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ACCORDEON
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AUTRES INST…
BALALAIKA
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BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
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UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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422
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de Musique
257
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
29498
PIANO & CLAVIERS
Piano seul
22920
Piano, Voix
10323
Piano Facile
8271
Piano, Voix et Guitare
5228
Instruments en Do
1933
Orgue
1689
Piano grosses notes
1004
1 Piano, 4 mains
794
Accompagnement Piano
442
Piano Trio: piano, violon, violoncelle
354
Accordéon
249
Piano (partie séparée)
236
2 Pianos, 4 mains
225
Piano Quatuor: piano, violon, alto, violoncelle
109
Orgue, Trompette (duo)
107
Piano Quintette: piano, 2 violons, alto, violoncelle
85
Piano Quatuor: piano, 2 violons, violoncelle
48
Clavecin
45
Orgue, Piano (duo)
30
Clavier
27
1 Piano, 6 mains
12
2 Pianos, 8 mains
11
2 Accordéons
9
Accordéon, Voix
7
Fake Book
4
Ensemble d'Accordéons
3
Accordéon, Corde(s)
1
Piano Quintette: piano, violon, alto, violoncelle, contre basse
1
Tous Les Instruments
1
Instrumentations suivantes
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GUITARES
Guitare notes et tablatures
2760
Guitare
2195
Ligne De Mélodie, (Paroles) et Accords
1411
Ukulele
1270
Basse electrique
801
Paroles et Accords
368
2 Guitares (duo)
359
Mandoline
313
Guitare (partie séparée)
237
Piano, Guitare (duo)
205
4 Guitares (Quatuor)
99
Dulcimer
95
Banjo
91
Guitare Pedal Steel
88
Basse électrique (partie séparée)
49
3 Guitares (trio)
45
Ensemble de guitares
41
Ukulele Baryton
21
Ensemble de Ukulélés
18
Mandoline, Piano (duo)
12
2 Dulcimers (duo)
6
Mandoline, Guitare (duo)
6
Guitare, Violon, Violoncelle (trio)
5
2 Mandolines (duo)
4
Cithare
2
Dobro
2
Bouzouki
2
2 Ukuleles
2
Guitare, Orchestre
1
Orchestre à Plectres
1
Luth
1
Instrumentations suivantes
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VOIX
Chorale SATB
8952
Chorale 3 parties
3144
Pack Instrumental pour Chorale
2411
Chorale TTBB
1820
Chorale Unison
1642
Chorale 2 parties
1578
Chorale SSAA
1083
Voix seule
447
Voix haute
422
Voix duo, Piano
377
Voix Soprano, Piano
363
Voix duo
241
Voix Tenor, Piano
198
Chorale
180
Voix Baryton, Piano
160
Voix Alto, Piano
138
Voix moyenne, Piano
94
Voix basse, Piano
84
Voix Mezzo-Soprano, Piano
84
Voix Tenor
34
Chorale SSAATTBB
34
Chorale SSATB
22
Voix haute, Piano
16
Voix Soprano
16
Voix Baryton
16
Soli, choeur mixte et accompagnement
13
Chorale SSAB a cappella
13
Chorale SSATTB
12
Voix basse
12
Chorale, Orgue
8
Chorale SATBB
6
Voix Soprano, Orchestre
6
Voix, Guitare
4
Chorale SSAATB
3
Chorale SSAB, Piano
3
Voix Moyenne
2
Male Voice
1
Chorale SAATB A Cappella
1
Voix duo, Orgue
1
Voix et basse continue
1
Instrumentations suivantes
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VENTS
Saxophone (partie séparée)
3166
Quatuor de Saxophones: 4 saxophones
2812
Flûte traversière et Piano
2422
Clarinette (partie séparée)
2139
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
1987
Flûte, Hautbois, Clarinette, Basson
1960
Clarinette et Piano
1857
Clarinette
1757
Flûte traversière
1751
2 Saxophones (duo)
1467
Hautbois, Piano (duo)
1374
Saxophone Alto et Piano
1357
Quatuor de Clarinettes: 4 clarinettes
1335
Saxophone Alto
1266
2 Flûtes traversières (duo)
1074
Saxophone Tenor
1057
Hautbois (partie séparée)
1000
Flute (partie séparée)
956
2 Clarinettes (duo)
932
Saxophone Tenor et Piano
890
Quintette de Saxophone: 5 saxophones
754
Quatuor de Flûtes : 4 flûtes
675
Saxophone Soprano et Piano
534
3 Saxophones (trio)
518
Flûte et Guitare
493
Ensemble de Clarinettes
469
3 Clarinettes (trio)
419
Ensemble de Flûtes
409
Ensemble de saxophones
407
Ocarina
362
Quintette de Clarinettes: 5 clarinettes
306
Flûte à bec Soprano
300
Saxophone Baryton, Piano
296
Flûte, Clarinette (duo)
295
Flûte à Bec
294
Hautbois
286
Trio de Flûtes: 3 flûtes
282
2 Hautbois (duo)
235
Quatuor de Flûtes à bec
234
Harmonica
210
Flûte à bec Alto
197
Saxophone, Clarinette (duo)
189
Cor anglais, Piano
177
Quintette de Flûte : 5 flûtes
171
Clarinette, Violon (duo)
168
Hautbois, Basson (duo)
167
Clarinette Basse, Piano
152
Flûte, Hautbois, Clarinette (trio)
141
2 Flûte à bec (duo)
138
Flûte, Clarinette et Basson
130
Hautbois, Clarinette (duo)
117
Flûte, Violon
115
Hautbois, Flûte
107
Saxophone Soprano
106
3 Flûtes à bec (trio)
103
Clarinette, Guitare (duo)
100
Clarinette, Trompette (duo)
100
Hautbois, Clarinette, Basson (trio d'anches)
98
Flûte, Violon et Violoncelle
98
Flûte, Hautbois, Basson
89
Flûte, Alto (duo)
87
Clarinette, Harpe (duo)
74
Clarinette, Basson (duo)
74
Clarinette et Alto
74
Ensemble De Flûte à bec
68
Saxophone Baryton
67
5 Flûtes à bec
66
Clarinette Basse
65
Cor Anglais
65
Flûte, Trompette (duo)
63
Flûte, Violoncelle
62
Flûte, Saxophone (duo)
61
2 Flûtes traversières, Piano
59
Piccolo
53
Saxophone
51
Flûte à bec Soprano, Piano
43
Clarinette, Violoncelle (duo)
42
Flûte, Violoncelle, Piano (trio)
39
3 Hautbois
37
Flûte, Violon, Piano
37
Flûte, Hautbois (duo)
36
Cornemuse
35
Flûte à bec Tenor
32
Flûte, Clarinette, Piano (trio)
30
2 Clarinettes, Basson
29
Saxophone et Guitare
29
Flûte à bec Alto, Piano
29
Hautbois, Violoncelle
28
Hautbois, Guitare (duo)
26
2 Saxophones, Piano
26
Flûte, Basson et Piano
26
Hautbois, violon (duo)
24
Flûte, Clarinette, Cor, Basson (Quartet)
23
Flute, harpe et violon
22
2 Clarinettes, Piano
21
Piccolo, Piano
21
Clarinette, Violoncelle, Piano (trio)
18
Saxophone et Orgue
17
Cor anglais, Guitare (duo)
15
Flûte, Trombone (duo)
14
4 Hautbois
13
Hautbois et alto (duo)
13
Flûte à Bec, Piano
13
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
12
Flûte, Hautbois, Piano (trio)
11
Flûte, Alto et Piano
11
Clarinette, Trombone (duo)
11
Ensemble à vent
10
Flûte à bec Alto, Basse continue
9
Flûte à bec, Guitare (duo)
9
Flûte traversière, Basse continue
8
Flûte et Trio à cordes
8
Hautbois, Harpe
7
Flûte, Harpe et Violoncelle
7
Saxophone et Piano
7
Hautbois, Basson et Piano
7
Flûte, trombone et piano
7
Flûte, Violon, Violoncelle et Piano
6
Saxophone, Violon (duo)
6
Clarinette, Basson, Piano (trio)
6
Flûte, Tuba (duo)
6
Ensemble de Hautbois
6
Flûte irlandaise
5
Quintette de Clarinette: Clarinette, Quatuor à Cordes
5
2 Cors Anglais Et Pianoforte
5
Saxophone et Harpe
5
Flûte et Quatuor à Cordes
5
Flûte, Violoncelle, Guitare
5
Hautbois, Trompette (duo)
5
Flûte, Hautbois, Violon
5
Flûte traversière, Orgue (duo)
5
2 Harmonicas
4
2 Flûtes à bec, Piano
4
Clarinette, trompette et piano
4
Instruments en Mib
4
Clarinette, Tuba
4
Flûte, Clarinette, Violon (trio)
4
2 Hautbois et Basson
3
Clarinette, Orgue
3
Hautbois, Violon, Piano
3
Flûte traversière, Orchestre
3
Clarinette, Quatuor à cordes et Piano
3
2 Hautbois et Cor anglais
2
Hautbois, trombone (duo)
2
Saxophone et violoncelle
2
Clarinette, Contrebasse (duo)
2
2 Flûtes, Basse continue
2
Hautbois, Clarinette et Piano (Trio)
2
Saxophone, Basson (duo)
2
Cor anglais et Harpe (duo)
2
Hautbois, Violin, Alto et Violoncelle (Quatuor)
2
Flûte, alto et harpe
2
2 clarinettes, 2 bassons
1
Clarinette, Orchestre
1
Flûte, Violon, Guitare
1
Hautbois, Quatuor à cordes
1
Harmonica, Piano
1
Hautbois, Orgue
1
Hautbois, Violoncelle et Piano
1
Clarinette, Alto et Piano (trio)
1
2 Hautbois, 2 Cors et 2 Bassons
1
Hautbois, Clarinette, Basson et Piano
1
2 Flûtes traversières, Harpe
1
Flûte à bec Soprano, Basse continue
1
Instrumentations suivantes
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CUIVRES
Trompette (partie séparée)
2591
Trombone (partie séparée)
2229
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
2043
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1553
Trompette
1360
Trompette, Piano
1212
Trombone
1137
Cor
1063
Trombone et Piano
1062
Cor (partie séparée)
989
Cor et Piano
818
Tuba (partie séparée)
666
2 Trompettes (duo)
531
Quatuor de Cuivres
511
Tuba
423
Quatuor de Cuivres: 2 trompettes, Cor, trombone
419
2 Trombones (duo)
407
Tuba et Piano
395
Quatuor de cuivres: 4 trombones
287
Euphonium, Piano (duo)
231
Trompette, Trombone (duo)
223
Ensemble de Trombones
212
Quatuor de cuivres: 4 cors
209
2 Cors (duo)
189
Cor anglais, Piano
177
Ensemble de Trompettes
161
Trompette, Saxophone (duo)
143
2 Euphoniums et 2 Tubas
111
Trio de Cuivres
87
Ensemble de Cors
84
Euphonium
72
Tuba ou Euphonium ou Saxhorn
71
Cor Anglais
65
4 Tubas
61
2 Tubas (duo)
59
Trompette, Cor (duo)
54
3 Trompettes (trio)
48
3 Trombones (trio)
43
Quatuor de cuivres: 4 trompettes
35
2 Euphoniums (duo)
24
Tuba et Orgue
21
Trombone, Orgue
21
Cornet A Pistons
19
3 Cors (trio)
19
Euphonium, Tuba (duo)
19
Trombone basse et Piano
17
Trombone, Tuba (duo)
17
Trompette, Tuba (duo)
16
2 Trompettes, Clavier (piano ou orgue)
16
Trombone basse
15
Cor anglais, Guitare (duo)
15
Trompette, violon (duo)
14
Bass Clef Instruments
12
Trombone, Cor (duo)
12
Quatuor de cuivres: 2 trompettes, 2 trombones
10
Cor, Tuba (duo)
9
3 Tubas (trio)
9
Trompette, Violoncelle (duo)
9
Trombone, violoncelle (duo)
8
Trompette, Trombone, Piano
8
Ensemble de Tubas
8
Trombone, Violon (duo)
7
Instruments en Sib
7
Cor et Basson (duo)
6
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
6
Cor, Violoncelle (duo)
6
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
6
Euphonium (partie séparée)
6
2 Cors Anglais Et Pianoforte
5
Cor, Orchestre
5
Cor et Harpe
5
Cor et Orgue
5
Trompette, Basson (duo)
4
Trompette, Violoncelle et Piano
4
Trompette, Harpe
4
Cornet et Piano
3
2 Cors, Piano
3
2 Trombones, Piano
2
Trompette, Euphonium (duo)
2
Trompette et Guitare
2
4 Euphoniums
2
Cornet et orchestre
2
Cor anglais et Harpe (duo)
2
Clarinette, Cor (duo)
2
Euphonium Ou Saxhorn Et Piano
1
3 Euphoniums
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
6534
Harpe
3046
Violon et Piano
2776
Violon
2267
Violoncelle, Piano
1889
Violoncelle
1671
Violon (partie séparée)
1634
Alto, Piano
1456
Alto seul
1200
2 Violons (duo)
972
Violon, Violoncelle (duo)
894
Trio à Cordes: violon, alto, violoncelle
863
Contrebasse (partie séparée)
776
2 Violoncelles (duo)
636
Alto (partie séparée)
463
Violon, Alto (duo)
452
Violoncelle (partie séparée)
423
Quintette à cordes: 2 violons, alto, violoncelle, basse
408
Contre Basse
403
2 Altos (duo)
380
Contrebasse, Piano (duo)
337
Trio à Cordes: 2 violons, violoncelle
321
Harpe, Flûte (duo)
288
4 Violoncelles
220
Alto, Violoncelle (duo)
189
Trio à cordes: 3 violins
150
Violon, Guitare (duo)
125
2 Harpes (duo)
117
Piano Trio: Violon, Alto, Piano
104
Violoncelle , Guitare (duo)
101
Trio à Cordes: 3 violoncelles
100
Quatuor à cordes: 4 violons
73
Trio à cordes: 3 altos
63
Violoncelle, Contrebasse (duo)
57
Alto, Guitare (duo)
53
Trio à cordes
50
Quatuor à cordes : 4 altos
47
2 Contrebasses (duo)
45
Trio à Cordes: 2 violons, alto
44
Quintette à cordes: 2 violons, 2 altos, violoncelle
39
Harpe, Violon (duo)
38
2 Violons, Piano
33
Violon, Basson (duo)
25
Ensemble de Violons
24
Ensemble d'Altos
22
Harpe et mandoline
19
Violon, Orgue
19
Ensemble de Violoncelles
18
4 Contrebasses
18
Violoncelle, Orchestre
17
Harpe, Voix
17
Flûte, Contrebasse (duo)
15
Violon, Basse continue
13
Violoncelle, Orgue
13
Harpe, Violoncelle (duo)
12
2 Violoncelles, Piano
12
Quintette à cordes : 2 violons, alto et 2 violoncelles
10
Alto et Basson
9
Harpe, Violon, Violoncelle
9
Alto et Harpe
7
Violon, Clarinette, Piano (trio)
6
Violon, Tuba (duo)
6
Violoncelle, Basse continue
5
Harpe et Piano
4
Harpe, Quatuor à cordes
4
2 Altos, Piano
4
3 Harpes
4
Harpe et Orgue
3
Autoharp
3
Harpe (partie séparée)
3
3 Contrebasses
3
4 Harpes
3
Harpe, Orchestre
2
Violon, Violoncelle, Clarinette
2
Alto, Orgue
2
Harpe, Trombone (duo)
2
2 Violons et Basse continue
1
Violon, Trompette et Piano
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
12251
Orchestre
2894
Orchestre à Cordes
2653
Fanfare
1945
Ensemble Jazz
1661
Percussion (partie séparée)
1534
Ensemble de cuivres
1198
Cloches
955
Orchestre de chambre
867
Batterie
671
Timbales (partie séparée)
349
Jazz combo
332
Percussion
262
Batterie (partie séparée)
230
Ensemble de Percussions
166
Timbales
133
Marimba
97
Caisse Claire
54
Xylophone
51
Vibraphone
50
Xylophone, Piano
47
Piano et Orchestre
39
Quintette à Vent
33
Orchestre, Violon
27
Quatuor à Vent : 4 instruments à vents
24
2 Xylophones
21
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
12
Instrumentation Flexible
8
Vibraphone (partie séparée)
7
Quintette de Cuivres: autres combinaisons
6
Ensemble d'École
4
Big band
3
Vibraphone et Marimba
3
Xylophone (partie séparée)
2
Trio à Vent: 3 instruments à vents
2
Marimba, Piano (duo)
2
3 Percussions
1
3 Marimbas
1
2 Marimbas
1
Voix et Orchestre
1
Instrumentations suivantes
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AUTRES
Formation musicale - Solfège
9
Théorie de la musique
1
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The Unquiet Grave from American Death Ballads (Downloadable)
Voix haute
High voice and piano - Moderately Difficult - Digital Download SKU: MQ.8454-2E Comp…
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High voice and piano - Moderately Difficult - Digital Download SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8454-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8454-2E). English.American Death Ballads was composed especially for tenor Brian Thorsett. We have been frequent collaborators since 2011, when he premiered the complete set of my Three Settings of W. B. Yeats for string quartet and tenor. At his urging, I transcribed and published my Three Poems of Christina Rossetti (originally for medium voice) for high voice, which he premiered at the San Francisco Conservatory in 2014. American Death Ballads was premiered by him at the San Francisco Conservatory, November 1, 2015, with pianist John Churchwell, and at the National Association of Teachers of Singing (NATS) Conference in Chicago, July 10, 2016, with pianist Warren Jones.The choice of texts for my American Death Ballads was inspired partly by Copland’s Old American Songs, which I deeply admire, but more by my dear friend and colleague the late Conrad Susa’s Two Murder Ballads. The ingenuity of Susa’s accompaniments for his ballads in imagining anew the original source material owes a great deal to Copland’s accompaniment for his songs. Though the content of my songs is completely original and not based on preexisting melodies, I have tried to expand on this further, as the texts are much longer, and go through many different moods and characters. The four texts I chose include stories about murder, death, and dying. Though two of the texts were written in England, they traveled to the colonies almost immediately. The subjects of the texts had spent time in America, and their stories were well known to Americans.Wicked Polly is a cautionary tale. Polly has lived a dissolute and immoral life, saying, 'I'll turn to God when I grow old.' Suddenly taken ill, she realizes that it is too late to repent. She dies in agony and is presumably sent to hell; young people are advised to heed. My musical setting is stately and preacherly in character for the narrator; for Polly it becomes pleading and remorseful. The Unquiet Grave was brought to the attention of Alan Lomax, the great American field collector of folk music, by English folk singer Shirley Collins. The text is taken from an English folk song dating from 1400. In The Unquiet Grave, a young man mourns his dead lover too fervently and prevents her from obtaining peace. The dead woman complains that his weeping is keeping her from peaceful rest. He begs a kiss; she tells him it would kill him. When he persists, wanting to join her in death, she explains that once they were both dead their hearts would simply decay, and that he should enjoy life while he has it. My setting is in a flowing Andante with a rocking accompaniment. Three voices are delineated here: the narrator, the mournful lover, and the dead lover speaking from the grave. The Dying Californian first appeared in the New England Diadem in 1854. Its lyrics are based on a letter from a New Englander’s sailor to his brother who is dying at sea while on the way to California to seek his fortune in the California gold fields. He implores his brother to impart his message to his father, mother, wife, and children. My setting opens with the singer alone in a moderate dirge tempo, then, joined by the piano, moves through many tonalities and moods before ending with supreme confidence as the speaker 'gained a port called Heaven/Where the gold will never rust.'Captain Kidd was a Scottish sailor who was tried and executed for piracy and murder in 1701. The American connection to this ballad is that Kidd escaped to America and for a time lived in New York and Boston, though he was a wanted criminal by the British authorities and was extradited to Britain, where he was hung at 'Executioner’s Dock.' The lyric was printed in Britain in 1701, traveling to the colonies almost immediately. Though the didactic tone of the text is similar to Wicked Polly, it expresses no regret until the final lines: 'Take warning now by me, and shun bad company, / Lest you come to hell with me, for I must die.' My setting is fast and spirited, expressing the confidence of a man who lived life as he wanted. -David Conte.
$3.50
3.17 €
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David Conte
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The Unquiet Grave from American Death Ballads
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
This Nearly Was Mine from South Pacific
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High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.790001 Composed by Richa…
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High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.790001 Composed by Richard Rodgers. Arranged by W. Brent Sawyer. Broadway,Musical/Show. 15 pages. Diamond S Music #3533727. Published by Diamond S Music (A0.790001). THIS NEARLY WAS MINE from South Pacific. For SOLO VOICE (Tenor or Soprano) AND PIANO ACCOMPANIMENT (with optional Double Bass). KEY of Eb. This beautiful and exciting arrangement is from the beloved Rodgers & Hammerstein ground-breaking 1949 Broadway musical, South Pacific. This arrangement begins very simply with the soloist unaccompanied. Then the piano comes in with a dream-like delicacy with expands into a rich and lush accompaniment. The bridge gets a little spicier with a jazz waltz feel and then expands back to a warmth before a final key change that turns into a big theatrical ending. This is sure to be a real crowd pleaser. The piano accompaniment is quite difficult but there are alternate passages included to simplify the most difficult passages. There is an optional BASS part included that would add to the performance. There is no drum part included, but a drummer could easily improvised from the Bass part which would add a lot as well. Other similar arrangements from this publisher can be found at: https://www.sheetmusicplus.com/publishers/diamond-s-music/6940
$8.99
8.15 €
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Richard Rodgers
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W
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This Nearly Was Mine from South Pacific
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Diamond S Music
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SheetMusicPlus
VIVALDI Antonio: Tu m’offendi mà non rendi, an aria from the opera "La verità in cimento", arran
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High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.868972 Composed by Anton…
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High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.868972 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 6 pages. Really Good Music, LLC. #5725469. Published by Really Good Music, LLC. (A0.868972). Tu m’offendi mà non rendi is an aria from from the opera La verità in cimento (Truth in Contention), composed in 1720 by Antonio VIVALDI (1678 – 1741). It has been realized from the score manuscript of the opera and arranged by Sergei Pichugin for voice and piano. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the key of A minor (G4 – A5) for high voice.
$5.95
5.39 €
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Voix haute
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Antonio VIVALDI
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Sergei PICHUGIN
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VIVALDI Antonio: Tu m’offendi mà non rendi, an aria from the opera "La verità in cimento", arran
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Really Good Music, LLC.
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SheetMusicPlus
Come Lie with Me (King David and Bathsheba) from "The Kings" - ACT 2:Song 5
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High Voice,Vocal Solo - Digital Download SKU: A0.784831 Composed by McCorkle, Denni…
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High Voice,Vocal Solo - Digital Download SKU: A0.784831 Composed by McCorkle, Dennis F. Broadway,Christian,Jewish,Musical/Show,Rock. 25 pages. DF McCorkle Music and eBook Publications #11753. Published by DF McCorkle Music and eBook Publications (A0.784831). ACT TWO: Song 5. The King, by Dennis McCorkle, is a contemporary pop-rock musical of the first two kings of Israel, Saul ben Kish and David ben Jesse and explores the contrasting lives and outcome of each man’s choices in life. [2 Samuel 11:2-4… - And it came to pass at eventide, that David arose from off his bed, and walked upon the roof of the king's house; and from the roof he saw a woman bathing; and the woman was very beautiful to look upon. 3 And David sent and inquired after the woman. And one said: ‘Is not this Bath-sheba, the daughter of Eliam, the wife of Uriah the Hittite?’ 4 And David sent messengers, and took her; and she came in unto him, and he lay with her;…] Once settled into Jerusalem and after a tiff with MICHAL, DAVID looks around his magnificent palace and as he walks on his balcony, he sees a lovely young woman bathing herself in the moonlight. Giving in to his impulses, orders his men to have her brought to the palace on the pretense of speaking to her about her husband, URIAH who is in the field with the troops. DAVID, seeing her beauty and rationalizing his own importance, proceeds to seduce her and lies with her [Come Lie with Me – David and Bathsheba]. BATHSHEBA, also lonely is seduced by his presence and gives in to his wishes. Leaving before daylight to escape notice, DAVID goes about business as usual, trying to forget what has happened. A few weeks later, a messenger arrives with a note from BATHSHEBA, DAVID, I'm pregnant! Also included with your order is our new 20 page catalog of over 150 titles at no additional charge.
$2.99
2.71 €
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McCorkle, Dennis F
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Come Lie with Me
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DF McCorkle Music and eBook Publications
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SheetMusicPlus
Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition (D major, extra-high key)
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High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1329064 Composed by Rich…
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High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1329064 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period. 3 pages. Nicole Elyse DiPaolo #917034. Published by Nicole Elyse DiPaolo (A0.1329064). The first of its kind, and the first entry in the Accessible Accompaniments library’s collection of small-hand-optimized song literature publications, this is Richard Strauss’s beloved “Zueignung,†from Acht Gedichte, op. 10 (1885), optimized (but not simplified) for the needs of collaborative pianists with small hands. “Small†is generally understood to be just an octave in span, with limited capacity to grab chord tones within a blocked octave aside from the occasional inner fifth.This edition was inspired by Boosey’s excellent small-hand edition of Frank Bridge’s “Love Went A-Riding†(erroneously labeled “simplified†on the front matter), which thins the large chords that would be problematic or impossible for a barely-an-8ve-reach collaborative pianist to play without adding musically inappropriate rolls or breaks, but also preserves the musical content and grammatically accurate voice-leading. Given that Strauss’s op. 10 collection is much more widespread on today’s concert programs than the Bridge, and given that average conservatory pianist heights and hand sizes have dropped significantly in the 20th and 21st centuries, the need for a similar adaptation in at least some of the op. 10 songs is obvious. Additionally, Strauss’s songs are often so orchestral in spirit—much more so than the Bridge—that the instinct to treat them as orchestral reductions to be adapted by each individual player should be as self-evident and considered as musically appropriate as it would be for any of Strauss’s beloved horn concerti. Performers should feel free to insert their own adaptations, additions, and omissions to this score as needed.The primary source material for this edition is Henle’s edition of the Acht Gedichte. However, any proprietary material that is not public domain (like their fingerings, front matter, and critical notes) is left out of this edition, leaving only what is public domain and edited by Ms. DiPaolo. Unreasonably large chords and arpeggio figures that would require being reachable by a larger hand have been condensed into figures more appropriate for the just-an-octave hand without sacrificing technique and excitement. This edition makes minor improvements to the engraving, like removing syllabic beaming in the voice and adding octave lines when appropriate. This edition also uses Accessible Accompaniments’ distinctive house style, marked by its visual beauty and ease of reading.While this song will be published in low, middle, and high keys for your convenience, please feel free to request another transposition if you are purchasing from a site that does not offer automatic transposition or you don’t see the key that you need. As the name says, Accessible Accompaniments is committed to accessibility—and that goes for singers, too!
$6.99
6.34 €
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Richard Strauss
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Nicole Elyse DiPaolo
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Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition
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Nicole Elyse DiPaolo
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SheetMusicPlus
Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition (C major, high key)
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High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1327769 Composed by Rich…
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High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1327769 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period. 3 pages. Nicole Elyse DiPaolo #915810. Published by Nicole Elyse DiPaolo (A0.1327769). The first of its kind, and the first entry in the Accessible Accompaniments library’s collection of small-hand-optimized song literature publications, this is Richard Strauss’s beloved “Zueignung,†from Acht Gedichte, op. 10 (1885), optimized (but not simplified) for the needs of collaborative pianists with small hands. “Small†is generally understood to be just an octave in span, with limited capacity to grab chord tones within a blocked octave aside from the occasional inner fifth.This edition was inspired by Boosey’s excellent small-hand edition of Frank Bridge’s “Love Went A-Riding†(erroneously labeled “simplified†on the front matter), which thins the large chords that would be problematic or impossible for a barely-an-8ve-reach collaborative pianist to play without adding musically inappropriate rolls or breaks, but also preserves the musical content and grammatically accurate voice-leading. Given that Strauss’s op. 10 collection is much more widespread on today’s concert programs than the Bridge, and given that average conservatory pianist heights and hand sizes have dropped significantly in the 20th and 21st centuries, the need for a similar adaptation in at least some of the op. 10 songs is obvious. Additionally, Strauss’s songs are often so orchestral in spirit—much more so than the Bridge—that the instinct to treat them as orchestral reductions to be adapted by each individual player should be as self-evident and considered as musically appropriate as it would be for any of Strauss’s beloved horn concerti. Performers should feel free to insert their own adaptations, additions, and omissions to this score as needed.The primary source material for this edition is Henle’s edition of the Acht Gedichte. However, any proprietary material that is not public domain (like their fingerings, front matter, and critical notes) is left out of this edition, leaving only what is public domain and edited by Ms. DiPaolo. Unreasonably large chords and arpeggio figures that would require being reachable by a larger hand have been condensed into figures more appropriate for the just-an-octave hand without sacrificing technique and excitement. This edition makes minor improvements to the engraving, like removing syllabic beaming in the voice and adding octave lines when appropriate. This edition also uses Accessible Accompaniments’ distinctive house style, marked by its visual beauty and ease of reading.While this song will be published in low, middle, and high keys for your convenience, please feel free to request another transposition if you are purchasing from a site that does not offer automatic transposition or you don’t see the key that you need. As the name says, Accessible Accompaniments is committed to accessibility—and that goes for singers, too!
$6.95
6.3 €
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Richard Strauss
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Nicole Elyse DiPaolo
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Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition
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Nicole Elyse DiPaolo
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SheetMusicPlus
Ice! from Songs from the High Sierra
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High voice and piano - Medium - Digital Download SKU: MQ.8318-4E Composed by Gwynet…
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High voice and piano - Medium - Digital Download SKU: MQ.8318-4E Composed by Gwyneth W. Walker. Secular, 21st century. 9 pages. E. C. Schirmer Music Company - Digital #8318-4E. Published by E. C. Schirmer Music Company - Digital (MQ.8318-4E). The five letters which provide the lyrics for the songs (adapted by the composer) were selected for their range of topics and sentiments. Some portray the wildlife in the mountains (“Glacier Birds...â€). Others extol the beauty of the Sierra (“Mountain Glory,†“Yosemite Fallsâ€). One expresses the whimsical/temperamental personality of the author (“Ice!â€). And the final letter (“Sequoiaâ€) speaks reverently of the great trees, in a language both naturalistic and sacred. They are the “greatest light in the woods, the greatest light in the world.†The musical settings, especially in the piano accompaniment, are quite programmatic. Glacier birds scamper up and down the keyboard in tone clusters. “Icy†glissandi float off. The great trees take root in large, block chords, and waterfalls cascade down in scales.There is personality in the letters. The bond between John Muir and Mrs. Carr (whom he addresses formally) is one of great kinship- a blending of the souls, a “spiritual romance.†As he marvels at the beauty of the wilderness, he writes ardently, “I wish that you could see this...†When he learns that Mrs. Carr, a botanist (whose plants suffer from the frost), dislikes ice, he chides her, and creates a “mock argument†over the value of glacial ice.The songs begin with an ascent into the mountains. They close with the return to the coast, to the magnificent Sequoia trees, where John Muir camps for the night, in the company of a squirrel. Charmingly, he writes “therefore, my Carr, goodnight.â€.
$7.25
6.57 €
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Gwyneth W
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Ice! from Songs from the High Sierra
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
VIVALDI Antonio: Guarda in quest'occhi e senti, aria from the opera "Ottone in Villa", arranged for
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High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.868953 Composed by Anton…
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High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.868953 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 5 pages. Really Good Music, LLC. #5309907. Published by Really Good Music, LLC. (A0.868953). Guarda in quest'occhi e senti is an aria from the opera Ottone in Villa, composed by Antonio VIVALDI (1678 – 1741) in 1713. It has been realized from the score manuscript of the opera and arranged by Sergei Pichugin for voice and piano. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the key of G minor (F4 – F5) for high voice.
$5.95
5.39 €
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Voix haute
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Antonio VIVALDI
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Sergei PICHUGIN
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VIVALDI Antonio: Guarda in quest'occhi e senti, aria from the opera "Ottone in Villa", arranged for
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Really Good Music, LLC.
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SheetMusicPlus
VIVALDI Antonio: Quel tuo ciglio languidetto, an aria from the opera "Il Farnace", - Voic
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High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.868968 Composed by Anton…
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High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.868968 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 6 pages. Really Good Music, LLC. #5372531. Published by Really Good Music, LLC. (A0.868968). Quel tuo ciglio languidetto is an aria (Minuèt) from the opera Il Farnace, composed by Antonio VIVALDI (1678 – 1741) in 1727 and revised several times for its following productions. The realization of the aria for voice and piano, made by Sergei Pichugin, is based on the score manuscript of the version of the opera from 1738. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the original key of C major (D4 – G5) for high voice.
$5.95
5.39 €
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Voix haute
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Antonio VIVALDI
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Sergei PICHUGIN
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VIVALDI Antonio: Quel tuo ciglio languidetto, an aria from the opera "Il Farnace", - Voic
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Really Good Music, LLC.
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SheetMusicPlus
BONONCINI Giovanni: Pieta, mio caro bene, aria from the serenata, - Voice and Piano (B mi
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High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.868714 Composed by Giova…
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High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.868714 Composed by Giovanni BONONCINI (1670 – 1747). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 5 pages. Really Good Music, LLC. #4405110. Published by Really Good Music, LLC. (A0.868714). Pieta, mio caro bene is an aria from serenata L’Euleo festeggiante nel ritorno d’Alessandro Magno dall’Indie (1699), composed by Giovanni BONONCINI (1670 – 1747). It was realized from the manuscript and edited for voice and piano by Sergei Pichugin. Although being intended by composer for a tenor part, the aria is traditionally quite often performed by female voices. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the key of B minor (E3 – G#4/E4 – G#5) for high voices. .
$5.95
5.39 €
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Giovanni BONONCINI
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Sergei PICHUGIN
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BONONCINI Giovanni: Pieta, mio caro bene, aria from the serenata, - Voice and Piano
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Really Good Music, LLC.
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SheetMusicPlus
PORPORA Nicola: Già la notte s'avvicina, aria from the cantata, - Voice and Piano (G maj
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High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.868704 Composed by Nicol…
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High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.868704 Composed by Nicola PORPORA (1686–1768). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Standards. 6 pages. Really Good Music, LLC. #4404622. Published by Really Good Music, LLC. (A0.868704). Già la notte s'avvicina is an aria from Solo cantata VI, written by the eminent Italian composer Nicola PORPORA (1686 – 1768). The cantatas were composed on the poetry of Pietro Metastasio, famous Italian librettist and poet, who once took music lessons from Porpora. The realization of the aria for voice and piano, made by Sergei Pichugin, is based on early publication of the composer’s twelve cantatas (London, 1735). The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the key of G major (D4 – G5) for high voice.
$5.95
5.39 €
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Voix haute
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Nicola PORPORA
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Sergei PICHUGIN
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PORPORA Nicola: Già la notte s'avvicina, aria from the cantata, - Voice and Piano
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Really Good Music, LLC.
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SheetMusicPlus
VIVALDI Antonio: Se lascio d’adorare, an aria from the opera "Il Tigrane", - Voice and
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High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.868952 Composed by Anton…
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High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.868952 Composed by Antonio Vivaldi. Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 6 pages. Really Good Music, LLC. #5292337. Published by Really Good Music, LLC. (A0.868952). Se lascio d’adorare is a mezzo-soprano (baritone) aria from the opera-pasticcio La virtù trionfante dell’amore e dell’odio, ovvero Il Tigrane (1724). Antonio VIVALDI (1678 – 1741) composed the music of the second act of the opera. The aria has been realized from the score manuscript of the opera and arranged by Sergei Pichugin for voice and piano. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the key of B minor (E4 – G#5) for high voice.
$5.95
5.39 €
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Voix haute
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Antonio Vivaldi
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Sergei PICHUGIN
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VIVALDI Antonio: Se lascio d’adorare, an aria from the opera "Il Tigrane", - Voice and
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Really Good Music, LLC.
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SheetMusicPlus
SARTORIO Antonio: Dolce Amor, bendato Dio, aria from the opera "Il Massenzio", - Voice an
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High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.868656 Composed by Anton…
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High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.868656 Composed by Antonio SARTORIO (1630 – 1680). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 5 pages. Really Good Music, LLC. #4366442. Published by Really Good Music, LLC. (A0.868656). Dolce Amor, bendato Dio is an aria from the opera Il Massenzio (1673), composed by Antonio SARTORIO (1630 – 1680). Despite the fact that Sartorio’s authorship has been reliably established, various publications of the arrangements of the aria for a long time named Francesco CAVALLI as a composer. The realization of the aria for voice and piano, made by Sergei Pichugin, is based on the first publications of the libretto of the opera (Venice, 1673; Rome, 1674) and on comparison of four manuscripts, mostly from the end of seventeenth century. It is available in the original key of A minor (E4 – G5).
$5.95
5.39 €
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Antonio SARTORIO
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Sergei PICHUGIN
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SARTORIO Antonio: Dolce Amor, bendato Dio, aria from the opera "Il Massenzio", - Voice an
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Really Good Music, LLC.
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SheetMusicPlus
Keep Nothing From Me - a flowing ballad for solo female voice & piano
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High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.832134 Composed by Simon…
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High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.832134 Composed by Simon Walters. Folk,Pop. 9 pages. Simon Walters #5723215. Published by Simon Walters (A0.832134). A flowing pop/folk ballad for most female voices (A below middle C to C above middle C) asking a partner to open up.... if the relationship is to have a future...How many have been lost through lack of communication ?Keep nothing from me: it's no use keeping secrets, can't you see?If we are to continue then we need to talk things through: keep nothing from me...Why can't you set me free....?
$3.99
3.62 €
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Simon Walters
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Keep Nothing From Me - a flowing ballad for solo female voice & piano
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Simon Walters
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SheetMusicPlus
SCARLATTI Alessandro: Crudel tiranno Amore, aria from solo cantata Quella pace gradita, arranged for
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High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.869017 Composed by Aless…
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High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.869017 Composed by Alessandro SCARLATTI (1660 – 1725). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Standards. 6 pages. Really Good Music, LLC. #6354077. Published by Really Good Music, LLC. (A0.869017). Crudel tiranno Amore is an Aria 1 from solo cantata Quella pace gradita, composed by Alessandro SCARLATTI (1660 – 1725), one of the greatest composers of Italian Baroque. It has been realized from the score of the cantata and arranged for voice and piano by Sergei Pichugin. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the original key of E flat major (Eb4 – G5) for high voice.
$5.95
5.39 €
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Voix haute
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Alessandro SCARLATTI
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Sergei PICHUGIN
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SCARLATTI Alessandro: Crudel tiranno Amore, aria from solo cantata Quella pace gradita, arranged for
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Really Good Music, LLC.
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SheetMusicPlus
Soprano Aria When there is my mansion by the Sea... from the opera On the Wings of the Scarlet Messe
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High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.730185 Composed by James…
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High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.730185 Composed by James Nathaniel Holland. Broadway,Contemporary,Musical/Show,Opera. 9 pages. James Nathaniel Holland #370921. Published by James Nathaniel Holland (A0.730185). Mariana's (Soprano) Aria When there is my mansion by the sea... from On the Wings of the Scarlet Messenger An Opera in 4 Acts, Based on the Henry James novel, On the Wings of a Dove Music, Adaptation and Libretto by James Nathaniel Holland Composer website: http://www.lacoronadelossantos.net/jamesnathanielholland.html YouTube presentation: https://www.youtube.com/watch?v=dl4l8KeTfic A beautiful and virtuosic contemporary aria for a Gilda Rigoletto type lyric soprano with orchestral accompaniment. Has never been premiered before.Setting: The Fictional Southeast Asian island of Soon Rafa, present day, night, the garden behind Leila's mansion. Mariana (Soprano) niece and ward of her rich Aunt Leila. She cannot marry her love, Kai (bass), due to his lack of money. Mariana has just received a tongue lashing from her Aunt Leila in front of Leila's friends and has left for the garden. Alone and frustrated, Mariana sings of the day when she will have the freedom to do what she wants and execute revenge on all her critics. Fits requirement for contemporary aria in English.Duration: 5:15 Range: C4 to C6
$4.95
4.49 €
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James Nathaniel Holland
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Soprano Aria When there is my mansion by the Sea... from the opera On the Wings of the Scarlet Messe
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James Nathaniel Holland
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SheetMusicPlus
Contemporary Soprano Aria, "They Say You Can Find Love" from the opera "Menkaure"
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High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.730207 Composed by James…
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High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.730207 Composed by James Nathaniel Holland. Contemporary,Holiday,Opera,Wedding. 9 pages. James Nathaniel Holland #37039. Published by James Nathaniel Holland (A0.730207). They say you can find Love Contemporary Soprano aria in English from 21st Century opera (Duration: 4'30) Music and Libretto by American Costa Rican composer James Nathaniel Holland Composer website: http://lacoronadelossantos.net/jamesnathanielholland.htmlVideo: https://www.youtube.com/watch?v=br_0U00Ck4Q From the American Opera MENKAURE Full opera YouTube: https://www.youtube.com/playlist?list=PLEcbVsA36MCuT1hxkTAyLuChFGJjtj4Ia Lyrics: They say you can find love, but in truth it is love who finds you! No matter how you force things, no matter what you do. You may sit patiently waiting, As months or years pass you by, and then one day it happens, A glance, a smile, you spy. Yes, I want love to find me, To tangle and entwine me, And it will, I know it will in its own sweet time. (Entire Opera duration: 2 hours) BRIEF SYNOPSIS: 6,000 years ago an almighty ruler died in Aksum. But today he lives for one woman, Trista,who falls in love with his statue at the Metropolitan Museum of Art in New York City. She is pulled deep into obsession, and her family is unable to rescue her; she tries to kiss the statue's face, and is arrested. With a quest to find the statue's twin, she flees to the country Joondor, site of the ancient city of Aksum where she is ultimately consumed by her love for Menkaure. Opera Website Page: http://www.lacoronadelossantos.net/menkaureopera.html Composer's website: http://www.lacoronadelossantos.net/jamesnathanielholland.html
$3.95
3.58 €
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James Nathaniel Holland
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Contemporary Soprano Aria, "They Say You Can Find Love" from the opera "Menkaure"
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James Nathaniel Holland
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SheetMusicPlus
SCARLATTI Alessandro: Teco, o mesta tortorella, aria from solo cantata Quella pace gradita, arranged
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High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.869022 Composed by Aless…
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High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.869022 Composed by Alessandro SCARLATTI (1660 – 1725). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Standards. 6 pages. Really Good Music, LLC. #6354095. Published by Really Good Music, LLC. (A0.869022). Teco, o mesta tortorella is an Aria 3 from solo cantata Quella pace gradita, composed by Alessandro SCARLATTI (1660 – 1725), one of the greatest composers of Italian Baroque. It has been realized from the score of the cantata and arranged for voice and piano by Sergei Pichugin. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the original key of G minor (D4 – Gb5) for high voice.
$5.95
5.39 €
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Alessandro SCARLATTI
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Sergei PICHUGIN
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SCARLATTI Alessandro: Teco, o mesta tortorella, aria from solo cantata Quella pace gradita, arranged
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Really Good Music, LLC.
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SheetMusicPlus
VIVALDI Antonio: Dille ch'il viver mio, aria from the opera "Il Teuzzone", - Voice and Pi
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High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.868937 Composed by Anton…
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High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.868937 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 4 pages. Really Good Music, LLC. #5024189. Published by Really Good Music, LLC. (A0.868937). Dille ch'il viver mio is an aria from the opera Il Teuzzone (1719) by Antonio VIVALDI (1678 – 1741). It has been realized from the manuscript of the opera and arranged by Sergei Pichugin for voice and piano. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the original key of D minor (E4 – G5) for high voice.
$5.95
5.39 €
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Voix haute
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Antonio VIVALDI
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Sergei PICHUGIN
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VIVALDI Antonio: Dille ch'il viver mio, aria from the opera "Il Teuzzone", - Voice and Pi
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Really Good Music, LLC.
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SheetMusicPlus
Waltz of the Roses (Think of My Love As A Rose), for High Voice Piano, Theme from The Snow Queen, A
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High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.730413 Composed by James…
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High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.730413 Composed by James Nathaniel Holland. Contemporary,Holiday,Wedding. 8 pages. James Nathaniel Holland #3369761. Published by James Nathaniel Holland (A0.730413). A beautiful, sentimental slow waltz from the Pas de Deux of the ballet, The Snow Queen by American composer James Nathaniel Holland. Â Here arranged for high voice (key of C), piano, and with guitar chords. Intermediate level. Perfect for Valentine's Day, Wedding Father Daughter Waltz, or anytime of the year! Orchestral accompaniment sold separately.Beautiful and bright as the Red Rose;With only one hope: 'You'll remember me.'Know that I'll always love you,And that this love will not fade.Fresh, so sweet, the fragrance,Of those happy times, wonderful, sublime, we once shared.If I should dare, say you still care!Think of my love as a Rose.(Brief music interlude)I wish you nothing but gladness,And a life filled with Joy!Seasons may come;Years, they may go,Love can survive,Through Winter's snow.And so this love will for you,Think of my love as a Rose.As Seasons fly; Years, as they go,Think of my love as a Rose!J.N. Holland (Duration: 6 minutes)YouTube Video Presentation: Â https://youtu.be/9dgnKajSsE8Facebook page: Â https://www.facebook.com/jamesnathanielholland/.
$4.95
4.49 €
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James Nathaniel Holland
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Waltz of the Roses
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James Nathaniel Holland
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SheetMusicPlus
BONONCINI Giovanni: Io ti miro, aria from the cantata "Siedi, Amarilli mia", - Voice and
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High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.869000 Composed by Giova…
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High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.869000 Composed by Giovanni BONONCINI (1670 – 1747). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Standards. 4 pages. Really Good Music, LLC. #6254099. Published by Really Good Music, LLC. (A0.869000). Io ti miro is an aria from the cantata Siedi, Amarilli mia by Giovanni BONONCINI (1670 – 1747), first published in Cantate e duetti (London, 1721). It was realized for voice and piano by Sergei Pichugin. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the key of D major (E4 – F#5) for high voice.
$5.95
5.39 €
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Voix haute
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Giovanni BONONCINI
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Sergei PICHUGIN
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BONONCINI Giovanni: Io ti miro, aria from the cantata "Siedi, Amarilli mia", - Voice and
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Really Good Music, LLC.
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SheetMusicPlus
BONONCINI Giovanni: Non posso disperar, aria from the opera "Eraclea", - Voice and Piano
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High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.868828 Composed by Giova…
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High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.868828 Composed by Giovanni BONONCINI (1670 – 1747). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 5 pages. Really Good Music, LLC. #4602791. Published by Really Good Music, LLC. (A0.868828). Non posso disperar is the aria from the opera Eraclea (1692), composed by Giovanni BONONCINI (1670 – 1747), although in some publications it was misattributed to Severo De LUCA (1684 – 1734). The aria was realized for voice and piano by Sergei Pichugin. It may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the key of F minor (Eb4 – G5) for high voice.
$5.95
5.39 €
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Voix haute
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Giovanni BONONCINI
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Sergei PICHUGIN
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BONONCINI Giovanni: Non posso disperar, aria from the opera "Eraclea", - Voice and Piano
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Really Good Music, LLC.
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SheetMusicPlus
Praise God, From Whom All Blessings Flow (Vocal solo - High Key)
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High Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.1247808 By Stephen DeCes…
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High Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.1247808 By Stephen DeCesare. By Louis Bourgeois. Arranged by Stephen DeCesare. Christian,Praise & Worship,Sacred,Standards,Traditional. 8 pages. Exultet Music #842363. Published by Exultet Music (A0.1247808). The Doxology or The Common Doxology that begins Praise God, from whom all blessings flow, has now been freshly arranged for a Vocal solo with Organ accompaniment. Â Accessible and appropriate for any church setting.
$4.99
4.52 €
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Voix haute
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Stephen DeCesare
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Stephen DeCesare
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Praise God, From Whom All Blessings Flow
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Exultet Music
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SheetMusicPlus
Praise God, From Whom All Blessings Flow (Vocal solo - High Key) (Choir/Vocal)
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High Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.1248716 By Stephen DeCes…
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High Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.1248716 By Stephen DeCesare. By Louis Bourgeois. Arranged by Stephen DeCesare. Christian,Praise & Worship,Sacred,Standards,Traditional. 9 pages. Exultet Music #843213. Published by Exultet Music (A0.1248716). The Doxology or The Common Doxology that begins Praise God, from whom all blessings flow, has now been freshly arranged for a Vocal solo, Brass Quartet with Organ accompaniment. Â Accessible and appropriate for any church setting. Parts are NOT included. Â Accompaniment package sold separately. Â A Choir/Vocal score is also available.
$4.99
4.52 €
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Stephen DeCesare
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Stephen DeCesare
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Praise God, From Whom All Blessings Flow
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Exultet Music
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SheetMusicPlus
With my love my life was nestled (Ornamented version from Christ Church Library, MS Mus 439)
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High Voice,Vocal Solo - Digital Download SKU: A0.1287178 Composed by Thomas Morley.…
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High Voice,Vocal Solo - Digital Download SKU: A0.1287178 Composed by Thomas Morley. Arranged by Early Music Scores. Baroque. 2 pages. Early Music Scores #878187. Published by Early Music Scores (A0.1287178). Voice and continuoComposed by Thomas Morley (1557-1602). From Oxford, Christ Church Library, MS Mus 439, f. 37. Edited by Felipe Dias. 2 pages.
$6.99
6.34 €
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Thomas Morley
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Early Music Scores
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With my love my life was nestled
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Early Music Scores
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SheetMusicPlus
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