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Go, Tell It
Non classifié
344
Piano & claviers
Piano seul
211
Piano Facile
88
Piano, Voix
49
Orgue
40
Piano, Voix et Guitare
40
1 Piano, 4 mains
24
Accompagnement Piano
18
2 Pianos, 4 mains
5
Piano grosses notes
5
Piano Trio: piano, violon, violoncelle
5
Instruments en Do
4
Piano (partie séparée)
2
Accordéon
2
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Piano Quatuor: piano, 2 violons, violoncelle
2
+ 10 instrumentations
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Guitares
Guitare notes et tablatures
37
Ukulele
20
Guitare
15
Ligne De Mélodie, (Paroles) et Accords
12
2 Guitares (duo)
7
Guitare (partie séparée)
6
Paroles et Accords
2
Mandoline
2
Basse electrique
1
4 Guitares (Quatuor)
1
Banjo
1
Piano, Guitare (duo)
1
+ 7 instrumentations
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Voix
Chorale SATB
107
Chorale 3 parties
52
Chorale 2 parties
44
Pack Instrumental pour Chorale
42
Chorale
22
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21
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11
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9
Voix duo, Piano
9
Voix duo
5
Voix haute
3
Voix Tenor, Piano
2
Chorale SSATB
2
Voix basse, Piano
2
Voix Moyenne
1
Voix haute, Piano
1
Voix Soprano, Piano
1
Voix moyenne, Piano
1
Voix Alto, Piano
1
Chorale SSATBB
1
+ 15 instrumentations
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Vents
2 Saxophones (duo)
30
Clarinette et Piano
30
Hautbois, Piano (duo)
26
Saxophone (partie séparée)
25
Flûte traversière et Piano
25
Saxophone Alto et Piano
23
2 Clarinettes (duo)
20
2 Flûtes traversières (duo)
20
Flûte traversière
17
Saxophone Tenor et Piano
17
Quatuor de Saxophones: 4 saxophones
16
Saxophone Soprano et Piano
14
Clarinette
14
Trio de Flûtes: 3 flûtes
13
Flûte, Hautbois, Clarinette, Basson
13
Saxophone, Clarinette (duo)
11
Saxophone Alto
11
Flûte, Clarinette (duo)
11
Quatuor de Flûtes : 4 flûtes
9
Saxophone Baryton, Piano
8
Clarinette, Violon (duo)
8
Quatuor de Clarinettes: 4 clarinettes
7
Hautbois (partie séparée)
7
Saxophone Tenor
6
Cor anglais, Piano
6
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
6
Clarinette, Trompette (duo)
6
Flûte à bec Soprano
5
3 Saxophones (trio)
5
2 Hautbois (duo)
5
Clarinette et Alto
4
Flûte, Alto (duo)
4
Flute (partie séparée)
4
Clarinette Basse, Piano
4
Hautbois, Clarinette (duo)
4
Flûte, Violon, Piano
3
Hautbois, Basson (duo)
3
Flûte à bec Soprano, Piano
3
Flûte, Trompette (duo)
3
3 Clarinettes (trio)
3
Quintette de Saxophone: 5 saxophones
3
Ensemble de Flûtes
2
Flûte, Violon
2
Ocarina
2
Hautbois, Flûte
2
Harmonica
2
Clarinette, Violoncelle (duo)
2
Ensemble de saxophones
2
Flûte, Saxophone (duo)
2
Ensemble de Clarinettes
2
Flûte à bec Alto, Piano
2
Quintette de Clarinettes: 5 clarinettes
2
Flûte à Bec
1
2 Flûtes traversières, Piano
1
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1
Flûte et Guitare
1
Cor Anglais
1
2 Clarinettes, Piano
1
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1
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1
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1
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1
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1
2 Flûte à bec (duo)
1
Flûte à Bec, Piano
1
Piccolo, Piano
1
Quintette de Flûte : 5 flûtes
1
+ 62 instrumentations
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29
Trompette, Piano
20
Trombone (partie séparée)
18
2 Trompettes (duo)
17
Trompette
15
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14
Cor et Piano
11
Trompette (partie séparée)
11
Trombone
10
Quatuor de Cuivres
9
2 Trombones (duo)
8
Trompette, Trombone (duo)
7
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6
Cor anglais, Piano
6
Tuba
6
Cor
6
2 Cors (duo)
6
Trompette, Saxophone (duo)
5
Quatuor de Cuivres : 2 trompettes, trombone, tuba
5
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4
Quatuor de Cuivres: 2 trompettes, Cor, trombone
3
Cor (partie séparée)
3
Euphonium
2
Trompette, Cor (duo)
2
Euphonium, Tuba (duo)
2
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2
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2
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2
Quatuor de cuivres: 4 trombones
2
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1
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1
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1
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1
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1
Quatuor de cuivres: 4 trompettes
1
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1
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1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Ensemble de Trombones
1
+ 34 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
39
Violon et Piano
35
Violoncelle, Piano
25
2 Violons (duo)
25
Alto, Piano
21
Violon
20
2 Violoncelles (duo)
19
Alto seul
14
Violoncelle
13
2 Altos (duo)
11
Violon, Violoncelle (duo)
10
Violon, Alto (duo)
8
Trio à Cordes: violon, alto, violoncelle
7
Contrebasse (partie séparée)
6
Trio à Cordes: 2 violons, violoncelle
4
Harpe
3
Trio à cordes
2
Harpe, Flûte (duo)
2
Harpe, Violoncelle (duo)
2
Violon (partie séparée)
2
Quatuor à cordes: 4 violons
2
Contrebasse, Piano (duo)
2
2 Contrebasses (duo)
2
Harpe, Voix
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
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1
4 Violoncelles
1
Piano Trio: Violon, Alto, Piano
1
Contre Basse
1
Alto, Violoncelle (duo)
1
Alto (partie séparée)
1
Trio à cordes: 3 violins
1
+ 27 instrumentations
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68
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25
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19
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15
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14
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12
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4
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4
Xylophone, Piano
1
Orchestre de chambre
1
Quintette à Vent
1
Vibraphone
1
Marimba
1
Jazz combo
1
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--INSTRUMENTS--
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Vous avez sélectionné:
Go, Tell It
Voix haute
Partitions à imprimer
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Go Tell It On The Mountain (arr. Richard Walters) (High Voice)
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Voix haute
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Noël
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Harry T
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Go Tell It On The Mountain
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Hal Leonard - Digital
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SheetMusicPlus
Piano Accompaniment,Vocal,Voice (High Voice) - SKU: HX.1477608 Arranged by Harry T. Burleigh and Richard Walters. This edition: scorch. Christmas. Score...
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Piano Accompaniment,Vocal,Voice (High Voice) - SKU: HX.1477608 Arranged by Harry T. Burleigh and Richard Walters. This edition: scorch. Christmas. Score. 4 pages. Hal Leonard - Digital #21011. Published by Hal Leonard - Digital (HX.1477608).
$4.99
Go, Tell It on the Mountain [High Voice]
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Voix haute
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Classique
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Patrick M
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Go, Tell It on the Mountain [
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Alfred Music. Digital Sheet Music
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SheetMusicPlus
Arranged by Patrick M. Liebergen. For Vocal. Classical. 3 pages. Published by Alfred Music. Digital Sheet Music...
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Arranged by Patrick M. Liebergen. For Vocal. Classical. 3 pages. Published by Alfred Music. Digital Sheet Music
$2.99
The Unquiet Grave from American Death Ballads (Downloadable)
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Voix haute
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David Conte
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The Unquiet Grave from America
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
High voice and piano - Moderately Difficult - SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer M...
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High voice and piano - Moderately Difficult - SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8454-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8454-2E). English.American Death Ballads was composed especially for tenor Brian Thorsett. We have been frequent collaborators since 2011, when he premiered the complete set of my Three Settings of W. B. Yeats for string quartet and tenor. At his urging, I transcribed and published my Three Poems of Christina Rossetti (originally for medium voice) for high voice, which he premiered at the San Francisco Conservatory in 2014. American Death Ballads was premiered by him at the San Francisco Conservatory, November 1, 2015, with pianist John Churchwell, and at the National Association of Teachers of Singing (NATS) Conference in Chicago, July 10, 2016, with pianist Warren Jones.The choice of texts for my American Death Ballads was inspired partly by Copland’s Old American Songs, which I deeply admire, but more by my dear friend and colleague the late Conrad Susa’s Two Murder Ballads. The ingenuity of Susa’s accompaniments for his ballads in imagining anew the original source material owes a great deal to Copland’s accompaniment for his songs. Though the content of my songs is completely original and not based on preexisting melodies, I have tried to expand on this further, as the texts are much longer, and go through many different moods and characters. The four texts I chose include stories about murder, death, and dying. Though two of the texts were written in England, they traveled to the colonies almost immediately. The subjects of the texts had spent time in America, and their stories were well known to Americans.Wicked Polly is a cautionary tale. Polly has lived a dissolute and immoral life, saying, 'I'll turn to God when I grow old.' Suddenly taken ill, she realizes that it is too late to repent. She dies in agony and is presumably sent to hell; young people are advised to heed. My musical setting is stately and preacherly in character for the narrator; for Polly it becomes pleading and remorseful. The Unquiet Grave was brought to the attention of Alan Lomax, the great American field collector of folk music, by English folk singer Shirley Collins. The text is taken from an English folk song dating from 1400. In The Unquiet Grave, a young man mourns his dead lover too fervently and prevents her from obtaining peace. The dead woman complains that his weeping is keeping her from peaceful rest. He begs a kiss; she tells him it would kill him. When he persists, wanting to join her in death, she explains that once they were both dead their hearts would simply decay, and that he should enjoy life while he has it. My setting is in a flowing Andante with a rocking accompaniment. Three voices are delineated here: the narrator, the mournful lover, and the dead lover speaking from the grave. The Dying Californian first appeared in the New England Diadem in 1854. Its lyrics are based on a letter from a New Englander’s sailor to his brother who is dying at sea while on the way to California to seek his fortune in the California gold fields. He implores his brother to impart his message to his father, mother, wife, and children. My setting opens with the singer alone in a moderate dirge tempo, then, joined by the piano, moves through many tonalities and moods before ending with supreme confidence as the speaker 'gained a port called Heaven/Where the gold will never rust.'Captain Kidd was a Scottish sailor who was tried and executed for piracy and murder in 1701. The American connection to this ballad is that Kidd escaped to America and for a time lived in New York and Boston, though he was a wanted criminal by the British authorities and was extradited to Britain, where he was hung at 'Executioner’s Dock.' The lyric was printed in Britain in 1701, traveling to the colonies almost immediately. Though the didactic tone of the text is similar to Wicked Polly, it expresses no regret until the final lines: 'Take warning now by me, and shun bad company, / Lest you come to hell with me, for I must die.' My setting is fast and spirited, expressing the confidence of a man who lived life as he wanted. -David Conte.
$3.50
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