Partitions Numériques de Lit pour Voix haute

Lit

Herr, vor dein Antlitz treten zwei

#Herr, vor dein Antlitz treten

Ave Maria De Caccini #Voix haute #FACILE #Carl Prentice Marsh and Joseli #Stephen DeCesare #Ave Maria De Caccini #Exultet Music #SheetMusicPlus

High Voice,Vocal Solo - Level 2 - SKU: A0.623091 Composed by Carl Prentice Marsh and Joselito Michaud. Arranged by Stephen DeCesare. Christian,Classical...(+)

High Voice,Vocal Solo - Level 2 - SKU: A0.623091 Composed by Carl Prentice Marsh and Joselito Michaud. Arranged by Stephen DeCesare. Christian,Classical,Contemporary,Sacred,Wedding. 3 pages. Exultet Music #4286325. Published by Exultet Music (A0.623091). This piece which was falsely attributed to the Renaissance composer - Guilio Caccini is based on the original Vladimir Vavilov composition who is the actual composer of this piece. This piece has been recorded by singers such as Andrea Bocelli and Charlotte Church. This arrangement is for High Solo with Piano accompaniment. Accessible and appropriate for any church or concert setting. Can be used at various occasions throughout the liturgical year (such as funerals or weddings) but especially when the theme is about the Blessed Virgin Mary.

Ave Maria - vocal solo-high #Voix haute #FACILE #Phil Beaman #Ave Maria - vocal solo-high #Phil Beaman #SheetMusicPlus

High Voice,Vocal Solo - Level 2 - SKU: A0.844444 Composed by Phil Beaman. 20th Century,Multicultural,New Age,Sacred,World. 4 pages. Phil Beaman #3364773...(+)

High Voice,Vocal Solo - Level 2 - SKU: A0.844444 Composed by Phil Beaman. 20th Century,Multicultural,New Age,Sacred,World. 4 pages. Phil Beaman #3364773. Published by Phil Beaman (A0.844444). The current media call this style of music Spiritual Minimalism. This particular composition utilizes the centering 'ah' of Buddhism, the meditative resting periods of Zen, the plainchant of Christianity, the minimalism of New Age, and more.The lyrics quote only the first 3 phrases of the traditional Ave Maria text. These 6 words are in common across most usages regardless of region or religion or purpose and impart a broader blessing. These 6 words are interspersed throughout the piece with the Ave (Hail) high in the range for celebration, Gratia (Grace) mid-range for acceptance, and Dominus (God) low in the range for humility.The vocal range of the song is thus quite large - a full two octaves. The High version goes from a B flat below the Treble Staff to an A flat above the Treble Staff. The Low version (a third lower) goes from a low G to a high F.The accompaniment is a circling minimalist 2 chord ostinato for the entire piece.Whether for personal meditation or public performance, this piece will relax, focus, and recharge all who perform it and hear it.(4 pages, 3:45 minutes)

The Lamb (William Blake) — high voice (soprano / tenor), keyboard accompaniment #Voix haute #FACILE #the stream and o'er the mead;< #Todd Marchand #The Lamb #Con Spirito Music #SheetMusicPlus

High Voice,Vocal Solo - Level 2 - SKU: A0.1141419 Composed by Todd Marchand. Christian,Christmas,Religious,Sacred. 5 pages. Con Spirito Music #741745. P...(+)

High Voice,Vocal Solo - Level 2 - SKU: A0.1141419 Composed by Todd Marchand. Christian,Christmas,Religious,Sacred. 5 pages. Con Spirito Music #741745. Published by Con Spirito Music (A0.1141419). William Blake (1757-1827), a seminal figure in the history of the poetry and visual art of the Romantic Age, published the lyric poem The Lamb in his collection, Songs of Innocence, in 1789.The Lamb is presented as from the viewpoint of, and in the voice of, a child. In the first stanza, the child asks the lamb if it knows its Creator; in the second, it tells the creature, by means of metaphor, that its Creator is the Lord Jesus Christ, who like the lamb took on the flesh of a created being, â€œlittle,â€ â€œmeek,â€ and â€œmild.â€ The child declares that he/she shares with the creature the name of the One who is, in Christian belief, both the sacrificial Lamb and the Shepherd of his flock. Finally, the child pronounces a benediction: â€œLittle lamb, God bless thee!â€This new setting of The Lamb for voice and keyboard accompaniment is intended to evoke the simplicity of the text, and therefore should be performed simply yet expressively, with subtle rubato (flexibility in tempo) to give emphasis to the text.Little lamb, who made thee? / Dost thou know who made thee,Gave thee life, and bid thee feed / By the stream and o'er the mead;Gave thee clothing of delight, / Softest clothing, woolly, bright;Gave thee such a tender voice, / Making all the vales rejoice?Little lamb, who made thee? / Dost thou know who made thee?Little lamb, I'll tell thee; / Little lamb, I'll tell thee:He is called by thy name, / For He calls Himself a Lamb.He is meek, and He is mild, / He became a little child.I a child, and thou a lamb, / We are called by His name.Little lamb, God bless thee! / Little lamb, God bless thee!Soprano range C4-G5; Tenor range C3-G4Â©Copyright 2022 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. Visit www.conspiritomusic.com