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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
First Try
Non classifié
566
Piano & claviers
Piano, Voix
282
Piano seul
267
Piano, Voix et Guitare
104
Piano Facile
85
Instruments en Do
35
Orgue
14
1 Piano, 4 mains
9
Piano Trio: piano, violon, violoncelle
7
2 Pianos, 4 mains
3
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Accompagnement Piano
2
Piano Quatuor: piano, violon, alto, violoncelle
2
Piano grosses notes
1
Accordéon
1
+ 9 instrumentations
Retracter
Guitares
Guitare notes et tablatures
48
Guitare
42
Ligne De Mélodie, (Paroles) et Accords
13
Ukulele
12
Paroles et Accords
5
Mandoline
4
Banjo
4
2 Guitares (duo)
3
Dulcimer
2
Guitare Pedal Steel
1
Mandoline, Guitare (duo)
1
Basse electrique
1
4 Guitares (Quatuor)
1
Piano, Guitare (duo)
1
+ 9 instrumentations
Retracter
Voix
Chorale SATB
187
Chorale 3 parties
38
Chorale TTBB
24
Chorale 2 parties
17
Chorale SSAA
14
Voix Baryton, Piano
9
Voix Soprano, Piano
9
Chorale Unison
8
Voix duo, Piano
7
Voix haute
6
Voix Tenor, Piano
5
Voix duo
5
Chorale
4
Voix basse, Piano
2
Voix Alto, Piano
2
Voix Tenor
2
Chorale SSATB
1
Voix seule
1
+ 13 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
88
Quintette de Saxophone: 5 saxophones
62
Flûte, Violon, Piano
40
Quatuor de Saxophones: 4 saxophones
39
Flûte, Hautbois, Clarinette, Basson
30
Quatuor de Clarinettes: 4 clarinettes
27
Saxophone Alto
25
2 Saxophones (duo)
24
Flûte traversière et Piano
24
Hautbois, Piano (duo)
21
Saxophone Tenor
20
Flûte traversière
20
2 Flûtes traversières (duo)
18
Saxophone Alto et Piano
17
Quatuor de Flûtes : 4 flûtes
16
Saxophone Tenor et Piano
15
Hautbois (partie séparée)
15
Saxophone (partie séparée)
14
Clarinette et Piano
14
2 Clarinettes (duo)
13
Ensemble de Clarinettes
11
Flute (partie séparée)
10
Saxophone Soprano et Piano
9
Quintette de Clarinettes: 5 clarinettes
9
Saxophone Baryton, Piano
8
Clarinette
8
2 Flûtes traversières, Piano
8
Flûte, Clarinette (duo)
6
2 Hautbois (duo)
6
Clarinette Basse, Piano
6
Clarinette, Violon (duo)
5
Clarinette, Trompette (duo)
5
Saxophone, Clarinette (duo)
5
Quintette de Flûte : 5 flûtes
5
Quatuor de Flûtes à bec
5
Flûte, Alto (duo)
4
Clarinette et Alto
4
Flûte, Violon
4
Hautbois, Clarinette (duo)
4
Cor anglais, Piano
4
Hautbois, Basson (duo)
4
Clarinette, Basson (duo)
4
Clarinette, Violoncelle (duo)
4
Saxophone Soprano
3
Ensemble de Flûtes
3
Clarinette (partie séparée)
3
Hautbois, Flûte
3
Flûte à bec Soprano
2
Flûte, Hautbois, Basson
2
Flûte, Violoncelle
2
Flûte, Trompette (duo)
2
Ocarina
2
Flûte à Bec
2
Flûte, Violon et Violoncelle
2
Flûte et Guitare
2
Cor Anglais
2
Flûte, Hautbois, Clarinette (trio)
1
Trio de Flûtes: 3 flûtes
1
Flûte à bec Soprano, Piano
1
Saxophone et Guitare
1
Ensemble De Flûte à bec
1
Hautbois, Guitare (duo)
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte, Violon, Violoncelle et Piano
1
3 Clarinettes (trio)
1
Hautbois et alto (duo)
1
Piccolo
1
Flûte, Clarinette, Piano (trio)
1
Flûte, Hautbois (duo)
1
Clarinette, Contrebasse (duo)
1
Flûte, Saxophone (duo)
1
3 Saxophones (trio)
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Saxophone et Orgue
1
Clarinette, Guitare (duo)
1
Ensemble de saxophones
1
Hautbois, violon (duo)
1
Hautbois, Violoncelle
1
+ 73 instrumentations
Retracter
Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
57
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
44
Trompette
25
2 Trombones (duo)
18
Trombone et Piano
15
Trompette, Piano
14
Cor et Piano
13
Quatuor de Cuivres
13
Cor
12
Ensemble de Trombones
12
2 Trompettes (duo)
9
Trompette (partie séparée)
7
Tuba
5
Euphonium, Piano (duo)
5
Tuba et Piano
5
Trombone
5
2 Tubas (duo)
5
Ensemble de Trompettes
4
Trompette, Saxophone (duo)
4
Quatuor de cuivres: 4 trombones
4
Cor anglais, Piano
4
Euphonium, Tuba (duo)
3
2 Cors (duo)
3
3 Trombones (trio)
3
2 Euphoniums et 2 Tubas
3
Quatuor de Cuivres: 2 trompettes, Cor, trombone
3
Trombone (partie séparée)
2
Trompette, Trombone (duo)
2
Quatuor de cuivres: 4 cors
2
Cor Anglais
2
Tuba (partie séparée)
1
Bass Clef Instruments
1
Euphonium
1
Clarinette, Cor (duo)
1
Cor (partie séparée)
1
+ 30 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
126
Violon et Piano
45
Violon
36
Harpe
30
2 Violons (duo)
22
Alto, Piano
20
Violoncelle
20
Violon, Alto (duo)
15
Violoncelle, Piano
15
2 Violoncelles (duo)
14
Violon, Violoncelle (duo)
14
2 Altos (duo)
12
Alto seul
12
Trio à Cordes: 2 violons, violoncelle
9
Trio à Cordes: violon, alto, violoncelle
9
Violon (partie séparée)
8
Quintette à cordes: 2 violons, alto, violoncelle, basse
8
Violon, Guitare (duo)
6
Ensemble de Violons
6
2 Harpes (duo)
6
Alto (partie séparée)
5
Ensemble d'Altos
4
Contre Basse
4
Trio à Cordes: 3 violoncelles
4
Contrebasse (partie séparée)
3
Trio à cordes
2
Alto, Violoncelle (duo)
2
Harpe, Violoncelle (duo)
2
Contrebasse, Piano (duo)
2
Quatuor à cordes: 4 violons
2
Violon, Basson (duo)
2
Violoncelle (partie séparée)
2
Violoncelle, Contrebasse (duo)
2
2 Contrebasses (duo)
2
Flûte, Contrebasse (duo)
2
2 Violoncelles, Piano
1
4 Violoncelles
1
Autoharp
1
4 Harpes
1
Violon, Clarinette, Piano (trio)
1
Piano Trio: Violon, Alto, Piano
1
+ 36 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
249
Orchestre à Cordes
62
Orchestre
62
Ensemble de cuivres
28
Jazz combo
14
Ensemble Jazz
11
Orchestre de chambre
10
Cloches
5
Ensemble de Percussions
4
Percussion (partie séparée)
3
Vibraphone
2
Marimba
1
Xylophone
1
Fanfare
1
Orchestre, Violon
1
Piano et Orchestre
1
Marimba, Piano (duo)
1
+ 12 instrumentations
Retracter
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
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HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
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Partitions à imprimer
6 partitions trouvées
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1
Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition (D major, extra-high key)
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Voix haute
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AVANCÉ
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Strauss - Zueignung from Acht
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Nicole Elyse DiPaolo
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SheetMusicPlus
High Voice,Vocal Solo - Level 5 - SKU: A0.1329064 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period....
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High Voice,Vocal Solo - Level 5 - SKU: A0.1329064 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period. 3 pages. Nicole Elyse DiPaolo #917034. Published by Nicole Elyse DiPaolo (A0.1329064). The first of its kind, and the first entry in the Accessible Accompaniments library’s collection of small-hand-optimized song literature publications, this is Richard Strauss’s beloved “Zueignung,†from Acht Gedichte, op. 10 (1885), optimized (but not simplified) for the needs of collaborative pianists with small hands. “Small†is generally understood to be just an octave in span, with limited capacity to grab chord tones within a blocked octave aside from the occasional inner fifth.This edition was inspired by Boosey’s excellent small-hand edition of Frank Bridge’s “Love Went A-Riding†(erroneously labeled “simplified†on the front matter), which thins the large chords that would be problematic or impossible for a barely-an-8ve-reach collaborative pianist to play without adding musically inappropriate rolls or breaks, but also preserves the musical content and grammatically accurate voice-leading. Given that Strauss’s op. 10 collection is much more widespread on today’s concert programs than the Bridge, and given that average conservatory pianist heights and hand sizes have dropped significantly in the 20th and 21st centuries, the need for a similar adaptation in at least some of the op. 10 songs is obvious. Additionally, Strauss’s songs are often so orchestral in spirit—much more so than the Bridge—that the instinct to treat them as orchestral reductions to be adapted by each individual player should be as self-evident and considered as musically appropriate as it would be for any of Strauss’s beloved horn concerti. Performers should feel free to insert their own adaptations, additions, and omissions to this score as needed.The primary source material for this edition is Henle’s edition of the Acht Gedichte. However, any proprietary material that is not public domain (like their fingerings, front matter, and critical notes) is left out of this edition, leaving only what is public domain and edited by Ms. DiPaolo. Unreasonably large chords and arpeggio figures that would require being reachable by a larger hand have been condensed into figures more appropriate for the just-an-octave hand without sacrificing technique and excitement. This edition makes minor improvements to the engraving, like removing syllabic beaming in the voice and adding octave lines when appropriate. This edition also uses Accessible Accompaniments’ distinctive house style, marked by its visual beauty and ease of reading.While this song will be published in low, middle, and high keys for your convenience, please feel free to request another transposition if you are purchasing from a site that does not offer automatic transposition or you don’t see the key that you need. As the name says, Accessible Accompaniments is committed to accessibility—and that goes for singers, too!
$6.99
Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition (C major, high key)
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Voix haute
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AVANCÉ
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Strauss - Zueignung from Acht
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Nicole Elyse DiPaolo
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SheetMusicPlus
High Voice,Vocal Solo - Level 5 - SKU: A0.1327769 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period....
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High Voice,Vocal Solo - Level 5 - SKU: A0.1327769 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period. 3 pages. Nicole Elyse DiPaolo #915810. Published by Nicole Elyse DiPaolo (A0.1327769). The first of its kind, and the first entry in the Accessible Accompaniments library’s collection of small-hand-optimized song literature publications, this is Richard Strauss’s beloved “Zueignung,†from Acht Gedichte, op. 10 (1885), optimized (but not simplified) for the needs of collaborative pianists with small hands. “Small†is generally understood to be just an octave in span, with limited capacity to grab chord tones within a blocked octave aside from the occasional inner fifth.This edition was inspired by Boosey’s excellent small-hand edition of Frank Bridge’s “Love Went A-Riding†(erroneously labeled “simplified†on the front matter), which thins the large chords that would be problematic or impossible for a barely-an-8ve-reach collaborative pianist to play without adding musically inappropriate rolls or breaks, but also preserves the musical content and grammatically accurate voice-leading. Given that Strauss’s op. 10 collection is much more widespread on today’s concert programs than the Bridge, and given that average conservatory pianist heights and hand sizes have dropped significantly in the 20th and 21st centuries, the need for a similar adaptation in at least some of the op. 10 songs is obvious. Additionally, Strauss’s songs are often so orchestral in spirit—much more so than the Bridge—that the instinct to treat them as orchestral reductions to be adapted by each individual player should be as self-evident and considered as musically appropriate as it would be for any of Strauss’s beloved horn concerti. Performers should feel free to insert their own adaptations, additions, and omissions to this score as needed.The primary source material for this edition is Henle’s edition of the Acht Gedichte. However, any proprietary material that is not public domain (like their fingerings, front matter, and critical notes) is left out of this edition, leaving only what is public domain and edited by Ms. DiPaolo. Unreasonably large chords and arpeggio figures that would require being reachable by a larger hand have been condensed into figures more appropriate for the just-an-octave hand without sacrificing technique and excitement. This edition makes minor improvements to the engraving, like removing syllabic beaming in the voice and adding octave lines when appropriate. This edition also uses Accessible Accompaniments’ distinctive house style, marked by its visual beauty and ease of reading.While this song will be published in low, middle, and high keys for your convenience, please feel free to request another transposition if you are purchasing from a site that does not offer automatic transposition or you don’t see the key that you need. As the name says, Accessible Accompaniments is committed to accessibility—and that goes for singers, too!
$6.95
"I hide myself" Emily Dickinson
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Voix haute
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INTERMÉDIAIRE/AVANCÉ
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Jan Van Outryve
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"I hide myself" Emil
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Kaila
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SheetMusicPlus
High Voice,Vocal Solo - Level 4 - SKU: A0.1014487 Composed by Jan Van Outryve. Concert,Contemporary,Folk,New Age. 4 pages. Kaila #5731945. Published by ...
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High Voice,Vocal Solo - Level 4 - SKU: A0.1014487 Composed by Jan Van Outryve. Concert,Contemporary,Folk,New Age. 4 pages. Kaila #5731945. Published by Kaila (A0.1014487). 12 of Emily Dickinson's most beautiful poems set to music for soprano voice and piano by Jan Van Outryve.The first one I hide myself you can find by this Spotify link:https://open.spotify.com/track/3xoZQ9r3i32n1bpLWnqhSU?si=8Y6pfge4RUWfndlnZ__RPg
$8.00
Come Lie with Me (King David and Bathsheba) from "The Kings" - ACT 2:Song 5
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Voix haute
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McCorkle, Dennis F
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Come Lie with Me
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DF McCorkle Music and eBook Publications
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SheetMusicPlus
High Voice,Vocal Solo - SKU: A0.784831 Composed by McCorkle, Dennis F. Broadway,Christian,Jewish,Musical/Show,Rock. 25 pages. DF McCorkle Music and eBoo...
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High Voice,Vocal Solo - SKU: A0.784831 Composed by McCorkle, Dennis F. Broadway,Christian,Jewish,Musical/Show,Rock. 25 pages. DF McCorkle Music and eBook Publications #11753. Published by DF McCorkle Music and eBook Publications (A0.784831). ACT TWO: Song 5. The King, by Dennis McCorkle, is a contemporary pop-rock musical of the first two kings of Israel, Saul ben Kish and David ben Jesse and explores the contrasting lives and outcome of each man’s choices in life. [2 Samuel 11:2-4… - And it came to pass at eventide, that David arose from off his bed, and walked upon the roof of the king's house; and from the roof he saw a woman bathing; and the woman was very beautiful to look upon. 3 And David sent and inquired after the woman. And one said: ‘Is not this Bath-sheba, the daughter of Eliam, the wife of Uriah the Hittite?’ 4 And David sent messengers, and took her; and she came in unto him, and he lay with her;…] Once settled into Jerusalem and after a tiff with MICHAL, DAVID looks around his magnificent palace and as he walks on his balcony, he sees a lovely young woman bathing herself in the moonlight. Giving in to his impulses, orders his men to have her brought to the palace on the pretense of speaking to her about her husband, URIAH who is in the field with the troops. DAVID, seeing her beauty and rationalizing his own importance, proceeds to seduce her and lies with her [Come Lie with Me – David and Bathsheba]. BATHSHEBA, also lonely is seduced by his presence and gives in to his wishes. Leaving before daylight to escape notice, DAVID goes about business as usual, trying to forget what has happened. A few weeks later, a messenger arrives with a note from BATHSHEBA, DAVID, I'm pregnant! Also included with your order is our new 20 page catalog of over 150 titles at no additional charge.
$2.99
23rd Psalm (Pastures of Green) (David) from "The Kings" ACT 1:Song 11
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Voix haute
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INTERMÉDIAIRE
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McCorkle, Dennis F
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23rd Psalm
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DF McCorkle Music and eBook Publications
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SheetMusicPlus
High Voice,Vocal Solo - Level 3 - SKU: A0.784825 Composed by McCorkle, Dennis F. Christian,Jewish,Pop,Rock,Sacred. 10 pages. DF McCorkle Music and eBook...
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High Voice,Vocal Solo - Level 3 - SKU: A0.784825 Composed by McCorkle, Dennis F. Christian,Jewish,Pop,Rock,Sacred. 10 pages. DF McCorkle Music and eBook Publications #11739. Published by DF McCorkle Music and eBook Publications (A0.784825). ACT ONE: Song 11. The King, by Dennis McCorkle, is a contemporary pop-rock musical of the first two kings of Israel, Saul ben Kish and David ben Jesse and explores the contrasting lives and outcome of each man’s choices in life. [1 Samuel 16:11 - And Samuel said to Jesse: ‘Are here all your children?’ And he said: ‘There remains yet the youngest, and, behold, he tends the sheep.’ And Samuel said unto Jesse: ‘Send and fetch him; for we will not sit down till he come here.’ [Psalm 23 Sacred Melody of David.YAHWEH is My Shepherd I shall not want]. SAMUEL leaves SAUL and goes to the house of Jesse in Bethlehem where he chooses DAVID and anoints him as king. DAVID returns to the field and his sheep, trying to understand the meaning of the previous events [Pastures of Green – David and Ensemble]. The next morning, his father Jessie sends one of his servants to ask DAVID to take provisions to his brothers who are on the front line with SAUL engaged in a fierce battle with the Philistines. David leaves the sheep with the servant and goes off to the battlefield. Also included with your order is our new 20 page catalog of over 150 titles at no additional charge.
$2.99
The Lamb (William Blake) — high voice (soprano / tenor), keyboard accompaniment
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Voix haute
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FACILE
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the stream and o'er the mead;<
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Todd Marchand
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The Lamb
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Con Spirito Music
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SheetMusicPlus
High Voice,Vocal Solo - Level 2 - SKU: A0.1141419 Composed by Todd Marchand. Christian,Christmas,Religious,Sacred. 5 pages. Con Spirito Music #741745. P...
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High Voice,Vocal Solo - Level 2 - SKU: A0.1141419 Composed by Todd Marchand. Christian,Christmas,Religious,Sacred. 5 pages. Con Spirito Music #741745. Published by Con Spirito Music (A0.1141419). William Blake (1757-1827), a seminal figure in the history of the poetry and visual art of the Romantic Age, published the lyric poem The Lamb in his collection, Songs of Innocence, in 1789.The Lamb is presented as from the viewpoint of, and in the voice of, a child. In the first stanza, the child asks the lamb if it knows its Creator; in the second, it tells the creature, by means of metaphor, that its Creator is the Lord Jesus Christ, who like the lamb took on the flesh of a created being, “little,†“meek,†and “mild.†The child declares that he/she shares with the creature the name of the One who is, in Christian belief, both the sacrificial Lamb and the Shepherd of his flock. Finally, the child pronounces a benediction: “Little lamb, God bless thee!â€This new setting of The Lamb for voice and keyboard accompaniment is intended to evoke the simplicity of the text, and therefore should be performed simply yet expressively, with subtle rubato (flexibility in tempo) to give emphasis to the text.Little lamb, who made thee? / Dost thou know who made thee,Gave thee life, and bid thee feed / By the stream and o'er the mead;Gave thee clothing of delight, / Softest clothing, woolly, bright;Gave thee such a tender voice, / Making all the vales rejoice?Little lamb, who made thee? / Dost thou know who made thee?Little lamb, I'll tell thee; / Little lamb, I'll tell thee:He is called by thy name, / For He calls Himself a Lamb.He is meek, and He is mild, / He became a little child.I a child, and thou a lamb, / We are called by His name.Little lamb, God bless thee! / Little lamb, God bless thee!Soprano range C4-G5; Tenor range C3-G4©Copyright 2022 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. Visit www.conspiritomusic.com
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