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CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
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TROMPETTE
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UKULELE
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débutant
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expert
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avec vidéo
avec play-along
Non classifié
801
PIANO & CLAVIERS
Piano, Voix
1207
Piano seul
501
Piano, Voix et Guitare
243
Piano Facile
196
Instruments en Do
61
Orgue
45
Piano Trio: piano, violon, violoncelle
32
Accompagnement Piano
27
1 Piano, 4 mains
20
2 Pianos, 4 mains
7
Piano Quintette: piano, 2 violons, alto, violoncelle
5
Accordéon
4
Piano grosses notes
3
Piano (partie séparée)
2
Piano Quatuor: piano, violon, alto, violoncelle
2
Piano Quatuor: piano, 2 violons, violoncelle
1
Clavier
1
Orgue, Trompette (duo)
1
Instrumentations suivantes
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GUITARES
Ligne De Mélodie, (Paroles) et Accords
49
Guitare notes et tablatures
45
Guitare
42
Ukulele
20
Paroles et Accords
12
2 Guitares (duo)
6
Basse electrique
6
4 Guitares (Quatuor)
3
Guitare (partie séparée)
2
Mandoline
1
Dulcimer
1
Banjo
1
3 Guitares (trio)
1
Instrumentations suivantes
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VOIX
Chorale SATB
663
Chorale 3 parties
102
Chorale Unison
74
Chorale 2 parties
50
Chorale TTBB
49
Chorale SSAA
44
Voix duo, Piano
20
Voix Soprano, Piano
16
Voix haute
10
Voix Tenor, Piano
7
Voix duo
6
Voix moyenne, Piano
6
Voix Baryton, Piano
5
Voix Alto, Piano
3
Voix seule
3
Voix Mezzo-Soprano, Piano
3
Chorale
2
Voix Tenor
2
Chorale SATBB
2
Voix basse, Piano
1
Chorale SSATTB
1
Soli, choeur mixte et accompagnement
1
Voix basse
1
Chorale SSAATTBB
1
Instrumentations suivantes
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VENTS
Quatuor de Saxophones: 4 saxophones
82
Flûte traversière et Piano
67
2 Saxophones (duo)
57
Clarinette et Piano
56
2 Flûtes traversières (duo)
43
Quatuor de Clarinettes: 4 clarinettes
40
Saxophone Alto et Piano
37
Clarinette
36
Saxophone, Clarinette (duo)
32
2 Clarinettes (duo)
32
Saxophone Alto
31
Flûte traversière
29
Saxophone Tenor
29
3 Saxophones (trio)
26
Saxophone (partie séparée)
20
Clarinette, Violon (duo)
19
Clarinette, Trompette (duo)
17
Saxophone Tenor et Piano
17
Flûte, Clarinette (duo)
14
Quintette de Clarinettes: 5 clarinettes
13
3 Clarinettes (trio)
12
Clarinette et Alto
10
Ensemble de Clarinettes
10
Clarinette (partie séparée)
10
Quatuor de Flûtes : 4 flûtes
10
Flûte et Guitare
10
Cor anglais, Piano
9
Saxophone Soprano
9
Quintette de Saxophone: 5 saxophones
9
Flûte, Alto (duo)
9
Trio de Flûtes: 3 flûtes
9
Flûte, Saxophone (duo)
8
Flûte, Violon
8
Saxophone Soprano et Piano
8
2 Clarinettes, Basson
7
Flûte, Trompette (duo)
7
Flûte, Clarinette et Basson
7
Ensemble de Flûtes
7
Saxophone Baryton, Piano
6
Ensemble de saxophones
6
Flûte, Violon et Violoncelle
5
Flûte, Violon, Piano
4
Flute (partie séparée)
4
Flûte à bec Soprano
3
Flûte à bec Soprano, Piano
3
2 Flûte à bec (duo)
2
Saxophone et Guitare
2
Quatuor de Flûtes à bec
2
Piccolo
2
2 Clarinettes, Piano
2
Quintette de Flûte : 5 flûtes
2
Clarinette, Guitare (duo)
2
Clarinette Basse, Piano
2
Cor anglais, Guitare (duo)
1
Clarinette, Violoncelle (duo)
1
2 Flûtes à bec, Guitare
1
Clarinette, Basson (duo)
1
Flûte à bec Tenor
1
Harmonica
1
Flûte à Bec
1
Cor Anglais
1
5 Flûtes à bec
1
Ocarina
1
3 Flûtes à bec (trio)
1
Flûte à bec Alto, Piano
1
Flûte à bec Alto, Basse continue
1
Flute, harpe et violon
1
Ensemble De Flûte à bec
1
2 Cors Anglais Et Pianoforte
1
Flûte, Clarinette, Piano (trio)
1
2 Flûtes traversières, Piano
1
Flûte, Basson et Piano
1
Instrumentations suivantes
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
79
Quatuor de Cuivres : 2 trompettes, trombone, tuba
43
Trompette, Piano
38
Cor et Piano
36
Trompette
35
Trombone et Piano
29
Quatuor de Cuivres
20
Trompette, Saxophone (duo)
20
Trombone
14
Trompette (partie séparée)
13
2 Trompettes (duo)
13
Trombone (partie séparée)
12
2 Trombones (duo)
12
Trompette, Trombone (duo)
11
Cor
11
Cor anglais, Piano
9
Euphonium, Piano (duo)
9
Cor (partie séparée)
6
Ensemble de Trompettes
5
Tuba et Piano
5
Ensemble de Trombones
4
3 Trombones (trio)
4
2 Euphoniums et 2 Tubas
4
Tuba (partie séparée)
4
Quatuor de cuivres: 4 trombones
4
2 Cors (duo)
3
Tuba
3
Quatuor de cuivres: 4 cors
2
Quatuor de cuivres: 4 trompettes
2
Cor anglais, Guitare (duo)
1
2 Euphoniums (duo)
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Ensemble de Cors
1
Cor, Violoncelle (duo)
1
Cor Anglais
1
Trombone, Orgue
1
Ensemble de Tubas
1
2 Tubas (duo)
1
Trompette, Trombone, Piano
1
2 Cors Anglais Et Pianoforte
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
214
Violon et Piano
144
Violoncelle, Piano
70
Violon
55
Alto, Piano
52
Harpe
50
Violon, Violoncelle (duo)
43
Trio à Cordes: 2 violons, violoncelle
33
Violoncelle
31
2 Violons (duo)
30
Violon (partie séparée)
23
Trio à Cordes: violon, alto, violoncelle
21
Violon, Alto (duo)
19
2 Violoncelles (duo)
19
2 Altos (duo)
16
2 Harpes (duo)
15
Violon, Guitare (duo)
14
Alto (partie séparée)
12
Quintette à cordes: 2 violons, alto, violoncelle, basse
12
Alto seul
9
Contrebasse (partie séparée)
8
Trio à Cordes: 3 violoncelles
8
Violoncelle (partie séparée)
7
4 Violoncelles
6
Violoncelle , Guitare (duo)
5
Trio à cordes: 3 violins
3
Contrebasse, Piano (duo)
3
Contre Basse
3
2 Violons, Piano
3
Harpe, Voix
3
Trio à Cordes: 2 violons, alto
2
Violoncelle, Contrebasse (duo)
2
Quatuor à cordes: 4 violons
2
Piano Trio: Violon, Alto, Piano
2
Alto, Guitare (duo)
2
Alto, Violoncelle (duo)
2
Harpe (partie séparée)
1
Harpe, Violon (duo)
1
Violon, Clarinette, Piano (trio)
1
Trio à cordes
1
3 Harpes
1
4 Contrebasses
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
316
Orchestre à Cordes
110
Orchestre
81
Ensemble de cuivres
49
Cloches
21
Ensemble Jazz
20
Orchestre de chambre
20
Percussion (partie séparée)
6
Jazz combo
5
Ensemble de Percussions
4
Fanfare
4
Marimba
3
Batterie
2
Batterie (partie séparée)
1
Xylophone
1
Ensemble d'École
1
Marimba, Piano (duo)
1
Percussion
1
Instrumentation Flexible
1
Instrumentations suivantes
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AUTRES
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First Love - Oboe
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If music be the food of love for high voice and piano
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High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.577338 Composed by Henry…
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High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.577338 Composed by Henry Purcell. Arranged by David Warin Solomons. Baroque,Classical. 4 pages. David Warin Solomons #3663247. Published by David Warin Solomons (A0.577338). Words by Colonel Henry Heveningham (1651-1700), using the first few words from Shakespeare's Twelfth Night as a starting point. Henry Purcell made several settings of these words.
$9.00
8.09 €
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Henry Purcell
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David Warin Solomons
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If music be the food of love for high voice and piano
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David Warin Solomons
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SheetMusicPlus
Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition (D major, extra-high key)
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High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1329064 Composed by Rich…
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High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1329064 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period. 3 pages. Nicole Elyse DiPaolo #917034. Published by Nicole Elyse DiPaolo (A0.1329064). The first of its kind, and the first entry in the Accessible Accompaniments library’s collection of small-hand-optimized song literature publications, this is Richard Strauss’s beloved “Zueignung,†from Acht Gedichte, op. 10 (1885), optimized (but not simplified) for the needs of collaborative pianists with small hands. “Small†is generally understood to be just an octave in span, with limited capacity to grab chord tones within a blocked octave aside from the occasional inner fifth.This edition was inspired by Boosey’s excellent small-hand edition of Frank Bridge’s “Love Went A-Riding†(erroneously labeled “simplified†on the front matter), which thins the large chords that would be problematic or impossible for a barely-an-8ve-reach collaborative pianist to play without adding musically inappropriate rolls or breaks, but also preserves the musical content and grammatically accurate voice-leading. Given that Strauss’s op. 10 collection is much more widespread on today’s concert programs than the Bridge, and given that average conservatory pianist heights and hand sizes have dropped significantly in the 20th and 21st centuries, the need for a similar adaptation in at least some of the op. 10 songs is obvious. Additionally, Strauss’s songs are often so orchestral in spirit—much more so than the Bridge—that the instinct to treat them as orchestral reductions to be adapted by each individual player should be as self-evident and considered as musically appropriate as it would be for any of Strauss’s beloved horn concerti. Performers should feel free to insert their own adaptations, additions, and omissions to this score as needed.The primary source material for this edition is Henle’s edition of the Acht Gedichte. However, any proprietary material that is not public domain (like their fingerings, front matter, and critical notes) is left out of this edition, leaving only what is public domain and edited by Ms. DiPaolo. Unreasonably large chords and arpeggio figures that would require being reachable by a larger hand have been condensed into figures more appropriate for the just-an-octave hand without sacrificing technique and excitement. This edition makes minor improvements to the engraving, like removing syllabic beaming in the voice and adding octave lines when appropriate. This edition also uses Accessible Accompaniments’ distinctive house style, marked by its visual beauty and ease of reading.While this song will be published in low, middle, and high keys for your convenience, please feel free to request another transposition if you are purchasing from a site that does not offer automatic transposition or you don’t see the key that you need. As the name says, Accessible Accompaniments is committed to accessibility—and that goes for singers, too!
$6.99
6.28 €
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Voix haute
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Richard Strauss
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Nicole Elyse DiPaolo
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Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition
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Nicole Elyse DiPaolo
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SheetMusicPlus
Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition (C major, high key)
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High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1327769 Composed by Rich…
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High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1327769 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period. 3 pages. Nicole Elyse DiPaolo #915810. Published by Nicole Elyse DiPaolo (A0.1327769). The first of its kind, and the first entry in the Accessible Accompaniments library’s collection of small-hand-optimized song literature publications, this is Richard Strauss’s beloved “Zueignung,†from Acht Gedichte, op. 10 (1885), optimized (but not simplified) for the needs of collaborative pianists with small hands. “Small†is generally understood to be just an octave in span, with limited capacity to grab chord tones within a blocked octave aside from the occasional inner fifth.This edition was inspired by Boosey’s excellent small-hand edition of Frank Bridge’s “Love Went A-Riding†(erroneously labeled “simplified†on the front matter), which thins the large chords that would be problematic or impossible for a barely-an-8ve-reach collaborative pianist to play without adding musically inappropriate rolls or breaks, but also preserves the musical content and grammatically accurate voice-leading. Given that Strauss’s op. 10 collection is much more widespread on today’s concert programs than the Bridge, and given that average conservatory pianist heights and hand sizes have dropped significantly in the 20th and 21st centuries, the need for a similar adaptation in at least some of the op. 10 songs is obvious. Additionally, Strauss’s songs are often so orchestral in spirit—much more so than the Bridge—that the instinct to treat them as orchestral reductions to be adapted by each individual player should be as self-evident and considered as musically appropriate as it would be for any of Strauss’s beloved horn concerti. Performers should feel free to insert their own adaptations, additions, and omissions to this score as needed.The primary source material for this edition is Henle’s edition of the Acht Gedichte. However, any proprietary material that is not public domain (like their fingerings, front matter, and critical notes) is left out of this edition, leaving only what is public domain and edited by Ms. DiPaolo. Unreasonably large chords and arpeggio figures that would require being reachable by a larger hand have been condensed into figures more appropriate for the just-an-octave hand without sacrificing technique and excitement. This edition makes minor improvements to the engraving, like removing syllabic beaming in the voice and adding octave lines when appropriate. This edition also uses Accessible Accompaniments’ distinctive house style, marked by its visual beauty and ease of reading.While this song will be published in low, middle, and high keys for your convenience, please feel free to request another transposition if you are purchasing from a site that does not offer automatic transposition or you don’t see the key that you need. As the name says, Accessible Accompaniments is committed to accessibility—and that goes for singers, too!
$6.95
6.25 €
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Richard Strauss
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Nicole Elyse DiPaolo
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Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition
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Nicole Elyse DiPaolo
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SheetMusicPlus
The Unquiet Grave from American Death Ballads (Downloadable)
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High voice and piano - Moderately Difficult - Digital Download SKU: MQ.8454-2E Comp…
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High voice and piano - Moderately Difficult - Digital Download SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8454-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8454-2E). English.American Death Ballads was composed especially for tenor Brian Thorsett. We have been frequent collaborators since 2011, when he premiered the complete set of my Three Settings of W. B. Yeats for string quartet and tenor. At his urging, I transcribed and published my Three Poems of Christina Rossetti (originally for medium voice) for high voice, which he premiered at the San Francisco Conservatory in 2014. American Death Ballads was premiered by him at the San Francisco Conservatory, November 1, 2015, with pianist John Churchwell, and at the National Association of Teachers of Singing (NATS) Conference in Chicago, July 10, 2016, with pianist Warren Jones.The choice of texts for my American Death Ballads was inspired partly by Copland’s Old American Songs, which I deeply admire, but more by my dear friend and colleague the late Conrad Susa’s Two Murder Ballads. The ingenuity of Susa’s accompaniments for his ballads in imagining anew the original source material owes a great deal to Copland’s accompaniment for his songs. Though the content of my songs is completely original and not based on preexisting melodies, I have tried to expand on this further, as the texts are much longer, and go through many different moods and characters. The four texts I chose include stories about murder, death, and dying. Though two of the texts were written in England, they traveled to the colonies almost immediately. The subjects of the texts had spent time in America, and their stories were well known to Americans.Wicked Polly is a cautionary tale. Polly has lived a dissolute and immoral life, saying, 'I'll turn to God when I grow old.' Suddenly taken ill, she realizes that it is too late to repent. She dies in agony and is presumably sent to hell; young people are advised to heed. My musical setting is stately and preacherly in character for the narrator; for Polly it becomes pleading and remorseful. The Unquiet Grave was brought to the attention of Alan Lomax, the great American field collector of folk music, by English folk singer Shirley Collins. The text is taken from an English folk song dating from 1400. In The Unquiet Grave, a young man mourns his dead lover too fervently and prevents her from obtaining peace. The dead woman complains that his weeping is keeping her from peaceful rest. He begs a kiss; she tells him it would kill him. When he persists, wanting to join her in death, she explains that once they were both dead their hearts would simply decay, and that he should enjoy life while he has it. My setting is in a flowing Andante with a rocking accompaniment. Three voices are delineated here: the narrator, the mournful lover, and the dead lover speaking from the grave. The Dying Californian first appeared in the New England Diadem in 1854. Its lyrics are based on a letter from a New Englander’s sailor to his brother who is dying at sea while on the way to California to seek his fortune in the California gold fields. He implores his brother to impart his message to his father, mother, wife, and children. My setting opens with the singer alone in a moderate dirge tempo, then, joined by the piano, moves through many tonalities and moods before ending with supreme confidence as the speaker 'gained a port called Heaven/Where the gold will never rust.'Captain Kidd was a Scottish sailor who was tried and executed for piracy and murder in 1701. The American connection to this ballad is that Kidd escaped to America and for a time lived in New York and Boston, though he was a wanted criminal by the British authorities and was extradited to Britain, where he was hung at 'Executioner’s Dock.' The lyric was printed in Britain in 1701, traveling to the colonies almost immediately. Though the didactic tone of the text is similar to Wicked Polly, it expresses no regret until the final lines: 'Take warning now by me, and shun bad company, / Lest you come to hell with me, for I must die.' My setting is fast and spirited, expressing the confidence of a man who lived life as he wanted. -David Conte.
$3.50
3.15 €
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David Conte
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The Unquiet Grave from American Death Ballads
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Du fatter ej Bølgernes evige Gang [High Voice; Key: Am]
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High Voice,Vocal Solo - Digital Download SKU: A0.795763 Composed by Edvard Grieg. A…
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High Voice,Vocal Solo - Digital Download SKU: A0.795763 Composed by Edvard Grieg. Arranged by Maxence Lasserre-Engberts. Concert,Romantic Period,Standards. 5 pages. Maxence Lasserre-Engberts #5772005. Published by Maxence Lasserre-Engberts (A0.795763). Hjertets melodier (English: Melodies of the Heart) is a very short song cycle, the original version lasting only 6 minutes. It is one of Grieg's first published works, and contains his most famous song, Jeg elsker Dig!, better known as Ich liebe dich. Dano-Norwegian (original), German and English lyrics are included.1. To brune Øjne / Zwei braune Augen / Two Brown Eyes 2. En Digters Bryst (Du fatter ej Bølgernes evige Gang) / Des Dichters Herz / The Poet's Heart 3. Jeg elsker Dig! / Ich liebe dich / I Love You 4. Min Tanke er et mægtigt Fjeld / Mein Sinn ist wie der mächt'ge Fels / My Mind is Like a Peak Snow-CrownedThis is an Urtext edition; the music is written as seen in the composer's unedited manuscript, transposition aside. Also available from the same publisher: whole song cycle (4 songs) for $5.99 (25% off) Range: D#4 - A5 (1 ½ tones higher)
$1.99
1.79 €
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Voix haute
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Edvard Grieg
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Maxence Lasserre-Engberts
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Du fatter ej Bølgernes evige Gang [High Voice; Key: Am]
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Maxence Lasserre-Engberts
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SheetMusicPlus
Min Tanke er et mægtigt Fjeld [High Voice; Key: Em]
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High Voice,Vocal Solo - Digital Download SKU: A0.795774 Composed by Edvard Grieg. A…
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High Voice,Vocal Solo - Digital Download SKU: A0.795774 Composed by Edvard Grieg. Arranged by Maxence Lasserre-Engberts. Concert,Romantic Period,Standards. 5 pages. Maxence Lasserre-Engberts #5772147. Published by Maxence Lasserre-Engberts (A0.795774). Hjertets melodier (English: Melodies of the Heart) is a very short song cycle, the original version lasting only 6 minutes. It is one of Grieg's first published works, and contains his most famous song, Jeg elsker Dig!, better known as Ich liebe dich. Dano-Norwegian (original), German and English lyrics are included.1. To brune Øjne / Zwei braune Augen / Two Brown Eyes 2. En Digters Bryst (Du fatter ej Bølgernes evige Gang) / Des Dichters Herz / The Poet's Heart 3. Jeg elsker Dig! / Ich liebe dich / I Love You 4. Min Tanke er et mægtigt Fjeld / Mein Sinn ist wie der mächt'ge Fels / My Mind is Like a Peak Snow-CrownedThis is an Urtext edition; the music is written as seen in the composer's unedited manuscript, transposition aside. Also available from the same publisher: whole song cycle (4 songs) for $5.99 (25% off) Range: D#4 - G5 (2 tones higher)
$1.99
1.79 €
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Voix haute
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Edvard Grieg
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Maxence Lasserre-Engberts
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Min Tanke er et mægtigt Fjeld [High Voice; Key: Em]
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Maxence Lasserre-Engberts
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SheetMusicPlus
To brune Øjne [High Voice; Key: A]
Voix haute
High Voice,Vocal Solo - Digital Download SKU: A0.795760 Composed by Edvard Grieg. A…
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High Voice,Vocal Solo - Digital Download SKU: A0.795760 Composed by Edvard Grieg. Arranged by Maxence Lasserre-Engberts. Concert,Romantic Period,Standards. 3 pages. Maxence Lasserre-Engberts #5771913. Published by Maxence Lasserre-Engberts (A0.795760). Hjertets melodier (English: Melodies of the Heart) is a very short song cycle, the original version lasting only 6 minutes. It is one of Grieg's first published works, and contains his most famous song, Jeg elsker Dig!, better known as Ich liebe dich. Dano-Norwegian (original), German and English lyrics are included.1. To brune Øjne / Zwei braune Augen / Two Brown Eyes 2. En Digters Bryst (Du fatter ej Bølgernes evige Gang) / Des Dichters Herz / The Poet's Heart 3. Jeg elsker Dig! / Ich liebe dich / I Love You 4. Min Tanke er et mægtigt Fjeld / Mein Sinn ist wie der mächt'ge Fels / My Mind is Like a Peak Snow-CrownedThis is an Urtext edition; the music is written as seen in the composer's unedited manuscript, transposition aside. Also available from the same publisher: whole song cycle (4 songs) for $5.99 (25% off) Range: E4 – F#5 (1 tone higher)
$1.99
1.79 €
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Voix haute
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Edvard Grieg
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Maxence Lasserre-Engberts
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To brune Øjne [High Voice; Key: A]
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Maxence Lasserre-Engberts
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SheetMusicPlus
To brune Øjne [High Voice; Key: Bb]
Voix haute
High Voice,Vocal Solo - Digital Download SKU: A0.795761 Composed by Edvard Grieg. A…
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High Voice,Vocal Solo - Digital Download SKU: A0.795761 Composed by Edvard Grieg. Arranged by Maxence Lasserre-Engberts. Concert,Romantic Period,Standards. 3 pages. Maxence Lasserre-Engberts #5771955. Published by Maxence Lasserre-Engberts (A0.795761). Hjertets melodier (English: Melodies of the Heart) is a very short song cycle, the original version lasting only 6 minutes. It is one of Grieg's first published works, and contains his most famous song, Jeg elsker Dig!, better known as Ich liebe dich. Dano-Norwegian (original), German and English lyrics are included.1. To brune Øjne / Zwei braune Augen / Two Brown Eyes 2. En Digters Bryst (Du fatter ej Bølgernes evige Gang) / Des Dichters Herz / The Poet's Heart 3. Jeg elsker Dig! / Ich liebe dich / I Love You 4. Min Tanke er et mægtigt Fjeld / Mein Sinn ist wie der mächt'ge Fels / My Mind is Like a Peak Snow-CrownedThis is an Urtext edition; the music is written as seen in the composer's unedited manuscript, transposition aside. Also available from the same publisher: whole song cycle (4 songs) for $5.99 (25% off) Range: F4 – G5 (1 ½ tones higher)
$1.99
1.79 €
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Voix haute
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Edvard Grieg
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Maxence Lasserre-Engberts
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To brune Øjne [High Voice; Key: Bb]
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Maxence Lasserre-Engberts
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SheetMusicPlus
Come Lie with Me (King David and Bathsheba) from "The Kings" - ACT 2:Song 5
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High Voice,Vocal Solo - Digital Download SKU: A0.784831 Composed by McCorkle, Denni…
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High Voice,Vocal Solo - Digital Download SKU: A0.784831 Composed by McCorkle, Dennis F. Broadway,Christian,Jewish,Musical/Show,Rock. 25 pages. DF McCorkle Music and eBook Publications #11753. Published by DF McCorkle Music and eBook Publications (A0.784831). ACT TWO: Song 5. The King, by Dennis McCorkle, is a contemporary pop-rock musical of the first two kings of Israel, Saul ben Kish and David ben Jesse and explores the contrasting lives and outcome of each man’s choices in life. [2 Samuel 11:2-4… - And it came to pass at eventide, that David arose from off his bed, and walked upon the roof of the king's house; and from the roof he saw a woman bathing; and the woman was very beautiful to look upon. 3 And David sent and inquired after the woman. And one said: ‘Is not this Bath-sheba, the daughter of Eliam, the wife of Uriah the Hittite?’ 4 And David sent messengers, and took her; and she came in unto him, and he lay with her;…] Once settled into Jerusalem and after a tiff with MICHAL, DAVID looks around his magnificent palace and as he walks on his balcony, he sees a lovely young woman bathing herself in the moonlight. Giving in to his impulses, orders his men to have her brought to the palace on the pretense of speaking to her about her husband, URIAH who is in the field with the troops. DAVID, seeing her beauty and rationalizing his own importance, proceeds to seduce her and lies with her [Come Lie with Me – David and Bathsheba]. BATHSHEBA, also lonely is seduced by his presence and gives in to his wishes. Leaving before daylight to escape notice, DAVID goes about business as usual, trying to forget what has happened. A few weeks later, a messenger arrives with a note from BATHSHEBA, DAVID, I'm pregnant! Also included with your order is our new 20 page catalog of over 150 titles at no additional charge.
$2.99
2.69 €
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Voix haute
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McCorkle, Dennis F
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Come Lie with Me
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DF McCorkle Music and eBook Publications
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SheetMusicPlus
Amazing Grace—High-Range Vocal Solo, Fiddle, and Piano
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High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1074551 By Daniel Carter…
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High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1074551 By Daniel Carter. By William Walker. Arranged by Daniel Carter. Classical,Folk,Praise & Worship,Sacred,Spiritual. 9 pages. Daniel Carter #678826. Published by Daniel Carter (A0.1074551). John Newton penned the words to “Amazing Grace†around 1764 after he survived a near-death experience on a slave-trading ship that nearly capsized, after which he became a priest. His words were set to music by William Walker who composed the hymn tune NEW BRITAIN, first published in “Southern Harmony in 1847. The hymn is extremely influential in religious and folk music, crossing over successfully into secular music. One of the most recognizable and beloved songs in history, Daniel Carter’s setting has a traditional southern folk song feel. Arranged for solo voice, fiddle obbligato, and piano and is suitable for worship, devotionals, concert settings, and music recitals. The fiddle part is included on the last page of the score. Available for both high-range and medium-range vocal solo, fiddle, and piano at danielcartermusic.com.
$5.99
5.38 €
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Voix haute
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Daniel Carter
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Daniel Carter
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Amazing Grace—High-Range Vocal Solo, Fiddle, and Piano
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Daniel Carter
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SheetMusicPlus
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