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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
MUC
Non classifié
1 969
Piano & claviers
Piano seul
1 679
Piano Facile
539
Piano, Voix et Guitare
532
Piano, Voix
403
Orgue
98
Instruments en Do
93
1 Piano, 4 mains
41
Accordéon
33
Accompagnement Piano
17
Piano Trio: piano, violon, violoncelle
15
Piano grosses notes
15
2 Pianos, 4 mains
11
Piano Quatuor: piano, violon, alto, violoncelle
9
Piano (partie séparée)
9
Orgue, Piano (duo)
5
Orgue, Trompette (duo)
5
Ligne De Mélodie, Piano
3
Piano Quintette: piano, 2 violons, alto, violoncelle
3
2 Pianos, 8 mains
2
Accordéon, Voix
2
2 Accordéons
2
Clavier
2
1 Piano, 6 mains
1
Accordéon, Piano
1
+ 19 instrumentations
Retracter
Guitares
Guitare notes et tablatures
252
Guitare
169
Ligne De Mélodie, (Paroles) et Accords
130
Piano, Guitare (duo)
123
Paroles et Accords
88
Ukulele
67
Basse electrique
53
Banjo
19
Guitare (partie séparée)
18
2 Guitares (duo)
14
4 Guitares (Quatuor)
13
3 Guitares (trio)
9
Mandoline
8
Ensemble de guitares
5
Dulcimer
3
Mandoline, Guitare (duo)
1
+ 11 instrumentations
Retracter
Voix
Chorale SATB
492
Chorale 2 parties
278
Chorale 3 parties
204
Chorale TTBB
117
Chorale SSAA
93
Chorale Unison
64
Pack Instrumental pour Chorale
19
Voix seule
16
Voix duo, Piano
10
Voix Soprano, Piano
10
Voix haute
6
Chorale
6
Voix duo
5
Voix Baryton, Piano
5
Voix basse, Piano
4
Voix Tenor, Piano
3
Soli, choeur mixte et accompagnement
2
Chorale SSATTB
1
Voix Tenor
1
Voix Alto, Piano
1
+ 15 instrumentations
Retracter
Vents
Flûte traversière et Piano
273
Hautbois, Piano (duo)
270
Clarinette et Piano
262
Saxophone Alto et Piano
182
Quatuor de Saxophones: 4 saxophones
172
Saxophone Tenor et Piano
162
Flûte, Hautbois, Clarinette, Basson
144
2 Saxophones (duo)
131
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
128
Saxophone (partie séparée)
92
Quintette de Saxophone: 5 saxophones
92
Quatuor de Clarinettes: 4 clarinettes
92
Flûte traversière
87
Clarinette
83
2 Flûtes traversières (duo)
79
2 Clarinettes (duo)
76
Saxophone
56
Quintette de Clarinettes: 5 clarinettes
54
Saxophone Alto
53
Saxophone, Clarinette (duo)
43
Ensemble de Clarinettes
42
Quatuor de Flûtes : 4 flûtes
41
Flûte, Clarinette (duo)
39
Ensemble de saxophones
36
Hautbois (partie séparée)
36
Saxophone Tenor
36
Ensemble de Flûtes
35
3 Clarinettes (trio)
34
Clarinette, Violon (duo)
31
3 Saxophones (trio)
31
Saxophone Baryton, Piano
27
Clarinette, Trompette (duo)
24
Hautbois
24
Saxophone Soprano et Piano
24
2 Hautbois (duo)
24
Hautbois, Basson (duo)
23
Flûte et Guitare
22
Hautbois, Clarinette (duo)
21
Trio de Flûtes: 3 flûtes
21
Hautbois, Flûte
18
Clarinette et Alto
17
Flûte, Saxophone (duo)
17
Cor anglais, Piano
16
Flûte, Alto (duo)
16
Flûte, Violon
16
Flûte, Trompette (duo)
14
Quatuor de Flûtes à bec
13
Clarinette (partie séparée)
13
Quintette de Flûte : 5 flûtes
13
Clarinette, Basson (duo)
12
Clarinette, Guitare (duo)
10
Flute (partie séparée)
8
Flûte, Hautbois (duo)
8
Flûte, Clarinette et Basson
8
Clarinette Basse, Piano
7
Flûte à Bec
6
Flûte, Hautbois, Clarinette (trio)
5
Flûte à bec Soprano
5
Hautbois, Clarinette, Basson (trio d'anches)
5
Instruments en Mib
5
Flûte à bec Alto
5
Harmonica
4
Saxophone Baryton
4
Cor anglais, Guitare (duo)
4
Saxophone Soprano
4
Flûte à bec Alto, Piano
4
Flûte, Violon, Piano
3
5 Flûtes à bec
3
Cor Anglais
3
Saxophone et Guitare
3
Saxophone et Orgue
3
Flûte, Violon et Violoncelle
3
3 Flûtes à bec (trio)
3
Flûte, Violoncelle
3
3 Hautbois
2
2 Clarinettes, Piano
2
2 Flûte à bec (duo)
2
Clarinette, Violoncelle, Piano (trio)
2
Flûte, Hautbois, Piano (trio)
2
Flûte, Trombone (duo)
2
Piccolo, Piano
2
Ensemble De Flûte à bec
2
Flûte, Harpe et Violoncelle
2
Flûte irlandaise
2
Flûte à bec Soprano, Piano
2
Hautbois, Guitare (duo)
2
Clarinette, Trombone (duo)
2
Hautbois, Basson et Piano
2
Clarinette, Contrebasse (duo)
1
Clarinette, Tuba
1
Flûte, Violon, Violoncelle et Piano
1
Saxophone et Piano
1
2 Flûtes à bec, Guitare
1
2 Hautbois, Piano
1
Hautbois, violon (duo)
1
Flûte et Quatuor à Cordes
1
2 Cors Anglais Et Pianoforte
1
Clarinette, Violoncelle (duo)
1
Flûte à Bec, Piano
1
Flûte traversière, Orgue (duo)
1
Flûte, Violoncelle, Piano (trio)
1
Flûte à bec Tenor
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Hautbois, Clarinette et Piano (Trio)
1
+ 99 instrumentations
Retracter
Cuivres
Trombone et Piano
210
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
191
Trompette
157
Trompette, Piano
112
Quatuor de Cuivres : 2 trompettes, trombone, tuba
108
Trompette (partie séparée)
79
Trombone (partie séparée)
77
Trombone
76
Cor et Piano
48
Quatuor de Cuivres
41
2 Trombones (duo)
39
Ensemble de Trompettes
38
2 Trompettes (duo)
37
Cor
37
Tuba et Piano
32
Trompette, Saxophone (duo)
32
Trompette, Trombone (duo)
26
Quatuor de Cuivres: 2 trompettes, Cor, trombone
25
Tuba
24
Euphonium, Piano (duo)
17
Cor anglais, Piano
16
Quatuor de cuivres: 4 trombones
16
2 Cors (duo)
15
Cor (partie séparée)
13
Tuba (partie séparée)
11
2 Tubas (duo)
10
Quatuor de cuivres: 4 cors
10
Ensemble de Trombones
9
2 Euphoniums et 2 Tubas
7
Ensemble de Cors
7
Instruments en Sib
7
3 Euphoniums
5
3 Trompettes (trio)
5
3 Trombones (trio)
5
Trompette, Tuba (duo)
4
Trio de Cuivres
4
Bass Clef Instruments
4
Cor, Tuba (duo)
4
Quatuor de cuivres: 4 trompettes
4
Trombone, Cor (duo)
4
Cor anglais, Guitare (duo)
4
Trombone, Tuba (duo)
4
Cor Anglais
3
Trompette, Cor (duo)
3
Quatuor de cuivres: 2 trompettes, 2 trombones
2
Euphonium
2
Instruments en Fa
2
Tuba et Orgue
1
Trombone basse et Piano
1
Trombone basse
1
Trombone, Orgue
1
3 Cors (trio)
1
2 Cors Anglais Et Pianoforte
1
4 Tubas
1
Trompette, Violoncelle et Piano
1
Cor et Orgue
1
2 Euphoniums (duo)
1
+ 52 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
474
Violon et Piano
277
Alto, Piano
232
Violoncelle, Piano
217
Violon
178
Violon, Violoncelle (duo)
100
Violoncelle
95
2 Violons (duo)
84
Trio à Cordes: violon, alto, violoncelle
72
Harpe
63
2 Violoncelles (duo)
57
Quintette à cordes: 2 violons, alto, violoncelle, basse
56
Violon, Alto (duo)
52
Alto seul
50
2 Altos (duo)
47
Trio à Cordes: 2 violons, violoncelle
38
Contre Basse
30
Contrebasse (partie séparée)
27
Contrebasse, Piano (duo)
24
Violon (partie séparée)
20
Alto (partie séparée)
16
Alto, Violoncelle (duo)
12
Trio à cordes: 3 violins
11
Trio à Cordes: 3 violoncelles
10
4 Violoncelles
9
2 Contrebasses (duo)
8
Violon, Guitare (duo)
8
Trio à cordes: 3 altos
7
Alto, Guitare (duo)
5
Harpe, Flûte (duo)
5
Violoncelle , Guitare (duo)
4
Violoncelle (partie séparée)
4
Harpe, Voix
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
Quatuor à cordes: 4 violons
3
Ensemble d'Altos
3
3 Contrebasses
2
Autoharp
2
Violoncelle, Orchestre
2
Violon, Basson (duo)
2
Piano Trio: Violon, Alto, Piano
2
Violoncelle, Contrebasse (duo)
2
2 Harpes (duo)
2
Ensemble de Violons
2
Quatuor à cordes : 4 altos
2
2 Violoncelles, Piano
1
Violon, Orgue
1
Alto, Orgue
1
Flûte, Contrebasse (duo)
1
Trio à cordes
1
Violon, Tuba (duo)
1
Violoncelle, Orgue
1
Harpe et mandoline
1
Harpe, Violon (duo)
1
2 Altos, Piano
1
+ 50 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
619
Orchestre à Cordes
286
Ensemble Jazz
173
Ensemble de cuivres
151
Orchestre
147
Jazz combo
55
Orchestre de chambre
50
Cloches
49
Batterie
31
Ensemble de Percussions
20
Fanfare
18
Batterie (partie séparée)
15
Percussion (partie séparée)
9
Vibraphone
6
Xylophone, Piano
3
Piano et Orchestre
2
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
2
Marimba
2
Quintette à Vent
1
Caisse Claire
1
Vibraphone et Marimba
1
Marimba, Piano (duo)
1
2 Xylophones
1
Percussion
1
+ 19 instrumentations
Retracter
Autres
Théorie de la musique
1
Partitions Gratuites
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
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VIOLONCELLE
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COMEDIES MUSICALES -…
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FLAMENCO
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FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
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JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
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SOUL - R&B - HIP HOP…
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1
Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition (D major, extra-high key)
Voix haute
High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1329064 Composed by Rich…
(+)
High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1329064 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period. 3 pages. Nicole Elyse DiPaolo #917034. Published by Nicole Elyse DiPaolo (A0.1329064). The first of its kind, and the first entry in the Accessible Accompaniments library’s collection of small-hand-optimized song literature publications, this is Richard Strauss’s beloved “Zueignung,†from Acht Gedichte, op. 10 (1885), optimized (but not simplified) for the needs of collaborative pianists with small hands. “Small†is generally understood to be just an octave in span, with limited capacity to grab chord tones within a blocked octave aside from the occasional inner fifth.This edition was inspired by Boosey’s excellent small-hand edition of Frank Bridge’s “Love Went A-Riding†(erroneously labeled “simplified†on the front matter), which thins the large chords that would be problematic or impossible for a barely-an-8ve-reach collaborative pianist to play without adding musically inappropriate rolls or breaks, but also preserves the musical content and grammatically accurate voice-leading. Given that Strauss’s op. 10 collection is much more widespread on today’s concert programs than the Bridge, and given that average conservatory pianist heights and hand sizes have dropped significantly in the 20th and 21st centuries, the need for a similar adaptation in at least some of the op. 10 songs is obvious. Additionally, Strauss’s songs are often so orchestral in spirit—much more so than the Bridge—that the instinct to treat them as orchestral reductions to be adapted by each individual player should be as self-evident and considered as musically appropriate as it would be for any of Strauss’s beloved horn concerti. Performers should feel free to insert their own adaptations, additions, and omissions to this score as needed.The primary source material for this edition is Henle’s edition of the Acht Gedichte. However, any proprietary material that is not public domain (like their fingerings, front matter, and critical notes) is left out of this edition, leaving only what is public domain and edited by Ms. DiPaolo. Unreasonably large chords and arpeggio figures that would require being reachable by a larger hand have been condensed into figures more appropriate for the just-an-octave hand without sacrificing technique and excitement. This edition makes minor improvements to the engraving, like removing syllabic beaming in the voice and adding octave lines when appropriate. This edition also uses Accessible Accompaniments’ distinctive house style, marked by its visual beauty and ease of reading.While this song will be published in low, middle, and high keys for your convenience, please feel free to request another transposition if you are purchasing from a site that does not offer automatic transposition or you don’t see the key that you need. As the name says, Accessible Accompaniments is committed to accessibility—and that goes for singers, too!
$6.99
6.44 €
#
Voix haute
#
Richard Strauss
#
Nicole Elyse DiPaolo
#
Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition
#
Nicole Elyse DiPaolo
#
SheetMusicPlus
Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition (C major, high key)
Voix haute
High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1327769 Composed by Rich…
(+)
High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1327769 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period. 3 pages. Nicole Elyse DiPaolo #915810. Published by Nicole Elyse DiPaolo (A0.1327769). The first of its kind, and the first entry in the Accessible Accompaniments library’s collection of small-hand-optimized song literature publications, this is Richard Strauss’s beloved “Zueignung,†from Acht Gedichte, op. 10 (1885), optimized (but not simplified) for the needs of collaborative pianists with small hands. “Small†is generally understood to be just an octave in span, with limited capacity to grab chord tones within a blocked octave aside from the occasional inner fifth.This edition was inspired by Boosey’s excellent small-hand edition of Frank Bridge’s “Love Went A-Riding†(erroneously labeled “simplified†on the front matter), which thins the large chords that would be problematic or impossible for a barely-an-8ve-reach collaborative pianist to play without adding musically inappropriate rolls or breaks, but also preserves the musical content and grammatically accurate voice-leading. Given that Strauss’s op. 10 collection is much more widespread on today’s concert programs than the Bridge, and given that average conservatory pianist heights and hand sizes have dropped significantly in the 20th and 21st centuries, the need for a similar adaptation in at least some of the op. 10 songs is obvious. Additionally, Strauss’s songs are often so orchestral in spirit—much more so than the Bridge—that the instinct to treat them as orchestral reductions to be adapted by each individual player should be as self-evident and considered as musically appropriate as it would be for any of Strauss’s beloved horn concerti. Performers should feel free to insert their own adaptations, additions, and omissions to this score as needed.The primary source material for this edition is Henle’s edition of the Acht Gedichte. However, any proprietary material that is not public domain (like their fingerings, front matter, and critical notes) is left out of this edition, leaving only what is public domain and edited by Ms. DiPaolo. Unreasonably large chords and arpeggio figures that would require being reachable by a larger hand have been condensed into figures more appropriate for the just-an-octave hand without sacrificing technique and excitement. This edition makes minor improvements to the engraving, like removing syllabic beaming in the voice and adding octave lines when appropriate. This edition also uses Accessible Accompaniments’ distinctive house style, marked by its visual beauty and ease of reading.While this song will be published in low, middle, and high keys for your convenience, please feel free to request another transposition if you are purchasing from a site that does not offer automatic transposition or you don’t see the key that you need. As the name says, Accessible Accompaniments is committed to accessibility—and that goes for singers, too!
$6.95
6.41 €
#
Voix haute
#
Richard Strauss
#
Nicole Elyse DiPaolo
#
Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition
#
Nicole Elyse DiPaolo
#
SheetMusicPlus
Life On Mars
Voix haute
High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.563641 By David Bowie. B…
(+)
High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.563641 By David Bowie. By David Bowie. Arranged by Austin Ralphson. Pop,Rock. 28 pages. Austin Ralphson #4351211. Published by Austin Ralphson (A0.563641). This arrangement of the David Bowie classic from 1971 will bring a suitably vibrant, emotion-filled element to any programme, serving as a fitting tribute to a hugely influential and popular musician. It works well in pretty much any concert due to its popularity and the variations in dynamics, timbre, texture and, or course, the incredibly unpredictable harmonies.I have kept much of the piano accompaniment the same as David Bowie composed. The soloist should really go for it on the octave leaps into the choruses. An essential addition to any programme, this pack provides piano and vocal parts in C, D and (the original) E major keys to cater for different vocal ranges. It is a great crowd-pleaser!
$9.99
9.21 €
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Voix haute
#
David Bowie
#
Austin Ralphson
#
Life On Mars
#
Austin Ralphson
#
SheetMusicPlus
Periwinkle
Voix haute
High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.1027761 Composed by Alic…
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High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.1027761 Composed by Alicia Willard. 20th Century,Blues,Contemporary. 34 pages. Alicia Santee-Davis #2923157. Published by Alicia Santee-Davis (A0.1027761). Periwinkle is a song cycle that was originally composed for mezzo-soprano and piano, but has been arranged for soprano and piano; it is a collection of character pieces using original poetry by Alicia Willard. High High Shoes is an upbeat, rhythmically active piece that illustrates the exhilaration and anxiety in reaching for one’s desires. Wings is a hauntingly slow array of uneasy dissonances, using only one line of text that is chopped into fragments and slowly arranged into a comprehensible statement. Boulders on Our Shoulders has a lilting jazz feel, including several piano solos that incorporate many aspects of the blues. Follow the Borrowers is much more introspective, with the music vividly conveying what the text colorfully provides in such lines as I’ll caress the tongue shapes. The title of the cycle is taken from a line of poetry in which the periwinkle dirt in the sky is introduced, providing one of many colors that are portrayed in the pieces. Periwinkle was written in 2009 and premiered at the University of North Carolina School of the Arts by Stephanie McAllister, mezzo-soprano, and the composer at the piano. After its recomposition, the soprano edition was premiered in Fairbanks, Alaska in 2016 by Amy Ingram, soprano, with the composer at the piano.
$16.95
15.63 €
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Alicia Willard
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Periwinkle
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Alicia Santee-Davis
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SheetMusicPlus
The Unquiet Grave from American Death Ballads (Downloadable)
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High voice and piano - Moderately Difficult - Digital Download SKU: MQ.8454-2E Comp…
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High voice and piano - Moderately Difficult - Digital Download SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8454-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8454-2E). English.American Death Ballads was composed especially for tenor Brian Thorsett. We have been frequent collaborators since 2011, when he premiered the complete set of my Three Settings of W. B. Yeats for string quartet and tenor. At his urging, I transcribed and published my Three Poems of Christina Rossetti (originally for medium voice) for high voice, which he premiered at the San Francisco Conservatory in 2014. American Death Ballads was premiered by him at the San Francisco Conservatory, November 1, 2015, with pianist John Churchwell, and at the National Association of Teachers of Singing (NATS) Conference in Chicago, July 10, 2016, with pianist Warren Jones.The choice of texts for my American Death Ballads was inspired partly by Copland’s Old American Songs, which I deeply admire, but more by my dear friend and colleague the late Conrad Susa’s Two Murder Ballads. The ingenuity of Susa’s accompaniments for his ballads in imagining anew the original source material owes a great deal to Copland’s accompaniment for his songs. Though the content of my songs is completely original and not based on preexisting melodies, I have tried to expand on this further, as the texts are much longer, and go through many different moods and characters. The four texts I chose include stories about murder, death, and dying. Though two of the texts were written in England, they traveled to the colonies almost immediately. The subjects of the texts had spent time in America, and their stories were well known to Americans.Wicked Polly is a cautionary tale. Polly has lived a dissolute and immoral life, saying, 'I'll turn to God when I grow old.' Suddenly taken ill, she realizes that it is too late to repent. She dies in agony and is presumably sent to hell; young people are advised to heed. My musical setting is stately and preacherly in character for the narrator; for Polly it becomes pleading and remorseful. The Unquiet Grave was brought to the attention of Alan Lomax, the great American field collector of folk music, by English folk singer Shirley Collins. The text is taken from an English folk song dating from 1400. In The Unquiet Grave, a young man mourns his dead lover too fervently and prevents her from obtaining peace. The dead woman complains that his weeping is keeping her from peaceful rest. He begs a kiss; she tells him it would kill him. When he persists, wanting to join her in death, she explains that once they were both dead their hearts would simply decay, and that he should enjoy life while he has it. My setting is in a flowing Andante with a rocking accompaniment. Three voices are delineated here: the narrator, the mournful lover, and the dead lover speaking from the grave. The Dying Californian first appeared in the New England Diadem in 1854. Its lyrics are based on a letter from a New Englander’s sailor to his brother who is dying at sea while on the way to California to seek his fortune in the California gold fields. He implores his brother to impart his message to his father, mother, wife, and children. My setting opens with the singer alone in a moderate dirge tempo, then, joined by the piano, moves through many tonalities and moods before ending with supreme confidence as the speaker 'gained a port called Heaven/Where the gold will never rust.'Captain Kidd was a Scottish sailor who was tried and executed for piracy and murder in 1701. The American connection to this ballad is that Kidd escaped to America and for a time lived in New York and Boston, though he was a wanted criminal by the British authorities and was extradited to Britain, where he was hung at 'Executioner’s Dock.' The lyric was printed in Britain in 1701, traveling to the colonies almost immediately. Though the didactic tone of the text is similar to Wicked Polly, it expresses no regret until the final lines: 'Take warning now by me, and shun bad company, / Lest you come to hell with me, for I must die.' My setting is fast and spirited, expressing the confidence of a man who lived life as he wanted. -David Conte.
$3.50
3.23 €
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David Conte
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The Unquiet Grave from American Death Ballads
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
The Lord bless you and keep you (solo/high)
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Composed by John Rutter (1945-). Sheet music. 4 pages. Oxford University Press Digit…
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Composed by John Rutter (1945-). Sheet music. 4 pages. Oxford University Press Digital #9780193550636. Published by Oxford University Press Digital
ISBN 9780193550636.<br> <br> A much-loved setting of the Aaronic Blessing (Numbers 6: 24), this simple but highly expressive work is at once tender and profound. It was composed for a memorial service for Edward T. Chapman, the Director of Music at Highgate School, where John Rutter was a pupil. It is arranged here for solo high voice and piano (which may be adapted for performance on the organ), originally published in Oxford Solo Songs: Sacred. Also available in versions for solo low. voice and piano, SATB and organ/strings, SAB and piano, and SA and piano/organ/strings.ISBN 9780193550636.<br> <br> A much-loved setting of the Aaronic Blessing (Numbers 6: 24), this simple but highly expressive work is at once tender and profound. It was composed for a memorial service for Edward T. Chapman, the Director of Music at Highgate School, where John Rutter was a pupil. It is arranged here for solo high voice and piano (which may be adapted for performance on the organ), originally published in Oxford Solo Songs: Sacred. Also available in versions for solo low. voice and piano, SATB and organ/strings, SAB and piano, and SA and piano/organ/strings.
$4.00
3.69 €
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John Rutter (1945-)
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The Lord bless you and keep you
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Oxford University Press Digital
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SheetMusicPlus
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