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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
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FLUTE TRAVERSI…
FORMATION MUSI…
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GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
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MARIMBA
OCARINA
ORCHESTRE
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Let It Go - Piccolo
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305
Piano & claviers
Piano seul
314
Piano Facile
197
Piano, Voix et Guitare
140
Piano, Voix
103
Orgue
26
Piano grosses notes
18
1 Piano, 4 mains
16
Accordéon
12
Instruments en Do
6
Piano (partie séparée)
4
2 Pianos, 4 mains
2
Piano Quintette: piano, violon, alto, violoncelle, contre basse
1
Piano Quatuor: piano, violon, alto, violoncelle
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Piano Trio: piano, violon, violoncelle
1
+ 10 instrumentations
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Guitare notes et tablatures
64
Guitare
27
Ukulele
23
Ligne De Mélodie, (Paroles) et Accords
23
Paroles et Accords
21
Basse electrique
5
Ukulele Baryton
4
Ensemble de Ukulélés
4
Guitare (partie séparée)
3
Ensemble de guitares
2
Basse électrique (partie séparée)
1
2 Guitares (duo)
1
Piano, Guitare (duo)
1
Banjo
1
4 Guitares (Quatuor)
1
+ 10 instrumentations
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Voix
Chorale SATB
74
Chorale 3 parties
49
Chorale SSAA
23
Chorale TTBB
19
Chorale 2 parties
15
Voix duo, Piano
13
Voix seule
7
Chorale Unison
7
Chorale
5
Voix Alto, Piano
2
Voix Tenor, Piano
1
Voix haute
1
Voix moyenne, Piano
1
Voix Soprano, Piano
1
Voix duo
1
+ 10 instrumentations
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Vents
Saxophone (partie séparée)
73
Clarinette (partie séparée)
47
Flûte traversière
33
Clarinette
29
Clarinette et Piano
24
Saxophone Tenor
22
Hautbois (partie séparée)
21
Saxophone Alto
21
Flûte traversière et Piano
18
2 Flûtes traversières (duo)
16
2 Clarinettes (duo)
15
2 Saxophones (duo)
15
Hautbois, Piano (duo)
14
Saxophone Alto et Piano
14
Quatuor de Saxophones: 4 saxophones
14
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
13
Flute (partie séparée)
12
Saxophone Tenor et Piano
11
Saxophone Soprano et Piano
9
Quintette de Saxophone: 5 saxophones
8
Quatuor de Clarinettes: 4 clarinettes
8
Flûte à Bec
8
3 Saxophones (trio)
7
Ensemble de Clarinettes
5
3 Clarinettes (trio)
5
Flûte, Hautbois, Clarinette, Basson
4
Ocarina
4
Ensemble de Flûtes
4
Saxophone Baryton, Piano
3
Quatuor de Flûtes : 4 flûtes
3
Quintette de Clarinettes: 5 clarinettes
3
Saxophone
3
Quatuor de Flûtes à bec
3
Flûte, Clarinette (duo)
2
Clarinette Basse, Piano
2
Cor anglais, Piano
2
Clarinette Basse
2
Flûte à bec Soprano
2
Ensemble de saxophones
2
Clarinette, Basson (duo)
2
Hautbois, Basson (duo)
1
Hautbois, Clarinette (duo)
1
Flûte, Hautbois, Basson
1
Flûte et Guitare
1
Flûte à bec Tenor
1
3 Hautbois
1
2 Hautbois (duo)
1
Hautbois
1
Hautbois, Flûte
1
Clarinette, Guitare (duo)
1
Flûte, Hautbois, Clarinette (trio)
1
Ensemble De Flûte à bec
1
Trio de Flûtes: 3 flûtes
1
Flûte, Clarinette et Basson
1
Instruments en Mib
1
Clarinette et Alto
1
2 Clarinettes, Piano
1
+ 52 instrumentations
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Trompette (partie séparée)
51
Trombone (partie séparée)
26
Cor
24
Trompette
22
Trombone
21
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
15
Tuba
15
Trombone et Piano
14
Trompette, Piano
14
Cor et Piano
13
Tuba (partie séparée)
12
Cor (partie séparée)
10
2 Trompettes (duo)
10
2 Trombones (duo)
9
Euphonium, Piano (duo)
5
Quatuor de Cuivres : 2 trompettes, trombone, tuba
4
2 Cors (duo)
3
Euphonium
3
Quatuor de Cuivres
3
Trompette, Trombone (duo)
2
Tuba et Piano
2
Cor anglais, Piano
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Instruments en Sib
1
Quatuor de cuivres: 4 trombones
1
Bass Clef Instruments
1
2 Euphoniums et 2 Tubas
1
Ensemble de Cors
1
+ 23 instrumentations
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Cordes
Violon
46
Quatuor à cordes: 2 violons, alto, violoncelle
38
Violoncelle
36
Violoncelle, Piano
27
Violon et Piano
23
Alto seul
22
2 Violons (duo)
21
Alto, Piano
19
Violon (partie séparée)
17
Violon, Violoncelle (duo)
14
2 Violoncelles (duo)
11
Contre Basse
10
Harpe
10
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8
Contrebasse (partie séparée)
7
Trio à Cordes: violon, alto, violoncelle
6
Trio à Cordes: 2 violons, violoncelle
5
Quintette à cordes: 2 violons, alto, violoncelle, basse
3
Contrebasse, Piano (duo)
3
Violoncelle, Contrebasse (duo)
3
Alto, Violoncelle (duo)
2
3 Harpes
2
Trio à cordes: 3 violins
2
Trio à Cordes: 3 violoncelles
2
Harpe, Voix
2
Violon, Alto (duo)
2
Ensemble de Violoncelles
1
2 Contrebasses (duo)
1
Trio à cordes: 3 altos
1
Trio à Cordes: 2 violons, alto
1
4 Violoncelles
1
2 Altos (duo)
1
Violoncelle (partie séparée)
1
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Orchestre d'harmonie
92
Orchestre
56
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52
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34
Ensemble Jazz
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Cloches
21
Orchestre de chambre
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Orchestre à Cordes
20
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11
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8
Xylophone, Piano
5
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4
Ensemble de cuivres
4
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3
Vibraphone
3
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3
Timbales
3
Jazz combo
1
Quintette à Vent
1
Xylophone
1
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1
Vibraphone et Marimba
1
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Let It Go - Piccolo
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The Unquiet Grave from American Death Ballads (Downloadable)
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David Conte
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The Unquiet Grave from America
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
High voice and piano - Moderately Difficult - SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer M...
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High voice and piano - Moderately Difficult - SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8454-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8454-2E). English.American Death Ballads was composed especially for tenor Brian Thorsett. We have been frequent collaborators since 2011, when he premiered the complete set of my Three Settings of W. B. Yeats for string quartet and tenor. At his urging, I transcribed and published my Three Poems of Christina Rossetti (originally for medium voice) for high voice, which he premiered at the San Francisco Conservatory in 2014. American Death Ballads was premiered by him at the San Francisco Conservatory, November 1, 2015, with pianist John Churchwell, and at the National Association of Teachers of Singing (NATS) Conference in Chicago, July 10, 2016, with pianist Warren Jones.The choice of texts for my American Death Ballads was inspired partly by Copland’s Old American Songs, which I deeply admire, but more by my dear friend and colleague the late Conrad Susa’s Two Murder Ballads. The ingenuity of Susa’s accompaniments for his ballads in imagining anew the original source material owes a great deal to Copland’s accompaniment for his songs. Though the content of my songs is completely original and not based on preexisting melodies, I have tried to expand on this further, as the texts are much longer, and go through many different moods and characters. The four texts I chose include stories about murder, death, and dying. Though two of the texts were written in England, they traveled to the colonies almost immediately. The subjects of the texts had spent time in America, and their stories were well known to Americans.Wicked Polly is a cautionary tale. Polly has lived a dissolute and immoral life, saying, 'I'll turn to God when I grow old.' Suddenly taken ill, she realizes that it is too late to repent. She dies in agony and is presumably sent to hell; young people are advised to heed. My musical setting is stately and preacherly in character for the narrator; for Polly it becomes pleading and remorseful. The Unquiet Grave was brought to the attention of Alan Lomax, the great American field collector of folk music, by English folk singer Shirley Collins. The text is taken from an English folk song dating from 1400. In The Unquiet Grave, a young man mourns his dead lover too fervently and prevents her from obtaining peace. The dead woman complains that his weeping is keeping her from peaceful rest. He begs a kiss; she tells him it would kill him. When he persists, wanting to join her in death, she explains that once they were both dead their hearts would simply decay, and that he should enjoy life while he has it. My setting is in a flowing Andante with a rocking accompaniment. Three voices are delineated here: the narrator, the mournful lover, and the dead lover speaking from the grave. The Dying Californian first appeared in the New England Diadem in 1854. Its lyrics are based on a letter from a New Englander’s sailor to his brother who is dying at sea while on the way to California to seek his fortune in the California gold fields. He implores his brother to impart his message to his father, mother, wife, and children. My setting opens with the singer alone in a moderate dirge tempo, then, joined by the piano, moves through many tonalities and moods before ending with supreme confidence as the speaker 'gained a port called Heaven/Where the gold will never rust.'Captain Kidd was a Scottish sailor who was tried and executed for piracy and murder in 1701. The American connection to this ballad is that Kidd escaped to America and for a time lived in New York and Boston, though he was a wanted criminal by the British authorities and was extradited to Britain, where he was hung at 'Executioner’s Dock.' The lyric was printed in Britain in 1701, traveling to the colonies almost immediately. Though the didactic tone of the text is similar to Wicked Polly, it expresses no regret until the final lines: 'Take warning now by me, and shun bad company, / Lest you come to hell with me, for I must die.' My setting is fast and spirited, expressing the confidence of a man who lived life as he wanted. -David Conte.
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