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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
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VIOLON
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AFRICAIN
AMERICANA
ASIE
BLUEGRASS
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CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
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METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
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PUNK
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PIANO & CLAVIERS
Piano seul
564
Piano, Voix
191
Piano Facile
151
Piano, Voix et Guitare
128
Accompagnement Piano
71
Instruments en Do
50
Orgue
35
1 Piano, 4 mains
25
Piano Quatuor: piano, violon, alto, violoncelle
10
2 Pianos, 4 mains
10
Piano Trio: piano, violon, violoncelle
8
Piano Quatuor: piano, 2 violons, violoncelle
5
Piano (partie séparée)
3
Piano grosses notes
2
2 Pianos, 8 mains
2
Clavecin
2
Accordéon
2
Clavier
1
Orgue, Trompette (duo)
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
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GUITARES
Guitare
65
Guitare notes et tablatures
44
Ligne De Mélodie, (Paroles) et Accords
26
Ukulele
14
Basse electrique
11
Piano, Guitare (duo)
9
2 Guitares (duo)
8
Guitare (partie séparée)
4
Paroles et Accords
4
Banjo
3
Mandoline, Guitare (duo)
1
Mandoline
1
Dobro
1
Ensemble de guitares
1
3 Guitares (trio)
1
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VOIX
Chorale SATB
219
Chorale 3 parties
59
Chorale TTBB
44
Chorale 2 parties
43
Chorale SSAA
34
Voix Tenor, Piano
18
Chorale Unison
18
Voix Alto, Piano
11
Voix Soprano, Piano
9
Voix duo, Piano
6
Voix Tenor
6
Voix seule
4
Voix moyenne, Piano
4
Voix haute
3
Chorale
3
Chorale SSATTB
1
Voix Soprano
1
Voix duo
1
Instrumentations suivantes
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VENTS
Flûte traversière et Piano
109
Quatuor de Saxophones: 4 saxophones
90
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
84
Saxophone (partie séparée)
80
Clarinette et Piano
67
Hautbois, Piano (duo)
62
2 Saxophones (duo)
58
Saxophone Tenor et Piano
58
Saxophone Alto et Piano
57
Quatuor de Clarinettes: 4 clarinettes
56
Quintette de Saxophone: 5 saxophones
45
Saxophone Soprano et Piano
40
Flûte, Hautbois, Clarinette, Basson
40
Saxophone Baryton, Piano
36
Cor anglais, Piano
32
Clarinette
31
2 Clarinettes (duo)
30
Flûte traversière
29
Ensemble de Clarinettes
26
Hautbois (partie séparée)
24
2 Flûtes traversières (duo)
24
Ensemble de Flûtes
23
Saxophone Alto
22
Quatuor de Flûtes : 4 flûtes
19
Clarinette Basse, Piano
18
Flûte, Clarinette (duo)
17
Ensemble de saxophones
16
3 Saxophones (trio)
16
Quintette de Clarinettes: 5 clarinettes
15
Quintette de Flûte : 5 flûtes
14
3 Clarinettes (trio)
14
Saxophone, Clarinette (duo)
13
Flûte à bec Soprano
10
Clarinette, Violon (duo)
9
2 Hautbois (duo)
9
Clarinette (partie séparée)
9
Hautbois, Clarinette (duo)
7
Clarinette, Trompette (duo)
7
Hautbois, Basson (duo)
7
Clarinette et Alto
6
Trio de Flûtes: 3 flûtes
6
2 Flûte à bec (duo)
6
Clarinette, Basson (duo)
6
Flûte et Guitare
5
Flûte, Alto (duo)
5
Quatuor de Flûtes à bec
5
Flûte, Violon
5
Flûte, Saxophone (duo)
5
Hautbois, Flûte
4
Flûte à Bec
4
Flûte, Trompette (duo)
4
Flute (partie séparée)
3
Ensemble De Flûte à bec
3
Flûte à bec Alto, Piano
3
Clarinette, Guitare (duo)
3
Clarinette, Violoncelle (duo)
3
Flûte à bec Tenor
3
Flûte à bec Soprano, Piano
3
Piccolo, Piano
3
3 Flûtes à bec (trio)
3
Flûte, Hautbois, Clarinette (trio)
3
Saxophone Tenor
3
2 Flûtes traversières, Piano
2
Flûte, Hautbois, Piano (trio)
2
Flûte à bec Alto
2
Flûte, Violon, Violoncelle et Piano
2
5 Flûtes à bec
2
Saxophone Soprano
2
Flûte, Violoncelle
2
Saxophone et Orgue
2
Flûte, Clarinette, Piano (trio)
2
Flûte, Clarinette et Basson
1
4 Hautbois
1
2 Saxophones, Piano
1
Harmonica
1
Flute, harpe et violon
1
Hautbois, Clarinette, Basson (trio d'anches)
1
2 Clarinettes, Piano
1
Ensemble de Hautbois
1
Cor anglais et Harpe (duo)
1
Clarinette, Violoncelle, Piano (trio)
1
Cor anglais, Guitare (duo)
1
2 Flûtes à bec, Guitare
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Flûte, Violoncelle, Piano (trio)
1
Flûte et Trio à cordes
1
Flûte, Basson et Piano
1
Flûte, Hautbois (duo)
1
Hautbois et alto (duo)
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Hautbois, Violoncelle
1
Flûte, Violon, Piano
1
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
106
Trombone et Piano
60
Quatuor de Cuivres : 2 trompettes, trombone, tuba
55
Trompette
40
Cor et Piano
38
Euphonium, Piano (duo)
36
Trompette, Piano
35
Cor anglais, Piano
32
Trombone (partie séparée)
28
Trompette (partie séparée)
23
Quatuor de Cuivres: 2 trompettes, Cor, trombone
21
Trompette, Trombone (duo)
17
Tuba et Piano
15
2 Trompettes (duo)
14
2 Trombones (duo)
13
Trombone
12
Ensemble de Trombones
11
Cor
10
2 Cors (duo)
10
Cor (partie séparée)
10
Trompette, Saxophone (duo)
10
Quatuor de Cuivres
9
Quatuor de cuivres: 4 trombones
9
Tuba
9
Ensemble de Trompettes
8
Trompette, Cor (duo)
6
Quatuor de cuivres: 4 trompettes
4
Tuba (partie séparée)
4
Quatuor de cuivres: 4 cors
4
Ensemble de Cors
4
3 Tubas (trio)
3
Trombone, Cor (duo)
3
3 Trombones (trio)
3
Tuba et Orgue
3
4 Tubas
2
Trio de Cuivres
2
3 Cors (trio)
2
2 Tubas (duo)
2
Cor, Tuba (duo)
1
Trompette, Tuba (duo)
1
Trombone, Tuba (duo)
1
2 Euphoniums (duo)
1
Cor anglais et Harpe (duo)
1
Cor anglais, Guitare (duo)
1
Trompette, Euphonium (duo)
1
Euphonium, Tuba (duo)
1
2 Euphoniums et 2 Tubas
1
3 Trompettes (trio)
1
Euphonium
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
167
Violon et Piano
92
Alto, Piano
60
Violoncelle, Piano
55
Violon
40
Harpe
34
Violon, Violoncelle (duo)
32
Violoncelle (partie séparée)
28
2 Violons (duo)
24
Violon, Alto (duo)
20
Trio à Cordes: violon, alto, violoncelle
15
2 Violoncelles (duo)
14
2 Altos (duo)
13
Alto seul
12
Violoncelle
11
2 Harpes (duo)
10
Trio à Cordes: 2 violons, violoncelle
10
Violon, Guitare (duo)
9
Alto (partie séparée)
8
4 Violoncelles
8
Piano Trio: Violon, Alto, Piano
6
Ensemble de Violons
5
Violon (partie séparée)
5
Contre Basse
5
Alto, Violoncelle (duo)
5
Contrebasse (partie séparée)
4
Contrebasse, Piano (duo)
4
Trio à Cordes: 3 violoncelles
4
Ensemble d'Altos
4
Quintette à cordes: 2 violons, alto, violoncelle, basse
4
Trio à cordes: 3 violins
4
Quatuor à cordes: 4 violons
4
Quatuor à cordes : 4 altos
3
Harpe, Voix
3
Trio à cordes: 3 altos
2
Harpe, Flûte (duo)
2
Violoncelle, Contrebasse (duo)
2
2 Contrebasses (duo)
1
Violon, Basson (duo)
1
Violoncelle , Guitare (duo)
1
Harpe et Piano
1
Violon, Clarinette, Piano (trio)
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
239
Orchestre
91
Orchestre à Cordes
72
Ensemble de cuivres
38
Ensemble Jazz
28
Orchestre de chambre
27
Cloches
24
Ensemble de Percussions
11
Jazz combo
9
Fanfare
7
Percussion (partie séparée)
5
Piano et Orchestre
4
Batterie (partie séparée)
4
Batterie
3
Marimba
3
Vibraphone
2
Orchestre, Violon
1
Vibraphone (partie séparée)
1
Instrumentations suivantes
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AUTRES
Vous avez sélectionné:
It's Late
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Remembrance
Voix haute
High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.961295 Composed by James…
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High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.961295 Composed by James Sclater. 20th Century,Concert,Folk. 29 pages. James S Sclater #6011167. Published by James S Sclater (A0.961295). This is an extended scene originally for high voice and chamber orchestra presented here in piano reduction. The text deals with a boy's reflection on growing up in the South and the sights and sounds of a particular summer evening. Although originally written for soprano, it would also be suitable for tenor voice. Duration is about 16-17'. The orchestral score and parts are available from the composer.
$12.00
11.08 €
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Voix haute
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James Sclater
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Remembrance
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James S Sclater
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SheetMusicPlus
When Darkness Fills Your Heart - aria study for Tenor or Soprano
Voix haute
High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.1005648 Composed by Rudy…
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High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.1005648 Composed by Rudy Volkmann. Baroque,Christian,Concert,Instructional,Sacred. 4 pages. Rudy Volkmann #6116387. Published by Rudy Volkmann (A0.1005648). A study in long notes, this Baroque-style aria study was initially composed for tenor John Miles after he came to Brnau College for a concert in the late 1970's. Either a tenor or a soprano could use this piece to work on their long notes - it goes to dramatic high Bb, and has a simple piano part. It's a great recital piece. The piece eventually became number 5 of my 6 aria studies for trumpet and piano, as well as the basis for a larger work for brass quintet and organ.
$4.99
4.61 €
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Voix haute
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Rudy Volkmann
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When Darkness Fills Your Heart - aria study for Tenor or Soprano
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Rudy Volkmann
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SheetMusicPlus
The Unquiet Grave from American Death Ballads (Downloadable)
Voix haute
High voice and piano - Moderately Difficult - Digital Download SKU: MQ.8454-2E Comp…
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High voice and piano - Moderately Difficult - Digital Download SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8454-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8454-2E). English.American Death Ballads was composed especially for tenor Brian Thorsett. We have been frequent collaborators since 2011, when he premiered the complete set of my Three Settings of W. B. Yeats for string quartet and tenor. At his urging, I transcribed and published my Three Poems of Christina Rossetti (originally for medium voice) for high voice, which he premiered at the San Francisco Conservatory in 2014. American Death Ballads was premiered by him at the San Francisco Conservatory, November 1, 2015, with pianist John Churchwell, and at the National Association of Teachers of Singing (NATS) Conference in Chicago, July 10, 2016, with pianist Warren Jones.The choice of texts for my American Death Ballads was inspired partly by Copland’s Old American Songs, which I deeply admire, but more by my dear friend and colleague the late Conrad Susa’s Two Murder Ballads. The ingenuity of Susa’s accompaniments for his ballads in imagining anew the original source material owes a great deal to Copland’s accompaniment for his songs. Though the content of my songs is completely original and not based on preexisting melodies, I have tried to expand on this further, as the texts are much longer, and go through many different moods and characters. The four texts I chose include stories about murder, death, and dying. Though two of the texts were written in England, they traveled to the colonies almost immediately. The subjects of the texts had spent time in America, and their stories were well known to Americans.Wicked Polly is a cautionary tale. Polly has lived a dissolute and immoral life, saying, 'I'll turn to God when I grow old.' Suddenly taken ill, she realizes that it is too late to repent. She dies in agony and is presumably sent to hell; young people are advised to heed. My musical setting is stately and preacherly in character for the narrator; for Polly it becomes pleading and remorseful. The Unquiet Grave was brought to the attention of Alan Lomax, the great American field collector of folk music, by English folk singer Shirley Collins. The text is taken from an English folk song dating from 1400. In The Unquiet Grave, a young man mourns his dead lover too fervently and prevents her from obtaining peace. The dead woman complains that his weeping is keeping her from peaceful rest. He begs a kiss; she tells him it would kill him. When he persists, wanting to join her in death, she explains that once they were both dead their hearts would simply decay, and that he should enjoy life while he has it. My setting is in a flowing Andante with a rocking accompaniment. Three voices are delineated here: the narrator, the mournful lover, and the dead lover speaking from the grave. The Dying Californian first appeared in the New England Diadem in 1854. Its lyrics are based on a letter from a New Englander’s sailor to his brother who is dying at sea while on the way to California to seek his fortune in the California gold fields. He implores his brother to impart his message to his father, mother, wife, and children. My setting opens with the singer alone in a moderate dirge tempo, then, joined by the piano, moves through many tonalities and moods before ending with supreme confidence as the speaker 'gained a port called Heaven/Where the gold will never rust.'Captain Kidd was a Scottish sailor who was tried and executed for piracy and murder in 1701. The American connection to this ballad is that Kidd escaped to America and for a time lived in New York and Boston, though he was a wanted criminal by the British authorities and was extradited to Britain, where he was hung at 'Executioner’s Dock.' The lyric was printed in Britain in 1701, traveling to the colonies almost immediately. Though the didactic tone of the text is similar to Wicked Polly, it expresses no regret until the final lines: 'Take warning now by me, and shun bad company, / Lest you come to hell with me, for I must die.' My setting is fast and spirited, expressing the confidence of a man who lived life as he wanted. -David Conte.
$3.50
3.23 €
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Voix haute
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David Conte
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The Unquiet Grave from American Death Ballads
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
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