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BASSON
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CLAIRON
CLARINETTE
CLAVECIN
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COR
COR ANGLAIS
CORNEMUSE
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DEEJAY
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EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
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FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
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ORGUE
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Chicago!
Non classifié
475
Piano & claviers
Piano seul
378
Piano, Voix
262
Piano, Voix et Guitare
246
Piano Facile
104
Instruments en Do
34
Piano grosses notes
13
Orgue
11
Accordéon
6
1 Piano, 4 mains
5
Accompagnement Piano
3
Piano (partie séparée)
3
2 Pianos, 4 mains
2
Piano Quatuor: piano, violon, alto, violoncelle
2
Piano Trio: piano, violon, violoncelle
1
Ligne De Mélodie, Piano
1
+ 10 instrumentations
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Guitares
Ligne De Mélodie, (Paroles) et Accords
295
Guitare notes et tablatures
96
Guitare
32
Paroles et Accords
25
Basse electrique
24
Ukulele
23
Guitare (partie séparée)
7
Basse électrique (partie séparée)
2
2 Dulcimers (duo)
2
Dulcimer
2
Ensemble de guitares
1
Banjo
1
Piano, Guitare (duo)
1
Mandoline, Guitare (duo)
1
+ 9 instrumentations
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Voix
Chorale SATB
144
Chorale 3 parties
32
Chorale TTBB
25
Pack Instrumental pour Chorale
18
Voix seule
12
Chorale
7
Chorale 2 parties
6
Chorale SSAA
6
Voix haute
4
Voix basse
1
Voix Alto, Piano
1
Voix Tenor, Piano
1
Voix Baryton, Piano
1
Voix Tenor
1
+ 9 instrumentations
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Vents
Saxophone
87
Flûte traversière
57
Saxophone (partie séparée)
50
Clarinette
48
Clarinette (partie séparée)
28
Quatuor de Saxophones: 4 saxophones
23
Saxophone Alto
20
Flûte, Hautbois, Clarinette, Basson
18
Saxophone Tenor
17
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
14
Saxophone Alto et Piano
13
Flute (partie séparée)
13
Quatuor de Clarinettes: 4 clarinettes
12
Quintette de Saxophone: 5 saxophones
12
Flûte traversière et Piano
11
Quintette de Clarinettes: 5 clarinettes
9
Hautbois, Piano (duo)
8
Clarinette et Piano
7
2 Saxophones (duo)
7
Hautbois (partie séparée)
7
2 Flûtes traversières (duo)
6
Saxophone Tenor et Piano
6
2 Clarinettes (duo)
5
Saxophone Baryton, Piano
5
Ensemble de Clarinettes
4
Harmonica
3
Ensemble de saxophones
3
Quintette de Flûte : 5 flûtes
3
Saxophone Soprano et Piano
3
Clarinette Basse, Piano
3
Flûte à bec Soprano, Piano
2
Flûte à Bec, Piano
2
Flûte à bec Alto, Piano
2
Piccolo, Piano
2
Instruments en Mib
2
Quatuor de Flûtes : 4 flûtes
2
3 Clarinettes (trio)
2
Ensemble de Flûtes
2
Flûte à Bec
2
2 Hautbois (duo)
1
Hautbois
1
Flûte à bec Alto
1
3 Saxophones (trio)
1
Ensemble De Flûte à bec
1
Cor anglais, Piano
1
2 Flûte à bec (duo)
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Saxophone Soprano
1
+ 43 instrumentations
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Cuivres
Trompette (partie séparée)
52
Trompette
47
Trombone
44
Trombone (partie séparée)
43
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
37
Quatuor de Cuivres : 2 trompettes, trombone, tuba
30
Cor (partie séparée)
16
Trombone et Piano
11
Cor
9
Tuba (partie séparée)
8
2 Trombones (duo)
8
Cor et Piano
6
2 Trompettes (duo)
5
Trompette, Piano
5
Euphonium, Piano (duo)
4
Cornet A Pistons
3
Quatuor de Cuivres
3
Tuba et Piano
3
Ensemble de Trombones
2
2 Euphoniums et 2 Tubas
2
3 Trombones (trio)
2
Instruments en Sib
2
Trompette, Trombone (duo)
2
Instruments en Fa
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Quatuor de cuivres: 4 trombones
1
Cor anglais, Piano
1
Quatuor de cuivres: 4 cors
1
Ensemble de Tubas
1
4 Tubas
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Trio de Cuivres
1
2 Cors (duo)
1
Bass Clef Instruments
1
+ 29 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
28
Violon
20
Violoncelle
12
Violon et Piano
12
Contrebasse (partie séparée)
10
Alto seul
10
Alto, Piano
8
Trio à Cordes: violon, alto, violoncelle
7
Violoncelle, Piano
7
Violon (partie séparée)
5
2 Violoncelles (duo)
4
2 Violons (duo)
4
Contrebasse, Piano (duo)
3
Violon, Violoncelle (duo)
3
Harpe
3
Alto (partie séparée)
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Trio à Cordes: 2 violons, violoncelle
1
2 Altos (duo)
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
+ 15 instrumentations
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Orchestre & Percussions
Ensemble Jazz
117
Orchestre d'harmonie
110
Ensemble de cuivres
42
Fanfare
29
Orchestre
27
Percussion (partie séparée)
17
Batterie
12
Batterie (partie séparée)
11
Jazz combo
11
Orchestre à Cordes
10
Big band
8
Orchestre de chambre
5
Cloches
4
Timbales (partie séparée)
4
Percussion
2
Instrumentation Flexible
1
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--INSTRUMENTS--
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Vous avez sélectionné:
Chicago!
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Partitions à imprimer
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My Kind Of Town (Chicago Is) (High Voice)
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Voix haute
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Comédie Musicale
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Jazz
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Frank Sinatra
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My Kind Of Town
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Hal Leonard - Digital
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SheetMusicPlus
(High Voice) - SKU: HX.470455 By Frank Sinatra. Broadway,Jazz,Standards. Real Book - Melody/Chords/Lyrics. 2 pages. Published by Hal Leonard - Digital (...
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(High Voice) - SKU: HX.470455 By Frank Sinatra. Broadway,Jazz,Standards. Real Book - Melody/Chords/Lyrics. 2 pages. Published by Hal Leonard - Digital (HX.470455).
$1.99
And All That Jazz (from Chicago) (High Voice)
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Voix haute
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Comédie Musicale
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And All That Jazz
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Hal Leonard - Digital
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SheetMusicPlus
(High Voice) - SKU: HX.470575 Broadway,Musical/Show. Real Book - Melody/Chords/Lyrics. 3 pages. Published by Hal Leonard - Digital (HX.470575).
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(High Voice) - SKU: HX.470575 Broadway,Musical/Show. Real Book - Melody/Chords/Lyrics. 3 pages. Published by Hal Leonard - Digital (HX.470575).
$1.99
The Unquiet Grave from American Death Ballads (Downloadable)
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Voix haute
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David Conte
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The Unquiet Grave from America
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
High voice and piano - Moderately Difficult - SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer M...
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High voice and piano - Moderately Difficult - SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8454-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8454-2E). English.American Death Ballads was composed especially for tenor Brian Thorsett. We have been frequent collaborators since 2011, when he premiered the complete set of my Three Settings of W. B. Yeats for string quartet and tenor. At his urging, I transcribed and published my Three Poems of Christina Rossetti (originally for medium voice) for high voice, which he premiered at the San Francisco Conservatory in 2014. American Death Ballads was premiered by him at the San Francisco Conservatory, November 1, 2015, with pianist John Churchwell, and at the National Association of Teachers of Singing (NATS) Conference in Chicago, July 10, 2016, with pianist Warren Jones.The choice of texts for my American Death Ballads was inspired partly by Copland’s Old American Songs, which I deeply admire, but more by my dear friend and colleague the late Conrad Susa’s Two Murder Ballads. The ingenuity of Susa’s accompaniments for his ballads in imagining anew the original source material owes a great deal to Copland’s accompaniment for his songs. Though the content of my songs is completely original and not based on preexisting melodies, I have tried to expand on this further, as the texts are much longer, and go through many different moods and characters. The four texts I chose include stories about murder, death, and dying. Though two of the texts were written in England, they traveled to the colonies almost immediately. The subjects of the texts had spent time in America, and their stories were well known to Americans.Wicked Polly is a cautionary tale. Polly has lived a dissolute and immoral life, saying, 'I'll turn to God when I grow old.' Suddenly taken ill, she realizes that it is too late to repent. She dies in agony and is presumably sent to hell; young people are advised to heed. My musical setting is stately and preacherly in character for the narrator; for Polly it becomes pleading and remorseful. The Unquiet Grave was brought to the attention of Alan Lomax, the great American field collector of folk music, by English folk singer Shirley Collins. The text is taken from an English folk song dating from 1400. In The Unquiet Grave, a young man mourns his dead lover too fervently and prevents her from obtaining peace. The dead woman complains that his weeping is keeping her from peaceful rest. He begs a kiss; she tells him it would kill him. When he persists, wanting to join her in death, she explains that once they were both dead their hearts would simply decay, and that he should enjoy life while he has it. My setting is in a flowing Andante with a rocking accompaniment. Three voices are delineated here: the narrator, the mournful lover, and the dead lover speaking from the grave. The Dying Californian first appeared in the New England Diadem in 1854. Its lyrics are based on a letter from a New Englander’s sailor to his brother who is dying at sea while on the way to California to seek his fortune in the California gold fields. He implores his brother to impart his message to his father, mother, wife, and children. My setting opens with the singer alone in a moderate dirge tempo, then, joined by the piano, moves through many tonalities and moods before ending with supreme confidence as the speaker 'gained a port called Heaven/Where the gold will never rust.'Captain Kidd was a Scottish sailor who was tried and executed for piracy and murder in 1701. The American connection to this ballad is that Kidd escaped to America and for a time lived in New York and Boston, though he was a wanted criminal by the British authorities and was extradited to Britain, where he was hung at 'Executioner’s Dock.' The lyric was printed in Britain in 1701, traveling to the colonies almost immediately. Though the didactic tone of the text is similar to Wicked Polly, it expresses no regret until the final lines: 'Take warning now by me, and shun bad company, / Lest you come to hell with me, for I must die.' My setting is fast and spirited, expressing the confidence of a man who lived life as he wanted. -David Conte.
$3.50
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