English version
PARTITIONS GRATUITES
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Accueil
Instrumentations
Compositeurs
Nouveautés
Top 100
Métronome
Portées musicales
ACHATS POUR MUSICIENS
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
Partitions
Gratuites
1
Partitions
Numériques
5
Librairie
Musicale
18
Matériel
de Musique
2 234
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
3760
PIANO & CLAVIERS
Piano seul
1852
Piano, Voix
540
Piano Facile
380
Piano, Voix et Guitare
314
Instruments en Do
226
Orgue
125
1 Piano, 4 mains
35
Piano Trio: piano, violon, violoncelle
32
Accompagnement Piano
30
2 Pianos, 4 mains
22
Piano Quatuor: piano, violon, alto, violoncelle
18
Piano Quintette: piano, 2 violons, alto, violoncelle
15
Accordéon
7
Piano Quatuor: piano, 2 violons, violoncelle
6
Clavecin
6
Piano grosses notes
5
Orgue, Trompette (duo)
4
2 Pianos, 8 mains
2
Piano (partie séparée)
2
Orgue, Piano (duo)
1
Instrumentations suivantes
Retracter
GUITARES
Guitare
191
Guitare notes et tablatures
157
Ligne De Mélodie, (Paroles) et Accords
146
Ukulele
35
Basse electrique
25
2 Guitares (duo)
17
Piano, Guitare (duo)
14
Mandoline
10
4 Guitares (Quatuor)
9
Ensemble de guitares
6
Banjo
4
Dulcimer
4
Mandoline, Guitare (duo)
3
3 Guitares (trio)
3
Guitare (partie séparée)
2
Paroles et Accords
2
2 Mandolines (duo)
2
Basse électrique (partie séparée)
1
Guitare, Orchestre
1
Mandoline, Piano (duo)
1
Ensemble de Ukulélés
1
Instrumentations suivantes
Retracter
VOIX
Chorale SATB
707
Chorale 3 parties
216
Chorale TTBB
120
Chorale 2 parties
82
Chorale SSAA
74
Chorale Unison
53
Voix duo, Piano
39
Voix Soprano, Piano
13
Voix seule
7
Voix duo
6
Voix Alto, Piano
6
Voix haute
5
Chorale
4
Voix Tenor, Piano
4
Voix Baryton, Piano
3
Voix Tenor
3
Chorale SSATTB
3
Voix moyenne, Piano
3
Chorale SSAATTBB
2
Voix basse, Piano
1
Chorale SSAB, Piano
1
Voix Mezzo-Soprano, Piano
1
Voix basse
1
Instrumentations suivantes
Retracter
VENTS
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
450
Flûte traversière et Piano
372
Quatuor de Saxophones: 4 saxophones
332
2 Saxophones (duo)
297
Clarinette et Piano
292
Quintette de Saxophone: 5 saxophones
273
Flûte, Hautbois, Clarinette, Basson
246
Saxophone Alto et Piano
221
Hautbois, Piano (duo)
207
Saxophone (partie séparée)
197
Quatuor de Clarinettes: 4 clarinettes
194
Flûte traversière
168
Saxophone Alto
165
Saxophone Soprano et Piano
149
Saxophone Tenor et Piano
142
2 Clarinettes (duo)
139
Ensemble de saxophones
132
Clarinette
129
2 Flûtes traversières (duo)
121
Ensemble de Clarinettes
105
Saxophone, Clarinette (duo)
101
Cor anglais, Piano
92
Saxophone Baryton, Piano
77
Clarinette, Violon (duo)
73
Quatuor de Flûtes : 4 flûtes
73
3 Saxophones (trio)
67
Clarinette, Trompette (duo)
60
Flûte, Clarinette (duo)
59
Ensemble de Flûtes
59
2 Hautbois (duo)
54
Hautbois (partie séparée)
53
Quintette de Clarinettes: 5 clarinettes
49
3 Clarinettes (trio)
47
Clarinette Basse, Piano
39
Hautbois, Basson (duo)
39
Hautbois, Clarinette (duo)
38
Quintette de Flûte : 5 flûtes
38
Flûte, Violon
37
Clarinette et Alto
36
2 Flûte à bec (duo)
36
Saxophone
33
Quatuor de Flûtes à bec
33
Hautbois, Flûte
33
Flûte, Saxophone (duo)
30
Saxophone Tenor
30
Flûte, Trompette (duo)
29
2 Flûtes traversières, Piano
27
Flûte, Alto (duo)
25
Trio de Flûtes: 3 flûtes
24
Ensemble De Flûte à bec
22
Saxophone Soprano
22
Flûte à bec Soprano
21
Flûte et Guitare
19
Clarinette, Basson (duo)
19
5 Flûtes à bec
14
Cor Anglais
14
Flûte à bec Soprano, Piano
12
Hautbois, Clarinette, Basson (trio d'anches)
12
Clarinette, Guitare (duo)
12
3 Flûtes à bec (trio)
11
Clarinette (partie séparée)
11
Flûte, Clarinette, Cor, Basson (Quartet)
10
Flûte à bec Alto, Piano
8
Flûte, Hautbois, Clarinette (trio)
7
Clarinette, Violoncelle (duo)
7
Flûte, Violoncelle, Piano (trio)
7
Flûte à bec Alto
7
Flûte, Clarinette et Basson
6
Flute (partie séparée)
6
Flûte, Violoncelle
6
Flûte à bec Tenor
5
Piccolo, Piano
5
Flûte à Bec
5
Flûte, Violon et Violoncelle
5
Flûte, Clarinette, Piano (trio)
4
2 Clarinettes, Piano
4
Clarinette, Harpe (duo)
4
Saxophone et Harpe
4
Saxophone et Guitare
4
Ensemble à vent
3
3 Hautbois
3
Clarinette, Violoncelle, Piano (trio)
3
Hautbois
2
Cor anglais, Guitare (duo)
2
2 Saxophones, Piano
2
Hautbois, Harpe
2
Hautbois, Guitare (duo)
2
4 Hautbois
2
Flûte à Bec, Piano
2
Flûte, Hautbois (duo)
2
Piccolo
2
Ensemble de Hautbois
2
Flûte, Violon, Piano
2
Flûte, Trombone (duo)
1
Flûte, Violon, Violoncelle et Piano
1
2 Clarinettes, Basson
1
Flûte, Hautbois, Basson
1
Flûte traversière, Orgue (duo)
1
Flûte irlandaise
1
Instruments en Mib
1
Clarinette Basse
1
Flute, harpe et violon
1
Saxophone et Orgue
1
Flûte, alto et harpe
1
Cor anglais et Harpe (duo)
1
Flûte et Trio à cordes
1
Harmonica
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Flûte traversière, Basse continue
1
2 Flûtes à bec, Guitare
1
Cornemuse
1
Flûte, Hautbois, Piano (trio)
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Flûte, Alto et Piano
1
2 Cors Anglais Et Pianoforte
1
Hautbois, violon (duo)
1
Flûte, Basson et Piano
1
Saxophone Baryton
1
Clarinette, Trombone (duo)
1
Instrumentations suivantes
Retracter
CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
455
Quatuor de Cuivres : 2 trompettes, trombone, tuba
281
Trompette
199
Trombone et Piano
182
Trompette, Piano
157
Cor et Piano
114
Trombone
110
Quatuor de Cuivres
95
Cor anglais, Piano
92
Euphonium, Piano (duo)
76
Quatuor de Cuivres: 2 trompettes, Cor, trombone
75
Trompette, Saxophone (duo)
72
2 Trompettes (duo)
67
2 Trombones (duo)
65
Ensemble de Trombones
55
Tuba et Piano
53
Trompette, Trombone (duo)
49
Cor
44
Quatuor de cuivres: 4 trombones
42
Ensemble de Trompettes
41
Trompette (partie séparée)
31
Tuba
28
2 Cors (duo)
25
Quatuor de cuivres: 4 cors
20
Ensemble de Cors
20
Trombone (partie séparée)
18
2 Euphoniums et 2 Tubas
17
Quatuor de cuivres: 4 trompettes
14
2 Tubas (duo)
14
Cor Anglais
14
4 Tubas
14
3 Trombones (trio)
9
Trompette, Cor (duo)
9
Cor (partie séparée)
9
3 Tubas (trio)
8
3 Cors (trio)
6
Trombone, Cor (duo)
6
Tuba et Orgue
5
Trio de Cuivres
5
Euphonium
4
Euphonium, Tuba (duo)
4
Bass Clef Instruments
4
Tuba (partie séparée)
4
Cor et Harpe
4
Trompette, violon (duo)
3
Cor et Orgue
3
Trombone, Orgue
3
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Trombone basse et Piano
3
Trompette, Harpe
3
Cor anglais, Guitare (duo)
2
Trombone et orchestre
2
2 Euphoniums (duo)
2
Ensemble de Tubas
1
Instruments en Fa
1
Cor, Tuba (duo)
1
Trompette, Euphonium (duo)
1
Cor anglais et Harpe (duo)
1
3 Trompettes (trio)
1
Trombone basse
1
Trombone, Tuba (duo)
1
2 Cors Anglais Et Pianoforte
1
Instruments en Sib
1
Trompette, Tuba (duo)
1
Instrumentations suivantes
Retracter
CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
687
Violon et Piano
418
Violoncelle, Piano
284
Alto, Piano
277
Violon
237
Violon, Violoncelle (duo)
170
Violoncelle (partie séparée)
119
Trio à Cordes: violon, alto, violoncelle
105
2 Violons (duo)
93
Harpe
93
Quintette à cordes: 2 violons, alto, violoncelle, basse
89
Trio à Cordes: 2 violons, violoncelle
84
2 Violoncelles (duo)
80
Violon, Alto (duo)
72
2 Altos (duo)
69
Violoncelle
55
Alto seul
52
2 Harpes (duo)
40
Contrebasse, Piano (duo)
40
4 Violoncelles
32
Alto (partie séparée)
31
Contre Basse
30
Ensemble de Violons
20
Ensemble d'Altos
19
Trio à Cordes: 3 violoncelles
17
Quatuor à cordes: 4 violons
16
Alto, Violoncelle (duo)
15
Violon, Guitare (duo)
15
Violon (partie séparée)
13
Quatuor à cordes : 4 altos
12
Harpe, Flûte (duo)
11
Trio à cordes: 3 altos
10
Contrebasse (partie séparée)
10
Piano Trio: Violon, Alto, Piano
9
Trio à cordes: 3 violins
8
Quintette à cordes: 2 violons, 2 altos, violoncelle
8
Violoncelle , Guitare (duo)
6
4 Contrebasses
6
Harpe, Violon (duo)
5
Alto, Guitare (duo)
5
Harpe, Voix
4
2 Contrebasses (duo)
4
Alto et Harpe
4
Violoncelle, Basse continue
3
Harpe, Violon, Violoncelle
2
Flûte, Contrebasse (duo)
2
Ensemble de Violoncelles
2
2 Violons, Piano
2
Violon, Orgue
2
Violoncelle, Contrebasse (duo)
2
Violoncelle, Orchestre
2
Harpe, Violoncelle (duo)
2
Harpe et Piano
1
Violoncelle, Orgue
1
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
Violon, Tuba (duo)
1
Violon, Basson (duo)
1
Harpe, Trombone (duo)
1
Alto et Basson
1
Violon, Clarinette, Piano (trio)
1
Trio à Cordes: 2 violons, alto
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
820
Orchestre
368
Orchestre à Cordes
271
Ensemble de cuivres
207
Orchestre de chambre
109
Ensemble Jazz
99
Cloches
47
Ensemble de Percussions
39
Jazz combo
36
Fanfare
34
Batterie
24
Vibraphone
9
Marimba
8
Percussion (partie séparée)
5
Batterie (partie séparée)
5
Xylophone
3
Orchestre, Violon
3
Piano et Orchestre
2
Xylophone, Piano
2
Quintette de Cuivres: autres combinaisons
2
Big band
1
2 Xylophones
1
Vibraphone et Marimba
1
Instrumentations suivantes
Retracter
AUTRES
Vous avez sélectionné:
As It Was
Voix haute
Partitions à imprimer
5 partitions trouvées
<
1
The Unquiet Grave from American Death Ballads (Downloadable)
Voix haute
High voice and piano - Moderately Difficult - Digital Download SKU: MQ.8454-2E Comp…
(+)
High voice and piano - Moderately Difficult - Digital Download SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8454-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8454-2E). English.American Death Ballads was composed especially for tenor Brian Thorsett. We have been frequent collaborators since 2011, when he premiered the complete set of my Three Settings of W. B. Yeats for string quartet and tenor. At his urging, I transcribed and published my Three Poems of Christina Rossetti (originally for medium voice) for high voice, which he premiered at the San Francisco Conservatory in 2014. American Death Ballads was premiered by him at the San Francisco Conservatory, November 1, 2015, with pianist John Churchwell, and at the National Association of Teachers of Singing (NATS) Conference in Chicago, July 10, 2016, with pianist Warren Jones.The choice of texts for my American Death Ballads was inspired partly by Copland’s Old American Songs, which I deeply admire, but more by my dear friend and colleague the late Conrad Susa’s Two Murder Ballads. The ingenuity of Susa’s accompaniments for his ballads in imagining anew the original source material owes a great deal to Copland’s accompaniment for his songs. Though the content of my songs is completely original and not based on preexisting melodies, I have tried to expand on this further, as the texts are much longer, and go through many different moods and characters. The four texts I chose include stories about murder, death, and dying. Though two of the texts were written in England, they traveled to the colonies almost immediately. The subjects of the texts had spent time in America, and their stories were well known to Americans.Wicked Polly is a cautionary tale. Polly has lived a dissolute and immoral life, saying, 'I'll turn to God when I grow old.' Suddenly taken ill, she realizes that it is too late to repent. She dies in agony and is presumably sent to hell; young people are advised to heed. My musical setting is stately and preacherly in character for the narrator; for Polly it becomes pleading and remorseful. The Unquiet Grave was brought to the attention of Alan Lomax, the great American field collector of folk music, by English folk singer Shirley Collins. The text is taken from an English folk song dating from 1400. In The Unquiet Grave, a young man mourns his dead lover too fervently and prevents her from obtaining peace. The dead woman complains that his weeping is keeping her from peaceful rest. He begs a kiss; she tells him it would kill him. When he persists, wanting to join her in death, she explains that once they were both dead their hearts would simply decay, and that he should enjoy life while he has it. My setting is in a flowing Andante with a rocking accompaniment. Three voices are delineated here: the narrator, the mournful lover, and the dead lover speaking from the grave. The Dying Californian first appeared in the New England Diadem in 1854. Its lyrics are based on a letter from a New Englander’s sailor to his brother who is dying at sea while on the way to California to seek his fortune in the California gold fields. He implores his brother to impart his message to his father, mother, wife, and children. My setting opens with the singer alone in a moderate dirge tempo, then, joined by the piano, moves through many tonalities and moods before ending with supreme confidence as the speaker 'gained a port called Heaven/Where the gold will never rust.'Captain Kidd was a Scottish sailor who was tried and executed for piracy and murder in 1701. The American connection to this ballad is that Kidd escaped to America and for a time lived in New York and Boston, though he was a wanted criminal by the British authorities and was extradited to Britain, where he was hung at 'Executioner’s Dock.' The lyric was printed in Britain in 1701, traveling to the colonies almost immediately. Though the didactic tone of the text is similar to Wicked Polly, it expresses no regret until the final lines: 'Take warning now by me, and shun bad company, / Lest you come to hell with me, for I must die.' My setting is fast and spirited, expressing the confidence of a man who lived life as he wanted. -David Conte.
$3.50
3.22 €
#
Voix haute
#
David Conte
#
The Unquiet Grave from American Death Ballads
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Idylls - five songs for solo high voice (soprano or tenor) and piano, based upon poems by Alfred, Lo
Voix haute
High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.835449 Composed by Stuar…
(+)
High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.835449 Composed by Stuart Brown. 20th Century,Contemporary,Spiritual. 37 pages. Stuart Brown Music #4285583. Published by Stuart Brown Music (A0.835449). If you are looking for a genuinely beautiful and rewarding work for solo voice and piano, to fill a 20-minute time slot, then Idylls is for you. It provides an opportunity for both singer and pianist to demonstrate an ability to communicate a wide range of emotions. It is particularly satisfying for the pianist, whose part is anything but subservient to the vocal line and provides an opportunity to shine. At notated tempo the work lasts just under 18 minutes; the concert première performance (in January 2019) lasted just short of 20 minutes because of the slower tempo at which the performers chose to take the fourth song.While intended primarily for the concert platform, Idylls contains some profoundly Christian themes that may make it suitable also for church use in an appropriate context.Although intended for professional use, Idylls may be within the technical capability of advanced high school students, noting that the third song ('Of old sat Freedom on the heights') has a piano part that was described as 'challenging' by the professional pianist who first performed it in public (Jonathan Ellis, January 12th, 2019).As noted above, Idylls can work for church services in various contexts, although not all of the songs are necessarily appropriate to the same context. The lyrics themselves provide the best guidance in this respect.From observing the rehearsal sessions of the two professionals who first performed the work (Chen Wang and Jonathan Ellis), the composer suggests that none of the songs - however apparently straightforward - should be taken for granted. There are nuances in all of them that require careful attention to timing and pitch. The vocal entries in the opening song require careful attention to pitch. In the second song concentrate on the timing and making it sound as light and dance-like as possible. The third song requires the singer to keep an E-flat in mind at all times (in order to pitch entries) and to sing to strict meter regardless of what the pianist is playing. The fourth song requires both grace and intensity. Pitch is the main issue, particularly some of the B-natural entries; pay special attention to timing in the first verse. The fifth and final song is melodically straightforward; pay attention to timing in the second verse.Stuart Brown composed Idylls in early 2015 specifically for the London-based Chinese soprano Chen Wang. She performed it in public for the first time, accompanied by Manchester-based pianist Jonathan Ellis, at a concert in the southwest of England in January 2019.Performing rights are handled in the UK by PRS for Music, in Canada by SOCAN, in the USA by ASCAP, BMI and SESAC. The full list of arrangements can be found at www.prsformusic.com/our-global-network/partnersAll contact and other information (including lyrics) can be found on the composer's website at https://stuartbrownmusic.com/discover-11.html
$7.74
7.13 €
#
Voix haute
#
Stuart Brown
#
Idylls - five songs for solo high voice
#
Stuart Brown Music
#
SheetMusicPlus
Serenade - Ständchen - Schwanengesang, D. 957 No. 4 (Duet for Voice and Piano)
Voix haute
High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.597338 By Franz Schubert…
(+)
High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.597338 By Franz Schubert. By Franz Schubert. Arranged by Flavio Regis Cunha. Romantic Period. 8 pages. Flavio Regis Cunha #5725037. Published by Flavio Regis Cunha (A0.597338). Schwanengesang (swan song), D 957, is a collection of songs written by Franz Schubert towards the end of his life and published posthumously.The collection was named by its first editor, Tobias Haslinger, probably intending to present it as Schubert's final musical testament to the world. Unlike earlier Die schöne Müllerin and Winterreise, it contains settings by three poets, Ludwig Rellstab (1799–1860), Heinrich Heine (1797–1856) and Johann Gabriel Seidl (1804–1875). Schwanengesang was composed in 1828 and published in 1829 just a few months after the composer's death on 19 November 1828.Advanced Intermediate.Format: Concert, 9 x 12.8 pages.
$5.99
5.52 €
#
Voix haute
#
Franz Schubert
#
Flavio Regis Cunha
#
Serenade - Ständchen - Schwanengesang, D. 957 No. 4
#
Flavio Regis Cunha
#
SheetMusicPlus
When Darkness Fills Your Heart - aria study for Tenor or Soprano
Voix haute
High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.1005648 Composed by Rudy…
(+)
High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.1005648 Composed by Rudy Volkmann. Baroque,Christian,Concert,Instructional,Sacred. 4 pages. Rudy Volkmann #6116387. Published by Rudy Volkmann (A0.1005648). A study in long notes, this Baroque-style aria study was initially composed for tenor John Miles after he came to Brnau College for a concert in the late 1970's. Either a tenor or a soprano could use this piece to work on their long notes - it goes to dramatic high Bb, and has a simple piano part. It's a great recital piece. The piece eventually became number 5 of my 6 aria studies for trumpet and piano, as well as the basis for a larger work for brass quintet and organ.
$4.99
4.59 €
#
Voix haute
#
Rudy Volkmann
#
When Darkness Fills Your Heart - aria study for Tenor or Soprano
#
Rudy Volkmann
#
SheetMusicPlus
Periwinkle
Voix haute
High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.1027761 Composed by Alic…
(+)
High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.1027761 Composed by Alicia Willard. 20th Century,Blues,Contemporary. 34 pages. Alicia Santee-Davis #2923157. Published by Alicia Santee-Davis (A0.1027761). Periwinkle is a song cycle that was originally composed for mezzo-soprano and piano, but has been arranged for soprano and piano; it is a collection of character pieces using original poetry by Alicia Willard. High High Shoes is an upbeat, rhythmically active piece that illustrates the exhilaration and anxiety in reaching for one’s desires. Wings is a hauntingly slow array of uneasy dissonances, using only one line of text that is chopped into fragments and slowly arranged into a comprehensible statement. Boulders on Our Shoulders has a lilting jazz feel, including several piano solos that incorporate many aspects of the blues. Follow the Borrowers is much more introspective, with the music vividly conveying what the text colorfully provides in such lines as I’ll caress the tongue shapes. The title of the cycle is taken from a line of poetry in which the periwinkle dirt in the sky is introduced, providing one of many colors that are portrayed in the pieces. Periwinkle was written in 2009 and premiered at the University of North Carolina School of the Arts by Stephanie McAllister, mezzo-soprano, and the composer at the piano. After its recomposition, the soprano edition was premiered in Fairbanks, Alaska in 2016 by Amy Ingram, soprano, with the composer at the piano.
$16.95
15.61 €
#
Voix haute
#
Alicia Willard
#
Periwinkle
#
Alicia Santee-Davis
#
SheetMusicPlus
<
1
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale