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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
For All We Know - Trombone 1
Sheetmusicplus
Non classifié
234
Piano & claviers
Piano seul
46
Piano Facile
37
Piano, Voix
29
Instruments en Do
12
Orgue
10
Piano, Voix et Guitare
10
1 Piano, 4 mains
6
Piano Trio: piano, violon, violoncelle
4
Piano Quatuor: piano, violon, alto, violoncelle
2
Piano (partie séparée)
2
2 Pianos, 4 mains
1
Orgue, Piano (duo)
1
+ 7 instrumentations
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Guitares
Mandoline
66
Ligne De Mélodie, (Paroles) et Accords
7
Guitare notes et tablatures
5
Basse electrique
4
Ukulele
3
Guitare (partie séparée)
3
Dulcimer
2
4 Guitares (Quatuor)
2
Guitare
2
+ 4 instrumentations
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Voix
Chorale SATB
34
Chorale Unison
10
Chorale 3 parties
10
Chorale TTBB
9
Chorale SSAA
4
Voix Soprano, Piano
3
Chorale 2 parties
3
Voix seule
3
Voix Alto, Piano
1
Voix haute
1
Chorale SSAB, Piano
1
+ 6 instrumentations
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Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
57
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48
Quatuor de Clarinettes: 4 clarinettes
29
Quatuor de Saxophones: 4 saxophones
23
Quatuor de Flûtes : 4 flûtes
20
Clarinette
16
Ensemble de saxophones
15
3 Saxophones (trio)
13
Quintette de Flûte : 5 flûtes
13
Flûte traversière
12
Flûte à bec Soprano
11
Flûte traversière et Piano
11
Quintette de Clarinettes: 5 clarinettes
9
Clarinette et Piano
8
Ensemble de Clarinettes
8
Saxophone Alto
8
Clarinette (partie séparée)
7
Saxophone Tenor
7
Saxophone Alto et Piano
7
Flûte à bec Alto
6
Ensemble de Flûtes
5
Flûte, Hautbois, Clarinette, Basson
5
Saxophone Tenor et Piano
5
Hautbois, Piano (duo)
5
Piccolo
4
3 Flûtes à bec (trio)
4
Saxophone Baryton, Piano
4
Ensemble De Flûte à bec
4
Saxophone Baryton
4
Trio de Flûtes: 3 flûtes
4
Saxophone Soprano
4
Hautbois
4
Saxophone Soprano et Piano
4
Saxophone (partie séparée)
3
Flûte, Clarinette et Basson
2
Flûte à Bec
2
3 Clarinettes (trio)
2
Cor Anglais
2
Cor anglais, Piano
2
Piccolo, Piano
2
2 Saxophones (duo)
2
Flûte, Hautbois, Basson
2
Flute (partie séparée)
2
Hautbois (partie séparée)
2
2 Flûtes traversières (duo)
1
Quatuor de Flûtes à bec
1
3 Hautbois
1
Flûte, Clarinette (duo)
1
2 Flûte à bec (duo)
1
2 Clarinettes (duo)
1
Ocarina
1
Instruments en Mib
1
+ 47 instrumentations
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Cuivres
Trompette
20
Cor
7
Trompette (partie séparée)
6
Tuba
5
Cor et Piano
4
Cor Anglais
2
Cor anglais, Piano
2
Tuba et Piano
2
Bass Clef Instruments
2
2 Trompettes (duo)
2
Cor (partie séparée)
2
Euphonium, Piano (duo)
1
Ensemble de Trompettes
1
Quatuor de cuivres: 4 cors
1
Tuba et Orgue
1
2 Tubas (duo)
1
2 Euphoniums et 2 Tubas
1
Tuba (partie séparée)
1
Trompette, Piano
1
+ 14 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
22
Violon
12
Violoncelle
11
Violoncelle, Piano
8
Alto seul
8
Trio à Cordes: violon, alto, violoncelle
6
Harpe
6
Alto, Piano
5
Quintette à cordes: 2 violons, alto, violoncelle, basse
5
Ensemble de Violons
4
Violon, Violoncelle (duo)
4
Violon et Piano
4
2 Violons (duo)
4
Ensemble d'Altos
4
Trio à cordes: 3 altos
3
Violon, Alto (duo)
3
Trio à cordes: 3 violins
3
Contrebasse (partie séparée)
3
Contre Basse
2
Trio à Cordes: 2 violons, violoncelle
2
Contrebasse, Piano (duo)
2
2 Altos (duo)
2
Trio à Cordes: 3 violoncelles
2
Violon, Guitare (duo)
2
4 Contrebasses
1
Violon (partie séparée)
1
Alto (partie séparée)
1
Harpe, Voix
1
2 Violoncelles (duo)
1
+ 24 instrumentations
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Orchestre & Percussions
Ensemble de cuivres
28
Orchestre d'harmonie
19
Orchestre à Cordes
11
Orchestre
9
Orchestre de chambre
3
Batterie (partie séparée)
2
Jazz combo
1
Percussion (partie séparée)
1
2 Marimbas
1
+ 4 instrumentations
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For All We Know - Trombone 1
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The Unquiet Grave from American Death Ballads (Downloadable)
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Voix haute
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David Conte
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The Unquiet Grave from America
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
High voice and piano - Moderately Difficult - SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer M...
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High voice and piano - Moderately Difficult - SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8454-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8454-2E). English.American Death Ballads was composed especially for tenor Brian Thorsett. We have been frequent collaborators since 2011, when he premiered the complete set of my Three Settings of W. B. Yeats for string quartet and tenor. At his urging, I transcribed and published my Three Poems of Christina Rossetti (originally for medium voice) for high voice, which he premiered at the San Francisco Conservatory in 2014. American Death Ballads was premiered by him at the San Francisco Conservatory, November 1, 2015, with pianist John Churchwell, and at the National Association of Teachers of Singing (NATS) Conference in Chicago, July 10, 2016, with pianist Warren Jones.The choice of texts for my American Death Ballads was inspired partly by Copland’s Old American Songs, which I deeply admire, but more by my dear friend and colleague the late Conrad Susa’s Two Murder Ballads. The ingenuity of Susa’s accompaniments for his ballads in imagining anew the original source material owes a great deal to Copland’s accompaniment for his songs. Though the content of my songs is completely original and not based on preexisting melodies, I have tried to expand on this further, as the texts are much longer, and go through many different moods and characters. The four texts I chose include stories about murder, death, and dying. Though two of the texts were written in England, they traveled to the colonies almost immediately. The subjects of the texts had spent time in America, and their stories were well known to Americans.Wicked Polly is a cautionary tale. Polly has lived a dissolute and immoral life, saying, 'I'll turn to God when I grow old.' Suddenly taken ill, she realizes that it is too late to repent. She dies in agony and is presumably sent to hell; young people are advised to heed. My musical setting is stately and preacherly in character for the narrator; for Polly it becomes pleading and remorseful. The Unquiet Grave was brought to the attention of Alan Lomax, the great American field collector of folk music, by English folk singer Shirley Collins. The text is taken from an English folk song dating from 1400. In The Unquiet Grave, a young man mourns his dead lover too fervently and prevents her from obtaining peace. The dead woman complains that his weeping is keeping her from peaceful rest. He begs a kiss; she tells him it would kill him. When he persists, wanting to join her in death, she explains that once they were both dead their hearts would simply decay, and that he should enjoy life while he has it. My setting is in a flowing Andante with a rocking accompaniment. Three voices are delineated here: the narrator, the mournful lover, and the dead lover speaking from the grave. The Dying Californian first appeared in the New England Diadem in 1854. Its lyrics are based on a letter from a New Englander’s sailor to his brother who is dying at sea while on the way to California to seek his fortune in the California gold fields. He implores his brother to impart his message to his father, mother, wife, and children. My setting opens with the singer alone in a moderate dirge tempo, then, joined by the piano, moves through many tonalities and moods before ending with supreme confidence as the speaker 'gained a port called Heaven/Where the gold will never rust.'Captain Kidd was a Scottish sailor who was tried and executed for piracy and murder in 1701. The American connection to this ballad is that Kidd escaped to America and for a time lived in New York and Boston, though he was a wanted criminal by the British authorities and was extradited to Britain, where he was hung at 'Executioner’s Dock.' The lyric was printed in Britain in 1701, traveling to the colonies almost immediately. Though the didactic tone of the text is similar to Wicked Polly, it expresses no regret until the final lines: 'Take warning now by me, and shun bad company, / Lest you come to hell with me, for I must die.' My setting is fast and spirited, expressing the confidence of a man who lived life as he wanted. -David Conte.
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For All We Know - Trombone 1
