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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Ace Of Base
Non classifié
405
Piano & claviers
Piano seul
255
Piano, Voix
215
Orgue
59
Accompagnement Piano
52
Piano Facile
46
Piano, Voix et Guitare
44
Instruments en Do
9
1 Piano, 4 mains
7
Piano Trio: piano, violon, violoncelle
5
2 Pianos, 4 mains
5
Piano (partie séparée)
4
Clavecin
3
Accordéon
1
Piano Quatuor: piano, violon, alto, violoncelle
1
2 Pianos, 8 mains
1
Ligne De Mélodie, Piano
1
+ 11 instrumentations
Retracter
Guitares
Guitare
22
Guitare notes et tablatures
8
Ligne De Mélodie, (Paroles) et Accords
7
Guitare (partie séparée)
7
Paroles et Accords
6
4 Guitares (Quatuor)
3
2 Mandolines (duo)
2
Basse electrique
2
Dulcimer
2
Ukulele
2
Banjo
1
+ 6 instrumentations
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Voix
Chorale SATB
235
Chorale 3 parties
53
Chorale 2 parties
39
Voix Alto, Piano
39
Chorale Unison
35
Voix Soprano, Piano
35
Voix Tenor, Piano
33
Chorale TTBB
31
Voix duo, Piano
16
Voix Baryton, Piano
16
Chorale SSAA
14
Voix haute
6
Voix Tenor
4
Voix duo
3
Chorale SSAATTBB
2
Voix moyenne, Piano
2
Voix Soprano
1
Voix seule
1
+ 13 instrumentations
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Vents
2 Flûtes traversières, Piano
25
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
23
Quintette de Saxophone: 5 saxophones
22
Saxophone (partie séparée)
21
Flûte traversière et Piano
19
Quatuor de Saxophones: 4 saxophones
16
Quatuor de Clarinettes: 4 clarinettes
15
Clarinette et Piano
13
2 Flûtes traversières (duo)
12
Clarinette
12
Hautbois, Piano (duo)
12
Flûte, Hautbois, Clarinette, Basson
12
Flûte et Guitare
11
Flûte traversière
11
Saxophone Alto et Piano
10
2 Saxophones (duo)
9
Ensemble de Clarinettes
9
Quintette de Clarinettes: 5 clarinettes
8
Flute (partie séparée)
7
2 Clarinettes (duo)
7
Ensemble de saxophones
6
Clarinette, Guitare (duo)
6
3 Clarinettes (trio)
6
Quatuor de Flûtes : 4 flûtes
6
Saxophone Tenor et Piano
6
Quintette de Flûte : 5 flûtes
5
Ensemble de Flûtes
5
Saxophone Soprano et Piano
5
Saxophone Alto
5
Hautbois (partie séparée)
4
2 Hautbois (duo)
3
3 Saxophones (trio)
3
Saxophone Tenor
3
Flûte, Clarinette (duo)
3
Trio de Flûtes: 3 flûtes
3
Saxophone Baryton, Piano
3
Flûte, Violon et Violoncelle
2
Flute, harpe et violon
2
Flûte, Hautbois (duo)
1
Flûte, Trombone (duo)
1
Clarinette (partie séparée)
1
Clarinette, Orchestre
1
2 Cors Anglais Et Pianoforte
1
Clarinette, Basson (duo)
1
Flûte, Hautbois, Piano (trio)
1
Flûte à bec Alto
1
Clarinette Basse, Piano
1
Hautbois, Guitare (duo)
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Cor Anglais
1
Piccolo, Piano
1
Flûte à bec Soprano
1
Flûte, Violoncelle
1
Flûte, Violon, Violoncelle et Piano
1
Cor anglais, Guitare (duo)
1
Cor anglais, Piano
1
+ 51 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
31
Quatuor de Cuivres : 2 trompettes, trombone, tuba
27
Trombone (partie séparée)
22
Trompette (partie séparée)
19
Trombone et Piano
13
Trompette, Piano
11
Ensemble de Trombones
9
Trompette
9
Quatuor de Cuivres: 2 trompettes, Cor, trombone
8
Cor et Piano
7
Cor
6
Ensemble de Trompettes
5
Trombone
5
Tuba et Piano
4
Tuba (partie séparée)
4
2 Trombones (duo)
3
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Cor (partie séparée)
3
2 Trompettes (duo)
3
Tuba
2
Trompette, Trombone (duo)
2
Quatuor de Cuivres
2
2 Cors (duo)
2
Euphonium, Piano (duo)
1
Ensemble de Cors
1
Quatuor de cuivres: 4 trombones
1
Trombone, Orgue
1
2 Tubas (duo)
1
2 Cors Anglais Et Pianoforte
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Cor Anglais
1
3 Trompettes (trio)
1
2 Euphoniums (duo)
1
Cor anglais, Guitare (duo)
1
Cor anglais, Piano
1
+ 30 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
93
Violon et Piano
34
Violon, Violoncelle (duo)
21
Violoncelle, Piano
16
Violon
13
Violoncelle
10
Alto, Piano
10
2 Violons (duo)
8
Contrebasse (partie séparée)
5
Harpe
5
2 Violoncelles (duo)
5
Trio à Cordes: 2 violons, violoncelle
5
Trio à Cordes: violon, alto, violoncelle
5
2 Altos (duo)
4
Quintette à cordes: 2 violons, alto, violoncelle, basse
4
Alto seul
4
Ensemble de Violons
3
Alto (partie séparée)
3
Violon, Guitare (duo)
2
4 Violoncelles
2
Contre Basse
2
Violon (partie séparée)
2
Violoncelle , Guitare (duo)
2
Contrebasse, Piano (duo)
2
2 Contrebasses (duo)
1
Alto, Violoncelle (duo)
1
Trio à Cordes: 2 violons, alto
1
Violon, Orgue
1
Violoncelle, Orgue
1
Flûte, Contrebasse (duo)
1
Piano Trio: Violon, Alto, Piano
1
Ensemble d'Altos
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
4 Harpes
1
Alto, Guitare (duo)
1
Violon, Alto (duo)
1
+ 31 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
195
Ensemble Jazz
73
Orchestre
53
Orchestre à Cordes
44
Orchestre de chambre
27
Ensemble de cuivres
24
Cloches
17
Jazz combo
6
Batterie
6
Vibraphone
5
Batterie (partie séparée)
5
Ensemble de Percussions
5
Marimba
3
Orchestre, Violon
3
Percussion
2
Piano et Orchestre
2
Fanfare
1
Percussion (partie séparée)
1
+ 13 instrumentations
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Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
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POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
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Vous avez sélectionné:
Ace Of Base
Voix haute
Partitions à imprimer
6 partitions trouvées
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VIVALDI Antonio: Quel tuo ciglio languidetto, an aria from the opera "Il Farnace", - Voic
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Voix haute
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Antonio VIVALDI
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Sergei PICHUGIN
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VIVALDI Antonio: Quel tuo cigl
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Really Good Music, LLC.
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SheetMusicPlus
High Voice,Vocal Solo - Level 4 - SKU: A0.868968 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instruct...
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High Voice,Vocal Solo - Level 4 - SKU: A0.868968 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 6 pages. Really Good Music, LLC. #5372531. Published by Really Good Music, LLC. (A0.868968). Quel tuo ciglio languidetto is an aria (Minuèt) from the opera Il Farnace, composed by Antonio VIVALDI (1678 – 1741) in 1727 and revised several times for its following productions. The realization of the aria for voice and piano, made by Sergei Pichugin, is based on the score manuscript of the version of the opera from 1738. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the original key of C major (D4 – G5) for high voice.
$5.95
Idylls - five songs for solo high voice (soprano or tenor) and piano, based upon poems by Alfred, Lo
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Voix haute
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INTERMÉDIAIRE/AVANCÉ
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Stuart Brown
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Idylls - five songs for solo h
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Stuart Brown Music
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SheetMusicPlus
High Voice,Vocal Solo - Level 4 - SKU: A0.835449 Composed by Stuart Brown. 20th Century,Contemporary,Spiritual. 37 pages. Stuart Brown Music #4285583. P...
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High Voice,Vocal Solo - Level 4 - SKU: A0.835449 Composed by Stuart Brown. 20th Century,Contemporary,Spiritual. 37 pages. Stuart Brown Music #4285583. Published by Stuart Brown Music (A0.835449). If you are looking for a genuinely beautiful and rewarding work for solo voice and piano, to fill a 20-minute time slot, then Idylls is for you. It provides an opportunity for both singer and pianist to demonstrate an ability to communicate a wide range of emotions. It is particularly satisfying for the pianist, whose part is anything but subservient to the vocal line and provides an opportunity to shine. At notated tempo the work lasts just under 18 minutes; the concert première performance (in January 2019) lasted just short of 20 minutes because of the slower tempo at which the performers chose to take the fourth song.While intended primarily for the concert platform, Idylls contains some profoundly Christian themes that may make it suitable also for church use in an appropriate context.Although intended for professional use, Idylls may be within the technical capability of advanced high school students, noting that the third song ('Of old sat Freedom on the heights') has a piano part that was described as 'challenging' by the professional pianist who first performed it in public (Jonathan Ellis, January 12th, 2019).As noted above, Idylls can work for church services in various contexts, although not all of the songs are necessarily appropriate to the same context. The lyrics themselves provide the best guidance in this respect.From observing the rehearsal sessions of the two professionals who first performed the work (Chen Wang and Jonathan Ellis), the composer suggests that none of the songs - however apparently straightforward - should be taken for granted. There are nuances in all of them that require careful attention to timing and pitch. The vocal entries in the opening song require careful attention to pitch. In the second song concentrate on the timing and making it sound as light and dance-like as possible. The third song requires the singer to keep an E-flat in mind at all times (in order to pitch entries) and to sing to strict meter regardless of what the pianist is playing. The fourth song requires both grace and intensity. Pitch is the main issue, particularly some of the B-natural entries; pay special attention to timing in the first verse. The fifth and final song is melodically straightforward; pay attention to timing in the second verse.Stuart Brown composed Idylls in early 2015 specifically for the London-based Chinese soprano Chen Wang. She performed it in public for the first time, accompanied by Manchester-based pianist Jonathan Ellis, at a concert in the southwest of England in January 2019.Performing rights are handled in the UK by PRS for Music, in Canada by SOCAN, in the USA by ASCAP, BMI and SESAC. The full list of arrangements can be found at www.prsformusic.com/our-global-network/partnersAll contact and other information (including lyrics) can be found on the composer's website at https://stuartbrownmusic.com/discover-11.html
$7.74
The Souls of the Just - Vocal Solo (High/Medium Voice), Piano
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Voix haute
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Cathy Stamegna
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Cathy Stamegna
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The Souls of the Just - Vocal
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Cathy Stamegna
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SheetMusicPlus
High Voice,Vocal Solo - Level 4 - SKU: A0.781063 Composed by Cathy Stamegna. Arranged by Cathy Stamegna. Contemporary,Jewish,Praise & Worship,Sacred. 12...
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High Voice,Vocal Solo - Level 4 - SKU: A0.781063 Composed by Cathy Stamegna. Arranged by Cathy Stamegna. Contemporary,Jewish,Praise & Worship,Sacred. 12 pages. Cathy Stamegna #6661647. Published by Cathy Stamegna (A0.781063). Based on the Book of Wisdom 3:1-9. Appropriate for funerals, memorial services or as a vocal solo for competition, audition, or recital, this comforting passage from Wisdom stirs the heart: …the souls of the just are in the hand of God, and no torment shall touch them…Because grace and mercy are with his holy ones, and God's care is with the elect. Graded on a higher level because of the vocal range and some larger vocal intervals. Treble clef range: C4-F5, yet accessible for male voices if sung an octave lower. Duration: 3:39.
$4.99
The Unquiet Grave from American Death Ballads (Downloadable)
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Voix haute
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David Conte
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The Unquiet Grave from America
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
High voice and piano - Moderately Difficult - SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer M...
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High voice and piano - Moderately Difficult - SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8454-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8454-2E). English.American Death Ballads was composed especially for tenor Brian Thorsett. We have been frequent collaborators since 2011, when he premiered the complete set of my Three Settings of W. B. Yeats for string quartet and tenor. At his urging, I transcribed and published my Three Poems of Christina Rossetti (originally for medium voice) for high voice, which he premiered at the San Francisco Conservatory in 2014. American Death Ballads was premiered by him at the San Francisco Conservatory, November 1, 2015, with pianist John Churchwell, and at the National Association of Teachers of Singing (NATS) Conference in Chicago, July 10, 2016, with pianist Warren Jones.The choice of texts for my American Death Ballads was inspired partly by Copland’s Old American Songs, which I deeply admire, but more by my dear friend and colleague the late Conrad Susa’s Two Murder Ballads. The ingenuity of Susa’s accompaniments for his ballads in imagining anew the original source material owes a great deal to Copland’s accompaniment for his songs. Though the content of my songs is completely original and not based on preexisting melodies, I have tried to expand on this further, as the texts are much longer, and go through many different moods and characters. The four texts I chose include stories about murder, death, and dying. Though two of the texts were written in England, they traveled to the colonies almost immediately. The subjects of the texts had spent time in America, and their stories were well known to Americans.Wicked Polly is a cautionary tale. Polly has lived a dissolute and immoral life, saying, 'I'll turn to God when I grow old.' Suddenly taken ill, she realizes that it is too late to repent. She dies in agony and is presumably sent to hell; young people are advised to heed. My musical setting is stately and preacherly in character for the narrator; for Polly it becomes pleading and remorseful. The Unquiet Grave was brought to the attention of Alan Lomax, the great American field collector of folk music, by English folk singer Shirley Collins. The text is taken from an English folk song dating from 1400. In The Unquiet Grave, a young man mourns his dead lover too fervently and prevents her from obtaining peace. The dead woman complains that his weeping is keeping her from peaceful rest. He begs a kiss; she tells him it would kill him. When he persists, wanting to join her in death, she explains that once they were both dead their hearts would simply decay, and that he should enjoy life while he has it. My setting is in a flowing Andante with a rocking accompaniment. Three voices are delineated here: the narrator, the mournful lover, and the dead lover speaking from the grave. The Dying Californian first appeared in the New England Diadem in 1854. Its lyrics are based on a letter from a New Englander’s sailor to his brother who is dying at sea while on the way to California to seek his fortune in the California gold fields. He implores his brother to impart his message to his father, mother, wife, and children. My setting opens with the singer alone in a moderate dirge tempo, then, joined by the piano, moves through many tonalities and moods before ending with supreme confidence as the speaker 'gained a port called Heaven/Where the gold will never rust.'Captain Kidd was a Scottish sailor who was tried and executed for piracy and murder in 1701. The American connection to this ballad is that Kidd escaped to America and for a time lived in New York and Boston, though he was a wanted criminal by the British authorities and was extradited to Britain, where he was hung at 'Executioner’s Dock.' The lyric was printed in Britain in 1701, traveling to the colonies almost immediately. Though the didactic tone of the text is similar to Wicked Polly, it expresses no regret until the final lines: 'Take warning now by me, and shun bad company, / Lest you come to hell with me, for I must die.' My setting is fast and spirited, expressing the confidence of a man who lived life as he wanted. -David Conte.
$3.50
Come and Rescue Me Solo with Piano
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Voix haute
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INTERMÉDIAIRE
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Musique Sacrée
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Gospel Spirituel
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Jordan Grigg
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Come and Rescue Me Solo with P
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Bill Fortenberry
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SheetMusicPlus
High Voice,Vocal Solo - Level 3 - SKU: A0.997110 Composed by Jordan Grigg. Christian,Gospel,Sacred. 10 pages. Bill Fortenberry #6081209. Published by Bi...
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High Voice,Vocal Solo - Level 3 - SKU: A0.997110 Composed by Jordan Grigg. Christian,Gospel,Sacred. 10 pages. Bill Fortenberry #6081209. Published by Bill Fortenberry (A0.997110). Based on the prayer of Jonah, Come and Rescue Me by Bill Fortenberry and Jordan Grigg is an excellent choice for church performances for all occasions. The music is written in an upbeat, epic style to grab the attention of the listeners. It is also very catchy and easy to learn. The words are based on Scripture and would fit well in any church setting. The lyrics include references to sin, prayer, forgiveness, grace, love, and sacrifice.A choir arrangement is also available as well as the orchestral score. Song length: 3 to 4 minutes.
$2.49
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Ace Of Base
