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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
As It Was
Non classifié
3 786
Piano & claviers
Piano seul
1 966
Piano, Voix
555
Piano Facile
339
Piano, Voix et Guitare
332
Instruments en Do
254
Orgue
138
1 Piano, 4 mains
35
Piano Trio: piano, violon, violoncelle
35
Accompagnement Piano
30
2 Pianos, 4 mains
29
Piano Quatuor: piano, violon, alto, violoncelle
18
Piano Quintette: piano, 2 violons, alto, violoncelle
15
Accordéon
7
Clavecin
6
Piano Quatuor: piano, 2 violons, violoncelle
6
Piano grosses notes
5
Orgue, Trompette (duo)
4
2 Pianos, 8 mains
2
Orgue, Piano (duo)
1
Fake Book
1
Piano (partie séparée)
1
+ 16 instrumentations
Retracter
Guitares
Guitare
197
Guitare notes et tablatures
162
Ligne De Mélodie, (Paroles) et Accords
144
Ukulele
39
Basse electrique
25
2 Guitares (duo)
18
Piano, Guitare (duo)
14
4 Guitares (Quatuor)
10
Mandoline
10
Ensemble de guitares
6
Dulcimer
4
3 Guitares (trio)
4
Banjo
4
Mandoline, Guitare (duo)
3
2 Mandolines (duo)
2
Paroles et Accords
2
Guitare (partie séparée)
1
Ukulele Baryton
1
Mandoline, Piano (duo)
1
Guitare, Orchestre
1
Ensemble de Ukulélés
1
+ 16 instrumentations
Retracter
Voix
Chorale SATB
737
Chorale 3 parties
217
Chorale TTBB
122
Chorale 2 parties
84
Chorale SSAA
76
Voix Alto, Piano
70
Voix Soprano, Piano
65
Voix Tenor, Piano
58
Chorale Unison
54
Voix duo, Piano
40
Voix Baryton, Piano
39
Voix haute
13
Voix seule
8
Voix duo
6
Pack Instrumental pour Chorale
4
Chorale
4
Voix moyenne, Piano
4
Chorale SSATTB
3
Voix Tenor
3
Chorale SSAATTBB
2
Voix basse
1
Chorale SSAB, Piano
1
Voix Mezzo-Soprano, Piano
1
Voix basse, Piano
1
+ 19 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
462
Flûte traversière et Piano
376
Quatuor de Saxophones: 4 saxophones
342
Clarinette et Piano
320
2 Saxophones (duo)
303
Quintette de Saxophone: 5 saxophones
274
Flûte, Hautbois, Clarinette, Basson
243
Saxophone Alto et Piano
226
Hautbois, Piano (duo)
210
Quatuor de Clarinettes: 4 clarinettes
199
Saxophone Alto
176
Flûte traversière
170
Saxophone Soprano et Piano
149
2 Clarinettes (duo)
147
Saxophone Tenor et Piano
142
Saxophone Tenor
136
Ensemble de saxophones
133
2 Flûtes traversières (duo)
132
Clarinette
113
Ensemble de Clarinettes
106
Saxophone, Clarinette (duo)
101
Saxophone (partie séparée)
93
Cor anglais, Piano
93
Saxophone Baryton, Piano
77
Quatuor de Flûtes : 4 flûtes
76
Clarinette, Violon (duo)
73
3 Saxophones (trio)
67
Flûte, Clarinette (duo)
61
Clarinette, Trompette (duo)
60
Ensemble de Flûtes
59
2 Hautbois (duo)
55
Quintette de Clarinettes: 5 clarinettes
54
Hautbois (partie séparée)
53
3 Clarinettes (trio)
47
Clarinette Basse, Piano
44
Hautbois, Basson (duo)
40
Hautbois, Clarinette (duo)
39
Quintette de Flûte : 5 flûtes
38
Flûte, Violon
37
2 Flûte à bec (duo)
36
Clarinette et Alto
36
Saxophone
33
Quatuor de Flûtes à bec
33
Hautbois, Flûte
33
Flûte, Saxophone (duo)
30
Flûte, Trompette (duo)
29
2 Flûtes traversières, Piano
27
Flûte, Alto (duo)
25
Trio de Flûtes: 3 flûtes
24
Saxophone Soprano
24
Ensemble De Flûte à bec
22
Flûte et Guitare
21
Flûte à bec Soprano
21
Clarinette, Basson (duo)
20
5 Flûtes à bec
14
Flute (partie séparée)
14
Cor Anglais
14
Hautbois, Clarinette, Basson (trio d'anches)
12
Clarinette, Guitare (duo)
12
3 Flûtes à bec (trio)
11
Flûte, Clarinette, Cor, Basson (Quartet)
10
Flûte à bec Soprano, Piano
10
Clarinette (partie séparée)
8
Clarinette, Violoncelle (duo)
8
Flûte à bec Alto, Piano
7
Flûte, Violoncelle, Piano (trio)
7
Flûte, Hautbois, Clarinette (trio)
7
Flûte à bec Alto
7
Flûte, Violoncelle
7
Flûte, Clarinette, Piano (trio)
6
Flûte, Violon et Violoncelle
6
Flûte, Clarinette et Basson
6
Clarinette, Violoncelle, Piano (trio)
6
Piccolo, Piano
5
Flûte à Bec
5
Flûte à bec Tenor
5
Flûte, Alto et Piano
4
Hautbois
4
2 Clarinettes, Piano
4
Clarinette, Harpe (duo)
4
Saxophone et Guitare
4
Saxophone et Harpe
4
Ensemble à vent
3
Flûte, Violon, Piano
3
3 Hautbois
3
Hautbois, Harpe
2
Ensemble de Hautbois
2
Piccolo
2
Hautbois, Guitare (duo)
2
Ocarina
2
2 Saxophones, Piano
2
Flûte à Bec, Piano
2
4 Hautbois
2
Flute, harpe et violon
2
Flûte, Hautbois (duo)
2
Cor anglais, Guitare (duo)
2
2 Flûtes à bec, Guitare
1
Flûte, Hautbois, Basson
1
Cornemuse
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
2 Clarinettes, Basson
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Flûte, Basson et Piano
1
Flûte, Hautbois, Piano (trio)
1
Flûte, Trombone (duo)
1
Flûte traversière, Orgue (duo)
1
Hautbois, violon (duo)
1
Flûte, alto et harpe
1
Clarinette, Trombone (duo)
1
Saxophone Baryton
1
Flûte, Violon, Violoncelle et Piano
1
2 Cors Anglais Et Pianoforte
1
Instruments en Mib
1
Harmonica
1
Saxophone et Orgue
1
Flûte irlandaise
1
Clarinette Basse
1
Flûte traversière, Basse continue
1
Cor anglais et Harpe (duo)
1
Flûte et Trio à cordes
1
+ 115 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
476
Quatuor de Cuivres : 2 trompettes, trombone, tuba
284
Trompette
205
Trombone et Piano
186
Trompette, Piano
160
Trombone
121
Cor et Piano
118
Quatuor de Cuivres
97
Cor anglais, Piano
93
Euphonium, Piano (duo)
76
Quatuor de Cuivres: 2 trompettes, Cor, trombone
75
2 Trompettes (duo)
74
Trompette, Saxophone (duo)
72
2 Trombones (duo)
67
Ensemble de Trombones
55
Tuba et Piano
55
Trompette, Trombone (duo)
50
Cor
47
Quatuor de cuivres: 4 trombones
43
Ensemble de Trompettes
41
Trompette (partie séparée)
35
Tuba
30
2 Cors (duo)
26
Quatuor de cuivres: 4 cors
23
Ensemble de Cors
20
2 Euphoniums et 2 Tubas
17
2 Tubas (duo)
15
Trombone (partie séparée)
15
Quatuor de cuivres: 4 trompettes
14
4 Tubas
14
Cor Anglais
14
3 Trombones (trio)
9
Trompette, Cor (duo)
9
3 Tubas (trio)
8
Trombone, Cor (duo)
7
Cor (partie séparée)
7
3 Cors (trio)
6
Tuba et Orgue
5
Trio de Cuivres
5
Bass Clef Instruments
4
Euphonium
4
Cor et Harpe
4
Euphonium, Tuba (duo)
4
Tuba (partie séparée)
3
Cor et Orgue
3
Trompette, Harpe
3
Trompette, violon (duo)
3
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Trombone, Orgue
3
Trombone basse et Piano
3
Trompette, Tuba (duo)
2
Cor, Tuba (duo)
2
2 Euphoniums (duo)
2
Trombone et orchestre
2
Trombone, Tuba (duo)
2
3 Trompettes (trio)
2
Cor anglais, Guitare (duo)
2
Instruments en Sib
1
Trombone basse
1
Trompette, Euphonium (duo)
1
Instruments en Fa
1
2 Cors Anglais Et Pianoforte
1
Ensemble de Tubas
1
Cor anglais et Harpe (duo)
1
+ 59 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
736
Violon et Piano
435
Violoncelle, Piano
294
Alto, Piano
283
Violon
248
Violon, Violoncelle (duo)
182
Violoncelle
180
Trio à Cordes: violon, alto, violoncelle
126
Trio à Cordes: 2 violons, violoncelle
105
2 Violons (duo)
100
Harpe
99
Quintette à cordes: 2 violons, alto, violoncelle, basse
90
2 Violoncelles (duo)
82
Violon, Alto (duo)
77
2 Altos (duo)
70
Alto seul
58
2 Harpes (duo)
40
Contrebasse, Piano (duo)
40
4 Violoncelles
32
Contre Basse
31
Alto (partie séparée)
30
Ensemble de Violons
20
Ensemble d'Altos
19
Trio à Cordes: 3 violoncelles
17
Alto, Violoncelle (duo)
16
Quatuor à cordes: 4 violons
16
Violon, Guitare (duo)
15
Violon (partie séparée)
13
Quatuor à cordes : 4 altos
12
Trio à cordes: 3 violins
11
Harpe, Flûte (duo)
11
Trio à cordes: 3 altos
11
Piano Trio: Violon, Alto, Piano
9
Contrebasse (partie séparée)
9
Quintette à cordes: 2 violons, 2 altos, violoncelle
8
4 Contrebasses
6
Violoncelle , Guitare (duo)
6
2 Contrebasses (duo)
5
Alto, Guitare (duo)
5
Harpe, Violon (duo)
5
Harpe, Voix
4
Alto et Harpe
4
Violoncelle, Contrebasse (duo)
3
Violoncelle (partie séparée)
3
Violoncelle, Basse continue
3
Flûte, Contrebasse (duo)
2
Ensemble de Violoncelles
2
Harpe, Violoncelle (duo)
2
2 Violons, Piano
2
Harpe, Violon, Violoncelle
2
Violon, Orgue
2
Violoncelle, Orchestre
2
Harpe, Trombone (duo)
1
Violon, Tuba (duo)
1
Violon, Basson (duo)
1
Alto et Basson
1
Harpe et Piano
1
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
Trio à Cordes: 2 violons, alto
1
Violon, Clarinette, Piano (trio)
1
Violoncelle, Orgue
1
+ 56 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
886
Orchestre
380
Orchestre à Cordes
284
Ensemble de cuivres
213
Orchestre de chambre
120
Ensemble Jazz
116
Cloches
55
Fanfare
50
Jazz combo
42
Ensemble de Percussions
40
Batterie
24
Vibraphone
10
Marimba
8
Batterie (partie séparée)
3
Orchestre, Violon
3
Percussion (partie séparée)
3
Xylophone
3
Piano et Orchestre
2
Xylophone, Piano
2
Quintette de Cuivres: autres combinaisons
2
Big band
1
2 Xylophones
1
Vibraphone et Marimba
1
+ 18 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
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SheetMusicPlus
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Vous avez sélectionné:
As It Was
Voix haute
Partitions à imprimer
13 partitions trouvées
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1
Does It Matter?
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Voix haute
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AVANCÉ
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Mike Lyons
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Does It Matter?
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Lyons Music Services
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SheetMusicPlus
High Voice,Vocal Solo - Level 5 - SKU: A0.767060 Composed by Mike Lyons. 20th Century,Contemporary. 18 pages. Lyons Music Services #238419. Published by...
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High Voice,Vocal Solo - Level 5 - SKU: A0.767060 Composed by Mike Lyons. 20th Century,Contemporary. 18 pages. Lyons Music Services #238419. Published by Lyons Music Services (A0.767060). This song was written in response to Siegfried Sassoon's well-known war poem of the same title. I have tried to emulate the ironic tone of Sassoon's descriptions of the treatment of wounded and damaged men by the society for whom they have been fighting. This is as current a topic today as it was 50 years ago. The song is short at just under 2 minutes, but demands some difficult techniques from both singer and pianist. The vocal line, in particular, will need good control of breathing and pitch in the sliding arpeggio on the Ah!! after letter B and the line And people won't say that you're mad. The sudden ending is quite deliberate and the final bar rest should be counted in full. The listener should expect more, but there isn't anything more to say - we treat our soldiers badly!
$3.99
I'd Rather Have Jesus
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Voix haute
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INTERMÉDIAIRE
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Musique Sacrée
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George Beverly Shea and Rhea F
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David Neff
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I'd Rather Have Jesus
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David Neff
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SheetMusicPlus
High Voice,Vocal Solo - Level 3 - SKU: A0.1115658 Composed by George Beverly Shea and Rhea F. Miller. Arranged by David Neff. 20th Century,Christian,Pra...
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High Voice,Vocal Solo - Level 3 - SKU: A0.1115658 Composed by George Beverly Shea and Rhea F. Miller. Arranged by David Neff. 20th Century,Christian,Praise & Worship,Religious,Sacred. 6 pages. David Neff #717430. Published by David Neff (A0.1115658). Here’s a fresh high-voice arrangement of the classic gospel song written by bass-baritone George Beverly Shea. It is appropriate for any setting where sacred music is welcomed. This arrangement is also available on this site for medium voice. Shea wrote the tune for “I’d Rather Have Jesus†at age 23. He’d been offered a well-paying job as a singer on NBC’s Your Hit Parade, and he was struggling with whether to choose a secular singing career or to stick with singing in churches and on Christian radio. He turned down the job offer, stuck with sacred music, and eventually took a role as the main vocalist with the Billy Graham Evangelistic Crusades. “I’d Rather Have Jesus†became his signature tune. It was featured on his first release from RCA records, and because of his role with Billy Graham, it is thought that he sang live before more people than anyone else in history.
$4.99
Silent Night (arr. D. Howell - Tenor/Soprano - C)
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Voix haute
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INTERMÉDIAIRE
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Noël
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Music by Franz Gruber, Words b
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Doug Howell
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Silent Night
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Creative Measures
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SheetMusicPlus
High Voice,Vocal Solo - Level 3 - SKU: A0.896322 Composed by Music by Franz Gruber, Words by Joseph Mohr (v. 4 by Doug Howell). Arranged by Doug Howell....
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High Voice,Vocal Solo - Level 3 - SKU: A0.896322 Composed by Music by Franz Gruber, Words by Joseph Mohr (v. 4 by Doug Howell). Arranged by Doug Howell. Christmas,Pop,Sacred,Spiritual. 8 pages. Creative Measures #4992825. Published by Creative Measures (A0.896322). For me-like many of you, I’m sure-this is my very favorite Christmas carol. And under normal circumstances it is probably the one that I’d least want to meddle with, as it is so simply sacred, just as it is. But for me this project began to mean a lot more than just meddling. I lay awake several nights in a row, imagining the holy scene, and myself standing there. What would I have felt, and done? What was my response to the babe in the manger? What could I possibly have to say? What does his birth mean for me?
$1.99
People Get Ready
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Voix haute
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INTERMÉDIAIRE
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Musique Sacrée
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Rod Stewart
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David Neff
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People Get Ready
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David Neff
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SheetMusicPlus
High Voice,Vocal Solo - Level 3 - SKU: A0.1140878 By Rod Stewart. By Curtis Mayfield. Arranged by David Neff. Christian,Religious,Sacred,Spiritual. 6 pa...
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High Voice,Vocal Solo - Level 3 - SKU: A0.1140878 By Rod Stewart. By Curtis Mayfield. Arranged by David Neff. Christian,Religious,Sacred,Spiritual. 6 pages. David Neff #741130. Published by David Neff (A0.1140878). Curtis Mayfield’s gospel-influenced R&B hit, People Get Ready was named by Rolling Stone magazine as the 24th greatest song of all time, and it was dubbed by Martin Luther King, Jr, the unofficial anthem of the Civil Rights Movement. The song has been covered by top-tier singers from Bob Dylan, Bob Marley, Aretha Franklin, and the Staple Singers, to Jeff Beck and Rod Stewart. I decided to use it in a church context during the season of Advent, a time of expectation and getting ready. Here is the high-voice version of the arrangement I performed in December 2022. This sheet music is also available on this site for low voice and piano.
$5.99
Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition (D major, extra-high key)
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Voix haute
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AVANCÉ
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Strauss - Zueignung from Acht
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Nicole Elyse DiPaolo
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SheetMusicPlus
High Voice,Vocal Solo - Level 5 - SKU: A0.1329064 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period....
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High Voice,Vocal Solo - Level 5 - SKU: A0.1329064 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period. 3 pages. Nicole Elyse DiPaolo #917034. Published by Nicole Elyse DiPaolo (A0.1329064). The first of its kind, and the first entry in the Accessible Accompaniments library’s collection of small-hand-optimized song literature publications, this is Richard Strauss’s beloved “Zueignung,†from Acht Gedichte, op. 10 (1885), optimized (but not simplified) for the needs of collaborative pianists with small hands. “Small†is generally understood to be just an octave in span, with limited capacity to grab chord tones within a blocked octave aside from the occasional inner fifth.This edition was inspired by Boosey’s excellent small-hand edition of Frank Bridge’s “Love Went A-Riding†(erroneously labeled “simplified†on the front matter), which thins the large chords that would be problematic or impossible for a barely-an-8ve-reach collaborative pianist to play without adding musically inappropriate rolls or breaks, but also preserves the musical content and grammatically accurate voice-leading. Given that Strauss’s op. 10 collection is much more widespread on today’s concert programs than the Bridge, and given that average conservatory pianist heights and hand sizes have dropped significantly in the 20th and 21st centuries, the need for a similar adaptation in at least some of the op. 10 songs is obvious. Additionally, Strauss’s songs are often so orchestral in spirit—much more so than the Bridge—that the instinct to treat them as orchestral reductions to be adapted by each individual player should be as self-evident and considered as musically appropriate as it would be for any of Strauss’s beloved horn concerti. Performers should feel free to insert their own adaptations, additions, and omissions to this score as needed.The primary source material for this edition is Henle’s edition of the Acht Gedichte. However, any proprietary material that is not public domain (like their fingerings, front matter, and critical notes) is left out of this edition, leaving only what is public domain and edited by Ms. DiPaolo. Unreasonably large chords and arpeggio figures that would require being reachable by a larger hand have been condensed into figures more appropriate for the just-an-octave hand without sacrificing technique and excitement. This edition makes minor improvements to the engraving, like removing syllabic beaming in the voice and adding octave lines when appropriate. This edition also uses Accessible Accompaniments’ distinctive house style, marked by its visual beauty and ease of reading.While this song will be published in low, middle, and high keys for your convenience, please feel free to request another transposition if you are purchasing from a site that does not offer automatic transposition or you don’t see the key that you need. As the name says, Accessible Accompaniments is committed to accessibility—and that goes for singers, too!
$6.99
Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition (C major, high key)
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Voix haute
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AVANCÉ
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Strauss - Zueignung from Acht
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Nicole Elyse DiPaolo
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SheetMusicPlus
High Voice,Vocal Solo - Level 5 - SKU: A0.1327769 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period....
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High Voice,Vocal Solo - Level 5 - SKU: A0.1327769 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period. 3 pages. Nicole Elyse DiPaolo #915810. Published by Nicole Elyse DiPaolo (A0.1327769). The first of its kind, and the first entry in the Accessible Accompaniments library’s collection of small-hand-optimized song literature publications, this is Richard Strauss’s beloved “Zueignung,†from Acht Gedichte, op. 10 (1885), optimized (but not simplified) for the needs of collaborative pianists with small hands. “Small†is generally understood to be just an octave in span, with limited capacity to grab chord tones within a blocked octave aside from the occasional inner fifth.This edition was inspired by Boosey’s excellent small-hand edition of Frank Bridge’s “Love Went A-Riding†(erroneously labeled “simplified†on the front matter), which thins the large chords that would be problematic or impossible for a barely-an-8ve-reach collaborative pianist to play without adding musically inappropriate rolls or breaks, but also preserves the musical content and grammatically accurate voice-leading. Given that Strauss’s op. 10 collection is much more widespread on today’s concert programs than the Bridge, and given that average conservatory pianist heights and hand sizes have dropped significantly in the 20th and 21st centuries, the need for a similar adaptation in at least some of the op. 10 songs is obvious. Additionally, Strauss’s songs are often so orchestral in spirit—much more so than the Bridge—that the instinct to treat them as orchestral reductions to be adapted by each individual player should be as self-evident and considered as musically appropriate as it would be for any of Strauss’s beloved horn concerti. Performers should feel free to insert their own adaptations, additions, and omissions to this score as needed.The primary source material for this edition is Henle’s edition of the Acht Gedichte. However, any proprietary material that is not public domain (like their fingerings, front matter, and critical notes) is left out of this edition, leaving only what is public domain and edited by Ms. DiPaolo. Unreasonably large chords and arpeggio figures that would require being reachable by a larger hand have been condensed into figures more appropriate for the just-an-octave hand without sacrificing technique and excitement. This edition makes minor improvements to the engraving, like removing syllabic beaming in the voice and adding octave lines when appropriate. This edition also uses Accessible Accompaniments’ distinctive house style, marked by its visual beauty and ease of reading.While this song will be published in low, middle, and high keys for your convenience, please feel free to request another transposition if you are purchasing from a site that does not offer automatic transposition or you don’t see the key that you need. As the name says, Accessible Accompaniments is committed to accessibility—and that goes for singers, too!
$6.95
The Unquiet Grave from American Death Ballads (Downloadable)
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Voix haute
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David Conte
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The Unquiet Grave from America
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
High voice and piano - Moderately Difficult - SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer M...
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High voice and piano - Moderately Difficult - SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8454-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8454-2E). English.American Death Ballads was composed especially for tenor Brian Thorsett. We have been frequent collaborators since 2011, when he premiered the complete set of my Three Settings of W. B. Yeats for string quartet and tenor. At his urging, I transcribed and published my Three Poems of Christina Rossetti (originally for medium voice) for high voice, which he premiered at the San Francisco Conservatory in 2014. American Death Ballads was premiered by him at the San Francisco Conservatory, November 1, 2015, with pianist John Churchwell, and at the National Association of Teachers of Singing (NATS) Conference in Chicago, July 10, 2016, with pianist Warren Jones.The choice of texts for my American Death Ballads was inspired partly by Copland’s Old American Songs, which I deeply admire, but more by my dear friend and colleague the late Conrad Susa’s Two Murder Ballads. The ingenuity of Susa’s accompaniments for his ballads in imagining anew the original source material owes a great deal to Copland’s accompaniment for his songs. Though the content of my songs is completely original and not based on preexisting melodies, I have tried to expand on this further, as the texts are much longer, and go through many different moods and characters. The four texts I chose include stories about murder, death, and dying. Though two of the texts were written in England, they traveled to the colonies almost immediately. The subjects of the texts had spent time in America, and their stories were well known to Americans.Wicked Polly is a cautionary tale. Polly has lived a dissolute and immoral life, saying, 'I'll turn to God when I grow old.' Suddenly taken ill, she realizes that it is too late to repent. She dies in agony and is presumably sent to hell; young people are advised to heed. My musical setting is stately and preacherly in character for the narrator; for Polly it becomes pleading and remorseful. The Unquiet Grave was brought to the attention of Alan Lomax, the great American field collector of folk music, by English folk singer Shirley Collins. The text is taken from an English folk song dating from 1400. In The Unquiet Grave, a young man mourns his dead lover too fervently and prevents her from obtaining peace. The dead woman complains that his weeping is keeping her from peaceful rest. He begs a kiss; she tells him it would kill him. When he persists, wanting to join her in death, she explains that once they were both dead their hearts would simply decay, and that he should enjoy life while he has it. My setting is in a flowing Andante with a rocking accompaniment. Three voices are delineated here: the narrator, the mournful lover, and the dead lover speaking from the grave. The Dying Californian first appeared in the New England Diadem in 1854. Its lyrics are based on a letter from a New Englander’s sailor to his brother who is dying at sea while on the way to California to seek his fortune in the California gold fields. He implores his brother to impart his message to his father, mother, wife, and children. My setting opens with the singer alone in a moderate dirge tempo, then, joined by the piano, moves through many tonalities and moods before ending with supreme confidence as the speaker 'gained a port called Heaven/Where the gold will never rust.'Captain Kidd was a Scottish sailor who was tried and executed for piracy and murder in 1701. The American connection to this ballad is that Kidd escaped to America and for a time lived in New York and Boston, though he was a wanted criminal by the British authorities and was extradited to Britain, where he was hung at 'Executioner’s Dock.' The lyric was printed in Britain in 1701, traveling to the colonies almost immediately. Though the didactic tone of the text is similar to Wicked Polly, it expresses no regret until the final lines: 'Take warning now by me, and shun bad company, / Lest you come to hell with me, for I must die.' My setting is fast and spirited, expressing the confidence of a man who lived life as he wanted. -David Conte.
$3.50
Idylls - five songs for solo high voice (soprano or tenor) and piano, based upon poems by Alfred, Lo
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Voix haute
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INTERMÉDIAIRE/AVANCÉ
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Stuart Brown
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Idylls - five songs for solo h
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Stuart Brown Music
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SheetMusicPlus
High Voice,Vocal Solo - Level 4 - SKU: A0.835449 Composed by Stuart Brown. 20th Century,Contemporary,Spiritual. 37 pages. Stuart Brown Music #4285583. P...
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High Voice,Vocal Solo - Level 4 - SKU: A0.835449 Composed by Stuart Brown. 20th Century,Contemporary,Spiritual. 37 pages. Stuart Brown Music #4285583. Published by Stuart Brown Music (A0.835449). If you are looking for a genuinely beautiful and rewarding work for solo voice and piano, to fill a 20-minute time slot, then Idylls is for you. It provides an opportunity for both singer and pianist to demonstrate an ability to communicate a wide range of emotions. It is particularly satisfying for the pianist, whose part is anything but subservient to the vocal line and provides an opportunity to shine. At notated tempo the work lasts just under 18 minutes; the concert première performance (in January 2019) lasted just short of 20 minutes because of the slower tempo at which the performers chose to take the fourth song.While intended primarily for the concert platform, Idylls contains some profoundly Christian themes that may make it suitable also for church use in an appropriate context.Although intended for professional use, Idylls may be within the technical capability of advanced high school students, noting that the third song ('Of old sat Freedom on the heights') has a piano part that was described as 'challenging' by the professional pianist who first performed it in public (Jonathan Ellis, January 12th, 2019).As noted above, Idylls can work for church services in various contexts, although not all of the songs are necessarily appropriate to the same context. The lyrics themselves provide the best guidance in this respect.From observing the rehearsal sessions of the two professionals who first performed the work (Chen Wang and Jonathan Ellis), the composer suggests that none of the songs - however apparently straightforward - should be taken for granted. There are nuances in all of them that require careful attention to timing and pitch. The vocal entries in the opening song require careful attention to pitch. In the second song concentrate on the timing and making it sound as light and dance-like as possible. The third song requires the singer to keep an E-flat in mind at all times (in order to pitch entries) and to sing to strict meter regardless of what the pianist is playing. The fourth song requires both grace and intensity. Pitch is the main issue, particularly some of the B-natural entries; pay special attention to timing in the first verse. The fifth and final song is melodically straightforward; pay attention to timing in the second verse.Stuart Brown composed Idylls in early 2015 specifically for the London-based Chinese soprano Chen Wang. She performed it in public for the first time, accompanied by Manchester-based pianist Jonathan Ellis, at a concert in the southwest of England in January 2019.Performing rights are handled in the UK by PRS for Music, in Canada by SOCAN, in the USA by ASCAP, BMI and SESAC. The full list of arrangements can be found at www.prsformusic.com/our-global-network/partnersAll contact and other information (including lyrics) can be found on the composer's website at https://stuartbrownmusic.com/discover-11.html
$7.74
Serenade - Ständchen - Schwanengesang, D. 957 No. 4 (Duet for Voice and Piano)
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Voix haute
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INTERMÉDIAIRE
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Classique
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Franz Schubert
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Flavio Regis Cunha
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Serenade - Ständchen - Sc
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Flavio Regis Cunha
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SheetMusicPlus
High Voice,Vocal Solo - Level 3 - SKU: A0.597338 By Franz Schubert. By Franz Schubert. Arranged by Flavio Regis Cunha. Romantic Period. 8 pages. Flavio ...
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High Voice,Vocal Solo - Level 3 - SKU: A0.597338 By Franz Schubert. By Franz Schubert. Arranged by Flavio Regis Cunha. Romantic Period. 8 pages. Flavio Regis Cunha #5725037. Published by Flavio Regis Cunha (A0.597338). Schwanengesang (swan song), D 957, is a collection of songs written by Franz Schubert towards the end of his life and published posthumously.The collection was named by its first editor, Tobias Haslinger, probably intending to present it as Schubert's final musical testament to the world. Unlike earlier Die schöne Müllerin and Winterreise, it contains settings by three poets, Ludwig Rellstab (1799–1860), Heinrich Heine (1797–1856) and Johann Gabriel Seidl (1804–1875). Schwanengesang was composed in 1828 and published in 1829 just a few months after the composer's death on 19 November 1828.Advanced Intermediate.Format: Concert, 9 x 12.8 pages.
$5.99
When Darkness Fills Your Heart - aria study for Tenor or Soprano
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Voix haute
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INTERMÉDIAIRE/AVANCÉ
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Rudy Volkmann
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When Darkness Fills Your Heart
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Rudy Volkmann
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SheetMusicPlus
High Voice,Vocal Solo - Level 4 - SKU: A0.1005648 Composed by Rudy Volkmann. Baroque,Christian,Concert,Instructional,Sacred. 4 pages. Rudy Volkmann #611...
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High Voice,Vocal Solo - Level 4 - SKU: A0.1005648 Composed by Rudy Volkmann. Baroque,Christian,Concert,Instructional,Sacred. 4 pages. Rudy Volkmann #6116387. Published by Rudy Volkmann (A0.1005648). A study in long notes, this Baroque-style aria study was initially composed for tenor John Miles after he came to Brnau College for a concert in the late 1970's. Either a tenor or a soprano could use this piece to work on their long notes - it goes to dramatic high Bb, and has a simple piano part. It's a great recital piece. The piece eventually became number 5 of my 6 aria studies for trumpet and piano, as well as the basis for a larger work for brass quintet and organ.
$4.99
Periwinkle
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Voix haute
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INTERMÉDIAIRE/AVANCÉ
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Alicia Willard
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Periwinkle
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Alicia Santee-Davis
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SheetMusicPlus
High Voice,Vocal Solo - Level 4 - SKU: A0.1027761 Composed by Alicia Willard. 20th Century,Blues,Contemporary. 34 pages. Alicia Santee-Davis #2923157. P...
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High Voice,Vocal Solo - Level 4 - SKU: A0.1027761 Composed by Alicia Willard. 20th Century,Blues,Contemporary. 34 pages. Alicia Santee-Davis #2923157. Published by Alicia Santee-Davis (A0.1027761). Periwinkle is a song cycle that was originally composed for mezzo-soprano and piano, but has been arranged for soprano and piano; it is a collection of character pieces using original poetry by Alicia Willard. High High Shoes is an upbeat, rhythmically active piece that illustrates the exhilaration and anxiety in reaching for one’s desires. Wings is a hauntingly slow array of uneasy dissonances, using only one line of text that is chopped into fragments and slowly arranged into a comprehensible statement. Boulders on Our Shoulders has a lilting jazz feel, including several piano solos that incorporate many aspects of the blues. Follow the Borrowers is much more introspective, with the music vividly conveying what the text colorfully provides in such lines as I’ll caress the tongue shapes. The title of the cycle is taken from a line of poetry in which the periwinkle dirt in the sky is introduced, providing one of many colors that are portrayed in the pieces. Periwinkle was written in 2009 and premiered at the University of North Carolina School of the Arts by Stephanie McAllister, mezzo-soprano, and the composer at the piano. After its recomposition, the soprano edition was premiered in Fairbanks, Alaska in 2016 by Amy Ingram, soprano, with the composer at the piano.
$16.95
Come Lie with Me (King David and Bathsheba) from "The Kings" - ACT 2:Song 5
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Voix haute
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McCorkle, Dennis F
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Come Lie with Me
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DF McCorkle Music and eBook Publications
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SheetMusicPlus
High Voice,Vocal Solo - SKU: A0.784831 Composed by McCorkle, Dennis F. Broadway,Christian,Jewish,Musical/Show,Rock. 25 pages. DF McCorkle Music and eBoo...
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High Voice,Vocal Solo - SKU: A0.784831 Composed by McCorkle, Dennis F. Broadway,Christian,Jewish,Musical/Show,Rock. 25 pages. DF McCorkle Music and eBook Publications #11753. Published by DF McCorkle Music and eBook Publications (A0.784831). ACT TWO: Song 5. The King, by Dennis McCorkle, is a contemporary pop-rock musical of the first two kings of Israel, Saul ben Kish and David ben Jesse and explores the contrasting lives and outcome of each man’s choices in life. [2 Samuel 11:2-4… - And it came to pass at eventide, that David arose from off his bed, and walked upon the roof of the king's house; and from the roof he saw a woman bathing; and the woman was very beautiful to look upon. 3 And David sent and inquired after the woman. And one said: ‘Is not this Bath-sheba, the daughter of Eliam, the wife of Uriah the Hittite?’ 4 And David sent messengers, and took her; and she came in unto him, and he lay with her;…] Once settled into Jerusalem and after a tiff with MICHAL, DAVID looks around his magnificent palace and as he walks on his balcony, he sees a lovely young woman bathing herself in the moonlight. Giving in to his impulses, orders his men to have her brought to the palace on the pretense of speaking to her about her husband, URIAH who is in the field with the troops. DAVID, seeing her beauty and rationalizing his own importance, proceeds to seduce her and lies with her [Come Lie with Me – David and Bathsheba]. BATHSHEBA, also lonely is seduced by his presence and gives in to his wishes. Leaving before daylight to escape notice, DAVID goes about business as usual, trying to forget what has happened. A few weeks later, a messenger arrives with a note from BATHSHEBA, DAVID, I'm pregnant! Also included with your order is our new 20 page catalog of over 150 titles at no additional charge.
$2.99
Love Is Little (high voice)
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Voix haute
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INTERMÉDIAIRE
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David Neff
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David Neff
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Love Is Little
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David Neff
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SheetMusicPlus
High Voice,Vocal Solo - Level 3 - SKU: A0.1202547 Composed by David Neff. Arranged by David Neff. 19th Century,Folk,Religious,Sacred,Wedding. 4 pages. D...
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High Voice,Vocal Solo - Level 3 - SKU: A0.1202547 Composed by David Neff. Arranged by David Neff. 19th Century,Folk,Religious,Sacred,Wedding. 4 pages. David Neff #801287. Published by David Neff (A0.1202547). This delicate and gentle Shaker tune from 1834 is appropriate for weddings, Maundy Thursday services, and any time we gather to celebrate love. There are several beautiful choral arrangements available, but I was unable to find any setting for solo voice and piano. This arrangement, available in three ranges, gives vocal soloists the opportunity to sing it as well.
$4.99
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