English version
PARTITIONS GRATUITES
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Accueil
Instrumentations
Compositeurs
Nouveautés
Top 100
Métronome
Portées musicales
ACHATS POUR MUSICIENS
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
Partitions
Gratuites
0
Partitions
Numériques
5
Librairie
Musicale
3
Matériel
de Musique
54
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
181
PIANO & CLAVIERS
Piano seul
115
Piano, Voix et Guitare
58
Instruments en Do
34
Piano, Voix
17
Piano Facile
15
1 Piano, 4 mains
5
Piano Trio: piano, violon, violoncelle
2
Accompagnement Piano
2
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Orgue
2
2 Pianos, 4 mains
1
Piano grosses notes
1
Instrumentations suivantes
Retracter
GUITARES
Ligne De Mélodie, (Paroles) et Accords
17
Guitare notes et tablatures
8
Ukulele
7
4 Guitares (Quatuor)
3
Guitare
3
3 Guitares (trio)
2
2 Guitares (duo)
2
Banjo
1
Ensemble de guitares
1
Mandoline
1
Basse electrique
1
Instrumentations suivantes
Retracter
VOIX
Chorale SATB
61
Chorale 3 parties
16
Chorale 2 parties
11
Chorale TTBB
11
Chorale Unison
9
Voix haute
5
Chorale SSAA
5
Voix Soprano, Piano
4
Voix Alto, Piano
2
Voix duo, Piano
1
Voix basse, Piano
1
Voix Tenor
1
Chorale SSATTB
1
Instrumentations suivantes
Retracter
VENTS
2 Saxophones (duo)
81
Saxophone, Clarinette (duo)
40
2 Flûtes traversières (duo)
31
2 Clarinettes (duo)
30
Clarinette, Trompette (duo)
25
Clarinette, Violon (duo)
25
Flûte, Clarinette (duo)
18
Clarinette et Alto
15
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
15
2 Hautbois (duo)
14
Clarinette et Piano
13
Flûte traversière et Piano
13
Clarinette
13
Flûte, Hautbois, Clarinette, Basson
12
Hautbois, Basson (duo)
12
Flûte, Saxophone (duo)
12
Hautbois, Clarinette (duo)
11
Hautbois, Flûte
11
Quatuor de Saxophones: 4 saxophones
10
Flûte, Alto (duo)
10
3 Saxophones (trio)
9
Quintette de Saxophone: 5 saxophones
9
Cor Anglais
8
Hautbois (partie séparée)
8
Flûte à bec Soprano
8
Flûte, Violon
8
Flûte, Trompette (duo)
8
Hautbois, Piano (duo)
7
Saxophone (partie séparée)
7
Saxophone Tenor
6
Flûte traversière
6
Saxophone Tenor et Piano
6
Saxophone Alto
5
Saxophone Soprano et Piano
5
Cor anglais, Piano
4
Saxophone Alto et Piano
4
Hautbois, Clarinette, Basson (trio d'anches)
4
Flûte, Hautbois, Clarinette (trio)
3
Quintette de Clarinettes: 5 clarinettes
2
Flute (partie séparée)
2
Quatuor de Clarinettes: 4 clarinettes
2
Flûte et Guitare
2
3 Clarinettes (trio)
2
Trio de Flûtes: 3 flûtes
2
Ensemble de Flûtes
2
Flûte à bec Soprano, Piano
1
Flûte à bec Alto, Piano
1
Saxophone Baryton, Piano
1
Hautbois, Violoncelle
1
Clarinette, Guitare (duo)
1
Instruments en Mib
1
Instrumentations suivantes
Retracter
CUIVRES
Trompette, Saxophone (duo)
28
Trompette, Trombone (duo)
15
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
14
2 Trompettes (duo)
13
2 Trombones (duo)
11
Cor Anglais
8
Trompette (partie séparée)
6
Trombone
6
Trombone et Piano
5
Quatuor de Cuivres
5
Quatuor de Cuivres: 2 trompettes, Cor, trombone
5
Cor anglais, Piano
4
Euphonium
4
Trompette
4
Cor
3
Tuba
2
Cor et Piano
2
Trompette, Piano
1
Instruments en Sib
1
Bass Clef Instruments
1
Ensemble de Tubas
1
3 Trombones (trio)
1
Euphonium, Piano (duo)
1
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1
Instrumentations suivantes
Retracter
CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
46
Violon, Violoncelle (duo)
29
Violoncelle, Piano
21
2 Violoncelles (duo)
18
Violon, Alto (duo)
15
2 Violons (duo)
15
Violon
14
2 Altos (duo)
14
Violoncelle
13
Trio à Cordes: violon, alto, violoncelle
12
Quintette à cordes: 2 violons, alto, violoncelle, basse
11
Trio à Cordes: 2 violons, violoncelle
11
Violon et Piano
11
Alto seul
8
Harpe
5
Alto, Piano
4
Harpe, Voix
3
Alto, Violoncelle (duo)
2
4 Violoncelles
1
Contre Basse
1
4 Contrebasses
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
64
Orchestre à Cordes
30
Orchestre
18
Orchestre de chambre
8
Ensemble de cuivres
6
Ensemble Jazz
2
Ensemble de Percussions
2
Xylophone
1
Cloches
1
Jazz combo
1
Instrumentations suivantes
Retracter
AUTRES
Vous avez sélectionné:
All At Once You Love Her
Voix haute
Partitions à imprimer
5 partitions trouvées
<
1
The Unquiet Grave from American Death Ballads (Downloadable)
Voix haute
High voice and piano - Moderately Difficult - Digital Download SKU: MQ.8454-2E Comp…
(+)
High voice and piano - Moderately Difficult - Digital Download SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8454-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8454-2E). English.American Death Ballads was composed especially for tenor Brian Thorsett. We have been frequent collaborators since 2011, when he premiered the complete set of my Three Settings of W. B. Yeats for string quartet and tenor. At his urging, I transcribed and published my Three Poems of Christina Rossetti (originally for medium voice) for high voice, which he premiered at the San Francisco Conservatory in 2014. American Death Ballads was premiered by him at the San Francisco Conservatory, November 1, 2015, with pianist John Churchwell, and at the National Association of Teachers of Singing (NATS) Conference in Chicago, July 10, 2016, with pianist Warren Jones.The choice of texts for my American Death Ballads was inspired partly by Copland’s Old American Songs, which I deeply admire, but more by my dear friend and colleague the late Conrad Susa’s Two Murder Ballads. The ingenuity of Susa’s accompaniments for his ballads in imagining anew the original source material owes a great deal to Copland’s accompaniment for his songs. Though the content of my songs is completely original and not based on preexisting melodies, I have tried to expand on this further, as the texts are much longer, and go through many different moods and characters. The four texts I chose include stories about murder, death, and dying. Though two of the texts were written in England, they traveled to the colonies almost immediately. The subjects of the texts had spent time in America, and their stories were well known to Americans.Wicked Polly is a cautionary tale. Polly has lived a dissolute and immoral life, saying, 'I'll turn to God when I grow old.' Suddenly taken ill, she realizes that it is too late to repent. She dies in agony and is presumably sent to hell; young people are advised to heed. My musical setting is stately and preacherly in character for the narrator; for Polly it becomes pleading and remorseful. The Unquiet Grave was brought to the attention of Alan Lomax, the great American field collector of folk music, by English folk singer Shirley Collins. The text is taken from an English folk song dating from 1400. In The Unquiet Grave, a young man mourns his dead lover too fervently and prevents her from obtaining peace. The dead woman complains that his weeping is keeping her from peaceful rest. He begs a kiss; she tells him it would kill him. When he persists, wanting to join her in death, she explains that once they were both dead their hearts would simply decay, and that he should enjoy life while he has it. My setting is in a flowing Andante with a rocking accompaniment. Three voices are delineated here: the narrator, the mournful lover, and the dead lover speaking from the grave. The Dying Californian first appeared in the New England Diadem in 1854. Its lyrics are based on a letter from a New Englander’s sailor to his brother who is dying at sea while on the way to California to seek his fortune in the California gold fields. He implores his brother to impart his message to his father, mother, wife, and children. My setting opens with the singer alone in a moderate dirge tempo, then, joined by the piano, moves through many tonalities and moods before ending with supreme confidence as the speaker 'gained a port called Heaven/Where the gold will never rust.'Captain Kidd was a Scottish sailor who was tried and executed for piracy and murder in 1701. The American connection to this ballad is that Kidd escaped to America and for a time lived in New York and Boston, though he was a wanted criminal by the British authorities and was extradited to Britain, where he was hung at 'Executioner’s Dock.' The lyric was printed in Britain in 1701, traveling to the colonies almost immediately. Though the didactic tone of the text is similar to Wicked Polly, it expresses no regret until the final lines: 'Take warning now by me, and shun bad company, / Lest you come to hell with me, for I must die.' My setting is fast and spirited, expressing the confidence of a man who lived life as he wanted. -David Conte.
$3.50
3.2 €
#
Voix haute
#
David Conte
#
The Unquiet Grave from American Death Ballads
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
All At Once You Love Her (High Voice)
Voix haute
(High Voice) - Digital Download SKU: HX.470229 By Perry Como. Broadway,Pop,Standard…
(+)
(High Voice) - Digital Download SKU: HX.470229 By Perry Como. Broadway,Pop,Standards. Real Book - Melody/Chords/Lyrics. 1 pages. Published by Hal Leonard - Digital (HX.470229).
$1.99
1.82 €
#
Voix haute
#
Perry Como
#
All At Once You Love Her
#
Hal Leonard - Digital
#
SheetMusicPlus
Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition (D major, extra-high key)
Voix haute
High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1329064 Composed by Rich…
(+)
High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1329064 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period. 3 pages. Nicole Elyse DiPaolo #917034. Published by Nicole Elyse DiPaolo (A0.1329064). The first of its kind, and the first entry in the Accessible Accompaniments library’s collection of small-hand-optimized song literature publications, this is Richard Strauss’s beloved “Zueignung,†from Acht Gedichte, op. 10 (1885), optimized (but not simplified) for the needs of collaborative pianists with small hands. “Small†is generally understood to be just an octave in span, with limited capacity to grab chord tones within a blocked octave aside from the occasional inner fifth.This edition was inspired by Boosey’s excellent small-hand edition of Frank Bridge’s “Love Went A-Riding†(erroneously labeled “simplified†on the front matter), which thins the large chords that would be problematic or impossible for a barely-an-8ve-reach collaborative pianist to play without adding musically inappropriate rolls or breaks, but also preserves the musical content and grammatically accurate voice-leading. Given that Strauss’s op. 10 collection is much more widespread on today’s concert programs than the Bridge, and given that average conservatory pianist heights and hand sizes have dropped significantly in the 20th and 21st centuries, the need for a similar adaptation in at least some of the op. 10 songs is obvious. Additionally, Strauss’s songs are often so orchestral in spirit—much more so than the Bridge—that the instinct to treat them as orchestral reductions to be adapted by each individual player should be as self-evident and considered as musically appropriate as it would be for any of Strauss’s beloved horn concerti. Performers should feel free to insert their own adaptations, additions, and omissions to this score as needed.The primary source material for this edition is Henle’s edition of the Acht Gedichte. However, any proprietary material that is not public domain (like their fingerings, front matter, and critical notes) is left out of this edition, leaving only what is public domain and edited by Ms. DiPaolo. Unreasonably large chords and arpeggio figures that would require being reachable by a larger hand have been condensed into figures more appropriate for the just-an-octave hand without sacrificing technique and excitement. This edition makes minor improvements to the engraving, like removing syllabic beaming in the voice and adding octave lines when appropriate. This edition also uses Accessible Accompaniments’ distinctive house style, marked by its visual beauty and ease of reading.While this song will be published in low, middle, and high keys for your convenience, please feel free to request another transposition if you are purchasing from a site that does not offer automatic transposition or you don’t see the key that you need. As the name says, Accessible Accompaniments is committed to accessibility—and that goes for singers, too!
$6.99
6.39 €
#
Voix haute
#
Richard Strauss
#
Nicole Elyse DiPaolo
#
Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition
#
Nicole Elyse DiPaolo
#
SheetMusicPlus
Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition (C major, high key)
Voix haute
High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1327769 Composed by Rich…
(+)
High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1327769 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period. 3 pages. Nicole Elyse DiPaolo #915810. Published by Nicole Elyse DiPaolo (A0.1327769). The first of its kind, and the first entry in the Accessible Accompaniments library’s collection of small-hand-optimized song literature publications, this is Richard Strauss’s beloved “Zueignung,†from Acht Gedichte, op. 10 (1885), optimized (but not simplified) for the needs of collaborative pianists with small hands. “Small†is generally understood to be just an octave in span, with limited capacity to grab chord tones within a blocked octave aside from the occasional inner fifth.This edition was inspired by Boosey’s excellent small-hand edition of Frank Bridge’s “Love Went A-Riding†(erroneously labeled “simplified†on the front matter), which thins the large chords that would be problematic or impossible for a barely-an-8ve-reach collaborative pianist to play without adding musically inappropriate rolls or breaks, but also preserves the musical content and grammatically accurate voice-leading. Given that Strauss’s op. 10 collection is much more widespread on today’s concert programs than the Bridge, and given that average conservatory pianist heights and hand sizes have dropped significantly in the 20th and 21st centuries, the need for a similar adaptation in at least some of the op. 10 songs is obvious. Additionally, Strauss’s songs are often so orchestral in spirit—much more so than the Bridge—that the instinct to treat them as orchestral reductions to be adapted by each individual player should be as self-evident and considered as musically appropriate as it would be for any of Strauss’s beloved horn concerti. Performers should feel free to insert their own adaptations, additions, and omissions to this score as needed.The primary source material for this edition is Henle’s edition of the Acht Gedichte. However, any proprietary material that is not public domain (like their fingerings, front matter, and critical notes) is left out of this edition, leaving only what is public domain and edited by Ms. DiPaolo. Unreasonably large chords and arpeggio figures that would require being reachable by a larger hand have been condensed into figures more appropriate for the just-an-octave hand without sacrificing technique and excitement. This edition makes minor improvements to the engraving, like removing syllabic beaming in the voice and adding octave lines when appropriate. This edition also uses Accessible Accompaniments’ distinctive house style, marked by its visual beauty and ease of reading.While this song will be published in low, middle, and high keys for your convenience, please feel free to request another transposition if you are purchasing from a site that does not offer automatic transposition or you don’t see the key that you need. As the name says, Accessible Accompaniments is committed to accessibility—and that goes for singers, too!
$6.95
6.36 €
#
Voix haute
#
Richard Strauss
#
Nicole Elyse DiPaolo
#
Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition
#
Nicole Elyse DiPaolo
#
SheetMusicPlus
Thirst
Voix haute
High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.999888 Composed by Willi…
(+)
High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.999888 Composed by William P. Gorton. 20th Century,Concert,Spiritual. 6 pages. William P. Gorton #6116907. Published by William P. Gorton (A0.999888). Thirst is a powerful outcry against one's inner demons, a rebuttal to the negative thoughts that we all have experienced at times, and a prayer for peace. Broad and dramatic, with a virtuosic and powerful piano accompaniment, this song will provide great dramatic contrast and substance to any vocal program. More appropriate for the advanced singer, this piece would work well as part of a set (see other Gorton compositions for ideas). Your pianist will love this piece!
$6.95
6.36 €
#
Voix haute
#
William P
#
Thirst
#
William P. Gorton
#
SheetMusicPlus
<
1
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale