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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
It don\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\
Non classifié
2 580
Piano & claviers
Piano seul
1 290
Piano, Voix
1 069
Piano, Voix et Guitare
640
Piano Facile
396
Instruments en Do
208
Orgue
81
Accompagnement Piano
44
1 Piano, 4 mains
42
2 Pianos, 4 mains
37
Piano (partie séparée)
33
Piano Trio: piano, violon, violoncelle
24
Accordéon
13
Clavecin
12
Piano Quatuor: piano, violon, alto, violoncelle
7
Piano Quintette: piano, 2 violons, alto, violoncelle
4
Piano grosses notes
4
Orgue, Piano (duo)
2
2 Pianos, 8 mains
2
Piano Quatuor: piano, 2 violons, violoncelle
2
1 Piano, 6 mains
1
Orgue, Trompette (duo)
1
+ 16 instrumentations
Retracter
Guitares
Guitare notes et tablatures
177
Guitare
143
Ligne De Mélodie, (Paroles) et Accords
94
Guitare (partie séparée)
82
Ukulele
60
Basse electrique
46
Paroles et Accords
43
2 Guitares (duo)
12
Dulcimer
12
Mandoline
7
Piano, Guitare (duo)
6
Banjo
5
Mandoline, Guitare (duo)
4
4 Guitares (Quatuor)
3
2 Ukuleles
3
Ukulele Baryton
2
2 Dulcimers (duo)
2
Ensemble de guitares
1
Guitare, Violon, Violoncelle (trio)
1
3 Guitares (trio)
1
Guitare, Orchestre
1
Mandoline, Piano (duo)
1
+ 17 instrumentations
Retracter
Voix
Chorale SATB
678
Chorale 3 parties
210
Chorale TTBB
153
Chorale 2 parties
141
Chorale SSAA
119
Chorale Unison
47
Voix seule
19
Pack Instrumental pour Chorale
14
Voix haute
13
Voix duo, Piano
13
Voix duo
10
Voix Soprano, Piano
9
Chorale
6
Voix Alto, Piano
4
Voix Baryton, Piano
4
Voix Tenor, Piano
4
Voix basse, Piano
4
Chorale SSAATTBB
3
Voix moyenne, Piano
3
Voix Mezzo-Soprano, Piano
1
Chorale SSAB, Piano
1
+ 16 instrumentations
Retracter
Vents
Saxophone (partie séparée)
259
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
227
Quatuor de Saxophones: 4 saxophones
222
Flûte traversière et Piano
203
2 Saxophones (duo)
193
Quintette de Saxophone: 5 saxophones
161
Clarinette et Piano
160
Flûte, Hautbois, Clarinette, Basson
156
Flûte traversière
139
Saxophone Alto et Piano
130
Clarinette
124
Hautbois, Piano (duo)
115
Saxophone Alto
110
Saxophone Tenor et Piano
108
2 Clarinettes (duo)
84
Saxophone Soprano et Piano
83
2 Flûtes traversières (duo)
81
Saxophone Tenor
79
Quatuor de Clarinettes: 4 clarinettes
73
Ensemble de saxophones
70
Hautbois (partie séparée)
61
Saxophone Baryton, Piano
61
Ensemble de Clarinettes
56
Saxophone
47
Quatuor de Flûtes : 4 flûtes
45
2 Hautbois (duo)
44
3 Saxophones (trio)
40
Quintette de Clarinettes: 5 clarinettes
38
2 Flûte à bec (duo)
36
Clarinette (partie séparée)
36
Cor anglais, Piano
33
Flute (partie séparée)
31
3 Clarinettes (trio)
29
Ensemble de Flûtes
28
Flûte à bec Soprano
28
Hautbois
28
Flûte, Clarinette (duo)
27
Saxophone Baryton
22
Saxophone Soprano
21
Trio de Flûtes: 3 flûtes
20
Quintette de Flûte : 5 flûtes
17
Flûte à Bec
17
Quatuor de Flûtes à bec
15
Clarinette Basse, Piano
14
Flûte et Guitare
13
Clarinette, Basson (duo)
12
Flûte, Clarinette et Basson
11
Piccolo, Piano
10
Flûte, Hautbois (duo)
10
Piccolo
9
Flûte à bec Alto, Piano
9
Ensemble De Flûte à bec
9
Hautbois, Basson (duo)
9
Flûte, Violon, Piano
8
Cor Anglais
8
5 Flûtes à bec
8
Flûte à bec Tenor
8
Flûte à bec Alto
8
Hautbois, Clarinette (duo)
7
Clarinette, Guitare (duo)
7
Flûte, Violon
6
Flûte, Hautbois, Basson
5
3 Flûtes à bec (trio)
5
Flûte à Bec, Piano
4
Instruments en Mib
4
Flûte, Hautbois, Piano (trio)
4
Flûte, Violoncelle, Piano (trio)
4
Flûte à bec Soprano, Piano
3
Saxophone, Clarinette (duo)
3
Clarinette, Violoncelle (duo)
3
Clarinette, Violoncelle, Piano (trio)
2
Flûte, Hautbois, Clarinette (trio)
2
2 Clarinettes, Piano
2
4 Hautbois
2
Clarinette, Trombone (duo)
2
Flute, harpe et violon
2
Flûte, Violoncelle
2
Clarinette, Violon (duo)
2
Flûte, Alto et Piano
2
Saxophone et Guitare
2
Cor anglais, Guitare (duo)
2
Hautbois, Guitare (duo)
2
Flûte, Clarinette, Cor, Basson (Quartet)
2
Flûte, Alto (duo)
2
Flûte, Clarinette, Piano (trio)
2
Hautbois, Violoncelle
1
2 Flûtes traversières, Piano
1
Harmonica
1
Flûte, Harpe et Violoncelle
1
Flûte, Basson et Piano
1
Saxophone, Tuba (duo)
1
2 Saxophones, Piano
1
Clarinette, Harpe (duo)
1
Flûte, Violoncelle, Guitare
1
Flûte, Saxophone (duo)
1
Clarinette et Alto
1
Flûte irlandaise
1
Clarinette, Trompette (duo)
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Hautbois, Flûte
1
Flûte et Trio à cordes
1
+ 96 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
332
Trombone (partie séparée)
218
Trombone et Piano
188
Trompette (partie séparée)
171
Trompette
155
Quatuor de Cuivres : 2 trompettes, trombone, tuba
138
Trombone
130
Trompette, Piano
125
Cor et Piano
103
Tuba et Piano
99
Cor
82
Tuba
77
Quatuor de Cuivres: 2 trompettes, Cor, trombone
69
Ensemble de Trombones
62
2 Trompettes (duo)
59
Quatuor de cuivres: 4 trombones
59
2 Trombones (duo)
56
2 Cors (duo)
48
Euphonium, Piano (duo)
41
Quatuor de Cuivres
39
Cor (partie séparée)
35
Cor anglais, Piano
33
Tuba (partie séparée)
31
2 Tubas (duo)
22
Quatuor de cuivres: 4 cors
18
Trompette, Trombone (duo)
17
Trompette, Cor (duo)
13
Ensemble de Trompettes
12
Quatuor de cuivres: 4 trompettes
12
2 Euphoniums et 2 Tubas
11
3 Trombones (trio)
10
Trombone basse
10
4 Tubas
9
Cor Anglais
8
Euphonium
7
Trombone basse et Piano
6
Trombone, Tuba (duo)
5
Ensemble de Cors
5
Trio de Cuivres
5
Bass Clef Instruments
4
Trombone, Cor (duo)
4
3 Trompettes (trio)
4
Trompette, Saxophone (duo)
4
Instruments en Sib
3
Tuba et Orgue
2
Trombone, Orgue
2
Cor, Tuba (duo)
2
3 Tubas (trio)
2
Cor anglais, Guitare (duo)
2
Trompette, Tuba (duo)
2
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
1
Ensemble de Tubas
1
3 Euphoniums
1
2 Euphoniums (duo)
1
Euphonium, Tuba (duo)
1
Cor et Harpe
1
Cor et Orgue
1
2 Trompettes, Clavier (piano ou orgue)
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
3 Cors (trio)
1
Trompette, Harpe
1
Trombone, Violon (duo)
1
+ 57 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
473
Violon
177
Violon et Piano
172
Violoncelle, Piano
148
Violoncelle
134
Alto, Piano
112
2 Violons (duo)
83
Alto seul
80
Trio à Cordes: violon, alto, violoncelle
70
Quintette à cordes: 2 violons, alto, violoncelle, basse
68
Violon, Violoncelle (duo)
65
Contrebasse (partie séparée)
60
2 Violoncelles (duo)
56
Contrebasse, Piano (duo)
55
Contre Basse
50
2 Altos (duo)
49
Harpe
41
Violon, Alto (duo)
40
Violon (partie séparée)
30
Alto (partie séparée)
28
Trio à Cordes: 2 violons, violoncelle
21
2 Contrebasses (duo)
16
Harpe, Flûte (duo)
14
Alto, Violoncelle (duo)
14
4 Violoncelles
13
Violoncelle, Contrebasse (duo)
10
Quatuor à cordes: 4 violons
10
Quatuor à cordes : 4 altos
9
Trio à cordes: 3 violins
9
Trio à Cordes: 3 violoncelles
8
2 Harpes (duo)
7
Trio à cordes: 3 altos
7
Piano Trio: Violon, Alto, Piano
6
Ensemble d'Altos
6
Ensemble de Violons
6
Violoncelle (partie séparée)
5
Harpe, Violon (duo)
4
Violon, Guitare (duo)
4
Quintette à cordes: 2 violons, 2 altos, violoncelle
4
Violoncelle , Guitare (duo)
3
Ensemble de Violoncelles
3
Trio à Cordes: 2 violons, alto
3
4 Contrebasses
2
Alto et Basson
2
4 Harpes
2
Alto et Harpe
2
Harpe (partie séparée)
2
Harpe, Voix
2
Harpe et Piano
2
Violon, Basson (duo)
1
Violoncelle, Orchestre
1
Harpe, Trombone (duo)
1
Violon, Orgue
1
2 Violons, Piano
1
Trio à cordes
1
Harpe, Violoncelle (duo)
1
Harpe et mandoline
1
+ 52 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
770
Jazz combo
334
Ensemble Jazz
283
Orchestre
253
Ensemble de cuivres
177
Orchestre à Cordes
140
Orchestre de chambre
63
Fanfare
53
Cloches
53
Batterie (partie séparée)
39
Batterie
26
Percussion (partie séparée)
18
Ensemble de Percussions
16
Vibraphone
5
Marimba
3
Xylophone
3
Percussion
1
Xylophone, Piano
1
Orchestre, Violon
1
+ 14 instrumentations
Retracter
Autres
Théorie de la musique
1
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
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CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
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CONTEMPORAIN - NEW A…
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EGLISE - SACRE
ENFANTS : EVEIL - IN…
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FUNK
GOSPEL - SPIRITUEL -…
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JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
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METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
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POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
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REGGAE
SOUL - R&B - HIP HOP…
TANGO
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It don\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\
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Partitions à imprimer
13 partitions trouvées
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1
Thomas McDonagh, poem by Francis Ledwidge
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Voix haute
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INTERMÉDIAIRE/AVANCÉ
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Mary Ann Joyce
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Thomas McDonagh, poem by Franc
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Mary Ann Joyce-Walter
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SheetMusicPlus
High Voice,Vocal Solo - Level 4 - SKU: A0.989228 Composed by Mary Ann Joyce. 20th Century,Celtic,Concert,Contemporary. 7 pages. Mary Ann Joyce-Walter #6...
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High Voice,Vocal Solo - Level 4 - SKU: A0.989228 Composed by Mary Ann Joyce. 20th Century,Celtic,Concert,Contemporary. 7 pages. Mary Ann Joyce-Walter #6206491. Published by Mary Ann Joyce-Walter (A0.989228). The Irish poet sings about Thomas McDonagh, the leader of the 1916 Easter Uprising in Dublin. The song is a lament and carries a great sadness. It is modal and chromatic as the text dictates.
$4.99
GOD SO LOVED (Solo for High Voice, optional flute)
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Voix haute
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FACILE
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Richard Donn
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GOD SO LOVED
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Cartecay River Music Publishing
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SheetMusicPlus
High Voice,Vocal Solo - Level 2 - SKU: A0.891175 Composed by Richard Donn. Contemporary,Easter,Sacred,Traditional. 8 pages. Cartecay River Music Publish...
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High Voice,Vocal Solo - Level 2 - SKU: A0.891175 Composed by Richard Donn. Contemporary,Easter,Sacred,Traditional. 8 pages. Cartecay River Music Publishing #3260171. Published by Cartecay River Music Publishing (A0.891175). GOD SO LOVED is a new rendering of John 3:16 from composer Richard Donn. It features a lovely ascending melody with a descending bass line facilitating the harmonic structure. The solo is very accessible with homophonic and gentle contrapuntal interplay in the instrumental parts. An optional flute part adds just the right touch, making this a piece that you will return to time and again. It is rated medium-easy. Also available: SATB (soprano solo, opt. flute, piano), Medium voice solo (opt. flute), and Low voice solo (opt. flute).
$4.95
Idylls - five songs for solo high voice (soprano or tenor) and piano, based upon poems by Alfred, Lo
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Voix haute
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INTERMÉDIAIRE/AVANCÉ
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Stuart Brown
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Idylls - five songs for solo h
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Stuart Brown Music
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SheetMusicPlus
High Voice,Vocal Solo - Level 4 - SKU: A0.835449 Composed by Stuart Brown. 20th Century,Contemporary,Spiritual. 37 pages. Stuart Brown Music #4285583. P...
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High Voice,Vocal Solo - Level 4 - SKU: A0.835449 Composed by Stuart Brown. 20th Century,Contemporary,Spiritual. 37 pages. Stuart Brown Music #4285583. Published by Stuart Brown Music (A0.835449). If you are looking for a genuinely beautiful and rewarding work for solo voice and piano, to fill a 20-minute time slot, then Idylls is for you. It provides an opportunity for both singer and pianist to demonstrate an ability to communicate a wide range of emotions. It is particularly satisfying for the pianist, whose part is anything but subservient to the vocal line and provides an opportunity to shine. At notated tempo the work lasts just under 18 minutes; the concert première performance (in January 2019) lasted just short of 20 minutes because of the slower tempo at which the performers chose to take the fourth song.While intended primarily for the concert platform, Idylls contains some profoundly Christian themes that may make it suitable also for church use in an appropriate context.Although intended for professional use, Idylls may be within the technical capability of advanced high school students, noting that the third song ('Of old sat Freedom on the heights') has a piano part that was described as 'challenging' by the professional pianist who first performed it in public (Jonathan Ellis, January 12th, 2019).As noted above, Idylls can work for church services in various contexts, although not all of the songs are necessarily appropriate to the same context. The lyrics themselves provide the best guidance in this respect.From observing the rehearsal sessions of the two professionals who first performed the work (Chen Wang and Jonathan Ellis), the composer suggests that none of the songs - however apparently straightforward - should be taken for granted. There are nuances in all of them that require careful attention to timing and pitch. The vocal entries in the opening song require careful attention to pitch. In the second song concentrate on the timing and making it sound as light and dance-like as possible. The third song requires the singer to keep an E-flat in mind at all times (in order to pitch entries) and to sing to strict meter regardless of what the pianist is playing. The fourth song requires both grace and intensity. Pitch is the main issue, particularly some of the B-natural entries; pay special attention to timing in the first verse. The fifth and final song is melodically straightforward; pay attention to timing in the second verse.Stuart Brown composed Idylls in early 2015 specifically for the London-based Chinese soprano Chen Wang. She performed it in public for the first time, accompanied by Manchester-based pianist Jonathan Ellis, at a concert in the southwest of England in January 2019.Performing rights are handled in the UK by PRS for Music, in Canada by SOCAN, in the USA by ASCAP, BMI and SESAC. The full list of arrangements can be found at www.prsformusic.com/our-global-network/partnersAll contact and other information (including lyrics) can be found on the composer's website at https://stuartbrownmusic.com/discover-11.html
$7.74
Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition (D major, extra-high key)
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Voix haute
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AVANCÉ
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Strauss - Zueignung from Acht
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Nicole Elyse DiPaolo
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SheetMusicPlus
High Voice,Vocal Solo - Level 5 - SKU: A0.1329064 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period....
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High Voice,Vocal Solo - Level 5 - SKU: A0.1329064 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period. 3 pages. Nicole Elyse DiPaolo #917034. Published by Nicole Elyse DiPaolo (A0.1329064). The first of its kind, and the first entry in the Accessible Accompaniments library’s collection of small-hand-optimized song literature publications, this is Richard Strauss’s beloved “Zueignung,†from Acht Gedichte, op. 10 (1885), optimized (but not simplified) for the needs of collaborative pianists with small hands. “Small†is generally understood to be just an octave in span, with limited capacity to grab chord tones within a blocked octave aside from the occasional inner fifth.This edition was inspired by Boosey’s excellent small-hand edition of Frank Bridge’s “Love Went A-Riding†(erroneously labeled “simplified†on the front matter), which thins the large chords that would be problematic or impossible for a barely-an-8ve-reach collaborative pianist to play without adding musically inappropriate rolls or breaks, but also preserves the musical content and grammatically accurate voice-leading. Given that Strauss’s op. 10 collection is much more widespread on today’s concert programs than the Bridge, and given that average conservatory pianist heights and hand sizes have dropped significantly in the 20th and 21st centuries, the need for a similar adaptation in at least some of the op. 10 songs is obvious. Additionally, Strauss’s songs are often so orchestral in spirit—much more so than the Bridge—that the instinct to treat them as orchestral reductions to be adapted by each individual player should be as self-evident and considered as musically appropriate as it would be for any of Strauss’s beloved horn concerti. Performers should feel free to insert their own adaptations, additions, and omissions to this score as needed.The primary source material for this edition is Henle’s edition of the Acht Gedichte. However, any proprietary material that is not public domain (like their fingerings, front matter, and critical notes) is left out of this edition, leaving only what is public domain and edited by Ms. DiPaolo. Unreasonably large chords and arpeggio figures that would require being reachable by a larger hand have been condensed into figures more appropriate for the just-an-octave hand without sacrificing technique and excitement. This edition makes minor improvements to the engraving, like removing syllabic beaming in the voice and adding octave lines when appropriate. This edition also uses Accessible Accompaniments’ distinctive house style, marked by its visual beauty and ease of reading.While this song will be published in low, middle, and high keys for your convenience, please feel free to request another transposition if you are purchasing from a site that does not offer automatic transposition or you don’t see the key that you need. As the name says, Accessible Accompaniments is committed to accessibility—and that goes for singers, too!
$6.99
Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition (C major, high key)
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Voix haute
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AVANCÉ
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Strauss - Zueignung from Acht
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Nicole Elyse DiPaolo
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SheetMusicPlus
High Voice,Vocal Solo - Level 5 - SKU: A0.1327769 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period....
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High Voice,Vocal Solo - Level 5 - SKU: A0.1327769 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period. 3 pages. Nicole Elyse DiPaolo #915810. Published by Nicole Elyse DiPaolo (A0.1327769). The first of its kind, and the first entry in the Accessible Accompaniments library’s collection of small-hand-optimized song literature publications, this is Richard Strauss’s beloved “Zueignung,†from Acht Gedichte, op. 10 (1885), optimized (but not simplified) for the needs of collaborative pianists with small hands. “Small†is generally understood to be just an octave in span, with limited capacity to grab chord tones within a blocked octave aside from the occasional inner fifth.This edition was inspired by Boosey’s excellent small-hand edition of Frank Bridge’s “Love Went A-Riding†(erroneously labeled “simplified†on the front matter), which thins the large chords that would be problematic or impossible for a barely-an-8ve-reach collaborative pianist to play without adding musically inappropriate rolls or breaks, but also preserves the musical content and grammatically accurate voice-leading. Given that Strauss’s op. 10 collection is much more widespread on today’s concert programs than the Bridge, and given that average conservatory pianist heights and hand sizes have dropped significantly in the 20th and 21st centuries, the need for a similar adaptation in at least some of the op. 10 songs is obvious. Additionally, Strauss’s songs are often so orchestral in spirit—much more so than the Bridge—that the instinct to treat them as orchestral reductions to be adapted by each individual player should be as self-evident and considered as musically appropriate as it would be for any of Strauss’s beloved horn concerti. Performers should feel free to insert their own adaptations, additions, and omissions to this score as needed.The primary source material for this edition is Henle’s edition of the Acht Gedichte. However, any proprietary material that is not public domain (like their fingerings, front matter, and critical notes) is left out of this edition, leaving only what is public domain and edited by Ms. DiPaolo. Unreasonably large chords and arpeggio figures that would require being reachable by a larger hand have been condensed into figures more appropriate for the just-an-octave hand without sacrificing technique and excitement. This edition makes minor improvements to the engraving, like removing syllabic beaming in the voice and adding octave lines when appropriate. This edition also uses Accessible Accompaniments’ distinctive house style, marked by its visual beauty and ease of reading.While this song will be published in low, middle, and high keys for your convenience, please feel free to request another transposition if you are purchasing from a site that does not offer automatic transposition or you don’t see the key that you need. As the name says, Accessible Accompaniments is committed to accessibility—and that goes for singers, too!
$6.95
Silent Night (arr. D. Howell - Tenor/Soprano - C)
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Voix haute
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INTERMÉDIAIRE
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Noël
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Music by Franz Gruber, Words b
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Doug Howell
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Silent Night
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Creative Measures
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SheetMusicPlus
High Voice,Vocal Solo - Level 3 - SKU: A0.896322 Composed by Music by Franz Gruber, Words by Joseph Mohr (v. 4 by Doug Howell). Arranged by Doug Howell....
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High Voice,Vocal Solo - Level 3 - SKU: A0.896322 Composed by Music by Franz Gruber, Words by Joseph Mohr (v. 4 by Doug Howell). Arranged by Doug Howell. Christmas,Pop,Sacred,Spiritual. 8 pages. Creative Measures #4992825. Published by Creative Measures (A0.896322). For me-like many of you, I’m sure-this is my very favorite Christmas carol. And under normal circumstances it is probably the one that I’d least want to meddle with, as it is so simply sacred, just as it is. But for me this project began to mean a lot more than just meddling. I lay awake several nights in a row, imagining the holy scene, and myself standing there. What would I have felt, and done? What was my response to the babe in the manger? What could I possibly have to say? What does his birth mean for me?
$1.99
Bright Star
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Voix haute
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Nicola Jane Buttigieg
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Bright Star
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Nicola Jane Buttigieg
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SheetMusicPlus
High Voice,Vocal Solo - Level 4 - SKU: A0.1004577 Composed by Nicola Jane Buttigieg. Contemporary. 5 pages. Nicola Jane Buttigieg #3626355. Published by...
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High Voice,Vocal Solo - Level 4 - SKU: A0.1004577 Composed by Nicola Jane Buttigieg. Contemporary. 5 pages. Nicola Jane Buttigieg #3626355. Published by Nicola Jane Buttigieg (A0.1004577). 'Bright Star' is a setting of the poem with the same name by English Romantic poet John Keats (1795-1821). With a theatrical flavour, it is the second piece to appear in Bright Star: A Song Cycle on Poems by John Keats, a cycle of seven contemporary art songs for soprano voice and piano, capturing the drama of a some of Keats' most famous and alluring poems. Suitable for solo soprano recital or showcase performance, it was first performed at Keats House next to London's Hampstead Heath in 2011. Composed by Nicola Jane Buttigieg www.nicolajanebuttigieg.com.
$1.99
BONONCINI Giovanni: Io ti miro, aria from the cantata "Siedi, Amarilli mia", - Voice and
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Voix haute
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INTERMÉDIAIRE/AVANCÉ
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Giovanni BONONCINI
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Sergei PICHUGIN
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BONONCINI Giovanni: Io ti miro
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Really Good Music, LLC.
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SheetMusicPlus
High Voice,Vocal Solo - Level 4 - SKU: A0.869000 Composed by Giovanni BONONCINI (1670 – 1747). Arranged by Sergei PICHUGIN. Baroque,Concert,Instr...
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High Voice,Vocal Solo - Level 4 - SKU: A0.869000 Composed by Giovanni BONONCINI (1670 – 1747). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Standards. 4 pages. Really Good Music, LLC. #6254099. Published by Really Good Music, LLC. (A0.869000). Io ti miro is an aria from the cantata Siedi, Amarilli mia by Giovanni BONONCINI (1670 – 1747), first published in Cantate e duetti (London, 1721). It was realized for voice and piano by Sergei Pichugin. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the key of D major (E4 – F#5) for high voice.
$5.95
Lady in the Meads
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Voix haute
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Nicola Jane Buttigieg
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Lady in the Meads
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Nicola Jane Buttigieg
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SheetMusicPlus
High Voice,Vocal Solo - Level 4 - SKU: A0.1004580 Composed by Nicola Jane Buttigieg. Contemporary. 3 pages. Nicola Jane Buttigieg #3626385. Published by...
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High Voice,Vocal Solo - Level 4 - SKU: A0.1004580 Composed by Nicola Jane Buttigieg. Contemporary. 3 pages. Nicola Jane Buttigieg #3626385. Published by Nicola Jane Buttigieg (A0.1004580). 'Lady in the Meads' is a setting from the poem 'La Belle Dame sans Merci' by English Romantic poet John Keats (1795-1821). With a theatrical flavour, it is the fifth piece to appear in Bright Star: A Song Cycle on Poems by John Keats, a cycle of seven contemporary art songs for soprano voice and piano, capturing the drama of a some of Keats' most famous and alluring poems. Suitable for solo soprano recital or showcase performance, it was first performed at Keats House next to London's Hampstead Heath in 2011. Composed by Nicola Jane Buttigieg www.nicolajanebuttigieg.com.
$1.99
They Glide, Like Phantoms
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Voix haute
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Nicola Jane Buttigieg
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They Glide, Like Phantoms
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Nicola Jane Buttigieg
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SheetMusicPlus
High Voice,Vocal Solo - Level 4 - SKU: A0.1004579 Composed by Nicola Jane Buttigieg. Contemporary. 4 pages. Nicola Jane Buttigieg #3626381. Published by...
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High Voice,Vocal Solo - Level 4 - SKU: A0.1004579 Composed by Nicola Jane Buttigieg. Contemporary. 4 pages. Nicola Jane Buttigieg #3626381. Published by Nicola Jane Buttigieg (A0.1004579). 'They Glide, Like Phantoms' is a setting from the poem 'The Eve of St Agnes' by English Romantic poet John Keats (1795-1821). With a theatrical flavour, it is the fourth piece to appear in Bright Star: A Song Cycle on Poems by John Keats, a cycle of seven contemporary art songs for soprano voice and piano, capturing the drama of a some of Keats' most famous and alluring poems. Suitable for solo soprano recital or showcase performance, it was first performed at Keats House next to London's Hampstead Heath in 2011. Composed by Nicola Jane Buttigieg www.nicolajanebuttigieg.com.
$1.99
PORPORA Nicola: Già la notte s'avvicina, aria from the cantata, - Voice and Piano (G maj
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Voix haute
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INTERMÉDIAIRE/AVANCÉ
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Nicola PORPORA
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Sergei PICHUGIN
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PORPORA Nicola: Già la
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Really Good Music, LLC.
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SheetMusicPlus
High Voice,Vocal Solo - Level 4 - SKU: A0.868704 Composed by Nicola PORPORA (1686–1768). Arranged by Sergei PICHUGIN. Baroque,Concert,Instruction...
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High Voice,Vocal Solo - Level 4 - SKU: A0.868704 Composed by Nicola PORPORA (1686–1768). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Standards. 6 pages. Really Good Music, LLC. #4404622. Published by Really Good Music, LLC. (A0.868704). Già la notte s'avvicina is an aria from Solo cantata VI, written by the eminent Italian composer Nicola PORPORA (1686 – 1768). The cantatas were composed on the poetry of Pietro Metastasio, famous Italian librettist and poet, who once took music lessons from Porpora. The realization of the aria for voice and piano, made by Sergei Pichugin, is based on early publication of the composer’s twelve cantatas (London, 1735). The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the key of G major (D4 – G5) for high voice.
$5.95
STRADELLA Alessandro: So ben, che mi saettano, canzonetta for Voice and Piano (D major)
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Voix haute
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INTERMÉDIAIRE/AVANCÉ
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Alessandro STRADELLA
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Sergei PICHUGIN
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STRADELLA Alessandro: So ben,
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Really Good Music, LLC.
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SheetMusicPlus
High Voice,Vocal Solo - Level 4 - SKU: A0.868650 Composed by Alessandro STRADELLA (1639 – 1682). Arranged by Sergei PICHUGIN. Baroque,Concert,Ins...
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High Voice,Vocal Solo - Level 4 - SKU: A0.868650 Composed by Alessandro STRADELLA (1639 – 1682). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Standards. 4 pages. Really Good Music, LLC. #4366426. Published by Really Good Music, LLC. (A0.868650). The canzonetta So ben, che mi saettano was composed by Alessandro STRADELLA (1639 – 1682). The realization of the tune for voice and piano, made by Sergei Pichugin, is based on its early publication in the collection Scelta di canzonette italiane de più autori (London, 1679). The canzonetta may be an invaluable addition to the repertoire of vocal teachers and students. It is available in D major (D4 – A5) for high voice. .
$5.95
STRADELLA Alessandro: So ben, che mi saettano, canzonetta for Voice and Piano (C major)
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Voix haute
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INTERMÉDIAIRE/AVANCÉ
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Alessandro STRADELLA
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Sergei PICHUGIN
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STRADELLA Alessandro: So ben,
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Really Good Music, LLC.
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SheetMusicPlus
High Voice,Vocal Solo - Level 4 - SKU: A0.868649 Composed by Alessandro STRADELLA (1639 – 1682). Arranged by Sergei PICHUGIN. Baroque,Concert,Ins...
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High Voice,Vocal Solo - Level 4 - SKU: A0.868649 Composed by Alessandro STRADELLA (1639 – 1682). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Standards. 4 pages. Really Good Music, LLC. #4366424. Published by Really Good Music, LLC. (A0.868649). The canzonetta So ben, che mi saettano was composed by Alessandro STRADELLA (1639 – 1682). The realization of the tune for voice and piano, made by Sergei Pichugin, is based on its early publication in the collection Scelta di canzonette italiane de più autori (London, 1679). The canzonetta may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the original key of C major (C4 – G5) for high voice. .
$5.95
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