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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Har
Non classifié
2 188
Piano & claviers
Piano seul
5 233
Accordéon
291
Piano, Voix
206
Orgue
69
2 Pianos, 4 mains
42
Instruments en Do
37
1 Piano, 4 mains
32
Piano, Voix et Guitare
23
Clavecin
22
Piano Trio: piano, violon, violoncelle
15
Piano Quintette: piano, 2 violons, alto, violoncelle
9
Piano Quatuor: piano, violon, alto, violoncelle
7
Orgue, Trompette (duo)
5
Piano Facile
4
Accompagnement Piano
3
Piano Quatuor: piano, 2 violons, violoncelle
2
Orgue, Piano (duo)
2
2 Pianos, 8 mains
1
Accordéon et Orchestre
1
+ 14 instrumentations
Retracter
Guitares
Guitare
439
Basse electrique
229
Guitare notes et tablatures
156
Ukulele
13
2 Guitares (duo)
6
Ligne De Mélodie, (Paroles) et Accords
3
Paroles et Accords
2
Ensemble de guitares
1
4 Guitares (Quatuor)
1
3 Guitares (trio)
1
Guitare, Orchestre
1
Dulcimer
1
+ 7 instrumentations
Retracter
Voix
Chorale SATB
366
Chorale TTBB
161
Chorale SSAA
74
Voix seule
28
Chorale 3 parties
23
Chorale
21
Voix Soprano, Piano
21
Chorale SSAATTBB
13
Chorale SSATTB
7
Voix haute
6
Voix Tenor, Piano
4
Voix Alto, Piano
4
Chorale 2 parties
4
Voix moyenne, Piano
3
Voix basse, Piano
3
Voix Baryton, Piano
2
Chorale SSATB
2
Voix Mezzo-Soprano, Piano
1
Chorale SAATB A Cappella
1
Voix duo, Piano
1
Voix duo
1
Soli, choeur mixte et accompagnement
1
+ 17 instrumentations
Retracter
Vents
Saxophone
3 383
Flûte traversière
1 425
Clarinette
1 333
Saxophone Alto
193
Saxophone Tenor
172
Saxophone Soprano
119
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
72
Flûte traversière et Piano
62
Quatuor de Saxophones: 4 saxophones
60
Hautbois
56
Flûte à Bec
39
Saxophone (partie séparée)
33
Ensemble de Clarinettes
32
Clarinette et Piano
30
Flûte, Hautbois, Clarinette, Basson
29
Hautbois (partie séparée)
26
Saxophone Alto et Piano
26
Clarinette (partie séparée)
25
Flute (partie séparée)
24
Hautbois, Piano (duo)
24
Quatuor de Clarinettes: 4 clarinettes
23
Quintette de Saxophone: 5 saxophones
18
Saxophone Tenor et Piano
16
Ensemble de saxophones
16
Saxophone Soprano et Piano
13
Harmonica
12
Quatuor de Flûtes : 4 flûtes
9
2 Saxophones (duo)
9
Quintette de Clarinettes: 5 clarinettes
8
2 Clarinettes (duo)
7
2 Flûtes traversières (duo)
6
3 Clarinettes (trio)
6
Ensemble de Flûtes
5
Cor anglais, Piano
5
Ensemble à vent
4
Saxophone Baryton, Piano
4
Quatuor de Flûtes à bec
3
Cor Anglais
3
Flûte, Violon
3
Flûte, Hautbois, Basson
3
Clarinette, Violoncelle, Piano (trio)
3
Flûte, Violon, Piano
3
2 Hautbois (duo)
3
Hautbois, Basson et Piano
2
2 Flûte à bec (duo)
2
Flûte, Hautbois, Clarinette (trio)
2
Flûte et Guitare
2
Flûte, alto et harpe
2
Quintette de Flûte : 5 flûtes
2
Clarinette, Violon (duo)
2
Flûte à bec Alto, Piano
2
Trio de Flûtes: 3 flûtes
2
Ensemble de Hautbois
1
Flûte, Clarinette, Piano (trio)
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
2 Saxophones, Piano
1
Flûte traversière, Basse continue
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte, Saxophone (duo)
1
Flûte, Clarinette (duo)
1
2 Flûtes à bec, Piano
1
Flûte, Basson et Piano
1
3 Flûtes à bec (trio)
1
Clarinette Basse, Piano
1
Flûte, Hautbois, Piano (trio)
1
Clarinette et Alto
1
Saxophone et violoncelle
1
Clarinette, Violoncelle (duo)
1
Harmonica, Piano
1
Clarinette, Basson (duo)
1
Flûte, Hautbois (duo)
1
Hautbois, Basson (duo)
1
Piccolo
1
Flute, harpe et violon
1
Flûte, Alto et Piano
1
Flûte, Violon, Violoncelle et Piano
1
3 Saxophones (trio)
1
Flûte, Violoncelle, Piano (trio)
1
Flûte à bec Soprano
1
+ 74 instrumentations
Retracter
Cuivres
Trompette
1 271
Trombone
1 205
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
87
Cor
61
Trombone et Piano
54
Quatuor de Cuivres : 2 trompettes, trombone, tuba
50
Ensemble de Trombones
42
Trombone (partie séparée)
35
Trompette (partie séparée)
35
Euphonium, Piano (duo)
29
Tuba et Piano
29
Cor (partie séparée)
27
Tuba
23
Cor et Piano
19
Trompette, Piano
18
Euphonium
16
Quatuor de cuivres: 4 trombones
15
2 Euphoniums et 2 Tubas
11
Quatuor de Cuivres
11
Quatuor de Cuivres: 2 trompettes, Cor, trombone
10
Ensemble de Trompettes
9
2 Trompettes (duo)
8
Ensemble de Cors
7
2 Trombones (duo)
6
Cor anglais, Piano
5
Quatuor de cuivres: 4 cors
4
2 Trompettes, Clavier (piano ou orgue)
3
Trombone basse et Piano
3
2 Cors (duo)
3
Trompette, violon (duo)
3
Cor Anglais
3
3 Trombones (trio)
2
Trompette, Cor (duo)
2
Instruments en Sib
2
Cor et Harpe
2
Tuba (partie séparée)
2
Euphonium, Tuba (duo)
2
Trombone et orchestre
2
3 Euphoniums
1
Trompette, Orchestre
1
Trombone, Tuba (duo)
1
4 Tubas
1
Trombone basse
1
Trombone, Orgue
1
Quatuor de cuivres: 4 trompettes
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
+ 41 instrumentations
Retracter
Cordes
Violon
628
Violoncelle
371
Quatuor à cordes: 2 violons, alto, violoncelle
224
Alto seul
215
Harpe
188
Violon et Piano
84
Violoncelle, Piano
60
Contre Basse
49
Alto, Piano
32
Violon, Violoncelle (duo)
25
Harpe, Violon (duo)
23
Trio à Cordes: violon, alto, violoncelle
20
Harpe, Flûte (duo)
19
2 Violons (duo)
13
Violon, Alto (duo)
13
2 Violoncelles (duo)
10
Trio à Cordes: 2 violons, violoncelle
9
2 Altos (duo)
8
Alto (partie séparée)
7
Violon, Guitare (duo)
7
Contrebasse, Piano (duo)
7
4 Violoncelles
6
Quintette à cordes: 2 violons, alto, violoncelle, basse
6
Trio à cordes: 3 violins
5
Alto et Harpe
5
Violoncelle, Contrebasse (duo)
4
Harpe, Violoncelle (duo)
4
Quatuor à cordes: 4 violons
4
Trio à Cordes: 3 violoncelles
3
Harpe, Quatuor à cordes
3
Trio à Cordes: 2 violons, alto
3
Alto, Violoncelle (duo)
3
Violoncelle , Guitare (duo)
2
Ensemble d'Altos
2
Piano Trio: Violon, Alto, Piano
2
4 Contrebasses
2
Harpe, Orchestre
2
Contrebasse (partie séparée)
2
Harpe, Violon, Violoncelle
2
2 Contrebasses (duo)
2
Ensemble de Violons
2
Harpe (partie séparée)
1
Ensemble de Violoncelles
1
Violon, Clarinette, Piano (trio)
1
Alto, Guitare (duo)
1
Quatuor à cordes : 4 altos
1
Violon (partie séparée)
1
2 Harpes (duo)
1
3 Harpes
1
4 Harpes
1
Harpe et Piano
1
Harpe, Trombone (duo)
1
+ 47 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
1 551
Batterie
1 106
Orchestre
482
Ensemble Jazz
194
Orchestre à Cordes
88
Ensemble de cuivres
79
Jazz combo
73
Orchestre de chambre
69
Cloches
21
Ensemble de Percussions
21
Percussion (partie séparée)
19
Percussion
15
Marimba
9
Fanfare
8
Timbales (partie séparée)
2
Vibraphone
2
Big band
2
Xylophone
1
Orchestre, Violon
1
Batterie (partie séparée)
1
Piano et Orchestre
1
Xylophone (partie séparée)
1
Quintette de Cuivres: autres combinaisons
1
+ 18 instrumentations
Retracter
Autres
Formation musicale - Solfège
5
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COR ANGLAIS
CORNEMUSE
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FLUTE A DIX…
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VIOLON
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XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
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ORGUE
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POP ROCK - ROCK MODE…
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1
Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition (D major, extra-high key)
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Voix haute
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AVANCÉ
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Classique
#
Richard Strauss
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Nicole Elyse DiPaolo
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Strauss - Zueignung from Acht
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Nicole Elyse DiPaolo
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SheetMusicPlus
High Voice,Vocal Solo - Level 5 - SKU: A0.1329064 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period....
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High Voice,Vocal Solo - Level 5 - SKU: A0.1329064 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period. 3 pages. Nicole Elyse DiPaolo #917034. Published by Nicole Elyse DiPaolo (A0.1329064). The first of its kind, and the first entry in the Accessible Accompaniments library’s collection of small-hand-optimized song literature publications, this is Richard Strauss’s beloved “Zueignung,†from Acht Gedichte, op. 10 (1885), optimized (but not simplified) for the needs of collaborative pianists with small hands. “Small†is generally understood to be just an octave in span, with limited capacity to grab chord tones within a blocked octave aside from the occasional inner fifth.This edition was inspired by Boosey’s excellent small-hand edition of Frank Bridge’s “Love Went A-Riding†(erroneously labeled “simplified†on the front matter), which thins the large chords that would be problematic or impossible for a barely-an-8ve-reach collaborative pianist to play without adding musically inappropriate rolls or breaks, but also preserves the musical content and grammatically accurate voice-leading. Given that Strauss’s op. 10 collection is much more widespread on today’s concert programs than the Bridge, and given that average conservatory pianist heights and hand sizes have dropped significantly in the 20th and 21st centuries, the need for a similar adaptation in at least some of the op. 10 songs is obvious. Additionally, Strauss’s songs are often so orchestral in spirit—much more so than the Bridge—that the instinct to treat them as orchestral reductions to be adapted by each individual player should be as self-evident and considered as musically appropriate as it would be for any of Strauss’s beloved horn concerti. Performers should feel free to insert their own adaptations, additions, and omissions to this score as needed.The primary source material for this edition is Henle’s edition of the Acht Gedichte. However, any proprietary material that is not public domain (like their fingerings, front matter, and critical notes) is left out of this edition, leaving only what is public domain and edited by Ms. DiPaolo. Unreasonably large chords and arpeggio figures that would require being reachable by a larger hand have been condensed into figures more appropriate for the just-an-octave hand without sacrificing technique and excitement. This edition makes minor improvements to the engraving, like removing syllabic beaming in the voice and adding octave lines when appropriate. This edition also uses Accessible Accompaniments’ distinctive house style, marked by its visual beauty and ease of reading.While this song will be published in low, middle, and high keys for your convenience, please feel free to request another transposition if you are purchasing from a site that does not offer automatic transposition or you don’t see the key that you need. As the name says, Accessible Accompaniments is committed to accessibility—and that goes for singers, too!
$6.99
Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition (C major, high key)
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Voix haute
#
AVANCÉ
#
Classique
#
Richard Strauss
#
Nicole Elyse DiPaolo
#
Strauss - Zueignung from Acht
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Nicole Elyse DiPaolo
#
SheetMusicPlus
High Voice,Vocal Solo - Level 5 - SKU: A0.1327769 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period....
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High Voice,Vocal Solo - Level 5 - SKU: A0.1327769 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period. 3 pages. Nicole Elyse DiPaolo #915810. Published by Nicole Elyse DiPaolo (A0.1327769). The first of its kind, and the first entry in the Accessible Accompaniments library’s collection of small-hand-optimized song literature publications, this is Richard Strauss’s beloved “Zueignung,†from Acht Gedichte, op. 10 (1885), optimized (but not simplified) for the needs of collaborative pianists with small hands. “Small†is generally understood to be just an octave in span, with limited capacity to grab chord tones within a blocked octave aside from the occasional inner fifth.This edition was inspired by Boosey’s excellent small-hand edition of Frank Bridge’s “Love Went A-Riding†(erroneously labeled “simplified†on the front matter), which thins the large chords that would be problematic or impossible for a barely-an-8ve-reach collaborative pianist to play without adding musically inappropriate rolls or breaks, but also preserves the musical content and grammatically accurate voice-leading. Given that Strauss’s op. 10 collection is much more widespread on today’s concert programs than the Bridge, and given that average conservatory pianist heights and hand sizes have dropped significantly in the 20th and 21st centuries, the need for a similar adaptation in at least some of the op. 10 songs is obvious. Additionally, Strauss’s songs are often so orchestral in spirit—much more so than the Bridge—that the instinct to treat them as orchestral reductions to be adapted by each individual player should be as self-evident and considered as musically appropriate as it would be for any of Strauss’s beloved horn concerti. Performers should feel free to insert their own adaptations, additions, and omissions to this score as needed.The primary source material for this edition is Henle’s edition of the Acht Gedichte. However, any proprietary material that is not public domain (like their fingerings, front matter, and critical notes) is left out of this edition, leaving only what is public domain and edited by Ms. DiPaolo. Unreasonably large chords and arpeggio figures that would require being reachable by a larger hand have been condensed into figures more appropriate for the just-an-octave hand without sacrificing technique and excitement. This edition makes minor improvements to the engraving, like removing syllabic beaming in the voice and adding octave lines when appropriate. This edition also uses Accessible Accompaniments’ distinctive house style, marked by its visual beauty and ease of reading.While this song will be published in low, middle, and high keys for your convenience, please feel free to request another transposition if you are purchasing from a site that does not offer automatic transposition or you don’t see the key that you need. As the name says, Accessible Accompaniments is committed to accessibility—and that goes for singers, too!
$6.95
Amazing Grace—High-Range Vocal Solo, Fiddle, and Piano
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Voix haute
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AVANCÉ
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Musique Sacrée
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Daniel Carter
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Daniel Carter
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Amazing Grace—High-Range
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Daniel Carter
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SheetMusicPlus
High Voice,Vocal Solo - Level 5 - SKU: A0.1074551 By Daniel Carter. By William Walker. Arranged by Daniel Carter. Classical,Folk,Praise & Worship,Sacred...
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High Voice,Vocal Solo - Level 5 - SKU: A0.1074551 By Daniel Carter. By William Walker. Arranged by Daniel Carter. Classical,Folk,Praise & Worship,Sacred,Spiritual. 9 pages. Daniel Carter #678826. Published by Daniel Carter (A0.1074551). John Newton penned the words to “Amazing Grace†around 1764 after he survived a near-death experience on a slave-trading ship that nearly capsized, after which he became a priest. His words were set to music by William Walker who composed the hymn tune NEW BRITAIN, first published in “Southern Harmony in 1847. The hymn is extremely influential in religious and folk music, crossing over successfully into secular music. One of the most recognizable and beloved songs in history, Daniel Carter’s setting has a traditional southern folk song feel. Arranged for solo voice, fiddle obbligato, and piano and is suitable for worship, devotionals, concert settings, and music recitals. The fiddle part is included on the last page of the score. Available for both high-range and medium-range vocal solo, fiddle, and piano at danielcartermusic.com.
$5.99
For Terry--Four Songs
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Voix haute
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AVANCÉ
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Maria Thompson Corley
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For Terry--Four Songs
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Maria Thompson Corley
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SheetMusicPlus
High Voice,Vocal Solo - Level 5 - SKU: A0.845948 Composed by Maria Thompson Corley. 20th Century,Concert,Contemporary. 20 pages. Maria Thompson Corley #...
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High Voice,Vocal Solo - Level 5 - SKU: A0.845948 Composed by Maria Thompson Corley. 20th Century,Concert,Contemporary. 20 pages. Maria Thompson Corley #6265255. Published by Maria Thompson Corley (A0.845948). These four songs were commissioned by Louise Toppin. The texts are by and about the composer's late brother, Terry (1963-88). The first, For Terry, has whole tone harmonies. Poem has a gospel/funk feel with a short moment of reggae. L'orangerie is distinctly French in its inspiration. The poignant final song, The Visitor, quotes Mendelssohn's Introduction and Rondo Capriccioso, which was the only piano piece Terry would play on request. He always stopped after the easy part. The text is based on a dream the composer had a few months after her brother's death.
$18.99
See How the Savior Stands a Pleading—High-Range Vocal Solo and Piano
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Voix haute
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AVANCÉ
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Musique Sacrée
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Joshua Leavitt
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Daniel Carter
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See How the Savior Stands a Pl
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Daniel Carter
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SheetMusicPlus
High Voice,Vocal Solo - Level 5 - SKU: A0.1074256 Composed by Joshua Leavitt. Arranged by Daniel Carter. Classical,Praise & Worship,Sacred,Traditional. ...
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High Voice,Vocal Solo - Level 5 - SKU: A0.1074256 Composed by Joshua Leavitt. Arranged by Daniel Carter. Classical,Praise & Worship,Sacred,Traditional. 7 pages. Daniel Carter #678546. Published by Daniel Carter (A0.1074256). John Leland’s descriptive and powerful text captivated Joshua Leavitt who composed a plaintive melody about the Savior’s pleading in our behalf on Judgement Day. This Appalachian folk hymn tune titled PLEADING SAVIOR was first published in “Christians Lyre†in 1830 in the Sacred Harp tradition. Arranged with a descriptive, emotive piano accompaniment that underscores the elegance and depth of the lamenting singer, the words conclude with a peaceful return to the Savior’s loving arms. Arranged for medium-range solo voice, high-range solo voice, and SSAA women’s chorus and piano available at danielcartermusic.com.
$4.99
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
High voice, piano - Difficult - SKU: MQ.1.2900-06E Composed by Richard Cumming. 9 pages. MorningStar Music Publishers - Digital Sheet Music #1.2900-06E....
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High voice, piano - Difficult - SKU: MQ.1.2900-06E Composed by Richard Cumming. 9 pages. MorningStar Music Publishers - Digital Sheet Music #1.2900-06E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.1.2900-06E). English.
$9.00
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