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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Bad Man
Non classifié
281
Piano & claviers
Piano seul
145
Piano Facile
83
Piano, Voix et Guitare
58
Piano, Voix
45
Instruments en Do
16
1 Piano, 4 mains
11
Orgue
6
Piano Trio: piano, violon, violoncelle
3
Accordéon
2
Accompagnement Piano
2
Piano grosses notes
2
2 Pianos, 4 mains
2
+ 7 instrumentations
Retracter
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Guitare notes et tablatures
38
Guitare
18
Ligne De Mélodie, (Paroles) et Accords
11
Basse electrique
7
Ukulele
7
Mandoline
5
Paroles et Accords
4
4 Guitares (Quatuor)
1
2 Guitares (duo)
1
+ 4 instrumentations
Retracter
Voix
Chorale SATB
30
Chorale TTBB
15
Chorale SSAA
5
Chorale 3 parties
5
Voix haute
3
Chorale 2 parties
2
Voix seule
2
Chorale Unison
2
Voix basse, Piano
1
Voix duo, Piano
1
Chorale
1
Voix Alto, Piano
1
+ 7 instrumentations
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Vents
Clarinette
16
Flûte traversière et Piano
13
Flûte traversière
13
Saxophone Alto
13
Saxophone Tenor
11
Quatuor de Saxophones: 4 saxophones
10
Saxophone (partie séparée)
8
Hautbois, Piano (duo)
6
Quatuor de Flûtes : 4 flûtes
6
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6
2 Saxophones (duo)
5
Ensemble de saxophones
5
Clarinette et Piano
4
Hautbois (partie séparée)
4
Flûte, Hautbois, Clarinette, Basson
3
Flute (partie séparée)
3
Clarinette, Violon (duo)
3
Quatuor de Clarinettes: 4 clarinettes
3
2 Hautbois (duo)
2
Ensemble de Flûtes
2
Clarinette (partie séparée)
2
2 Flûtes traversières (duo)
2
Flûte, Violon
2
Saxophone Alto et Piano
2
Quintette de Saxophone: 5 saxophones
2
Clarinette, Trompette (duo)
2
Saxophone Soprano
2
Saxophone Baryton
1
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1
2 Clarinettes (duo)
1
Saxophone Tenor et Piano
1
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1
Flûte, Alto (duo)
1
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1
Clarinette et Alto
1
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1
Flûte, Trompette (duo)
1
Ensemble De Flûte à bec
1
Flûte, Clarinette (duo)
1
Flûte, Saxophone (duo)
1
Flûte, Hautbois, Clarinette (trio)
1
Hautbois, Clarinette (duo)
1
Hautbois, violon (duo)
1
Hautbois
1
Hautbois, Basson (duo)
1
2 Flûte à bec (duo)
1
+ 41 instrumentations
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
11
Trompette
10
Trombone
10
Trompette (partie séparée)
8
Cor
7
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
7
Trombone (partie séparée)
5
2 Tubas (duo)
4
Tuba
3
Trompette, Piano
3
Instruments en Sib
2
Cor et Piano
2
Tuba et Piano
2
2 Trombones (duo)
1
Trombone et Piano
1
2 Trompettes (duo)
1
2 Cors (duo)
1
Trompette, Saxophone (duo)
1
Bugle
1
Trompette, Trombone (duo)
1
Euphonium, Piano (duo)
1
Quatuor de cuivres: 4 cors
1
2 Euphoniums et 2 Tubas
1
+ 18 instrumentations
Retracter
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Quatuor à cordes: 2 violons, alto, violoncelle
75
Violon
22
Violon, Violoncelle (duo)
17
Violon et Piano
16
Violoncelle
15
2 Violoncelles (duo)
9
Alto seul
9
Violoncelle, Piano
8
Trio à Cordes: 2 violons, violoncelle
7
2 Violons (duo)
6
Trio à Cordes: violon, alto, violoncelle
6
Harpe
6
Alto, Piano
4
Contre Basse
4
Violon (partie séparée)
3
Alto (partie séparée)
3
2 Altos (duo)
3
Violon, Alto (duo)
3
Trio à cordes
2
Contrebasse (partie séparée)
2
Contrebasse, Piano (duo)
1
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63
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28
Ensemble Jazz
19
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17
Orchestre de chambre
10
Ensemble de Percussions
7
Batterie
5
Fanfare
5
Ensemble de cuivres
3
Marimba
1
Percussion
1
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Retracter
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--INSTRUMENTS--
ACCORDEON
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Crtitères actifs :
Bad Man
Voix haute
Partitions à imprimer
3 partitions trouvées
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Bad Romance
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Voix haute
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DÉBUTANT
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Lady Gaga
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Art
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Bad Romance
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Art.o Artaud
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SheetMusicPlus
High Voice,Vocal Solo - Level 1 - SKU: A0.1167996 By Lady Gaga. By Nadir Khayat and Stefani Germanotta. Arranged by Art.o Artaud. Children,Contemporary,...
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High Voice,Vocal Solo - Level 1 - SKU: A0.1167996 By Lady Gaga. By Nadir Khayat and Stefani Germanotta. Arranged by Art.o Artaud. Children,Contemporary,Instructional,Pop,Singer/Songwriter. 2 pages. Art.o Artaud #768355. Published by Art.o Artaud (A0.1167996). Arrangement for EASY level female voice of Lady Gaga Bad Romance.
$4.99
The Unquiet Grave from American Death Ballads (Downloadable)
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Voix haute
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David Conte
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The Unquiet Grave from America
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
High voice and piano - Moderately Difficult - SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer M...
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High voice and piano - Moderately Difficult - SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8454-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8454-2E). English.American Death Ballads was composed especially for tenor Brian Thorsett. We have been frequent collaborators since 2011, when he premiered the complete set of my Three Settings of W. B. Yeats for string quartet and tenor. At his urging, I transcribed and published my Three Poems of Christina Rossetti (originally for medium voice) for high voice, which he premiered at the San Francisco Conservatory in 2014. American Death Ballads was premiered by him at the San Francisco Conservatory, November 1, 2015, with pianist John Churchwell, and at the National Association of Teachers of Singing (NATS) Conference in Chicago, July 10, 2016, with pianist Warren Jones.The choice of texts for my American Death Ballads was inspired partly by Copland’s Old American Songs, which I deeply admire, but more by my dear friend and colleague the late Conrad Susa’s Two Murder Ballads. The ingenuity of Susa’s accompaniments for his ballads in imagining anew the original source material owes a great deal to Copland’s accompaniment for his songs. Though the content of my songs is completely original and not based on preexisting melodies, I have tried to expand on this further, as the texts are much longer, and go through many different moods and characters. The four texts I chose include stories about murder, death, and dying. Though two of the texts were written in England, they traveled to the colonies almost immediately. The subjects of the texts had spent time in America, and their stories were well known to Americans.Wicked Polly is a cautionary tale. Polly has lived a dissolute and immoral life, saying, 'I'll turn to God when I grow old.' Suddenly taken ill, she realizes that it is too late to repent. She dies in agony and is presumably sent to hell; young people are advised to heed. My musical setting is stately and preacherly in character for the narrator; for Polly it becomes pleading and remorseful. The Unquiet Grave was brought to the attention of Alan Lomax, the great American field collector of folk music, by English folk singer Shirley Collins. The text is taken from an English folk song dating from 1400. In The Unquiet Grave, a young man mourns his dead lover too fervently and prevents her from obtaining peace. The dead woman complains that his weeping is keeping her from peaceful rest. He begs a kiss; she tells him it would kill him. When he persists, wanting to join her in death, she explains that once they were both dead their hearts would simply decay, and that he should enjoy life while he has it. My setting is in a flowing Andante with a rocking accompaniment. Three voices are delineated here: the narrator, the mournful lover, and the dead lover speaking from the grave. The Dying Californian first appeared in the New England Diadem in 1854. Its lyrics are based on a letter from a New Englander’s sailor to his brother who is dying at sea while on the way to California to seek his fortune in the California gold fields. He implores his brother to impart his message to his father, mother, wife, and children. My setting opens with the singer alone in a moderate dirge tempo, then, joined by the piano, moves through many tonalities and moods before ending with supreme confidence as the speaker 'gained a port called Heaven/Where the gold will never rust.'Captain Kidd was a Scottish sailor who was tried and executed for piracy and murder in 1701. The American connection to this ballad is that Kidd escaped to America and for a time lived in New York and Boston, though he was a wanted criminal by the British authorities and was extradited to Britain, where he was hung at 'Executioner’s Dock.' The lyric was printed in Britain in 1701, traveling to the colonies almost immediately. Though the didactic tone of the text is similar to Wicked Polly, it expresses no regret until the final lines: 'Take warning now by me, and shun bad company, / Lest you come to hell with me, for I must die.' My setting is fast and spirited, expressing the confidence of a man who lived life as he wanted. -David Conte.
$3.50
Does It Matter?
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Voix haute
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AVANCÉ
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Mike Lyons
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Does It Matter?
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Lyons Music Services
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SheetMusicPlus
High Voice,Vocal Solo - Level 5 - SKU: A0.767060 Composed by Mike Lyons. 20th Century,Contemporary. 18 pages. Lyons Music Services #238419. Published by...
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High Voice,Vocal Solo - Level 5 - SKU: A0.767060 Composed by Mike Lyons. 20th Century,Contemporary. 18 pages. Lyons Music Services #238419. Published by Lyons Music Services (A0.767060). This song was written in response to Siegfried Sassoon's well-known war poem of the same title. I have tried to emulate the ironic tone of Sassoon's descriptions of the treatment of wounded and damaged men by the society for whom they have been fighting. This is as current a topic today as it was 50 years ago. The song is short at just under 2 minutes, but demands some difficult techniques from both singer and pianist. The vocal line, in particular, will need good control of breathing and pitch in the sliding arpeggio on the Ah!! after letter B and the line And people won't say that you're mad. The sudden ending is quite deliberate and the final bar rest should be counted in full. The listener should expect more, but there isn't anything more to say - we treat our soldiers badly!
$3.99
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Bad Man