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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Ich Will
Sheetmusicplus
Non classifié
4 199
Piano & claviers
Piano seul
1 853
Piano, Voix
614
Piano Facile
551
Piano, Voix et Guitare
320
Orgue
274
Instruments en Do
110
Accompagnement Piano
75
1 Piano, 4 mains
47
2 Pianos, 4 mains
26
Accordéon
26
Piano Trio: piano, violon, violoncelle
24
Piano (partie séparée)
18
Orgue, Piano (duo)
17
Piano Quatuor: piano, violon, alto, violoncelle
12
Orgue, Trompette (duo)
11
Clavecin
7
Piano Quintette: piano, 2 violons, alto, violoncelle
6
Piano Quatuor: piano, 2 violons, violoncelle
6
Piano grosses notes
1
Fake Book
1
1 Piano, 6 mains
1
+ 16 instrumentations
Retracter
Guitares
Guitare notes et tablatures
228
Guitare
184
Ukulele
65
Basse électrique (partie séparée)
36
Basse electrique
35
Ligne De Mélodie, (Paroles) et Accords
32
Guitare (partie séparée)
32
2 Guitares (duo)
22
Dulcimer
18
4 Guitares (Quatuor)
18
Banjo
18
Piano, Guitare (duo)
13
Paroles et Accords
10
Mandoline
8
3 Guitares (trio)
6
Ensemble de guitares
4
2 Ukuleles
3
2 Dulcimers (duo)
2
Ukulele Baryton
1
2 Mandolines (duo)
1
+ 15 instrumentations
Retracter
Voix
Chorale SATB
1 089
Chorale 3 parties
376
Chorale TTBB
205
Chorale 2 parties
187
Chorale SSAA
103
Chorale Unison
83
Voix duo
26
Voix duo, Piano
21
Pack Instrumental pour Chorale
19
Voix haute
17
Voix Soprano, Piano
17
Voix seule
14
Voix Tenor, Piano
10
Chorale SSAATTBB
7
Chorale
7
Voix Alto, Piano
6
Voix basse, Piano
6
Chorale SSATB
5
Voix moyenne, Piano
4
Voix Soprano
4
Voix Mezzo-Soprano, Piano
4
Voix Baryton, Piano
3
Voix basse
3
Chorale SSATTB
2
Chorale SAATB A Cappella
2
Chorale, Orgue
1
+ 21 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
306
Saxophone (partie séparée)
295
Quatuor de Saxophones: 4 saxophones
287
Quintette de Saxophone: 5 saxophones
276
Flûte traversière et Piano
225
2 Saxophones (duo)
178
Clarinette (partie séparée)
169
Clarinette et Piano
163
Hautbois, Piano (duo)
155
Flûte, Hautbois, Clarinette, Basson
154
Saxophone Alto et Piano
144
Flûte traversière
141
Clarinette
136
Ensemble de saxophones
130
Saxophone Tenor
124
2 Flûtes traversières (duo)
122
Saxophone Alto
116
Saxophone Tenor et Piano
115
Quatuor de Clarinettes: 4 clarinettes
104
Flute (partie séparée)
88
Saxophone Soprano et Piano
87
2 Clarinettes (duo)
85
Ensemble de Clarinettes
83
Hautbois (partie séparée)
74
Quatuor de Flûtes : 4 flûtes
73
Quintette de Clarinettes: 5 clarinettes
71
Quintette de Flûte : 5 flûtes
67
Saxophone Baryton, Piano
57
Ensemble de Flûtes
53
Hautbois
44
2 Hautbois (duo)
43
3 Saxophones (trio)
42
3 Clarinettes (trio)
42
Flûte et Guitare
36
Saxophone Soprano
35
Flûte, Clarinette (duo)
34
Hautbois, Basson (duo)
33
Saxophone, Clarinette (duo)
32
Cor anglais, Piano
31
Trio de Flûtes: 3 flûtes
30
Saxophone Baryton
29
Ensemble De Flûte à bec
26
Flûte à bec Soprano
26
Clarinette, Violon (duo)
23
Flûte à Bec
20
Clarinette, Trompette (duo)
19
Flûte, Clarinette et Basson
18
2 Flûte à bec (duo)
17
Flûte à bec Alto
17
Flûte, Hautbois, Clarinette (trio)
15
Flûte, Violon, Piano
14
Hautbois, Clarinette (duo)
14
Clarinette Basse, Piano
14
Clarinette, Guitare (duo)
13
Flûte à bec Tenor
12
Flûte, Trombone (duo)
11
Flûte, Hautbois, Basson
11
Flûte, Trompette (duo)
11
Clarinette et Alto
10
Flûte, Violon
10
Clarinette, Basson (duo)
10
Quatuor de Flûtes à bec
8
Flûte, Saxophone (duo)
8
Hautbois, Flûte
8
Flûte, Alto (duo)
7
Hautbois, Clarinette, Basson (trio d'anches)
7
Flûte, Basson et Piano
6
5 Flûtes à bec
6
Cor anglais, Guitare (duo)
6
Saxophone
5
Clarinette, Harpe (duo)
5
Flûte, Clarinette, Cor, Basson (Quartet)
4
Flûte, Hautbois (duo)
4
Harmonica
4
Ocarina
4
Flûte, Clarinette, Piano (trio)
3
Flûte à bec Alto, Piano
3
Flûte, Violoncelle
3
3 Flûtes à bec (trio)
3
Clarinette Basse
3
Flûte, Violoncelle, Piano (trio)
3
2 Clarinettes, Basson
3
Flûte à bec Soprano, Piano
3
Piccolo
3
2 Flûtes traversières, Piano
2
Hautbois, Guitare (duo)
2
Clarinette, Violoncelle (duo)
2
Piccolo, Piano
2
Hautbois, Harpe
2
Saxophone et Guitare
2
Saxophone et Orgue
2
Clarinette, Violoncelle, Piano (trio)
2
Saxophone et Harpe
2
Hautbois, Violoncelle
2
Hautbois, Violon, Piano
1
3 Hautbois
1
Flûte, Harpe et Violoncelle
1
Ensemble à vent
1
Flute, harpe et violon
1
Flûte, Violon et Violoncelle
1
Flûte, Clarinette, Violon (trio)
1
Flûte traversière, Orgue (duo)
1
Clarinette, Basson, Piano (trio)
1
Clarinette, Trombone (duo)
1
2 Flûtes traversières, Guitare
1
Flûte, Alto et Piano
1
2 Clarinettes, Piano
1
Flûte, Hautbois, Violon
1
2 Saxophones, Piano
1
2 Hautbois, 2 Cors et 2 Bassons
1
Flûte, Hautbois, Piano (trio)
1
Flûte irlandaise
1
Flûte à bec Alto, Basse continue
1
4 Hautbois
1
+ 109 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
353
Trompette (partie séparée)
226
Quatuor de Cuivres : 2 trompettes, trombone, tuba
217
Trombone (partie séparée)
209
Trompette
158
Trompette, Piano
147
Trombone et Piano
141
Cor
135
Trombone
106
Ensemble de Trompettes
101
Cor et Piano
100
Quatuor de Cuivres: 2 trompettes, Cor, trombone
93
Cor (partie séparée)
80
Tuba
73
Tuba et Piano
72
Ensemble de Trombones
72
Tuba (partie séparée)
70
Quatuor de Cuivres
53
2 Trompettes (duo)
50
Quatuor de cuivres: 4 trombones
48
2 Trombones (duo)
45
2 Cors (duo)
33
Tuba ou Euphonium ou Saxhorn
32
Cor anglais, Piano
31
Euphonium, Piano (duo)
30
Trompette, Trombone (duo)
24
Trompette, Saxophone (duo)
19
Quatuor de cuivres: 4 cors
15
Ensemble de Cors
13
2 Tubas (duo)
13
Trompette, Cor (duo)
10
Cornet A Pistons
10
3 Trompettes (trio)
8
Euphonium
8
Trio de Cuivres
7
2 Euphoniums et 2 Tubas
7
Quatuor de cuivres: 4 trompettes
7
Cor anglais, Guitare (duo)
6
3 Trombones (trio)
5
Cor et Basson (duo)
4
Trompette et Guitare
4
Cor et Harpe
4
Trombone, Orgue
3
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
4 Tubas
3
Trompette, Harpe
3
2 Cors, Piano
2
Trompette, Tuba (duo)
2
Trompette, Basson (duo)
2
Cor, Tuba (duo)
2
Trombone, Tuba (duo)
2
3 Cors (trio)
2
Cor, Violoncelle (duo)
2
Trombone basse
2
Trombone, Cor (duo)
2
Tuba et Orgue
2
2 Trombones, Piano
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Ensemble de Tubas
1
Bass Clef Instruments
1
Trompette, Violoncelle et Piano
1
Cor et Orgue
1
+ 57 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
638
Violon et Piano
274
Violon
195
Violon, Violoncelle (duo)
188
Alto, Piano
156
Violoncelle, Piano
154
Violoncelle
150
Trio à Cordes: violon, alto, violoncelle
129
Violon (partie séparée)
103
Harpe
99
2 Violons (duo)
90
Trio à Cordes: 2 violons, violoncelle
78
Alto seul
77
Quintette à cordes: 2 violons, alto, violoncelle, basse
76
2 Violoncelles (duo)
70
Contrebasse (partie séparée)
65
Contrebasse, Piano (duo)
58
2 Altos (duo)
57
Violon, Alto (duo)
55
Alto (partie séparée)
53
Contre Basse
50
2 Harpes (duo)
37
Ensemble de Violons
29
Ensemble d'Altos
28
Violoncelle (partie séparée)
27
Piano Trio: Violon, Alto, Piano
17
4 Violoncelles
16
Alto, Violoncelle (duo)
9
Harpe, Violon (duo)
9
2 Contrebasses (duo)
9
Harpe, Flûte (duo)
9
Quatuor à cordes : 4 altos
8
Trio à cordes: 3 violins
8
Trio à Cordes: 3 violoncelles
8
Quintette à cordes: 2 violons, 2 altos, violoncelle
7
Harpe, Violoncelle (duo)
6
Violon, Guitare (duo)
6
Flûte, Contrebasse (duo)
5
Trio à cordes
5
Quatuor à cordes: 4 violons
5
Alto, Guitare (duo)
4
Alto et Harpe
4
Violoncelle , Guitare (duo)
4
Trio à cordes: 3 altos
3
Violon, Orgue
3
Harpe, Voix
3
Violon, Clarinette, Piano (trio)
2
2 Violons, Piano
2
Alto et Basson
2
Trio à Cordes: 2 violons, alto
2
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
Ensemble de Violoncelles
1
Alto, Orgue
1
Violon, Tuba (duo)
1
Violoncelle, Orgue
1
4 Contrebasses
1
Harpe et Piano
1
Violon, Basson (duo)
1
Violoncelle, Contrebasse (duo)
1
Harpe (partie séparée)
1
Violon, Basse continue
1
Violon, Violoncelle, Clarinette
1
Harpe, Trombone (duo)
1
Harpe et Orgue
1
+ 59 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
1 913
Fanfare
553
Orchestre à Cordes
387
Orchestre
297
Cloches
201
Ensemble de cuivres
194
Ensemble Jazz
169
Percussion
112
Percussion (partie séparée)
104
Batterie
76
Orchestre de chambre
62
Ensemble de Percussions
34
Batterie (partie séparée)
32
Jazz combo
26
Xylophone
23
Timbales (partie séparée)
22
Ensemble d'École
6
Piano et Orchestre
5
Marimba
4
Caisse Claire
3
Vibraphone
3
Timbales
3
Xylophone, Piano
3
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
2
Xylophone (partie séparée)
1
Quatuor à Vent : 4 instruments à vents
1
Quintette de Cuivres: autres combinaisons
1
2 Marimbas
1
Vibraphone et Marimba
1
+ 24 instrumentations
Retracter
Autres
Théorie de la musique
1
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
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CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
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Partitions à imprimer
17 partitions trouvées
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1
Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition (D major, extra-high key)
#
Voix haute
#
AVANCÉ
#
Classique
#
Richard Strauss
#
Nicole Elyse DiPaolo
#
Strauss - Zueignung from Acht
#
Nicole Elyse DiPaolo
#
SheetMusicPlus
High Voice,Vocal Solo - Level 5 - SKU: A0.1329064 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period....
(+)
High Voice,Vocal Solo - Level 5 - SKU: A0.1329064 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period. 3 pages. Nicole Elyse DiPaolo #917034. Published by Nicole Elyse DiPaolo (A0.1329064). The first of its kind, and the first entry in the Accessible Accompaniments library’s collection of small-hand-optimized song literature publications, this is Richard Strauss’s beloved “Zueignung,†from Acht Gedichte, op. 10 (1885), optimized (but not simplified) for the needs of collaborative pianists with small hands. “Small†is generally understood to be just an octave in span, with limited capacity to grab chord tones within a blocked octave aside from the occasional inner fifth.This edition was inspired by Boosey’s excellent small-hand edition of Frank Bridge’s “Love Went A-Riding†(erroneously labeled “simplified†on the front matter), which thins the large chords that would be problematic or impossible for a barely-an-8ve-reach collaborative pianist to play without adding musically inappropriate rolls or breaks, but also preserves the musical content and grammatically accurate voice-leading. Given that Strauss’s op. 10 collection is much more widespread on today’s concert programs than the Bridge, and given that average conservatory pianist heights and hand sizes have dropped significantly in the 20th and 21st centuries, the need for a similar adaptation in at least some of the op. 10 songs is obvious. Additionally, Strauss’s songs are often so orchestral in spirit—much more so than the Bridge—that the instinct to treat them as orchestral reductions to be adapted by each individual player should be as self-evident and considered as musically appropriate as it would be for any of Strauss’s beloved horn concerti. Performers should feel free to insert their own adaptations, additions, and omissions to this score as needed.The primary source material for this edition is Henle’s edition of the Acht Gedichte. However, any proprietary material that is not public domain (like their fingerings, front matter, and critical notes) is left out of this edition, leaving only what is public domain and edited by Ms. DiPaolo. Unreasonably large chords and arpeggio figures that would require being reachable by a larger hand have been condensed into figures more appropriate for the just-an-octave hand without sacrificing technique and excitement. This edition makes minor improvements to the engraving, like removing syllabic beaming in the voice and adding octave lines when appropriate. This edition also uses Accessible Accompaniments’ distinctive house style, marked by its visual beauty and ease of reading.While this song will be published in low, middle, and high keys for your convenience, please feel free to request another transposition if you are purchasing from a site that does not offer automatic transposition or you don’t see the key that you need. As the name says, Accessible Accompaniments is committed to accessibility—and that goes for singers, too!
$6.99
Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition (C major, high key)
#
Voix haute
#
AVANCÉ
#
Classique
#
Richard Strauss
#
Nicole Elyse DiPaolo
#
Strauss - Zueignung from Acht
#
Nicole Elyse DiPaolo
#
SheetMusicPlus
High Voice,Vocal Solo - Level 5 - SKU: A0.1327769 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period....
(+)
High Voice,Vocal Solo - Level 5 - SKU: A0.1327769 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period. 3 pages. Nicole Elyse DiPaolo #915810. Published by Nicole Elyse DiPaolo (A0.1327769). The first of its kind, and the first entry in the Accessible Accompaniments library’s collection of small-hand-optimized song literature publications, this is Richard Strauss’s beloved “Zueignung,†from Acht Gedichte, op. 10 (1885), optimized (but not simplified) for the needs of collaborative pianists with small hands. “Small†is generally understood to be just an octave in span, with limited capacity to grab chord tones within a blocked octave aside from the occasional inner fifth.This edition was inspired by Boosey’s excellent small-hand edition of Frank Bridge’s “Love Went A-Riding†(erroneously labeled “simplified†on the front matter), which thins the large chords that would be problematic or impossible for a barely-an-8ve-reach collaborative pianist to play without adding musically inappropriate rolls or breaks, but also preserves the musical content and grammatically accurate voice-leading. Given that Strauss’s op. 10 collection is much more widespread on today’s concert programs than the Bridge, and given that average conservatory pianist heights and hand sizes have dropped significantly in the 20th and 21st centuries, the need for a similar adaptation in at least some of the op. 10 songs is obvious. Additionally, Strauss’s songs are often so orchestral in spirit—much more so than the Bridge—that the instinct to treat them as orchestral reductions to be adapted by each individual player should be as self-evident and considered as musically appropriate as it would be for any of Strauss’s beloved horn concerti. Performers should feel free to insert their own adaptations, additions, and omissions to this score as needed.The primary source material for this edition is Henle’s edition of the Acht Gedichte. However, any proprietary material that is not public domain (like their fingerings, front matter, and critical notes) is left out of this edition, leaving only what is public domain and edited by Ms. DiPaolo. Unreasonably large chords and arpeggio figures that would require being reachable by a larger hand have been condensed into figures more appropriate for the just-an-octave hand without sacrificing technique and excitement. This edition makes minor improvements to the engraving, like removing syllabic beaming in the voice and adding octave lines when appropriate. This edition also uses Accessible Accompaniments’ distinctive house style, marked by its visual beauty and ease of reading.While this song will be published in low, middle, and high keys for your convenience, please feel free to request another transposition if you are purchasing from a site that does not offer automatic transposition or you don’t see the key that you need. As the name says, Accessible Accompaniments is committed to accessibility—and that goes for singers, too!
$6.95
I Will Lift up Mine Eyes unto the Hills (Psalm 121) for Tenor and Keyboard
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Voix haute
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Richard St
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I Will Lift up Mine Eyes unto
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Richard St. Clair
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SheetMusicPlus
High Voice,Vocal Solo - Level 4 - SKU: A0.939897 Composed by Richard St. Clair. 20th Century,Christian,Contemporary,Jewish,Praise & Worship. 7 pages. Ri...
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High Voice,Vocal Solo - Level 4 - SKU: A0.939897 Composed by Richard St. Clair. 20th Century,Christian,Contemporary,Jewish,Praise & Worship. 7 pages. Richard St. Clair #6644845. Published by Richard St. Clair (A0.939897). This dynamic 3'30 setting of the famous 121st Psalm can be performed by Tenor or Soprano, with Piano or Organ accompaniment.
$12.99
The Willow Song (High Voice)
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Voix haute
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Classique
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The Willow Song
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Hal Leonard - Digital
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SheetMusicPlus
Piano,Vocal,Voice (High Voice) - SKU: HX.1480397 Arranged by Richard Walters and Steven Stolen. This edition: scorch. Classical,Collection,Renaissance. ...
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Piano,Vocal,Voice (High Voice) - SKU: HX.1480397 Arranged by Richard Walters and Steven Stolen. This edition: scorch. Classical,Collection,Renaissance. Score. 2 pages. Hal Leonard - Digital #953956. Published by Hal Leonard - Digital (HX.1480397).
$4.99
I Will Sing New Songs
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Voix haute
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I Will Sing New Songs
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Hal Leonard - Digital
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SheetMusicPlus
Piano,Vocal,Voice (High Voice) - SKU: HX.1491596 Edited by Richard Walters. This edition: scorch. Classical,Sacred. Score. 5 pages. Hal Leonard - Digita...
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Piano,Vocal,Voice (High Voice) - SKU: HX.1491596 Edited by Richard Walters. This edition: scorch. Classical,Sacred. Score. 5 pages. Hal Leonard - Digital #993057. Published by Hal Leonard - Digital (HX.1491596).
$4.99
Wo du hingehst, da will auch ich hingehen
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Voix haute
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FACILE
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Eugen Hildach
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Klaus Heizmann
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Wo du hingehst, da will auch i
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Schott Music - Digital
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SheetMusicPlus
High voice and piano - easy to intermediate - SKU: S9.Q11874 Composed by Eugen Hildach. Arranged by Klaus Heizmann. This edition: Sheet music. Downloada...
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High voice and piano - easy to intermediate - SKU: S9.Q11874 Composed by Eugen Hildach. Arranged by Klaus Heizmann. This edition: Sheet music. Downloadable. Schott Music - Digital #Q11874. Published by Schott Music - Digital (S9.Q11874). Key: D major. German.
$3.99
Lord, make me an instrument (solo/high)
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Voix haute
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Musique Sacrée
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Jonathan Willcocks
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Lord, make me an instrument
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Oxford University Press Digital
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SheetMusicPlus
High voice and piano - Composed by Jonathan Willcocks. Score. 5 pages. Oxford University Press Digital #9780193547629. Published by Oxford Univers...
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High voice and piano - Composed by Jonathan Willcocks. Score. 5 pages. Oxford University Press Digital #9780193547629. Published by Oxford University Press Digital
ISBN 9780193547629.
This is a gentle and graceful anthem setting the well-loved words usually ascribed to St Francis of Assisi. It has been arranged for high voice from the composer'sLux Perpetua, a choral work on the theme of 'Peace and Unity' which incorporates images from Flanders during the Great War.
$3.25
Periwinkle
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Voix haute
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INTERMÉDIAIRE/AVANCÉ
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Alicia Willard
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Periwinkle
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Alicia Santee-Davis
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SheetMusicPlus
High Voice,Vocal Solo - Level 4 - SKU: A0.1027761 Composed by Alicia Willard. 20th Century,Blues,Contemporary. 34 pages. Alicia Santee-Davis #2923157. P...
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High Voice,Vocal Solo - Level 4 - SKU: A0.1027761 Composed by Alicia Willard. 20th Century,Blues,Contemporary. 34 pages. Alicia Santee-Davis #2923157. Published by Alicia Santee-Davis (A0.1027761). Periwinkle is a song cycle that was originally composed for mezzo-soprano and piano, but has been arranged for soprano and piano; it is a collection of character pieces using original poetry by Alicia Willard. High High Shoes is an upbeat, rhythmically active piece that illustrates the exhilaration and anxiety in reaching for one’s desires. Wings is a hauntingly slow array of uneasy dissonances, using only one line of text that is chopped into fragments and slowly arranged into a comprehensible statement. Boulders on Our Shoulders has a lilting jazz feel, including several piano solos that incorporate many aspects of the blues. Follow the Borrowers is much more introspective, with the music vividly conveying what the text colorfully provides in such lines as I’ll caress the tongue shapes. The title of the cycle is taken from a line of poetry in which the periwinkle dirt in the sky is introduced, providing one of many colors that are portrayed in the pieces. Periwinkle was written in 2009 and premiered at the University of North Carolina School of the Arts by Stephanie McAllister, mezzo-soprano, and the composer at the piano. After its recomposition, the soprano edition was premiered in Fairbanks, Alaska in 2016 by Amy Ingram, soprano, with the composer at the piano.
$16.95
Somewhere Only We Know
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Voix haute
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FACILE
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Film/TV
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Keane
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Teresa OConnell (BMI)
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Somewhere Only We Know
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Teresa O'Connell
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SheetMusicPlus
High Voice,Vocal Solo - Level 2 - SKU: A0.956050 By Keane. By Richard Hughes, Tim Rice-Oxley, and Tom Chaplin. Arranged by Teresa OConnell (BMI). Film/T...
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High Voice,Vocal Solo - Level 2 - SKU: A0.956050 By Keane. By Richard Hughes, Tim Rice-Oxley, and Tom Chaplin. Arranged by Teresa OConnell (BMI). Film/TV. 7 pages. Teresa O'Connell (BMI) #6235521. Published by Teresa O'Connell (BMI) (A0.956050). Somewhere Only We Know is a beautiful ballad by the band, Keane. Arranged for voice (soprano or tenor) with early intermediate piano accompaniment, it is the perfect recital piece for singers. The singer's melody is built in to the piano accompaniment, which instilsl confidence in the singer. Lyrics are appropriate and easy to learn. Teachers, your students will love to sing this emotional, melodic, haunting piece. This is a great arrangement to encourage young pianists to play and sing at the same time! Highly recommended!
$4.99
Didn't My Lord Deliver Daniel? (high voice)
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Voix haute
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INTERMÉDIAIRE
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Gospel Spirituel
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Musique Sacrée
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David Neff
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Didn't My Lord Deliver Daniel?
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David Neff
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SheetMusicPlus
High Voice,Vocal Solo - Level 3 - SKU: A0.829020 Composed by David Neff. Sacred,Spiritual,Traditional. 5 pages. David Neff #3575379. Published by David ...
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High Voice,Vocal Solo - Level 3 - SKU: A0.829020 Composed by David Neff. Sacred,Spiritual,Traditional. 5 pages. David Neff #3575379. Published by David Neff (A0.829020). The anonymous song Didn’t My Lord Deliver Daniel is one of many African-American spirituals that borrow biblical imagery to talk about hope for freedom from oppression. The classic arrangement of this spiritual by H. T. Burleigh will no doubt remain a standard, but I hope the rhythmic variety, jazz harmonies, and big finish of this version will add spice to your church and recital repertoire.  This arrangement (which tops out at a high G#) will also be available in medium-high, medium- and low-voice editions.
$5.99
The War Prayer (Downloadable)
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Voix haute
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Steven Mark Kohn
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The War Prayer
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
High voice and piano - Medium - SKU: MQ.8673-E Composed by Steven Mark Kohn. 15 pages. E. C. Schirmer Music Company - Digital #8673-E. Published by E. C...
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High voice and piano - Medium - SKU: MQ.8673-E Composed by Steven Mark Kohn. 15 pages. E. C. Schirmer Music Company - Digital #8673-E. Published by E. C. Schirmer Music Company - Digital (MQ.8673-E). English.This text has been adapted from Mark Twain's The War Prayer, which he wrote in 1904-5 to protest America’s involvement in the Spanish-American War. His family convinced him to keep if from publication, fearing it was too controversial. Published after his death, Twain makes the case that if God causes all things to happen and blesses select people, then He must also, willingly, deny others his blessing. It is the other side of prayer, the unspoken side, which Twain so brilliantly characterized in The War Prayer. Duration 8:00.
$10.00
GOD SO LOVED (Solo for High Voice, optional flute)
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Voix haute
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FACILE
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Richard Donn
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GOD SO LOVED
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Cartecay River Music Publishing
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SheetMusicPlus
High Voice,Vocal Solo - Level 2 - SKU: A0.891175 Composed by Richard Donn. Contemporary,Easter,Sacred,Traditional. 8 pages. Cartecay River Music Publish...
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High Voice,Vocal Solo - Level 2 - SKU: A0.891175 Composed by Richard Donn. Contemporary,Easter,Sacred,Traditional. 8 pages. Cartecay River Music Publishing #3260171. Published by Cartecay River Music Publishing (A0.891175). GOD SO LOVED is a new rendering of John 3:16 from composer Richard Donn. It features a lovely ascending melody with a descending bass line facilitating the harmonic structure. The solo is very accessible with homophonic and gentle contrapuntal interplay in the instrumental parts. An optional flute part adds just the right touch, making this a piece that you will return to time and again. It is rated medium-easy. Also available: SATB (soprano solo, opt. flute, piano), Medium voice solo (opt. flute), and Low voice solo (opt. flute).
$4.95
Soprano Aria When there is my mansion by the Sea... from the opera On the Wings of the Scarlet Messe
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Voix haute
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AVANCÉ
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James Nathaniel Holland
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Soprano Aria When there is my
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James Nathaniel Holland
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SheetMusicPlus
High Voice,Vocal Solo - Level 5 - SKU: A0.730185 Composed by James Nathaniel Holland. Broadway,Contemporary,Musical/Show,Opera. 9 pages. James Nathaniel...
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High Voice,Vocal Solo - Level 5 - SKU: A0.730185 Composed by James Nathaniel Holland. Broadway,Contemporary,Musical/Show,Opera. 9 pages. James Nathaniel Holland #370921. Published by James Nathaniel Holland (A0.730185). Mariana's (Soprano) Aria When there is my mansion by the sea... from On the Wings of the Scarlet Messenger An Opera in 4 Acts, Based on the Henry James novel, On the Wings of a Dove Music, Adaptation and Libretto by James Nathaniel Holland Composer website: http://www.lacoronadelossantos.net/jamesnathanielholland.html YouTube presentation: https://www.youtube.com/watch?v=dl4l8KeTfic A beautiful and virtuosic contemporary aria for a Gilda Rigoletto type lyric soprano with orchestral accompaniment. Has never been premiered before.Setting: The Fictional Southeast Asian island of Soon Rafa, present day, night, the garden behind Leila's mansion. Mariana (Soprano) niece and ward of her rich Aunt Leila. She cannot marry her love, Kai (bass), due to his lack of money. Mariana has just received a tongue lashing from her Aunt Leila in front of Leila's friends and has left for the garden. Alone and frustrated, Mariana sings of the day when she will have the freedom to do what she wants and execute revenge on all her critics. Fits requirement for contemporary aria in English.Duration: 5:15 Range: C4 to C6
$4.95
The Unquiet Grave from American Death Ballads (Downloadable)
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Voix haute
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David Conte
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The Unquiet Grave from America
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
High voice and piano - Moderately Difficult - SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer M...
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High voice and piano - Moderately Difficult - SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8454-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8454-2E). English.American Death Ballads was composed especially for tenor Brian Thorsett. We have been frequent collaborators since 2011, when he premiered the complete set of my Three Settings of W. B. Yeats for string quartet and tenor. At his urging, I transcribed and published my Three Poems of Christina Rossetti (originally for medium voice) for high voice, which he premiered at the San Francisco Conservatory in 2014. American Death Ballads was premiered by him at the San Francisco Conservatory, November 1, 2015, with pianist John Churchwell, and at the National Association of Teachers of Singing (NATS) Conference in Chicago, July 10, 2016, with pianist Warren Jones.The choice of texts for my American Death Ballads was inspired partly by Copland’s Old American Songs, which I deeply admire, but more by my dear friend and colleague the late Conrad Susa’s Two Murder Ballads. The ingenuity of Susa’s accompaniments for his ballads in imagining anew the original source material owes a great deal to Copland’s accompaniment for his songs. Though the content of my songs is completely original and not based on preexisting melodies, I have tried to expand on this further, as the texts are much longer, and go through many different moods and characters. The four texts I chose include stories about murder, death, and dying. Though two of the texts were written in England, they traveled to the colonies almost immediately. The subjects of the texts had spent time in America, and their stories were well known to Americans.Wicked Polly is a cautionary tale. Polly has lived a dissolute and immoral life, saying, 'I'll turn to God when I grow old.' Suddenly taken ill, she realizes that it is too late to repent. She dies in agony and is presumably sent to hell; young people are advised to heed. My musical setting is stately and preacherly in character for the narrator; for Polly it becomes pleading and remorseful. The Unquiet Grave was brought to the attention of Alan Lomax, the great American field collector of folk music, by English folk singer Shirley Collins. The text is taken from an English folk song dating from 1400. In The Unquiet Grave, a young man mourns his dead lover too fervently and prevents her from obtaining peace. The dead woman complains that his weeping is keeping her from peaceful rest. He begs a kiss; she tells him it would kill him. When he persists, wanting to join her in death, she explains that once they were both dead their hearts would simply decay, and that he should enjoy life while he has it. My setting is in a flowing Andante with a rocking accompaniment. Three voices are delineated here: the narrator, the mournful lover, and the dead lover speaking from the grave. The Dying Californian first appeared in the New England Diadem in 1854. Its lyrics are based on a letter from a New Englander’s sailor to his brother who is dying at sea while on the way to California to seek his fortune in the California gold fields. He implores his brother to impart his message to his father, mother, wife, and children. My setting opens with the singer alone in a moderate dirge tempo, then, joined by the piano, moves through many tonalities and moods before ending with supreme confidence as the speaker 'gained a port called Heaven/Where the gold will never rust.'Captain Kidd was a Scottish sailor who was tried and executed for piracy and murder in 1701. The American connection to this ballad is that Kidd escaped to America and for a time lived in New York and Boston, though he was a wanted criminal by the British authorities and was extradited to Britain, where he was hung at 'Executioner’s Dock.' The lyric was printed in Britain in 1701, traveling to the colonies almost immediately. Though the didactic tone of the text is similar to Wicked Polly, it expresses no regret until the final lines: 'Take warning now by me, and shun bad company, / Lest you come to hell with me, for I must die.' My setting is fast and spirited, expressing the confidence of a man who lived life as he wanted. -David Conte.
$3.50
It came Upon the Midnight Clear
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Voix haute
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INTERMÉDIAIRE
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Richard Storrs Willis
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Klaus Heizmann
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It came Upon the Midnight Clea
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Schott Music - Digital
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SheetMusicPlus
High voice, piano (organ) and melody instrument (flute, violin) - intermediate - SKU: S9.Q25394 Composed by Richard Storrs Willis. Arranged by Klaus Hei...
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High voice, piano (organ) and melody instrument (flute, violin) - intermediate - SKU: S9.Q25394 Composed by Richard Storrs Willis. Arranged by Klaus Heizmann. This edition: Sheet music. Downloadable. Schott Music - Digital #Q25394. Published by Schott Music - Digital (S9.Q25394). German.Originaltitel: It came Upon the Midnight Clear.
$3.99
Amazing Grace—High-Range Vocal Solo, Fiddle, and Piano
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Voix haute
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AVANCÉ
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Musique Sacrée
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Daniel Carter
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Daniel Carter
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Amazing Grace—High-Range
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Daniel Carter
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SheetMusicPlus
High Voice,Vocal Solo - Level 5 - SKU: A0.1074551 By Daniel Carter. By William Walker. Arranged by Daniel Carter. Classical,Folk,Praise & Worship,Sacred...
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High Voice,Vocal Solo - Level 5 - SKU: A0.1074551 By Daniel Carter. By William Walker. Arranged by Daniel Carter. Classical,Folk,Praise & Worship,Sacred,Spiritual. 9 pages. Daniel Carter #678826. Published by Daniel Carter (A0.1074551). John Newton penned the words to “Amazing Grace†around 1764 after he survived a near-death experience on a slave-trading ship that nearly capsized, after which he became a priest. His words were set to music by William Walker who composed the hymn tune NEW BRITAIN, first published in “Southern Harmony in 1847. The hymn is extremely influential in religious and folk music, crossing over successfully into secular music. One of the most recognizable and beloved songs in history, Daniel Carter’s setting has a traditional southern folk song feel. Arranged for solo voice, fiddle obbligato, and piano and is suitable for worship, devotionals, concert settings, and music recitals. The fiddle part is included on the last page of the score. Available for both high-range and medium-range vocal solo, fiddle, and piano at danielcartermusic.com.
$5.99
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