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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
C Instrument (High)
Non classifié
561
Piano & claviers
Instruments en Do
491
Piano Facile
112
Piano, Voix
50
Piano seul
45
Accordéon
19
Accompagnement Piano
16
Orgue, Trompette (duo)
12
Piano, Voix et Guitare
9
Piano (partie séparée)
7
Piano Quatuor: piano, 2 violons, violoncelle
2
Orgue
2
Orgue, Piano (duo)
2
2 Pianos, 4 mains
1
Piano Trio: piano, violon, violoncelle
1
1 Piano, 4 mains
1
Fake Book
1
Accordéon, Voix
1
+ 12 instrumentations
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Guitares
Ligne De Mélodie, (Paroles) et Accords
173
Guitare (partie séparée)
15
Ukulele
13
Guitare
4
Ukulele Baryton
2
Basse electrique
2
Guitare notes et tablatures
2
Mandoline
1
Piano, Guitare (duo)
1
+ 4 instrumentations
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Voix
Chorale SATB
29
Chorale 2 parties
10
Chorale 3 parties
7
Chorale SSAA
6
Chorale Unison
6
Voix moyenne, Piano
3
Voix haute
3
Chorale TTBB
3
Voix Soprano, Piano
2
Voix Baryton, Piano
2
Voix duo, Piano
2
Voix Alto, Piano
2
Voix Tenor, Piano
2
Voix Soprano
1
Voix seule
1
+ 10 instrumentations
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Vents
Saxophone (partie séparée)
37
Flûte, Hautbois, Clarinette, Basson
31
Flûte traversière
21
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
20
Quintette de Saxophone: 5 saxophones
17
Quatuor de Saxophones: 4 saxophones
14
Flûte traversière et Piano
14
3 Saxophones (trio)
11
2 Saxophones (duo)
11
Flûte, Clarinette (duo)
10
Saxophone Tenor et Piano
6
Clarinette
5
Hautbois, Piano (duo)
5
2 Clarinettes (duo)
5
Flûte, Violon et Violoncelle
4
Trio de Flûtes: 3 flûtes
4
Hautbois
4
2 Flûtes traversières (duo)
4
Quatuor de Flûtes : 4 flûtes
4
Quatuor de Clarinettes: 4 clarinettes
3
Flûte et Guitare
3
Saxophone Alto et Piano
3
Ensemble de Flûtes
3
Clarinette et Piano
3
Flute (partie séparée)
2
Harmonica
2
Quintette de Flûte : 5 flûtes
2
Hautbois (partie séparée)
2
Saxophone Alto
2
Flûte irlandaise
2
Clarinette, Basson (duo)
2
Hautbois, Basson (duo)
2
Hautbois, Violoncelle
2
Cor anglais, Guitare (duo)
1
5 Flûtes à bec
1
Saxophone Baryton, Piano
1
Ensemble de Hautbois
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Ocarina
1
Flûte à bec Alto
1
Quintette de Clarinettes: 5 clarinettes
1
Flûte, Hautbois, Clarinette (trio)
1
Flûte, Trombone (duo)
1
2 Flûte à bec (duo)
1
Instruments en Mib
1
Flûte et Trio à cordes
1
3 Clarinettes (trio)
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Clarinette, Violoncelle (duo)
1
Piccolo, Piano
1
Flûte à Bec, Piano
1
Clarinette (partie séparée)
1
Piccolo
1
Ensemble de Clarinettes
1
Saxophone
1
2 Flûtes traversières, Piano
1
Flûte à bec Alto, Piano
1
Clarinette Basse, Piano
1
Quatuor de Flûtes à bec
1
2 Saxophones, Piano
1
3 Flûtes à bec (trio)
1
Flute, harpe et violon
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Flûte, Clarinette et Basson
1
Flûte à Bec
1
Saxophone et Guitare
1
Cor anglais, Piano
1
+ 62 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
45
Trombone (partie séparée)
41
Trompette (partie séparée)
33
Tuba ou Euphonium ou Saxhorn
16
Trompette, Piano
13
Quatuor de Cuivres
11
Trompette, Trombone (duo)
11
Ensemble de Trompettes
10
Trompette
8
Tuba et Piano
6
Quatuor de Cuivres : 2 trompettes, trombone, tuba
6
2 Trombones (duo)
6
Trombone et Piano
5
Bass Clef Instruments
5
Cor (partie séparée)
4
Cor et Piano
4
Trombone, Orgue
3
2 Cors (duo)
3
2 Euphoniums (duo)
2
Cor
2
Quatuor de cuivres: 4 cors
2
Quatuor de cuivres: 4 trombones
2
Euphonium, Piano (duo)
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Tuba (partie séparée)
2
Cor anglais, Guitare (duo)
1
Trompette, Saxophone (duo)
1
Euphonium, Tuba (duo)
1
Trompette, Cor (duo)
1
Ensemble de Cors
1
2 Trompettes (duo)
1
3 Cors (trio)
1
Trompette, Violoncelle (duo)
1
Quatuor de cuivres: 4 trompettes
1
3 Tubas (trio)
1
Trombone
1
3 Trombones (trio)
1
Trio de Cuivres
1
Trombone, Tuba (duo)
1
Cor anglais, Piano
1
Euphonium
1
+ 36 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
30
Violon
28
Violon et Piano
19
Quintette à cordes: 2 violons, alto, violoncelle, basse
8
Violon, Violoncelle (duo)
8
Harpe
7
Contrebasse (partie séparée)
7
Contre Basse
6
Violoncelle, Piano
6
Trio à Cordes: violon, alto, violoncelle
5
Violon, Alto (duo)
5
Alto seul
4
Violoncelle
4
Violon, Guitare (duo)
3
Contrebasse, Piano (duo)
3
Alto, Violoncelle (duo)
3
Harpe, Voix
3
Violon, Orgue
2
Harpe, Flûte (duo)
2
Alto, Piano
2
2 Violons (duo)
2
2 Harpes (duo)
1
Flûte, Contrebasse (duo)
1
Violoncelle , Guitare (duo)
1
2 Violoncelles (duo)
1
Violoncelle, Contrebasse (duo)
1
2 Altos (duo)
1
Trio à cordes: 3 violins
1
4 Violoncelles
1
Violon (partie séparée)
1
Quatuor à cordes: 4 violons
1
+ 26 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
193
Ensemble Jazz
73
Orchestre
20
Ensemble de cuivres
16
Fanfare
11
Ensemble de Percussions
9
Batterie (partie séparée)
8
Jazz combo
8
Cloches
7
Orchestre à Cordes
7
Orchestre de chambre
5
Ensemble d'École
2
Marimba
2
+ 8 instrumentations
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Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
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C Instrument (High)
Voix haute
Partitions à imprimer
3 partitions trouvées
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Bist du bei mir (High Voice and Keyboard with Optional Instruments)
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Voix haute
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INTERMÉDIAIRE
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Classique
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Jubal's Lyre Music
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Martin Dicke
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Bist du bei mir
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Jubal's Lyre Music Publishers
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SheetMusicPlus
High Voice,Vocal Solo - Level 3 - SKU: A0.1077436 By Jubal's Lyre Music. By Gottfried Heinrich Stolzel. Arranged by Martin Dicke. Baroque,Classical,Cont...
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High Voice,Vocal Solo - Level 3 - SKU: A0.1077436 By Jubal's Lyre Music. By Gottfried Heinrich Stolzel. Arranged by Martin Dicke. Baroque,Classical,Contest,Festival,Instructional,Sacred. 13 pages. Jubal's Lyre Music Publishers #681625. Published by Jubal's Lyre Music Publishers (A0.1077436). The beloved song Bist du bei mir (If You Are Near) from Anna Magdalena's 1525 Notebook is offered here in a special 300th Anniversary Edition for High Voice and keyboard with optional instruments. Two keyboard parts are provided along with parts for C Instruments, Bb Instruments, and Cello/Bassoon. Originally thought to have been composed by Johann Sebastian Bach, a recent discovery reveals that this song is from an opera by Gottfried Heinrich Stölzel (1690-1749). This aria became very popular, which is why Bach's second wife Anna Magdalena, a fine soprano herself, copied it into her music notebook. Other editions are available for Medium-High Voice (D major), Medium Voice (C major), Medium-Low Voice (Bb major), and Low Voice (A major). Instrumental editions are available in Bb and C major and contain parts for additional instruments. For more music and information, visit www.jubalslyre.com/music.
$4.99
Sleep, Holy Babe
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Voix haute
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INTERMÉDIAIRE/AVANCÉ
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Noël
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Evelyn R
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Evelyn Larter Music
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Child In The Manger
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Sleep, Holy Babe
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Evelyn R Larter
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SheetMusicPlus
High Voice,Vocal Solo - Level 4 - SKU: A0.749894 Composed by Evelyn R. Larter ASCAP. Arranged by Evelyn Larter Music. Christmas. 54 pages. Evelyn R Lart...
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High Voice,Vocal Solo - Level 4 - SKU: A0.749894 Composed by Evelyn R. Larter ASCAP. Arranged by Evelyn Larter Music. Christmas. 54 pages. Evelyn R Larter #6690947. Published by Evelyn R Larter (A0.749894). This collection contains Christmas carol arrangements from the British Isles written over many years, and offers plenty of variety for the soloist, with both well-known and less familiar carols and songs included. The violin obbligato parts will also mostly work well on other C instruments. For advanced intermediate to advanced performers, they are suitable for concerts and church services, with styles ranging from traditional to jazz ballad. The seven titles are The Salutation Carol; Child In The Manger; Sleep, Holy Babe; In The Bleak Midwinter; The Wexford Carol; Once In Royal David’s City and The Sussex Carol.
$17.99
The Unquiet Grave from American Death Ballads (Downloadable)
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Voix haute
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David Conte
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The Unquiet Grave from America
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
High voice and piano - Moderately Difficult - SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer M...
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High voice and piano - Moderately Difficult - SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8454-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8454-2E). English.American Death Ballads was composed especially for tenor Brian Thorsett. We have been frequent collaborators since 2011, when he premiered the complete set of my Three Settings of W. B. Yeats for string quartet and tenor. At his urging, I transcribed and published my Three Poems of Christina Rossetti (originally for medium voice) for high voice, which he premiered at the San Francisco Conservatory in 2014. American Death Ballads was premiered by him at the San Francisco Conservatory, November 1, 2015, with pianist John Churchwell, and at the National Association of Teachers of Singing (NATS) Conference in Chicago, July 10, 2016, with pianist Warren Jones.The choice of texts for my American Death Ballads was inspired partly by Copland’s Old American Songs, which I deeply admire, but more by my dear friend and colleague the late Conrad Susa’s Two Murder Ballads. The ingenuity of Susa’s accompaniments for his ballads in imagining anew the original source material owes a great deal to Copland’s accompaniment for his songs. Though the content of my songs is completely original and not based on preexisting melodies, I have tried to expand on this further, as the texts are much longer, and go through many different moods and characters. The four texts I chose include stories about murder, death, and dying. Though two of the texts were written in England, they traveled to the colonies almost immediately. The subjects of the texts had spent time in America, and their stories were well known to Americans.Wicked Polly is a cautionary tale. Polly has lived a dissolute and immoral life, saying, 'I'll turn to God when I grow old.' Suddenly taken ill, she realizes that it is too late to repent. She dies in agony and is presumably sent to hell; young people are advised to heed. My musical setting is stately and preacherly in character for the narrator; for Polly it becomes pleading and remorseful. The Unquiet Grave was brought to the attention of Alan Lomax, the great American field collector of folk music, by English folk singer Shirley Collins. The text is taken from an English folk song dating from 1400. In The Unquiet Grave, a young man mourns his dead lover too fervently and prevents her from obtaining peace. The dead woman complains that his weeping is keeping her from peaceful rest. He begs a kiss; she tells him it would kill him. When he persists, wanting to join her in death, she explains that once they were both dead their hearts would simply decay, and that he should enjoy life while he has it. My setting is in a flowing Andante with a rocking accompaniment. Three voices are delineated here: the narrator, the mournful lover, and the dead lover speaking from the grave. The Dying Californian first appeared in the New England Diadem in 1854. Its lyrics are based on a letter from a New Englander’s sailor to his brother who is dying at sea while on the way to California to seek his fortune in the California gold fields. He implores his brother to impart his message to his father, mother, wife, and children. My setting opens with the singer alone in a moderate dirge tempo, then, joined by the piano, moves through many tonalities and moods before ending with supreme confidence as the speaker 'gained a port called Heaven/Where the gold will never rust.'Captain Kidd was a Scottish sailor who was tried and executed for piracy and murder in 1701. The American connection to this ballad is that Kidd escaped to America and for a time lived in New York and Boston, though he was a wanted criminal by the British authorities and was extradited to Britain, where he was hung at 'Executioner’s Dock.' The lyric was printed in Britain in 1701, traveling to the colonies almost immediately. Though the didactic tone of the text is similar to Wicked Polly, it expresses no regret until the final lines: 'Take warning now by me, and shun bad company, / Lest you come to hell with me, for I must die.' My setting is fast and spirited, expressing the confidence of a man who lived life as he wanted. -David Conte.
$3.50
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C Instrument (High) 
