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ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
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EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Joy is come
Non classifié
1 067
Piano & claviers
Piano seul
436
Piano Facile
172
Orgue
63
Piano, Voix
59
Piano, Voix et Guitare
56
1 Piano, 4 mains
33
Accompagnement Piano
22
Instruments en Do
20
2 Pianos, 4 mains
11
Piano Trio: piano, violon, violoncelle
8
Orgue, Piano (duo)
3
2 Pianos, 8 mains
2
Piano (partie séparée)
1
Accordéon
1
Piano Quatuor: piano, 2 violons, violoncelle
1
1 Piano, 6 mains
1
Piano Quatuor: piano, violon, alto, violoncelle
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
+ 13 instrumentations
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Guitares
Guitare notes et tablatures
52
Guitare
30
Ukulele
12
2 Guitares (duo)
11
Basse electrique
8
Ligne De Mélodie, (Paroles) et Accords
6
4 Guitares (Quatuor)
5
3 Guitares (trio)
4
Mandoline
3
Banjo
2
Guitare (partie séparée)
2
Piano, Guitare (duo)
2
+ 7 instrumentations
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Voix
Chorale SATB
267
Chorale 3 parties
85
Chorale Unison
40
Chorale 2 parties
38
Chorale TTBB
24
Chorale SSAA
18
Voix duo, Piano
7
Chorale
5
Voix seule
5
Voix Soprano, Piano
4
Voix moyenne, Piano
2
Voix duo
2
Voix Tenor, Piano
2
Chorale SSATB
2
Voix Alto, Piano
2
Voix haute
1
Voix basse, Piano
1
Voix Baryton, Piano
1
+ 13 instrumentations
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Vents
Quintette de Saxophone: 5 saxophones
88
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
68
Flûte traversière et Piano
67
Quatuor de Saxophones: 4 saxophones
66
Clarinette et Piano
66
Ensemble de saxophones
62
2 Saxophones (duo)
59
2 Flûtes traversières (duo)
56
Flûte, Hautbois, Clarinette, Basson
54
Clarinette
48
Saxophone Alto et Piano
45
Hautbois, Piano (duo)
43
Hautbois (partie séparée)
39
Flûte traversière
36
2 Clarinettes (duo)
35
Saxophone Tenor et Piano
27
Saxophone Alto
26
Ensemble de Clarinettes
26
Quatuor de Clarinettes: 4 clarinettes
25
Flûte, Clarinette (duo)
24
Saxophone (partie séparée)
23
Ensemble de Flûtes
20
Saxophone, Clarinette (duo)
20
Quintette de Flûte : 5 flûtes
18
Ocarina
16
Quatuor de Flûtes : 4 flûtes
16
Flûte à bec Soprano
16
3 Clarinettes (trio)
16
Flûte à bec Alto
15
Saxophone Tenor
13
Saxophone Soprano et Piano
13
Flûte et Guitare
12
Saxophone Baryton, Piano
11
Clarinette, Violon (duo)
10
3 Saxophones (trio)
10
Quintette de Clarinettes: 5 clarinettes
10
Clarinette, Trompette (duo)
10
Clarinette, Violoncelle (duo)
9
Flûte, Violon
9
Quatuor de Flûtes à bec
8
Cor anglais, Piano
8
Trio de Flûtes: 3 flûtes
7
Flûte, Saxophone (duo)
7
2 Hautbois (duo)
7
Hautbois, Flûte
7
Flûte à bec Alto, Piano
6
Clarinette, Basson (duo)
6
Flûte, Violon, Piano
6
Flûte irlandaise
6
2 Flûtes traversières, Piano
6
Hautbois, Clarinette (duo)
6
Harmonica
5
Flûte, Trompette (duo)
5
Hautbois, Basson (duo)
5
Clarinette et Alto
5
Clarinette (partie séparée)
4
Flûte, Violoncelle
4
Hautbois, Clarinette, Basson (trio d'anches)
4
Flute (partie séparée)
4
Flûte à bec Tenor
4
Flûte, Harpe et Violoncelle
4
Flûte, Violoncelle, Piano (trio)
3
Hautbois
3
Flûte, Hautbois, Clarinette (trio)
3
Flûte à Bec
3
Clarinette Basse, Piano
3
Flûte, Alto (duo)
3
Ensemble De Flûte à bec
2
2 Clarinettes, Piano
2
Flûte, Clarinette, Piano (trio)
2
Hautbois, Guitare (duo)
2
Cor Anglais
2
Cornemuse
2
2 Flûte à bec (duo)
2
Hautbois, Violoncelle
2
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Ensemble de Hautbois
1
2 Saxophones, Piano
1
Flûte, Hautbois, Basson
1
Saxophone et Guitare
1
5 Flûtes à bec
1
Clarinette, Harpe (duo)
1
Ensemble à vent
1
Clarinette, trompette et piano
1
Flûte, trombone et piano
1
Clarinette, Guitare (duo)
1
Flûte, Violon, Violoncelle et Piano
1
Flûte à bec Soprano, Piano
1
3 Flûtes à bec (trio)
1
Clarinette, Trombone (duo)
1
Clarinette, Violoncelle, Piano (trio)
1
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
104
Quatuor de Cuivres : 2 trompettes, trombone, tuba
57
Ensemble de Trompettes
49
Quatuor de Cuivres
39
Trombone et Piano
35
Trompette
33
Quatuor de Cuivres: 2 trompettes, Cor, trombone
32
Trompette, Piano
30
Trombone
30
Ensemble de Trombones
26
2 Trompettes (duo)
24
Cor et Piano
24
Tuba
23
Cor
21
2 Trombones (duo)
18
Quatuor de cuivres: 4 trombones
15
Trompette (partie séparée)
14
Trompette, Saxophone (duo)
12
Tuba et Piano
11
Trompette, Trombone (duo)
10
Trombone (partie séparée)
9
Trio de Cuivres
9
Cor anglais, Piano
8
Euphonium, Piano (duo)
7
2 Cors (duo)
5
Ensemble de Cors
5
Quatuor de cuivres: 4 trompettes
4
3 Trompettes (trio)
4
Trompette, Violoncelle et Piano
3
Quatuor de cuivres: 4 cors
3
2 Tubas (duo)
2
Quatuor de cuivres: 2 trompettes, 2 trombones
2
Trompette, Cor (duo)
2
Euphonium, Tuba (duo)
2
Cor (partie séparée)
2
Tuba (partie séparée)
2
Cor Anglais
2
2 Euphoniums et 2 Tubas
2
Euphonium
2
Tuba et Orgue
2
4 Tubas
1
2 Trombones, Piano
1
Trompette, Basson (duo)
1
3 Trombones (trio)
1
Trompette, Trombone, Piano
1
Cor et Basson (duo)
1
2 Euphoniums (duo)
1
2 Trompettes, Clavier (piano ou orgue)
1
+ 43 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
138
Violon et Piano
95
Violoncelle, Piano
61
Alto, Piano
58
Harpe
52
2 Violons (duo)
48
Violon
47
Violoncelle
46
2 Violoncelles (duo)
45
Alto seul
33
Violon, Violoncelle (duo)
31
Contre Basse
26
Quintette à cordes: 2 violons, alto, violoncelle, basse
25
Trio à Cordes: violon, alto, violoncelle
24
Violon, Alto (duo)
24
Contrebasse, Piano (duo)
21
2 Altos (duo)
19
Ensemble d'Altos
14
Ensemble de Violons
13
Alto (partie séparée)
9
Trio à Cordes: 2 violons, violoncelle
8
Violon (partie séparée)
7
Alto, Violoncelle (duo)
7
Violoncelle, Contrebasse (duo)
6
Harpe, Voix
4
2 Contrebasses (duo)
3
Contrebasse (partie séparée)
3
Quatuor à cordes : 4 altos
3
4 Violoncelles
3
Quatuor à cordes: 4 violons
3
Violoncelle (partie séparée)
3
2 Harpes (duo)
3
Harpe, Violoncelle (duo)
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Harpe, Flûte (duo)
2
Violon, Basson (duo)
2
Trio à cordes
2
Alto et Basson
2
Trio à cordes: 3 violins
2
Violoncelle , Guitare (duo)
2
Harpe, Violon (duo)
1
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
Trio à Cordes: 3 violoncelles
1
Violon, Trompette et Piano
1
Violon, Guitare (duo)
1
Trio à Cordes: 2 violons, alto
1
2 Violons, Piano
1
Alto et Harpe
1
2 Violoncelles, Piano
1
Harpe et Piano
1
Trio à cordes: 3 altos
1
Ensemble de Violoncelles
1
Violon, Clarinette, Piano (trio)
1
+ 48 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
300
Orchestre à Cordes
75
Cloches
59
Orchestre
48
Ensemble de cuivres
29
Batterie
26
Ensemble Jazz
21
Marimba
10
Orchestre de chambre
8
Fanfare
4
Ensemble de Percussions
4
Xylophone, Piano
3
Jazz combo
3
Percussion (partie séparée)
2
Vibraphone
2
Xylophone
2
Batterie (partie séparée)
1
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Joy is come
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The Unquiet Grave from American Death Ballads (Downloadable)
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Voix haute
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David Conte
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The Unquiet Grave from America
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
High voice and piano - Moderately Difficult - SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer M...
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High voice and piano - Moderately Difficult - SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8454-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8454-2E). English.American Death Ballads was composed especially for tenor Brian Thorsett. We have been frequent collaborators since 2011, when he premiered the complete set of my Three Settings of W. B. Yeats for string quartet and tenor. At his urging, I transcribed and published my Three Poems of Christina Rossetti (originally for medium voice) for high voice, which he premiered at the San Francisco Conservatory in 2014. American Death Ballads was premiered by him at the San Francisco Conservatory, November 1, 2015, with pianist John Churchwell, and at the National Association of Teachers of Singing (NATS) Conference in Chicago, July 10, 2016, with pianist Warren Jones.The choice of texts for my American Death Ballads was inspired partly by Copland’s Old American Songs, which I deeply admire, but more by my dear friend and colleague the late Conrad Susa’s Two Murder Ballads. The ingenuity of Susa’s accompaniments for his ballads in imagining anew the original source material owes a great deal to Copland’s accompaniment for his songs. Though the content of my songs is completely original and not based on preexisting melodies, I have tried to expand on this further, as the texts are much longer, and go through many different moods and characters. The four texts I chose include stories about murder, death, and dying. Though two of the texts were written in England, they traveled to the colonies almost immediately. The subjects of the texts had spent time in America, and their stories were well known to Americans.Wicked Polly is a cautionary tale. Polly has lived a dissolute and immoral life, saying, 'I'll turn to God when I grow old.' Suddenly taken ill, she realizes that it is too late to repent. She dies in agony and is presumably sent to hell; young people are advised to heed. My musical setting is stately and preacherly in character for the narrator; for Polly it becomes pleading and remorseful. The Unquiet Grave was brought to the attention of Alan Lomax, the great American field collector of folk music, by English folk singer Shirley Collins. The text is taken from an English folk song dating from 1400. In The Unquiet Grave, a young man mourns his dead lover too fervently and prevents her from obtaining peace. The dead woman complains that his weeping is keeping her from peaceful rest. He begs a kiss; she tells him it would kill him. When he persists, wanting to join her in death, she explains that once they were both dead their hearts would simply decay, and that he should enjoy life while he has it. My setting is in a flowing Andante with a rocking accompaniment. Three voices are delineated here: the narrator, the mournful lover, and the dead lover speaking from the grave. The Dying Californian first appeared in the New England Diadem in 1854. Its lyrics are based on a letter from a New Englander’s sailor to his brother who is dying at sea while on the way to California to seek his fortune in the California gold fields. He implores his brother to impart his message to his father, mother, wife, and children. My setting opens with the singer alone in a moderate dirge tempo, then, joined by the piano, moves through many tonalities and moods before ending with supreme confidence as the speaker 'gained a port called Heaven/Where the gold will never rust.'Captain Kidd was a Scottish sailor who was tried and executed for piracy and murder in 1701. The American connection to this ballad is that Kidd escaped to America and for a time lived in New York and Boston, though he was a wanted criminal by the British authorities and was extradited to Britain, where he was hung at 'Executioner’s Dock.' The lyric was printed in Britain in 1701, traveling to the colonies almost immediately. Though the didactic tone of the text is similar to Wicked Polly, it expresses no regret until the final lines: 'Take warning now by me, and shun bad company, / Lest you come to hell with me, for I must die.' My setting is fast and spirited, expressing the confidence of a man who lived life as he wanted. -David Conte.
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Joy is come
