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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
End of War
Non classifié
1 663
Piano & claviers
Piano seul
950
Piano, Voix
317
Piano Facile
254
Orgue
247
Instruments en Do
140
Piano, Voix et Guitare
133
Accordéon
50
Piano Trio: piano, violon, violoncelle
30
1 Piano, 4 mains
18
2 Pianos, 4 mains
15
Accompagnement Piano
15
Piano Quatuor: piano, violon, alto, violoncelle
12
Orgue, Piano (duo)
9
Piano Quintette: piano, 2 violons, alto, violoncelle
4
Piano Quatuor: piano, 2 violons, violoncelle
3
Piano (partie séparée)
2
2 Accordéons
1
Clavecin
1
+ 13 instrumentations
Retracter
Guitares
Guitare
105
Guitare notes et tablatures
104
Ligne De Mélodie, (Paroles) et Accords
24
Basse electrique
15
Ukulele
14
Mandoline
8
2 Guitares (duo)
7
Piano, Guitare (duo)
6
4 Guitares (Quatuor)
6
Paroles et Accords
5
Banjo
4
Mandoline, Guitare (duo)
3
Guitare (partie séparée)
3
Dulcimer
3
3 Guitares (trio)
2
Ensemble de guitares
1
+ 11 instrumentations
Retracter
Voix
Chorale SATB
801
Chorale 3 parties
162
Chorale 2 parties
105
Chorale TTBB
80
Chorale Unison
57
Chorale SSAA
46
Voix duo, Piano
23
Voix duo
22
Pack Instrumental pour Chorale
20
Voix haute
9
Voix Soprano, Piano
9
Voix basse, Piano
6
Voix seule
5
Voix Alto, Piano
5
Voix Baryton, Piano
4
Voix Mezzo-Soprano, Piano
4
Voix Tenor, Piano
2
Voix Tenor
2
Voix Soprano
2
Voix moyenne, Piano
2
Voix, Guitare
1
Chorale SSATTB
1
+ 17 instrumentations
Retracter
Vents
Flûte traversière et Piano
111
Quatuor de Saxophones: 4 saxophones
102
Hautbois, Piano (duo)
102
Clarinette et Piano
97
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
91
Flûte, Hautbois, Clarinette, Basson
84
Quatuor de Clarinettes: 4 clarinettes
75
Clarinette
74
Saxophone Alto et Piano
70
Saxophone Tenor et Piano
59
2 Flûtes traversières (duo)
57
Flûte traversière
56
Quatuor de Flûtes : 4 flûtes
56
Saxophone (partie séparée)
43
Saxophone Alto
43
Saxophone Soprano et Piano
38
Quintette de Saxophone: 5 saxophones
37
Saxophone
36
Hautbois (partie séparée)
34
Saxophone Baryton, Piano
32
Flûte et Guitare
32
2 Clarinettes (duo)
32
Saxophone Tenor
32
Ensemble de Clarinettes
30
2 Saxophones (duo)
28
Hautbois
24
Flûte, Clarinette (duo)
22
Clarinette, Guitare (duo)
21
Cor anglais, Piano
20
Quintette de Clarinettes: 5 clarinettes
19
Clarinette, Violon (duo)
18
3 Saxophones (trio)
17
Ensemble de Flûtes
17
Hautbois, Clarinette (duo)
16
Ensemble de saxophones
16
Flûte, Violoncelle
15
Flûte, Clarinette et Basson
15
Hautbois, Violoncelle
15
2 Hautbois (duo)
14
Flûte, Violon
13
Clarinette et Alto
13
Clarinette (partie séparée)
13
Clarinette, Violoncelle (duo)
13
Flûte, Alto (duo)
12
Clarinette, Basson (duo)
12
Hautbois, Basson (duo)
12
3 Clarinettes (trio)
12
Flute (partie séparée)
11
Clarinette Basse, Piano
11
Trio de Flûtes: 3 flûtes
10
Flûte à Bec
10
Flûte, Clarinette, Piano (trio)
9
Hautbois et alto (duo)
9
Ocarina
9
Saxophone, Clarinette (duo)
7
Flûte, Hautbois (duo)
7
Cor anglais, Guitare (duo)
7
Flûte à bec Alto
7
Flûte à bec Soprano
7
Quatuor de Flûtes à bec
6
Clarinette, Trompette (duo)
6
Flûte, Basson et Piano
6
Hautbois, violon (duo)
6
Flûte à bec Alto, Piano
5
Clarinette, Violoncelle, Piano (trio)
5
Flûte, Violon et Violoncelle
5
Flûte, Violoncelle, Piano (trio)
5
Saxophone et Guitare
5
Flûte, Hautbois, Clarinette (trio)
5
Flûte, Violon, Piano
5
2 Flûtes traversières, Piano
5
Flûte, Violon, Violoncelle et Piano
4
Flûte, Hautbois, Piano (trio)
4
Saxophone Soprano
4
Harmonica
4
Cor Anglais
4
2 Clarinettes, Piano
4
Clarinette, trompette et piano
3
Flûte, Alto et Piano
3
2 Flûte à bec (duo)
3
Flûte à bec Soprano, Piano
3
Flûte, Harpe et Violoncelle
3
Flute, harpe et violon
3
Flûte et Trio à cordes
3
Hautbois, Clarinette, Basson (trio d'anches)
3
Saxophone Baryton
3
Flûte, Saxophone (duo)
3
Hautbois, Violon, Piano
3
Flûte, trombone et piano
3
Quintette de Flûte : 5 flûtes
3
Piccolo, Piano
2
Hautbois, Flûte
2
Saxophone et Orgue
2
Flûte, Hautbois, Basson
1
Clarinette, Contrebasse (duo)
1
Piccolo
1
2 Saxophones, Piano
1
Hautbois, Guitare (duo)
1
5 Flûtes à bec
1
Flûte, Hautbois, Violon
1
3 Flûtes à bec (trio)
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Flûte, Trompette (duo)
1
Flûte, Violon, Guitare
1
Flûte, Violoncelle, Guitare
1
Ensemble à vent
1
+ 101 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
151
Trompette
85
Trombone et Piano
75
Trompette, Piano
64
Quatuor de Cuivres : 2 trompettes, trombone, tuba
55
Trombone
51
Cor et Piano
43
Cor
38
Quatuor de Cuivres
33
Tuba
29
Trombone (partie séparée)
26
Trompette (partie séparée)
26
Euphonium, Piano (duo)
23
Cor anglais, Piano
20
Quatuor de Cuivres: 2 trompettes, Cor, trombone
20
Tuba et Piano
19
Trompette, Trombone (duo)
14
2 Trompettes (duo)
13
2 Trombones (duo)
11
Cor (partie séparée)
10
Quatuor de cuivres: 4 trombones
9
Trio de Cuivres
8
2 Cors (duo)
8
Trompette, Saxophone (duo)
7
Cor, Violoncelle (duo)
7
Ensemble de Trombones
7
Cor anglais, Guitare (duo)
7
Ensemble de Trompettes
6
Euphonium
5
Quatuor de cuivres: 4 cors
5
Trompette, Violoncelle (duo)
5
Tuba (partie séparée)
5
Cor Anglais
4
2 Tubas (duo)
4
Quatuor de cuivres: 4 trompettes
3
Cor et Basson (duo)
3
Euphonium, Tuba (duo)
2
Trompette, Cor (duo)
2
Ensemble de Cors
2
Trombone basse et Piano
2
2 Euphoniums et 2 Tubas
2
Ensemble de Tubas
1
3 Euphoniums
1
Trompette, Trombone, Piano
1
Trombone, Violon (duo)
1
Trompette, Violoncelle et Piano
1
3 Cors (trio)
1
Trompette, Basson (duo)
1
4 Tubas
1
2 Trompettes, Clavier (piano ou orgue)
1
+ 45 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
392
Violon, Violoncelle (duo)
155
Violon et Piano
139
Alto, Piano
116
Violon
102
Violoncelle
97
Violoncelle, Piano
88
Trio à Cordes: 2 violons, violoncelle
81
Alto seul
54
Trio à Cordes: violon, alto, violoncelle
54
Violon, Alto (duo)
52
2 Violoncelles (duo)
47
Harpe
46
2 Violons (duo)
37
Quintette à cordes: 2 violons, alto, violoncelle, basse
35
Violon (partie séparée)
24
Contre Basse
23
Alto (partie séparée)
21
Alto, Violoncelle (duo)
21
Contrebasse, Piano (duo)
18
2 Altos (duo)
17
Violon, Guitare (duo)
14
Contrebasse (partie séparée)
11
Alto, Guitare (duo)
8
Violon, Basson (duo)
8
Alto et Basson
7
2 Harpes (duo)
7
Piano Trio: Violon, Alto, Piano
6
Trio à Cordes: 3 violoncelles
6
Violoncelle (partie séparée)
6
Trio à cordes: 3 violins
5
Violoncelle, Contrebasse (duo)
4
Violoncelle , Guitare (duo)
4
4 Violoncelles
4
Violon, Clarinette, Piano (trio)
4
Harpe, Flûte (duo)
3
Quatuor à cordes: 4 violons
3
Trio à Cordes: 2 violons, alto
2
Harpe, Violon, Violoncelle
2
Harpe, Voix
2
Flûte, Contrebasse (duo)
2
2 Contrebasses (duo)
1
Violon, Basse continue
1
Violon, Tuba (duo)
1
Alto et Harpe
1
Violoncelle, Orchestre
1
2 Violoncelles, Piano
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Quatuor à cordes : 4 altos
1
Harpe, Trombone (duo)
1
Alto et orchestre
1
+ 46 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
714
Orchestre
184
Orchestre à Cordes
118
Ensemble de cuivres
110
Ensemble Jazz
82
Orchestre de chambre
57
Cloches
43
Jazz combo
18
Fanfare
16
Ensemble de Percussions
11
Marimba
11
Percussion (partie séparée)
9
Xylophone, Piano
7
Batterie
6
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
4
Vibraphone
4
Xylophone
3
Batterie (partie séparée)
2
Vibraphone et Marimba
1
Quintette de Cuivres: autres combinaisons
1
Percussion
1
Piano et Orchestre
1
Timbales (partie séparée)
1
2 Xylophones
1
Orchestre, Violon
1
+ 20 instrumentations
Retracter
Autres
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Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
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CONTEMPORAIN - NEW A…
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ENFANTS : EVEIL - IN…
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FLAMENCO
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FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
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JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
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PUNK
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End of War
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Partitions à imprimer
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1
Soprano Aria When there is my mansion by the Sea... from the opera On the Wings of the Scarlet Messe
Voix haute
High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.730185 Composed by James…
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High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.730185 Composed by James Nathaniel Holland. Broadway,Contemporary,Musical/Show,Opera. 9 pages. James Nathaniel Holland #370921. Published by James Nathaniel Holland (A0.730185). Mariana's (Soprano) Aria When there is my mansion by the sea... from On the Wings of the Scarlet Messenger An Opera in 4 Acts, Based on the Henry James novel, On the Wings of a Dove Music, Adaptation and Libretto by James Nathaniel Holland Composer website: http://www.lacoronadelossantos.net/jamesnathanielholland.html YouTube presentation: https://www.youtube.com/watch?v=dl4l8KeTfic A beautiful and virtuosic contemporary aria for a Gilda Rigoletto type lyric soprano with orchestral accompaniment. Has never been premiered before.Setting: The Fictional Southeast Asian island of Soon Rafa, present day, night, the garden behind Leila's mansion. Mariana (Soprano) niece and ward of her rich Aunt Leila. She cannot marry her love, Kai (bass), due to his lack of money. Mariana has just received a tongue lashing from her Aunt Leila in front of Leila's friends and has left for the garden. Alone and frustrated, Mariana sings of the day when she will have the freedom to do what she wants and execute revenge on all her critics. Fits requirement for contemporary aria in English.Duration: 5:15 Range: C4 to C6
$4.95
4.56 €
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Voix haute
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James Nathaniel Holland
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Soprano Aria When there is my mansion by the Sea... from the opera On the Wings of the Scarlet Messe
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James Nathaniel Holland
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SheetMusicPlus
Serenade - Ständchen - Schwanengesang, D. 957 No. 4 (Duet for Voice and Piano)
Voix haute
High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.597338 By Franz Schubert…
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High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.597338 By Franz Schubert. By Franz Schubert. Arranged by Flavio Regis Cunha. Romantic Period. 8 pages. Flavio Regis Cunha #5725037. Published by Flavio Regis Cunha (A0.597338). Schwanengesang (swan song), D 957, is a collection of songs written by Franz Schubert towards the end of his life and published posthumously.The collection was named by its first editor, Tobias Haslinger, probably intending to present it as Schubert's final musical testament to the world. Unlike earlier Die schöne Müllerin and Winterreise, it contains settings by three poets, Ludwig Rellstab (1799–1860), Heinrich Heine (1797–1856) and Johann Gabriel Seidl (1804–1875). Schwanengesang was composed in 1828 and published in 1829 just a few months after the composer's death on 19 November 1828.Advanced Intermediate.Format: Concert, 9 x 12.8 pages.
$5.99
5.51 €
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Voix haute
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Franz Schubert
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Flavio Regis Cunha
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Serenade - Ständchen - Schwanengesang, D. 957 No. 4
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Flavio Regis Cunha
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SheetMusicPlus
God So Loved the World (Solo voice version)
Voix haute
High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.998804 Composed by Rober…
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High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.998804 Composed by Robert A. Howard. 21st Century,Easter,Lent,Praise & Worship,Sacred. 3 pages. Robert A. Howard #6064397. Published by Robert A. Howard (A0.998804). This is a simple E minor setting of the familiar Good Friday words, using a repeated binary structure, almost in the manner of an alternating verse/chorus form. The piece is a counterpart to Howard's own 2016 setting of the Ave Verum Corpus, with which it shares the same key (also available via Sheet Music Plus). The chorus displays a clearly morose yearning in its appoggiaturas, upward leap and consequent falling phrase. By contrast, the verse is almost a recitative, featuring tense repetitions on one tone above a series of chromatically descending triads and pedal point. The piece is appropriate for most standards of solo soprano or tenor. The accompaniment can be on piano or organ. Two other versions of this piece, for SATB choir, and for SA choir, are also available from Sheet Music Plus.
$2.99
2.75 €
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Voix haute
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contrast, the verse is almost a recitative, featuring tense repetitions on one tone above a series of chromatically descending triads and pedal point
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Robert A
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God So Loved the World
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Robert A. Howard
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SheetMusicPlus
The Unquiet Grave from American Death Ballads (Downloadable)
Voix haute
High voice and piano - Moderately Difficult - Digital Download SKU: MQ.8454-2E Comp…
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High voice and piano - Moderately Difficult - Digital Download SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8454-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8454-2E). English.American Death Ballads was composed especially for tenor Brian Thorsett. We have been frequent collaborators since 2011, when he premiered the complete set of my Three Settings of W. B. Yeats for string quartet and tenor. At his urging, I transcribed and published my Three Poems of Christina Rossetti (originally for medium voice) for high voice, which he premiered at the San Francisco Conservatory in 2014. American Death Ballads was premiered by him at the San Francisco Conservatory, November 1, 2015, with pianist John Churchwell, and at the National Association of Teachers of Singing (NATS) Conference in Chicago, July 10, 2016, with pianist Warren Jones.The choice of texts for my American Death Ballads was inspired partly by Copland’s Old American Songs, which I deeply admire, but more by my dear friend and colleague the late Conrad Susa’s Two Murder Ballads. The ingenuity of Susa’s accompaniments for his ballads in imagining anew the original source material owes a great deal to Copland’s accompaniment for his songs. Though the content of my songs is completely original and not based on preexisting melodies, I have tried to expand on this further, as the texts are much longer, and go through many different moods and characters. The four texts I chose include stories about murder, death, and dying. Though two of the texts were written in England, they traveled to the colonies almost immediately. The subjects of the texts had spent time in America, and their stories were well known to Americans.Wicked Polly is a cautionary tale. Polly has lived a dissolute and immoral life, saying, 'I'll turn to God when I grow old.' Suddenly taken ill, she realizes that it is too late to repent. She dies in agony and is presumably sent to hell; young people are advised to heed. My musical setting is stately and preacherly in character for the narrator; for Polly it becomes pleading and remorseful. The Unquiet Grave was brought to the attention of Alan Lomax, the great American field collector of folk music, by English folk singer Shirley Collins. The text is taken from an English folk song dating from 1400. In The Unquiet Grave, a young man mourns his dead lover too fervently and prevents her from obtaining peace. The dead woman complains that his weeping is keeping her from peaceful rest. He begs a kiss; she tells him it would kill him. When he persists, wanting to join her in death, she explains that once they were both dead their hearts would simply decay, and that he should enjoy life while he has it. My setting is in a flowing Andante with a rocking accompaniment. Three voices are delineated here: the narrator, the mournful lover, and the dead lover speaking from the grave. The Dying Californian first appeared in the New England Diadem in 1854. Its lyrics are based on a letter from a New Englander’s sailor to his brother who is dying at sea while on the way to California to seek his fortune in the California gold fields. He implores his brother to impart his message to his father, mother, wife, and children. My setting opens with the singer alone in a moderate dirge tempo, then, joined by the piano, moves through many tonalities and moods before ending with supreme confidence as the speaker 'gained a port called Heaven/Where the gold will never rust.'Captain Kidd was a Scottish sailor who was tried and executed for piracy and murder in 1701. The American connection to this ballad is that Kidd escaped to America and for a time lived in New York and Boston, though he was a wanted criminal by the British authorities and was extradited to Britain, where he was hung at 'Executioner’s Dock.' The lyric was printed in Britain in 1701, traveling to the colonies almost immediately. Though the didactic tone of the text is similar to Wicked Polly, it expresses no regret until the final lines: 'Take warning now by me, and shun bad company, / Lest you come to hell with me, for I must die.' My setting is fast and spirited, expressing the confidence of a man who lived life as he wanted. -David Conte.
$3.50
3.22 €
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David Conte
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The Unquiet Grave from American Death Ballads
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Does It Matter?
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High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.767060 Composed by Mike …
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High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.767060 Composed by Mike Lyons. 20th Century,Contemporary. 18 pages. Lyons Music Services #238419. Published by Lyons Music Services (A0.767060). This song was written in response to Siegfried Sassoon's well-known war poem of the same title. I have tried to emulate the ironic tone of Sassoon's descriptions of the treatment of wounded and damaged men by the society for whom they have been fighting. This is as current a topic today as it was 50 years ago. The song is short at just under 2 minutes, but demands some difficult techniques from both singer and pianist. The vocal line, in particular, will need good control of breathing and pitch in the sliding arpeggio on the Ah!! after letter B and the line And people won't say that you're mad. The sudden ending is quite deliberate and the final bar rest should be counted in full. The listener should expect more, but there isn't anything more to say - we treat our soldiers badly!
$3.99
3.67 €
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Mike Lyons
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Does It Matter?
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Lyons Music Services
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SheetMusicPlus
Three Cautionary Tales (Hilaire Belloc)
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High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.1026395 Composed by Laur…
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High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.1026395 Composed by Laurence Panter. Children,Concert,Contemporary. 17 pages. Laurence Panter #6131423. Published by Laurence Panter (A0.1026395). Settings for voice and piano, comprising:Henry King (Who chewed bits of string, and was early cut off in Dreadful agonies)Sarah Byng, (Who Could Not Read and Was Tossed into a Thorny Hedge by a Bull)Rebecca (Who Slammed Doors For Fun And Perished Miserably)Light-hearted verses warning against bad behaviour - perfect to end recitals or to complement other comedic pieces!
$9.99
9.19 €
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Laurence Panter
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Three Cautionary Tales
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Laurence Panter
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SheetMusicPlus
Idylls - five songs for solo high voice (soprano or tenor) and piano, based upon poems by Alfred, Lo
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High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.835449 Composed by Stuar…
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High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.835449 Composed by Stuart Brown. 20th Century,Contemporary,Spiritual. 37 pages. Stuart Brown Music #4285583. Published by Stuart Brown Music (A0.835449). If you are looking for a genuinely beautiful and rewarding work for solo voice and piano, to fill a 20-minute time slot, then Idylls is for you. It provides an opportunity for both singer and pianist to demonstrate an ability to communicate a wide range of emotions. It is particularly satisfying for the pianist, whose part is anything but subservient to the vocal line and provides an opportunity to shine. At notated tempo the work lasts just under 18 minutes; the concert première performance (in January 2019) lasted just short of 20 minutes because of the slower tempo at which the performers chose to take the fourth song.While intended primarily for the concert platform, Idylls contains some profoundly Christian themes that may make it suitable also for church use in an appropriate context.Although intended for professional use, Idylls may be within the technical capability of advanced high school students, noting that the third song ('Of old sat Freedom on the heights') has a piano part that was described as 'challenging' by the professional pianist who first performed it in public (Jonathan Ellis, January 12th, 2019).As noted above, Idylls can work for church services in various contexts, although not all of the songs are necessarily appropriate to the same context. The lyrics themselves provide the best guidance in this respect.From observing the rehearsal sessions of the two professionals who first performed the work (Chen Wang and Jonathan Ellis), the composer suggests that none of the songs - however apparently straightforward - should be taken for granted. There are nuances in all of them that require careful attention to timing and pitch. The vocal entries in the opening song require careful attention to pitch. In the second song concentrate on the timing and making it sound as light and dance-like as possible. The third song requires the singer to keep an E-flat in mind at all times (in order to pitch entries) and to sing to strict meter regardless of what the pianist is playing. The fourth song requires both grace and intensity. Pitch is the main issue, particularly some of the B-natural entries; pay special attention to timing in the first verse. The fifth and final song is melodically straightforward; pay attention to timing in the second verse.Stuart Brown composed Idylls in early 2015 specifically for the London-based Chinese soprano Chen Wang. She performed it in public for the first time, accompanied by Manchester-based pianist Jonathan Ellis, at a concert in the southwest of England in January 2019.Performing rights are handled in the UK by PRS for Music, in Canada by SOCAN, in the USA by ASCAP, BMI and SESAC. The full list of arrangements can be found at www.prsformusic.com/our-global-network/partnersAll contact and other information (including lyrics) can be found on the composer's website at https://stuartbrownmusic.com/discover-11.html
$7.74
7.12 €
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Stuart Brown
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Idylls - five songs for solo high voice
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Stuart Brown Music
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SheetMusicPlus
This Nearly Was Mine from South Pacific
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High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.790001 Composed by Richa…
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High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.790001 Composed by Richard Rodgers. Arranged by W. Brent Sawyer. Broadway,Musical/Show. 15 pages. Diamond S Music #3533727. Published by Diamond S Music (A0.790001). THIS NEARLY WAS MINE from South Pacific. For SOLO VOICE (Tenor or Soprano) AND PIANO ACCOMPANIMENT (with optional Double Bass). KEY of Eb. This beautiful and exciting arrangement is from the beloved Rodgers & Hammerstein ground-breaking 1949 Broadway musical, South Pacific. This arrangement begins very simply with the soloist unaccompanied. Then the piano comes in with a dream-like delicacy with expands into a rich and lush accompaniment. The bridge gets a little spicier with a jazz waltz feel and then expands back to a warmth before a final key change that turns into a big theatrical ending. This is sure to be a real crowd pleaser. The piano accompaniment is quite difficult but there are alternate passages included to simplify the most difficult passages. There is an optional BASS part included that would add to the performance. There is no drum part included, but a drummer could easily improvised from the Bass part which would add a lot as well. Other similar arrangements from this publisher can be found at: https://www.sheetmusicplus.com/publishers/diamond-s-music/6940
$8.99
8.27 €
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Richard Rodgers
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W
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This Nearly Was Mine from South Pacific
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Diamond S Music
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SheetMusicPlus
The Lord bless you and keep you (solo/high)
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Composed by John Rutter (1945-). Sheet music. 4 pages. Oxford University Press Digit…
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Composed by John Rutter (1945-). Sheet music. 4 pages. Oxford University Press Digital #9780193550636. Published by Oxford University Press Digital
ISBN 9780193550636.<br> <br> A much-loved setting of the Aaronic Blessing (Numbers 6: 24), this simple but highly expressive work is at once tender and profound. It was composed for a memorial service for Edward T. Chapman, the Director of Music at Highgate School, where John Rutter was a pupil. It is arranged here for solo high voice and piano (which may be adapted for performance on the organ), originally published in Oxford Solo Songs: Sacred. Also available in versions for solo low. voice and piano, SATB and organ/strings, SAB and piano, and SA and piano/organ/strings.ISBN 9780193550636.<br> <br> A much-loved setting of the Aaronic Blessing (Numbers 6: 24), this simple but highly expressive work is at once tender and profound. It was composed for a memorial service for Edward T. Chapman, the Director of Music at Highgate School, where John Rutter was a pupil. It is arranged here for solo high voice and piano (which may be adapted for performance on the organ), originally published in Oxford Solo Songs: Sacred. Also available in versions for solo low. voice and piano, SATB and organ/strings, SAB and piano, and SA and piano/organ/strings.
$4.00
3.68 €
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John Rutter (1945-)
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The Lord bless you and keep you
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Oxford University Press Digital
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SheetMusicPlus
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