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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
A Sua
Non classifié
1 514
Piano & claviers
Piano seul
4 344
Piano, Voix
2 384
Piano Facile
163
Piano, Voix et Guitare
100
Orgue
73
1 Piano, 4 mains
55
Instruments en Do
52
Piano (partie séparée)
15
Accompagnement Piano
15
Piano Trio: piano, violon, violoncelle
13
Piano Quatuor: piano, violon, alto, violoncelle
8
Orgue, Piano (duo)
4
Piano Quintette: piano, 2 violons, alto, violoncelle
4
Orgue, Trompette (duo)
3
Piano grosses notes
3
2 Pianos, 4 mains
3
2 Accordéons
1
Accordéon
1
+ 13 instrumentations
Retracter
Guitares
Guitare notes et tablatures
98
Guitare
84
Guitare (partie séparée)
30
Ligne De Mélodie, (Paroles) et Accords
13
2 Guitares (duo)
9
Ukulele
7
4 Guitares (Quatuor)
6
Dulcimer
4
Banjo
4
Ensemble de guitares
4
Mandoline, Guitare (duo)
2
Piano, Guitare (duo)
2
Basse electrique
2
Mandoline
2
3 Guitares (trio)
1
+ 10 instrumentations
Retracter
Voix
Chorale SATB
1 021
Chorale 2 parties
69
Chorale Unison
54
Chorale 3 parties
54
Chorale TTBB
31
Chorale SSAA
27
Voix duo, Piano
22
Voix Soprano, Piano
13
Voix duo
11
Voix haute
8
Voix Alto, Piano
2
Voix Tenor, Piano
2
Voix moyenne, Piano
2
Voix Baryton, Piano
2
Chorale SSATB
1
Chorale
1
Chorale SSAATTBB
1
Chorale SSATTB
1
Voix seule
1
Voix basse, Piano
1
+ 15 instrumentations
Retracter
Vents
Saxophone (partie séparée)
100
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
86
Quatuor de Saxophones: 4 saxophones
73
Flûte, Hautbois, Clarinette, Basson
58
2 Flûtes traversières (duo)
51
Quatuor de Flûtes : 4 flûtes
48
2 Saxophones (duo)
47
Flûte traversière et Piano
41
Clarinette
36
Hautbois, Piano (duo)
35
Quatuor de Clarinettes: 4 clarinettes
34
Clarinette et Piano
25
Saxophone Alto et Piano
23
Flûte traversière
23
Quintette de Saxophone: 5 saxophones
21
Saxophone Alto
19
Saxophone, Clarinette (duo)
16
Flûte, Clarinette (duo)
16
2 Clarinettes (duo)
15
Flute (partie séparée)
15
Saxophone Tenor
15
Ensemble de saxophones
15
Ensemble de Clarinettes
14
Saxophone Tenor et Piano
14
Clarinette, Trompette (duo)
12
Quintette de Clarinettes: 5 clarinettes
12
Flûte, Trombone (duo)
11
Clarinette, Violon (duo)
11
Saxophone Soprano et Piano
11
Hautbois, Basson (duo)
10
Quatuor de Flûtes à bec
9
3 Saxophones (trio)
9
Flûte, Alto (duo)
8
2 Hautbois (duo)
8
Saxophone Baryton, Piano
8
Flûte à bec Soprano
8
Flûte, Violon
8
Flûte et Guitare
8
Cor anglais, Piano
7
Ensemble de Flûtes
7
Flûte, Saxophone (duo)
7
Hautbois, Flûte
6
3 Clarinettes (trio)
6
Clarinette (partie séparée)
6
Clarinette, Guitare (duo)
5
5 Flûtes à bec
5
Cor Anglais
5
Flûte, Trompette (duo)
5
Flûte, Violoncelle
4
Hautbois (partie séparée)
4
Clarinette, Basson (duo)
4
Ocarina
4
Quintette de Flûte : 5 flûtes
4
Hautbois, Clarinette (duo)
4
Clarinette et Alto
4
Flûte, Hautbois, Clarinette (trio)
4
Trio de Flûtes: 3 flûtes
4
Clarinette, Trombone (duo)
3
Flûte à bec Alto
3
Clarinette Basse, Piano
3
Hautbois, Clarinette, Basson (trio d'anches)
3
Clarinette, Violoncelle (duo)
3
Saxophone Soprano
2
Hautbois, Violoncelle
2
2 Flûte à bec (duo)
2
Flûte, Clarinette et Basson
2
Saxophone Baryton
2
Hautbois
2
Flûte, Violon, Piano
2
Saxophone et Harpe
1
Hautbois, Guitare (duo)
1
3 Flûtes à bec (trio)
1
Ensemble De Flûte à bec
1
Clarinette, Violoncelle, Piano (trio)
1
Flûte, Hautbois, Basson
1
Flûte, Violon et Violoncelle
1
Flute, Cor (duo)
1
Flûte à bec Alto, Piano
1
Clarinette, Orchestre
1
Hautbois, Basson et Piano
1
Hautbois, Harpe
1
Saxophone et Guitare
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Clarinette, Harpe (duo)
1
3 Hautbois
1
Flûte à bec, Guitare (duo)
1
Flûte à Bec
1
Flûte, Hautbois (duo)
1
Flûte, Alto et Piano
1
Saxophone et Orgue
1
+ 85 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
82
Trombone (partie séparée)
70
Trompette (partie séparée)
58
Quatuor de Cuivres : 2 trompettes, trombone, tuba
48
Trompette
24
Trombone et Piano
22
Trompette, Piano
21
Cor (partie séparée)
17
Cor et Piano
16
Tuba (partie séparée)
16
Trombone
14
Trompette, Trombone (duo)
13
2 Trombones (duo)
13
Euphonium, Piano (duo)
12
Trompette, Saxophone (duo)
12
2 Trompettes (duo)
11
Quatuor de Cuivres: 2 trompettes, Cor, trombone
9
Tuba et Piano
8
Cor anglais, Piano
7
Ensemble de Trombones
6
2 Euphoniums et 2 Tubas
5
Cor Anglais
5
Tuba
5
Quatuor de Cuivres
5
Cor
4
Trombone, Orgue
4
Trio de Cuivres
4
Euphonium
3
Quatuor de cuivres: 4 trombones
3
Trompette, Cor (duo)
3
Ensemble de Cors
2
3 Trombones (trio)
2
Ensemble de Trompettes
2
2 Cors (duo)
2
4 Tubas
2
Clarinette, Cor (duo)
2
Trombone basse
2
Cor, Violoncelle (duo)
2
3 Trompettes (trio)
1
Euphonium, Tuba (duo)
1
Quatuor de cuivres: 4 trompettes
1
Cor et Orgue
1
Tuba et Orgue
1
Trompette, Basson (duo)
1
Trombone basse et Piano
1
Trompette, Tuba (duo)
1
3 Cors (trio)
1
Quatuor de cuivres: 4 cors
1
2 Tubas (duo)
1
Trompette, Harpe
1
+ 45 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
443
Violon, Violoncelle (duo)
178
Trio à Cordes: violon, alto, violoncelle
152
Violon
148
Violon et Piano
62
Harpe
57
Violoncelle
39
Violoncelle, Piano
39
Violon, Alto (duo)
26
Alto, Piano
26
2 Violons (duo)
26
Quintette à cordes: 2 violons, alto, violoncelle, basse
22
2 Violoncelles (duo)
21
Trio à Cordes: 2 violons, violoncelle
20
Contrebasse (partie séparée)
16
2 Altos (duo)
14
Alto seul
12
Violon (partie séparée)
6
Violon, Guitare (duo)
6
4 Violoncelles
6
Alto, Violoncelle (duo)
5
Trio à Cordes: 3 violoncelles
5
Violoncelle , Guitare (duo)
5
Contrebasse, Piano (duo)
4
Harpe, Flûte (duo)
4
Contre Basse
3
2 Harpes (duo)
3
Trio à cordes: 3 violins
2
Quatuor à cordes: 4 violons
2
2 Violoncelles, Piano
2
Trio à cordes: 3 altos
2
Piano Trio: Violon, Alto, Piano
2
Violoncelle (partie séparée)
1
Alto et Basson
1
Alto et Harpe
1
Violon, Clarinette, Piano (trio)
1
Harpe, Violon, Violoncelle
1
Quatuor à cordes : 4 altos
1
Violon, Basson (duo)
1
Harpe et Piano
1
Violoncelle, Orgue
1
Violon, Basse continue
1
Harpe, Violoncelle (duo)
1
4 Contrebasses
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Trio à Cordes: 2 violons, alto
1
Alto, Guitare (duo)
1
Violoncelle, Contrebasse (duo)
1
+ 43 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
223
Orchestre à Cordes
191
Ensemble Jazz
99
Orchestre
73
Ensemble de cuivres
57
Orchestre de chambre
47
Fanfare
33
Cloches
26
Jazz combo
26
Batterie (partie séparée)
17
Ensemble de Percussions
16
Batterie
10
Marimba
4
Orchestre, Violon
2
Xylophone
2
Vibraphone
2
Ensemble d'École
1
Piano et Orchestre
1
Percussion
1
Xylophone, Piano
1
2 Caisses Claires (duo)
1
Percussion (partie séparée)
1
+ 17 instrumentations
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Autres
Instruments
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BANJO
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CLOCHES
CONTREBASSE
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COR ANGLAIS
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FLUTE
FLUTE A BEC
FLUTE A DIX…
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FORMATION M…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
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PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
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Partitions à imprimer
8 partitions trouvées
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1
Come Lie with Me (King David and Bathsheba) from "The Kings" - ACT 2:Song 5
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Voix haute
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McCorkle, Dennis F
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Come Lie with Me
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DF McCorkle Music and eBook Publications
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SheetMusicPlus
High Voice,Vocal Solo - SKU: A0.784831 Composed by McCorkle, Dennis F. Broadway,Christian,Jewish,Musical/Show,Rock. 25 pages. DF McCorkle Music and eBoo...
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High Voice,Vocal Solo - SKU: A0.784831 Composed by McCorkle, Dennis F. Broadway,Christian,Jewish,Musical/Show,Rock. 25 pages. DF McCorkle Music and eBook Publications #11753. Published by DF McCorkle Music and eBook Publications (A0.784831). ACT TWO: Song 5. The King, by Dennis McCorkle, is a contemporary pop-rock musical of the first two kings of Israel, Saul ben Kish and David ben Jesse and explores the contrasting lives and outcome of each man’s choices in life. [2 Samuel 11:2-4… - And it came to pass at eventide, that David arose from off his bed, and walked upon the roof of the king's house; and from the roof he saw a woman bathing; and the woman was very beautiful to look upon. 3 And David sent and inquired after the woman. And one said: ‘Is not this Bath-sheba, the daughter of Eliam, the wife of Uriah the Hittite?’ 4 And David sent messengers, and took her; and she came in unto him, and he lay with her;…] Once settled into Jerusalem and after a tiff with MICHAL, DAVID looks around his magnificent palace and as he walks on his balcony, he sees a lovely young woman bathing herself in the moonlight. Giving in to his impulses, orders his men to have her brought to the palace on the pretense of speaking to her about her husband, URIAH who is in the field with the troops. DAVID, seeing her beauty and rationalizing his own importance, proceeds to seduce her and lies with her [Come Lie with Me – David and Bathsheba]. BATHSHEBA, also lonely is seduced by his presence and gives in to his wishes. Leaving before daylight to escape notice, DAVID goes about business as usual, trying to forget what has happened. A few weeks later, a messenger arrives with a note from BATHSHEBA, DAVID, I'm pregnant! Also included with your order is our new 20 page catalog of over 150 titles at no additional charge.
$2.99
Marietta's Song
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Voix haute
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Erich Wolfgang Korngold
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Marietta's Song
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Schott Music - Digital
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SheetMusicPlus
High voice and piano - SKU: S9.Q475 From the opera The Dead City. Composed by Erich Wolfgang Korngold. This edition: Sheet music. Downloadable. O...
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High voice and piano - SKU: S9.Q475 From the opera The Dead City. Composed by Erich Wolfgang Korngold. This edition: Sheet music. Downloadable. Op. 12. Duration 5 minutes. Schott Music - Digital #Q475. Published by Schott Music - Digital (S9.Q475). German • English.Marietta’s Lied “Glück, das mir verblieb†from the opera Die tote Stadt is one of the most popular soprano arias of the 20th century. Its sensual, dreamlike atmosphere drenched with a yearning for love allows a beautiful submerged world to resurface before its listeners, and the tender soaring cantilena continues to seduce audiences the world over. In the opera, this vocal scene is actually a duet between the unhappy widower Paul and the attractive Marietta. In Paul’s eyes, Marietta gradually takes on an ever closer resemblance to his deceased wife Marie against the morbid background of Bruges; the figures of the two women merge fatally with each other in the duet.
$7.99
Te Quiero - Vocal solo with piano and violin
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Voix haute
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INTERMÉDIAIRE/AVANCÉ
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John Oliva, Michael Gandolfi,
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Daniel Solberg
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Te Quiero - Vocal solo with pi
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Daniel Solberg
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SheetMusicPlus
High Voice,Vocal Solo - Level 4 - SKU: A0.793057 Composed by John Oliva, Michael Gandolfi, and Ron Antinori. Arranged by Daniel Solberg. Classical,Latin...
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High Voice,Vocal Solo - Level 4 - SKU: A0.793057 Composed by John Oliva, Michael Gandolfi, and Ron Antinori. Arranged by Daniel Solberg. Classical,Latin. 10 pages. Daniel Solberg #5710879. Published by Daniel Solberg (A0.793057). This sensual Spanish piece serves as a modern art song for voice piano and optional violin!The vocal range is suitable for many voice types. Vocal duet version available as well.Rubato with a subtle tormenting rhythm underneath, the piano part includes an exact transcription of Daniel Solberg's accompaniment, and also chord symbols for those who want to build on the improvisatory nature of this piece's style.
$9.99
Baby, It's Cold Outside
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Voix haute
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FACILE
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Film/TV
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Ray Charles & Betty Carter
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Stephen DeCesare
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Baby, It's Cold Outside
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Exultet Music
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SheetMusicPlus
High Voice,Vocal Solo - Level 2 - SKU: A0.622269 By Ray Charles & Betty Carter. By Frank Loesser. Arranged by Stephen DeCesare. Film/TV. 8 pages. Exulte...
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High Voice,Vocal Solo - Level 2 - SKU: A0.622269 By Ray Charles & Betty Carter. By Frank Loesser. Arranged by Stephen DeCesare. Film/TV. 8 pages. Exultet Music #3618727. Published by Exultet Music (A0.622269). One of the most performed songs during the Christmas season has been freshly arranged as a duet for a Soprano and Tenor Solo with Piano accompaniment. Song starts as usual where the Tenor is asking the Soprano to stay, but in this version, in the second verse, the Soprano turns the tables on the Tenor. Accessible and appropriate for any school or concert program. .
$4.99
The Lamb (William Blake) — high voice (soprano / tenor), keyboard accompaniment
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Voix haute
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FACILE
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the stream and o'er the mead;<
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Todd Marchand
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The Lamb
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Con Spirito Music
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SheetMusicPlus
High Voice,Vocal Solo - Level 2 - SKU: A0.1141419 Composed by Todd Marchand. Christian,Christmas,Religious,Sacred. 5 pages. Con Spirito Music #741745. P...
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High Voice,Vocal Solo - Level 2 - SKU: A0.1141419 Composed by Todd Marchand. Christian,Christmas,Religious,Sacred. 5 pages. Con Spirito Music #741745. Published by Con Spirito Music (A0.1141419). William Blake (1757-1827), a seminal figure in the history of the poetry and visual art of the Romantic Age, published the lyric poem The Lamb in his collection, Songs of Innocence, in 1789.The Lamb is presented as from the viewpoint of, and in the voice of, a child. In the first stanza, the child asks the lamb if it knows its Creator; in the second, it tells the creature, by means of metaphor, that its Creator is the Lord Jesus Christ, who like the lamb took on the flesh of a created being, “little,†“meek,†and “mild.†The child declares that he/she shares with the creature the name of the One who is, in Christian belief, both the sacrificial Lamb and the Shepherd of his flock. Finally, the child pronounces a benediction: “Little lamb, God bless thee!â€This new setting of The Lamb for voice and keyboard accompaniment is intended to evoke the simplicity of the text, and therefore should be performed simply yet expressively, with subtle rubato (flexibility in tempo) to give emphasis to the text.Little lamb, who made thee? / Dost thou know who made thee,Gave thee life, and bid thee feed / By the stream and o'er the mead;Gave thee clothing of delight, / Softest clothing, woolly, bright;Gave thee such a tender voice, / Making all the vales rejoice?Little lamb, who made thee? / Dost thou know who made thee?Little lamb, I'll tell thee; / Little lamb, I'll tell thee:He is called by thy name, / For He calls Himself a Lamb.He is meek, and He is mild, / He became a little child.I a child, and thou a lamb, / We are called by His name.Little lamb, God bless thee! / Little lamb, God bless thee!Soprano range C4-G5; Tenor range C3-G4©Copyright 2022 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. Visit www.conspiritomusic.com
$4.99
Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition (D major, extra-high key)
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Voix haute
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AVANCÉ
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Strauss - Zueignung from Acht
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Nicole Elyse DiPaolo
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SheetMusicPlus
High Voice,Vocal Solo - Level 5 - SKU: A0.1329064 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period....
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High Voice,Vocal Solo - Level 5 - SKU: A0.1329064 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period. 3 pages. Nicole Elyse DiPaolo #917034. Published by Nicole Elyse DiPaolo (A0.1329064). The first of its kind, and the first entry in the Accessible Accompaniments library’s collection of small-hand-optimized song literature publications, this is Richard Strauss’s beloved “Zueignung,†from Acht Gedichte, op. 10 (1885), optimized (but not simplified) for the needs of collaborative pianists with small hands. “Small†is generally understood to be just an octave in span, with limited capacity to grab chord tones within a blocked octave aside from the occasional inner fifth.This edition was inspired by Boosey’s excellent small-hand edition of Frank Bridge’s “Love Went A-Riding†(erroneously labeled “simplified†on the front matter), which thins the large chords that would be problematic or impossible for a barely-an-8ve-reach collaborative pianist to play without adding musically inappropriate rolls or breaks, but also preserves the musical content and grammatically accurate voice-leading. Given that Strauss’s op. 10 collection is much more widespread on today’s concert programs than the Bridge, and given that average conservatory pianist heights and hand sizes have dropped significantly in the 20th and 21st centuries, the need for a similar adaptation in at least some of the op. 10 songs is obvious. Additionally, Strauss’s songs are often so orchestral in spirit—much more so than the Bridge—that the instinct to treat them as orchestral reductions to be adapted by each individual player should be as self-evident and considered as musically appropriate as it would be for any of Strauss’s beloved horn concerti. Performers should feel free to insert their own adaptations, additions, and omissions to this score as needed.The primary source material for this edition is Henle’s edition of the Acht Gedichte. However, any proprietary material that is not public domain (like their fingerings, front matter, and critical notes) is left out of this edition, leaving only what is public domain and edited by Ms. DiPaolo. Unreasonably large chords and arpeggio figures that would require being reachable by a larger hand have been condensed into figures more appropriate for the just-an-octave hand without sacrificing technique and excitement. This edition makes minor improvements to the engraving, like removing syllabic beaming in the voice and adding octave lines when appropriate. This edition also uses Accessible Accompaniments’ distinctive house style, marked by its visual beauty and ease of reading.While this song will be published in low, middle, and high keys for your convenience, please feel free to request another transposition if you are purchasing from a site that does not offer automatic transposition or you don’t see the key that you need. As the name says, Accessible Accompaniments is committed to accessibility—and that goes for singers, too!
$6.99
Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition (C major, high key)
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Voix haute
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AVANCÉ
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Strauss - Zueignung from Acht
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Nicole Elyse DiPaolo
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SheetMusicPlus
High Voice,Vocal Solo - Level 5 - SKU: A0.1327769 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period....
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High Voice,Vocal Solo - Level 5 - SKU: A0.1327769 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period. 3 pages. Nicole Elyse DiPaolo #915810. Published by Nicole Elyse DiPaolo (A0.1327769). The first of its kind, and the first entry in the Accessible Accompaniments library’s collection of small-hand-optimized song literature publications, this is Richard Strauss’s beloved “Zueignung,†from Acht Gedichte, op. 10 (1885), optimized (but not simplified) for the needs of collaborative pianists with small hands. “Small†is generally understood to be just an octave in span, with limited capacity to grab chord tones within a blocked octave aside from the occasional inner fifth.This edition was inspired by Boosey’s excellent small-hand edition of Frank Bridge’s “Love Went A-Riding†(erroneously labeled “simplified†on the front matter), which thins the large chords that would be problematic or impossible for a barely-an-8ve-reach collaborative pianist to play without adding musically inappropriate rolls or breaks, but also preserves the musical content and grammatically accurate voice-leading. Given that Strauss’s op. 10 collection is much more widespread on today’s concert programs than the Bridge, and given that average conservatory pianist heights and hand sizes have dropped significantly in the 20th and 21st centuries, the need for a similar adaptation in at least some of the op. 10 songs is obvious. Additionally, Strauss’s songs are often so orchestral in spirit—much more so than the Bridge—that the instinct to treat them as orchestral reductions to be adapted by each individual player should be as self-evident and considered as musically appropriate as it would be for any of Strauss’s beloved horn concerti. Performers should feel free to insert their own adaptations, additions, and omissions to this score as needed.The primary source material for this edition is Henle’s edition of the Acht Gedichte. However, any proprietary material that is not public domain (like their fingerings, front matter, and critical notes) is left out of this edition, leaving only what is public domain and edited by Ms. DiPaolo. Unreasonably large chords and arpeggio figures that would require being reachable by a larger hand have been condensed into figures more appropriate for the just-an-octave hand without sacrificing technique and excitement. This edition makes minor improvements to the engraving, like removing syllabic beaming in the voice and adding octave lines when appropriate. This edition also uses Accessible Accompaniments’ distinctive house style, marked by its visual beauty and ease of reading.While this song will be published in low, middle, and high keys for your convenience, please feel free to request another transposition if you are purchasing from a site that does not offer automatic transposition or you don’t see the key that you need. As the name says, Accessible Accompaniments is committed to accessibility—and that goes for singers, too!
$6.95
Lord, make me an instrument (solo/high)
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Voix haute
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Musique Sacrée
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Jonathan Willcocks
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Lord, make me an instrument
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Oxford University Press Digital
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SheetMusicPlus
High voice and piano - Composed by Jonathan Willcocks. Score. 5 pages. Oxford University Press Digital #9780193547629. Published by Oxford Univers...
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High voice and piano - Composed by Jonathan Willcocks. Score. 5 pages. Oxford University Press Digital #9780193547629. Published by Oxford University Press Digital
ISBN 9780193547629.
This is a gentle and graceful anthem setting the well-loved words usually ascribed to St Francis of Assisi. It has been arranged for high voice from the composer'sLux Perpetua, a choral work on the theme of 'Peace and Unity' which incorporates images from Flanders during the Great War.
$3.25
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1
A Sua
