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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
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CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
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HARPE
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LUTH
MANDOLINE
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UKULELE
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XYLOPHONE
God, Great God - Harp
Non classifié
550
Piano & claviers
Piano seul
277
Piano, Voix et Guitare
109
Piano, Voix
102
Piano Facile
64
Orgue
47
Instruments en Do
14
Accompagnement Piano
13
Piano Trio: piano, violon, violoncelle
11
Piano grosses notes
9
1 Piano, 4 mains
5
Piano Quatuor: piano, 2 violons, violoncelle
3
2 Pianos, 4 mains
3
Piano Quatuor: piano, violon, alto, violoncelle
1
Clavecin
1
Piano (partie séparée)
1
+ 10 instrumentations
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Guitares
Ligne De Mélodie, (Paroles) et Accords
46
Guitare notes et tablatures
24
Guitare
12
Paroles et Accords
9
Ukulele
4
Piano, Guitare (duo)
3
2 Guitares (duo)
3
Basse electrique
2
Guitare (partie séparée)
2
Ukulele Baryton
1
+ 5 instrumentations
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Voix
Chorale SATB
359
Chorale 3 parties
50
Chorale Unison
48
Chorale 2 parties
37
Pack Instrumental pour Chorale
16
Chorale TTBB
16
Voix duo, Piano
10
Voix seule
7
Voix duo
6
Chorale SSAA
5
Voix haute
4
Voix Soprano, Piano
4
Voix Alto, Piano
4
Voix Baryton, Piano
2
Voix basse
1
Voix basse, Piano
1
Voix moyenne, Piano
1
Chorale
1
+ 13 instrumentations
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Vents
Flûte traversière et Piano
52
2 Flûtes traversières (duo)
38
Saxophone Alto et Piano
36
Clarinette et Piano
34
Quatuor de Saxophones: 4 saxophones
31
Hautbois, Piano (duo)
31
2 Saxophones (duo)
29
Clarinette
28
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
23
Flûte, Hautbois, Clarinette, Basson
22
Flûte traversière
20
2 Clarinettes (duo)
20
Saxophone Alto
19
Hautbois (partie séparée)
18
Saxophone Tenor et Piano
18
Flûte, Clarinette (duo)
15
Clarinette (partie séparée)
13
Quintette de Saxophone: 5 saxophones
12
Saxophone Baryton, Piano
10
Flute (partie séparée)
9
Saxophone Tenor
9
Saxophone (partie séparée)
9
Saxophone Soprano et Piano
8
3 Saxophones (trio)
7
Cor anglais, Piano
7
Hautbois, Basson (duo)
6
Saxophone, Clarinette (duo)
5
Clarinette, Violon (duo)
5
3 Clarinettes (trio)
5
Saxophone Soprano
5
Trio de Flûtes: 3 flûtes
5
Quatuor de Flûtes : 4 flûtes
4
Flûte, Violon, Piano
4
Clarinette Basse, Piano
4
Clarinette, Basson (duo)
4
Flûte, Trompette (duo)
4
Quatuor de Clarinettes: 4 clarinettes
4
Flûte, Alto et Piano
3
2 Saxophones, Piano
3
Flûte à bec Soprano, Piano
3
Quintette de Flûte : 5 flûtes
3
Flûte, Hautbois, Clarinette (trio)
2
Hautbois
2
Clarinette et Alto
2
Saxophone Baryton
2
Quintette de Clarinettes: 5 clarinettes
2
Flûte, Saxophone (duo)
2
Flûte, Clarinette, Piano (trio)
2
Flûte, Violon
2
2 Hautbois (duo)
2
Hautbois, Flûte
2
Hautbois, Clarinette (duo)
2
Quatuor de Flûtes à bec
2
Saxophone et Guitare
1
Flûte à bec Alto
1
Ensemble de Hautbois
1
Flûte, Hautbois (duo)
1
Flûte à Bec
1
Clarinette, Guitare (duo)
1
Flûte, Hautbois, Violon
1
2 Flûte à bec (duo)
1
Flûte à bec Tenor
1
Flûte et Guitare
1
Flûte à bec Alto, Piano
1
2 Clarinettes, Piano
1
2 Flûtes traversières, Piano
1
Flûte, Clarinette, Violon (trio)
1
Flûte, Basson et Piano
1
Flûte, Alto (duo)
1
Ensemble de Flûtes
1
Flûte à bec Soprano
1
+ 66 instrumentations
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
36
Trompette
26
Trompette, Piano
26
Trombone et Piano
25
Trompette (partie séparée)
15
Cor et Piano
15
2 Trompettes (duo)
14
2 Cors (duo)
13
Trombone
13
2 Trombones (duo)
12
Trombone (partie séparée)
11
Quatuor de Cuivres: 2 trompettes, Cor, trombone
11
Trompette, Trombone (duo)
10
Quatuor de Cuivres : 2 trompettes, trombone, tuba
10
Tuba et Piano
8
Cor
7
Cor anglais, Piano
7
Cor (partie séparée)
6
Quatuor de Cuivres
6
Quatuor de cuivres: 4 trombones
4
Trompette, Saxophone (duo)
4
Ensemble de Trombones
3
Tuba (partie séparée)
3
2 Euphoniums et 2 Tubas
2
Quatuor de cuivres: 2 trompettes, 2 trombones
2
Tuba
2
Trompette, Trombone, Piano
1
2 Trompettes, Clavier (piano ou orgue)
1
Ensemble de Cors
1
Euphonium, Piano (duo)
1
4 Tubas
1
3 Trombones (trio)
1
Quatuor de cuivres: 4 cors
1
Quatuor de cuivres: 4 trompettes
1
+ 29 instrumentations
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Cordes
Violon et Piano
56
Quatuor à cordes: 2 violons, alto, violoncelle
46
Violon
28
Alto, Piano
28
Violoncelle, Piano
26
2 Violons (duo)
23
Violoncelle
20
Violon, Violoncelle (duo)
19
2 Violoncelles (duo)
16
Violon, Alto (duo)
15
2 Altos (duo)
13
Alto seul
13
Trio à Cordes: violon, alto, violoncelle
11
Alto (partie séparée)
8
Alto, Violoncelle (duo)
7
Violon (partie séparée)
7
Piano Trio: Violon, Alto, Piano
7
Quintette à cordes: 2 violons, alto, violoncelle, basse
5
Trio à Cordes: 2 violons, violoncelle
4
Contrebasse (partie séparée)
4
Contrebasse, Piano (duo)
3
Contre Basse
3
Quatuor à cordes: 4 violons
2
Violoncelle (partie séparée)
2
2 Violons, Piano
2
4 Violoncelles
1
Trio à Cordes: 3 violoncelles
1
Trio à cordes: 3 altos
1
Quatuor à cordes : 4 altos
1
2 Violoncelles, Piano
1
Trio à Cordes: 2 violons, alto
1
Violon, Guitare (duo)
1
Violon, Orgue
1
+ 28 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
61
Cloches
47
Orchestre
38
Orchestre à Cordes
19
Jazz combo
16
Ensemble Jazz
11
Ensemble de cuivres
11
Orchestre de chambre
5
Batterie
4
Fanfare
3
Percussion (partie séparée)
3
Timbales (partie séparée)
1
Batterie (partie séparée)
1
Xylophone, Piano
1
+ 9 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
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FLUTE TRAVERSI…
FORMATION MUSI…
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HARMONICA
HARPE
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LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
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Vous avez sélectionné:
God, Great God - Harp
Voix haute
Partitions à imprimer
4 partitions trouvées
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God Bless The U.s.a.
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Voix haute
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FACILE
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Musique Sacrée
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Lee Greenwood
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Nancy Frese Tabb
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God Bless The U.s.a.
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Nancy Frese Tabb
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SheetMusicPlus
High Voice,Vocal Solo - Level 2 - SKU: A0.800072 By Lee Greenwood. By Lee Greenwood. Arranged by Nancy Frese Tabb. Contemporary,Country,Patriotic,Pop,Pr...
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High Voice,Vocal Solo - Level 2 - SKU: A0.800072 By Lee Greenwood. By Lee Greenwood. Arranged by Nancy Frese Tabb. Contemporary,Country,Patriotic,Pop,Praise & Worship. 9 pages. Nancy Frese Tabb #6135339. Published by Nancy Frese Tabb (A0.800072). This timely arrangement of God Bless the USA is a great addition to any patriotic gathering. God Bless the USA is arranged as a solo for a high voice (Soprano, Tenor) This piece is easily achievable in just a few rehearsals and is enhanced by a key change for the last refrain. .
$4.99
God Bless The U.s.a.
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Voix haute
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FACILE
#
Musique Sacrée
#
Lee Greenwood
#
Nancy Frese Tabb
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God Bless The U.s.a.
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Nancy Frese Tabb
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SheetMusicPlus
High Voice,Vocal Solo - Level 2 - SKU: A0.800196 By Lee Greenwood. By Lee Greenwood. Arranged by Nancy Frese Tabb. Contemporary,Country,Patriotic,Pop,Pr...
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High Voice,Vocal Solo - Level 2 - SKU: A0.800196 By Lee Greenwood. By Lee Greenwood. Arranged by Nancy Frese Tabb. Contemporary,Country,Patriotic,Pop,Praise & Worship. 10 pages. Nancy Frese Tabb #6867745. Published by Nancy Frese Tabb (A0.800196). This timely arrangement of God Bless the U.S.A is a great addition to any patriotic gathering. Paired with an excerpt from 'America, the Beautiful', God Bless the USA is arranged as a solo for a high voice (Soprano/Tenor). It is easily achievable in just a few rehearsals and is enhanced by a key change in the last refrain. .
$4.99
When I Let God Lead (High Voice)
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Voix haute
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INTERMÉDIAIRE
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Musique Sacrée
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Joseph H
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Elizabeth Ragsdale
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When I Let God Lead
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Elizabeth Ragsdale
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SheetMusicPlus
High Voice,Vocal Solo - Level 3 - SKU: A0.947834 Composed by Joseph H. Gilmore. Words by Elizabeth Ragsdale, Music by Elizabeth Ragsdale, and William B....
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High Voice,Vocal Solo - Level 3 - SKU: A0.947834 Composed by Joseph H. Gilmore. Words by Elizabeth Ragsdale, Music by Elizabeth Ragsdale, and William B. Bradbury. Arranged by Elizabeth Ragsdale. Christian,Sacred. 7 pages. Elizabeth Ragsdale #2548741. Published by Elizabeth Ragsdale (A0.947834). This sacred solo explores the when, where, and how of God’s leading. It incorporates a refrain from the well-known hymn He Leadeth Me. With its easy, engaging accompaniment, the music has great audience appeal. Duration: 4:06. Vocal range: C4–E5.
$4.79
The Unquiet Grave from American Death Ballads (Downloadable)
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Voix haute
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David Conte
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The Unquiet Grave from America
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
High voice and piano - Moderately Difficult - SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer M...
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High voice and piano - Moderately Difficult - SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8454-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8454-2E). English.American Death Ballads was composed especially for tenor Brian Thorsett. We have been frequent collaborators since 2011, when he premiered the complete set of my Three Settings of W. B. Yeats for string quartet and tenor. At his urging, I transcribed and published my Three Poems of Christina Rossetti (originally for medium voice) for high voice, which he premiered at the San Francisco Conservatory in 2014. American Death Ballads was premiered by him at the San Francisco Conservatory, November 1, 2015, with pianist John Churchwell, and at the National Association of Teachers of Singing (NATS) Conference in Chicago, July 10, 2016, with pianist Warren Jones.The choice of texts for my American Death Ballads was inspired partly by Copland’s Old American Songs, which I deeply admire, but more by my dear friend and colleague the late Conrad Susa’s Two Murder Ballads. The ingenuity of Susa’s accompaniments for his ballads in imagining anew the original source material owes a great deal to Copland’s accompaniment for his songs. Though the content of my songs is completely original and not based on preexisting melodies, I have tried to expand on this further, as the texts are much longer, and go through many different moods and characters. The four texts I chose include stories about murder, death, and dying. Though two of the texts were written in England, they traveled to the colonies almost immediately. The subjects of the texts had spent time in America, and their stories were well known to Americans.Wicked Polly is a cautionary tale. Polly has lived a dissolute and immoral life, saying, 'I'll turn to God when I grow old.' Suddenly taken ill, she realizes that it is too late to repent. She dies in agony and is presumably sent to hell; young people are advised to heed. My musical setting is stately and preacherly in character for the narrator; for Polly it becomes pleading and remorseful. The Unquiet Grave was brought to the attention of Alan Lomax, the great American field collector of folk music, by English folk singer Shirley Collins. The text is taken from an English folk song dating from 1400. In The Unquiet Grave, a young man mourns his dead lover too fervently and prevents her from obtaining peace. The dead woman complains that his weeping is keeping her from peaceful rest. He begs a kiss; she tells him it would kill him. When he persists, wanting to join her in death, she explains that once they were both dead their hearts would simply decay, and that he should enjoy life while he has it. My setting is in a flowing Andante with a rocking accompaniment. Three voices are delineated here: the narrator, the mournful lover, and the dead lover speaking from the grave. The Dying Californian first appeared in the New England Diadem in 1854. Its lyrics are based on a letter from a New Englander’s sailor to his brother who is dying at sea while on the way to California to seek his fortune in the California gold fields. He implores his brother to impart his message to his father, mother, wife, and children. My setting opens with the singer alone in a moderate dirge tempo, then, joined by the piano, moves through many tonalities and moods before ending with supreme confidence as the speaker 'gained a port called Heaven/Where the gold will never rust.'Captain Kidd was a Scottish sailor who was tried and executed for piracy and murder in 1701. The American connection to this ballad is that Kidd escaped to America and for a time lived in New York and Boston, though he was a wanted criminal by the British authorities and was extradited to Britain, where he was hung at 'Executioner’s Dock.' The lyric was printed in Britain in 1701, traveling to the colonies almost immediately. Though the didactic tone of the text is similar to Wicked Polly, it expresses no regret until the final lines: 'Take warning now by me, and shun bad company, / Lest you come to hell with me, for I must die.' My setting is fast and spirited, expressing the confidence of a man who lived life as he wanted. -David Conte.
$3.50
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God, Great God - Harp
