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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Eight Songs
Non classifié
294
Piano & claviers
Piano, Voix
89
Piano seul
70
Accompagnement Piano
28
Piano Facile
24
Piano, Voix et Guitare
10
Orgue
5
Piano grosses notes
3
Accordéon
2
Piano Trio: piano, violon, violoncelle
1
Ensemble d'Accordéons
1
Piano Quatuor: piano, violon, alto, violoncelle
1
Instruments en Do
1
+ 7 instrumentations
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Guitares
Guitare notes et tablatures
3
Ukulele
2
Guitare
1
Mandoline
1
Voix
Chorale SATB
22
Chorale 3 parties
6
Voix haute
4
Chorale TTBB
3
Voix basse, Piano
2
Voix duo, Piano
2
Chorale 2 parties
2
Chorale SSAA
2
Chorale Unison
1
Voix Alto, Piano
1
Voix Mezzo-Soprano, Piano
1
Voix Baryton, Piano
1
Voix Soprano
1
+ 8 instrumentations
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Vents
Flûte, Violon, Piano
45
2 Saxophones (duo)
15
Clarinette et Piano
7
2 Flûtes traversières (duo)
6
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
6
Ensemble De Flûte à bec
6
Hautbois, Piano (duo)
5
Clarinette, Trompette (duo)
5
Flûte traversière et Piano
5
Flûte, Hautbois, Clarinette, Basson
4
2 Clarinettes (duo)
4
Clarinette
4
Saxophone Soprano et Piano
4
Hautbois, Basson (duo)
4
Saxophone, Clarinette (duo)
4
Quatuor de Saxophones: 4 saxophones
4
Saxophone Alto et Piano
4
Saxophone Tenor et Piano
3
Saxophone Alto
3
Clarinette, Violon (duo)
3
Flûte, Violon
3
Quatuor de Flûtes à bec
3
2 Flûte à bec (duo)
3
Hautbois, Clarinette (duo)
3
Flûte, Trompette (duo)
3
Flûte traversière
2
2 Saxophones, Piano
2
Clarinette, Basson (duo)
2
Hautbois (partie séparée)
2
Flûte, Clarinette (duo)
2
Hautbois, Flûte
2
2 Hautbois (duo)
2
Clarinette et Alto
2
Quintette de Clarinettes: 5 clarinettes
2
5 Flûtes à bec
1
Flûte à bec Tenor
1
Flûte et Guitare
1
Saxophone (partie séparée)
1
Flûte, Basson et Piano
1
Flûte à bec Soprano
1
Flûte, Clarinette, Piano (trio)
1
Saxophone Baryton, Piano
1
Ensemble de saxophones
1
Cor anglais, Piano
1
Flûte, Hautbois, Piano (trio)
1
3 Flûtes à bec (trio)
1
Flûte, Trombone (duo)
1
Hautbois, Basson et Piano
1
Saxophone Tenor
1
Flûte irlandaise
1
Flûte, Saxophone (duo)
1
Clarinette, Basson, Piano (trio)
1
2 Flûtes à bec, Piano
1
Quatuor de Clarinettes: 4 clarinettes
1
Quintette de Saxophone: 5 saxophones
1
Hautbois, Clarinette et Piano (Trio)
1
+ 51 instrumentations
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Cuivres
Trombone et Piano
17
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
13
Tuba et Piano
5
Cor et Piano
4
Trompette, Saxophone (duo)
4
Trompette
3
Quatuor de Cuivres
3
Euphonium, Piano (duo)
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Trompette, Trombone (duo)
2
Trompette, Piano
2
2 Cors (duo)
2
Quatuor de Cuivres : 2 trompettes, trombone, tuba
2
2 Trombones (duo)
1
Cor anglais, Piano
1
Quatuor de cuivres: 4 trombones
1
Trombone
1
Ensemble de Tubas
1
Euphonium, Tuba (duo)
1
Ensemble de Trompettes
1
3 Trombones (trio)
1
2 Trompettes (duo)
1
+ 17 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
20
Alto, Piano
16
Violon et Piano
16
Violoncelle, Piano
14
Harpe
12
Violon
5
Violon, Violoncelle (duo)
5
Violoncelle
3
2 Harpes (duo)
3
Alto seul
3
2 Violons (duo)
2
Violon, Alto (duo)
2
2 Altos (duo)
2
Trio à Cordes: violon, alto, violoncelle
1
Contrebasse, Piano (duo)
1
Alto, Violoncelle (duo)
1
Trio à Cordes: 2 violons, violoncelle
1
Contre Basse
1
4 Violoncelles
1
Trio à Cordes: 3 violoncelles
1
2 Violoncelles (duo)
1
+ 16 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
76
Cloches
20
Orchestre à Cordes
11
Orchestre
4
Ensemble de cuivres
3
Orchestre de chambre
2
Jazz combo
2
Batterie
2
Xylophone, Piano
1
Percussion
1
Caisse Claire
1
+ 6 instrumentations
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FLUTE A DIX…
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FORMATION M…
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GUITARE PED…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
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CLOCHES
COR
COR ANGLAIS
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CORNET
DEEJAY
DIDGERIDOO
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EUPHONIUM
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FLUTE TRAVERSI…
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Vous avez sélectionné:
Eight Songs
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Idylls - five songs for solo high voice (soprano or tenor) and piano, based upon poems by Alfred, Lo
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Voix haute
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INTERMÉDIAIRE/AVANCÉ
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Stuart Brown
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Idylls - five songs for solo h
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Stuart Brown Music
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SheetMusicPlus
High Voice,Vocal Solo - Level 4 - SKU: A0.835449 Composed by Stuart Brown. 20th Century,Contemporary,Spiritual. 37 pages. Stuart Brown Music #4285583. P...
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High Voice,Vocal Solo - Level 4 - SKU: A0.835449 Composed by Stuart Brown. 20th Century,Contemporary,Spiritual. 37 pages. Stuart Brown Music #4285583. Published by Stuart Brown Music (A0.835449). If you are looking for a genuinely beautiful and rewarding work for solo voice and piano, to fill a 20-minute time slot, then Idylls is for you. It provides an opportunity for both singer and pianist to demonstrate an ability to communicate a wide range of emotions. It is particularly satisfying for the pianist, whose part is anything but subservient to the vocal line and provides an opportunity to shine. At notated tempo the work lasts just under 18 minutes; the concert première performance (in January 2019) lasted just short of 20 minutes because of the slower tempo at which the performers chose to take the fourth song.While intended primarily for the concert platform, Idylls contains some profoundly Christian themes that may make it suitable also for church use in an appropriate context.Although intended for professional use, Idylls may be within the technical capability of advanced high school students, noting that the third song ('Of old sat Freedom on the heights') has a piano part that was described as 'challenging' by the professional pianist who first performed it in public (Jonathan Ellis, January 12th, 2019).As noted above, Idylls can work for church services in various contexts, although not all of the songs are necessarily appropriate to the same context. The lyrics themselves provide the best guidance in this respect.From observing the rehearsal sessions of the two professionals who first performed the work (Chen Wang and Jonathan Ellis), the composer suggests that none of the songs - however apparently straightforward - should be taken for granted. There are nuances in all of them that require careful attention to timing and pitch. The vocal entries in the opening song require careful attention to pitch. In the second song concentrate on the timing and making it sound as light and dance-like as possible. The third song requires the singer to keep an E-flat in mind at all times (in order to pitch entries) and to sing to strict meter regardless of what the pianist is playing. The fourth song requires both grace and intensity. Pitch is the main issue, particularly some of the B-natural entries; pay special attention to timing in the first verse. The fifth and final song is melodically straightforward; pay attention to timing in the second verse.Stuart Brown composed Idylls in early 2015 specifically for the London-based Chinese soprano Chen Wang. She performed it in public for the first time, accompanied by Manchester-based pianist Jonathan Ellis, at a concert in the southwest of England in January 2019.Performing rights are handled in the UK by PRS for Music, in Canada by SOCAN, in the USA by ASCAP, BMI and SESAC. The full list of arrangements can be found at www.prsformusic.com/our-global-network/partnersAll contact and other information (including lyrics) can be found on the composer's website at https://stuartbrownmusic.com/discover-11.html
$7.74
Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition (D major, extra-high key)
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Voix haute
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AVANCÉ
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Strauss - Zueignung from Acht
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Nicole Elyse DiPaolo
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SheetMusicPlus
High Voice,Vocal Solo - Level 5 - SKU: A0.1329064 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period....
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High Voice,Vocal Solo - Level 5 - SKU: A0.1329064 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period. 3 pages. Nicole Elyse DiPaolo #917034. Published by Nicole Elyse DiPaolo (A0.1329064). The first of its kind, and the first entry in the Accessible Accompaniments library’s collection of small-hand-optimized song literature publications, this is Richard Strauss’s beloved “Zueignung,†from Acht Gedichte, op. 10 (1885), optimized (but not simplified) for the needs of collaborative pianists with small hands. “Small†is generally understood to be just an octave in span, with limited capacity to grab chord tones within a blocked octave aside from the occasional inner fifth.This edition was inspired by Boosey’s excellent small-hand edition of Frank Bridge’s “Love Went A-Riding†(erroneously labeled “simplified†on the front matter), which thins the large chords that would be problematic or impossible for a barely-an-8ve-reach collaborative pianist to play without adding musically inappropriate rolls or breaks, but also preserves the musical content and grammatically accurate voice-leading. Given that Strauss’s op. 10 collection is much more widespread on today’s concert programs than the Bridge, and given that average conservatory pianist heights and hand sizes have dropped significantly in the 20th and 21st centuries, the need for a similar adaptation in at least some of the op. 10 songs is obvious. Additionally, Strauss’s songs are often so orchestral in spirit—much more so than the Bridge—that the instinct to treat them as orchestral reductions to be adapted by each individual player should be as self-evident and considered as musically appropriate as it would be for any of Strauss’s beloved horn concerti. Performers should feel free to insert their own adaptations, additions, and omissions to this score as needed.The primary source material for this edition is Henle’s edition of the Acht Gedichte. However, any proprietary material that is not public domain (like their fingerings, front matter, and critical notes) is left out of this edition, leaving only what is public domain and edited by Ms. DiPaolo. Unreasonably large chords and arpeggio figures that would require being reachable by a larger hand have been condensed into figures more appropriate for the just-an-octave hand without sacrificing technique and excitement. This edition makes minor improvements to the engraving, like removing syllabic beaming in the voice and adding octave lines when appropriate. This edition also uses Accessible Accompaniments’ distinctive house style, marked by its visual beauty and ease of reading.While this song will be published in low, middle, and high keys for your convenience, please feel free to request another transposition if you are purchasing from a site that does not offer automatic transposition or you don’t see the key that you need. As the name says, Accessible Accompaniments is committed to accessibility—and that goes for singers, too!
$6.99
Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition (C major, high key)
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Voix haute
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AVANCÉ
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Strauss - Zueignung from Acht
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Nicole Elyse DiPaolo
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SheetMusicPlus
High Voice,Vocal Solo - Level 5 - SKU: A0.1327769 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period....
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High Voice,Vocal Solo - Level 5 - SKU: A0.1327769 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period. 3 pages. Nicole Elyse DiPaolo #915810. Published by Nicole Elyse DiPaolo (A0.1327769). The first of its kind, and the first entry in the Accessible Accompaniments library’s collection of small-hand-optimized song literature publications, this is Richard Strauss’s beloved “Zueignung,†from Acht Gedichte, op. 10 (1885), optimized (but not simplified) for the needs of collaborative pianists with small hands. “Small†is generally understood to be just an octave in span, with limited capacity to grab chord tones within a blocked octave aside from the occasional inner fifth.This edition was inspired by Boosey’s excellent small-hand edition of Frank Bridge’s “Love Went A-Riding†(erroneously labeled “simplified†on the front matter), which thins the large chords that would be problematic or impossible for a barely-an-8ve-reach collaborative pianist to play without adding musically inappropriate rolls or breaks, but also preserves the musical content and grammatically accurate voice-leading. Given that Strauss’s op. 10 collection is much more widespread on today’s concert programs than the Bridge, and given that average conservatory pianist heights and hand sizes have dropped significantly in the 20th and 21st centuries, the need for a similar adaptation in at least some of the op. 10 songs is obvious. Additionally, Strauss’s songs are often so orchestral in spirit—much more so than the Bridge—that the instinct to treat them as orchestral reductions to be adapted by each individual player should be as self-evident and considered as musically appropriate as it would be for any of Strauss’s beloved horn concerti. Performers should feel free to insert their own adaptations, additions, and omissions to this score as needed.The primary source material for this edition is Henle’s edition of the Acht Gedichte. However, any proprietary material that is not public domain (like their fingerings, front matter, and critical notes) is left out of this edition, leaving only what is public domain and edited by Ms. DiPaolo. Unreasonably large chords and arpeggio figures that would require being reachable by a larger hand have been condensed into figures more appropriate for the just-an-octave hand without sacrificing technique and excitement. This edition makes minor improvements to the engraving, like removing syllabic beaming in the voice and adding octave lines when appropriate. This edition also uses Accessible Accompaniments’ distinctive house style, marked by its visual beauty and ease of reading.While this song will be published in low, middle, and high keys for your convenience, please feel free to request another transposition if you are purchasing from a site that does not offer automatic transposition or you don’t see the key that you need. As the name says, Accessible Accompaniments is committed to accessibility—and that goes for singers, too!
$6.95
The Last Great American Dynasty
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Voix haute
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INTERMÉDIAIRE
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Pop musique
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Taylor Swift
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Kelvin Reed
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The Last Great American Dynast
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Kelvin Reed
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SheetMusicPlus
High Voice,Vocal Solo - Level 3 - SKU: A0.921989 By Taylor Swift. By Aaron Dessner and Taylor Swift. Arranged by Kelvin Reed. Pop. 12 pages. Kelvin Reed...
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High Voice,Vocal Solo - Level 3 - SKU: A0.921989 By Taylor Swift. By Aaron Dessner and Taylor Swift. Arranged by Kelvin Reed. Pop. 12 pages. Kelvin Reed #6021555. Published by Kelvin Reed (A0.921989). This great new work of art from Taylor Swift is found on her eighth album, Folklore. The entire album was released on July 24, 2020 in the midst of the COVID-19 Pandemic. The songs debuted at the top of the charts, breaking numerous records. Enjoy this intermediate level piece, featuring an all new key, allowing for a higher voicing.
$4.99
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Eight Songs
