
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Mark O'Connor Musik International
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SheetMusicPlus
Instrumental Duet Double Bass,Instrumental Duet,Violin - Level 5 - SKU: A0.861867 Arranged by Mark O'Connor, Edgar Meyer. 20th Century,Contemporary,Folk...
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Instrumental Duet Double Bass,Instrumental Duet,Violin - Level 5 - SKU: A0.861867 Arranged by Mark O'Connor, Edgar Meyer. 20th Century,Contemporary,Folk. Score and parts. 12 pages. Mark O'Connor Musik International #6204391. Published by Mark O'Connor Musik International (A0.861867). Limerock (score – vln, bs) MO123AScore (parts available)Music by Mark O’Connor8 pages - 2:20 minutes in length Limerock adapted for violin and doublebass is an arrangement of one of the most beautiful hoedowns in American fiddling literature. Originally a two part tune, Texas fiddling pioneer Benny Thomasson arranged a version that approximates the one most performed today. Mark O’Connor and Edgar Meyer built upon the Thomasson variations to create a unique and thrilling violin and bass duet that first appeared on O’Connor’s Grammy winning recording, New Nashville Cats. O’Connor has adapted the 2nd part to include viola, viola and cello to offer four different versions of the arrangement. Limerock is a fine example of how a tune O’Connor learned by ear as a youth evolved into a virtuoso piece in a classical setting. It is most suitable for advanced and intermediate levels. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1990 Composed by Mark O’ConnorLimerock can be heard on Appalachian Journey featuring Mark O’Connor, Yo-Yo Ma and Edgar Meyer, Sony ClassicalLimerock can also be heard on Mark O’Connor’s Crossing Bridges OMAC Records, and The New Nashville Cats Warner Bros. Records Catalogue Number MO123ACopyright © 1990 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$6.00
Allegro K1b
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Violoncelle, Contrebasse (duo)
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FACILE
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Classique
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Wolfgang Amadeus Mozart
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André Nusa
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Allegro K1b
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Andre_Nusa
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SheetMusicPlus
Double Bass,Instrumental Duet,Violin - Level 2 - SKU: A0.1249384 Composed by Wolfgang Amadeus Mozart. Arranged by André Nusa. Chamber,Classical. 1 pa...
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Double Bass,Instrumental Duet,Violin - Level 2 - SKU: A0.1249384 Composed by Wolfgang Amadeus Mozart. Arranged by André Nusa. Chamber,Classical. 1 pages. Andre_Nusa #843827. Published by Andre_Nusa (A0.1249384). Immerse yourself in the lively and spirited melodies of Mozart's Allegro K1b with this captivating arrangement for violin and double bass. Experience the brilliance of Mozart's genius as the two instruments engage in a delightful musical dialogue, showcasing their technical agility and expressive capabilities. Perfect for beginner players, this arrangement brings out the vibrant energy and intricate harmonies of the original composition. Unleash the full potential of your playing as you explore the nuanced phrasing and dynamic contrasts of this timeless piece. Whether for performance or personal enjoyment, this arrangement is a must-have addition to any musician's repertoire. Let the music of Mozart transport you to a world of enchantment and musical brilliance.
$4.99
Two Duets for Double Bass (or Cello)
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Violoncelle, Contrebasse (duo)
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FACILE
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Classique
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Johann Sebastian Bach
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Robert E
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Drawn from the works of J
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Two Duets for Double Bass
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R. E. Proctor
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SheetMusicPlus
Instrumental Duet Cello,Double Bass,Instrumental Duet - Level 2 - SKU: A0.809908 Composed by Johann Sebastian Bach. Arranged by Robert E. Proctor. Baroq...
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Instrumental Duet Cello,Double Bass,Instrumental Duet - Level 2 - SKU: A0.809908 Composed by Johann Sebastian Bach. Arranged by Robert E. Proctor. Baroque,Instructional. Score and parts. 5 pages. R. E. Proctor #6051415. Published by R. E. Proctor (A0.809908). Two duets for double bass or cello to provide the student and the teacher an opportunity to move beyond scales and exercises for a little change of pace. Drawn from the works of J.S. Bach. The Bourrée in E Minor, from the Lute Suite in E minor, has suggested phrasing, fingerings, and bowings are for double bass. The Aire on the G String is from the 3rd Orchestral Suite. This does not have any edits beyond phrasing. The student is encouraged to develop his/her own fingerings and bowings and discuss his/her reasons with the instructor. The duration of the Aire is approximately 2:50 and the Bourrée is about 1:30. The student and the teacher should play both parts, perhaps, changing on the repeats.
$5.95
Duo for Double Bass and Violin by Wendell Rosa
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Violoncelle, Contrebasse (duo)
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INTERMÉDIAIRE
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Wendell Rosa
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Duo for Double Bass and Violin
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Wendell Rosa
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SheetMusicPlus
Instrumental Duet Double Bass,Instrumental Duet,Violin - Level 3 - SKU: A0.915185 Composed by Wendell Rosa. 20th Century,Contemporary,World. Score and p...
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Instrumental Duet Double Bass,Instrumental Duet,Violin - Level 3 - SKU: A0.915185 Composed by Wendell Rosa. 20th Century,Contemporary,World. Score and parts. 10 pages. Wendell Rosa #6133099. Published by Wendell Rosa (A0.915185). The composition idea firstly came to me through a string crossing technical exercise. After that what gave life to the music was a philosophical thought about the ascension of a forgotten battle, which happens inside of the caracter himself.
$8.00
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