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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Mall Rat
Non classifié
5 281
Piano & claviers
Piano seul
238
Piano Facile
56
Orgue
33
Piano, Voix
33
Piano, Voix et Guitare
27
Accompagnement Piano
26
Instruments en Do
13
2 Pianos, 4 mains
11
Piano Trio: piano, violon, violoncelle
7
1 Piano, 4 mains
5
Orgue, Trompette (duo)
4
Piano grosses notes
2
Accordéon
2
Piano (partie séparée)
1
Piano Quatuor: piano, violon, alto, violoncelle
1
Piano Quatuor: piano, 2 violons, violoncelle
1
1 Piano, 6 mains
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Clavecin
1
+ 14 instrumentations
Retracter
Guitares
Guitare
19
Ligne De Mélodie, (Paroles) et Accords
16
3 Guitares (trio)
14
Ukulele
9
Guitare notes et tablatures
9
Basse electrique
8
Guitare, Violon, Violoncelle (trio)
4
Banjo
2
4 Guitares (Quatuor)
1
Mandoline
1
Orchestre à Plectres
1
+ 6 instrumentations
Retracter
Voix
Chorale SATB
200
Chorale TTBB
69
Chorale 3 parties
65
Chorale Unison
53
Pack Instrumental pour Chorale
34
Chorale 2 parties
26
Chorale SSAA
18
Voix duo, Piano
11
Voix Soprano, Piano
10
Voix haute
3
Voix duo
3
Voix Mezzo-Soprano, Piano
2
Voix Alto, Piano
2
Soli, choeur mixte et accompagnement
2
Voix Tenor, Piano
2
Chorale SSATTB
2
Chorale SSAB, Piano
1
Voix Baryton, Piano
1
Voix seule
1
Voix basse, Piano
1
Chorale SSAATTBB
1
+ 16 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
165
Quatuor de Saxophones: 4 saxophones
159
2 Saxophones (duo)
147
Flûte traversière et Piano
138
Hautbois, Piano (duo)
118
Flûte, Violon et Violoncelle
101
Clarinette et Piano
79
Saxophone Tenor et Piano
79
2 Clarinettes (duo)
77
2 Flûtes traversières (duo)
77
Clarinette, Violon (duo)
68
Saxophone, Clarinette (duo)
50
Clarinette, Trompette (duo)
47
2 Flûte à bec (duo)
45
Saxophone Soprano et Piano
41
Clarinette Basse, Piano
40
Saxophone Alto et Piano
38
Flûte, Clarinette, Piano (trio)
32
Flûte, trombone et piano
28
Flûte, Hautbois, Basson
27
Flûte, Saxophone (duo)
27
Flûte, Alto (duo)
27
Hautbois, Clarinette (duo)
27
Flûte, Clarinette (duo)
27
2 Clarinettes, Piano
26
Clarinette et Alto
26
Flûte, Violon
26
Hautbois, Basson (duo)
25
Flûte, Hautbois, Clarinette, Basson
25
2 Hautbois (duo)
25
Clarinette, Violoncelle, Piano (trio)
24
Flûte, Hautbois, Piano (trio)
23
Flûte, Violoncelle, Piano (trio)
22
Flûte, Trompette (duo)
19
Quintette de Saxophone: 5 saxophones
19
Flûte, Alto et Piano
15
Ensemble de Clarinettes
15
Ensemble de Flûtes
15
Flûte, Hautbois (duo)
14
Saxophone (partie séparée)
14
Cor anglais, Piano
13
Saxophone Baryton, Piano
13
Clarinette
13
Hautbois, violon (duo)
12
Clarinette, trompette et piano
12
Hautbois, Flûte
12
Flûte, Violon, Violoncelle et Piano
12
Flûte, Violon, Piano
11
Clarinette, Trombone (duo)
9
Flûte, Basson et Piano
8
Trio de Flûtes: 3 flûtes
8
Quintette de Flûte : 5 flûtes
7
Ensemble de saxophones
7
Flûte traversière
7
Flûte à bec Soprano
6
3 Flûtes à bec (trio)
6
Quatuor de Clarinettes: 4 clarinettes
6
3 Saxophones (trio)
6
Quatuor de Flûtes : 4 flûtes
6
Flute, harpe et violon
5
Flûte, Violoncelle, Guitare
5
Quintette de Clarinettes: 5 clarinettes
5
Quatuor de Flûtes à bec
4
Quintette de Clarinette: Clarinette, Quatuor à Cordes
4
3 Clarinettes (trio)
3
Clarinette (partie séparée)
3
Flute (partie séparée)
3
Hautbois (partie séparée)
3
Hautbois, Clarinette et Piano (Trio)
2
Clarinette, Guitare (duo)
2
Flûte, Violon, Guitare
2
Flûte et Trio à cordes
2
Hautbois
2
4 Hautbois
2
Flûte à Bec
2
Flûte, alto et harpe
2
Saxophone et Orchestre
1
Clarinette, Basson (duo)
1
Flûte à bec Soprano, Piano
1
Saxophone et Guitare
1
Saxophone et Piano
1
Flûte, Violoncelle
1
Flûte et Guitare
1
Flûte, Clarinette et Basson
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte à Bec, Piano
1
Saxophone Alto
1
Clarinette, Orchestre
1
Flûte à bec Alto
1
2 Flûtes traversières, Piano
1
+ 85 instrumentations
Retracter
Cuivres
Trombone et Piano
71
Trompette, Piano
60
Trompette, Saxophone (duo)
39
2 Trompettes (duo)
36
2 Trombones (duo)
36
Cor et Piano
36
Quatuor de Cuivres : 2 trompettes, trombone, tuba
27
Trompette, Trombone (duo)
27
Tuba et Piano
20
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
17
Cor anglais, Piano
13
Euphonium, Piano (duo)
13
2 Euphoniums (duo)
11
Trompette
10
2 Trombones, Piano
7
Ensemble de Trombones
7
Quatuor de Cuivres: 2 trompettes, Cor, trombone
7
Ensemble de Trompettes
6
Quatuor de Cuivres
6
Quatuor de cuivres: 4 trombones
5
Trompette (partie séparée)
5
Cor
4
Trombone (partie séparée)
3
Quatuor de cuivres: 4 cors
2
4 Tubas
2
Trombone
2
2 Cors (duo)
2
Trombone, Tuba (duo)
1
3 Trompettes (trio)
1
Trompette, Euphonium (duo)
1
Cor et Harpe
1
3 Trombones (trio)
1
Ensemble de Cors
1
3 Tubas (trio)
1
2 Tubas (duo)
1
Tuba (partie séparée)
1
Cor (partie séparée)
1
Quatuor de cuivres: 4 trompettes
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Trompette, Violoncelle et Piano
1
+ 35 instrumentations
Retracter
Cordes
Alto, Piano
105
Violon et Piano
103
Quatuor à cordes: 2 violons, alto, violoncelle
94
Violoncelle, Piano
73
Trio à Cordes: violon, alto, violoncelle
43
2 Altos (duo)
29
Violon, Alto (duo)
28
Violon
27
2 Violons (duo)
26
Violon, Violoncelle (duo)
25
2 Violoncelles (duo)
24
Harpe
22
Violon (partie séparée)
6
2 Harpes (duo)
6
Trio à cordes: 3 violins
5
Ensemble d'Altos
5
Ensemble de Violons
5
Trio à Cordes: 2 violons, violoncelle
4
Violoncelle
4
Violon, Guitare (duo)
4
Harpe, Flûte (duo)
4
Quatuor à cordes: 4 violons
3
Harpe, Violoncelle (duo)
3
Quatuor à cordes : 4 altos
3
4 Violoncelles
3
Trio à Cordes: 3 violoncelles
3
Harpe, Violon (duo)
2
Ensemble de Violoncelles
2
Alto seul
2
Violoncelle (partie séparée)
2
Trio à cordes: 3 altos
2
Harpe, Violon, Violoncelle
2
Alto (partie séparée)
2
4 Contrebasses
2
Alto et Harpe
2
Contrebasse (partie séparée)
1
Harpe et Piano
1
Contrebasse, Piano (duo)
1
Harpe (partie séparée)
1
Harpe, Trombone (duo)
1
Alto et orchestre
1
Violon, Trompette et Piano
1
Alto, Violoncelle (duo)
1
Violoncelle , Guitare (duo)
1
Violon, Orgue
1
Contre Basse
1
2 Violons, Piano
1
3 Harpes
1
+ 43 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
1 241
Percussion
241
Percussion (partie séparée)
140
Orchestre
93
Jazz combo
78
Cloches
53
Orchestre de chambre
44
Orchestre à Cordes
42
Ensemble Jazz
40
Ensemble de Percussions
33
Fanfare
23
Ensemble de cuivres
22
Batterie
9
Marimba
4
Vibraphone
4
Marimba, Saxophone (duo)
1
Xylophone, Piano
1
+ 12 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
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Nouveautes
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Partitions à imprimer
3 partitions trouvées
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Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition (D major, extra-high key)
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Voix haute
#
AVANCÉ
#
Classique
#
Richard Strauss
#
Nicole Elyse DiPaolo
#
Strauss - Zueignung from Acht
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Nicole Elyse DiPaolo
#
SheetMusicPlus
High Voice,Vocal Solo - Level 5 - SKU: A0.1329064 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period....
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High Voice,Vocal Solo - Level 5 - SKU: A0.1329064 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period. 3 pages. Nicole Elyse DiPaolo #917034. Published by Nicole Elyse DiPaolo (A0.1329064). The first of its kind, and the first entry in the Accessible Accompaniments library’s collection of small-hand-optimized song literature publications, this is Richard Strauss’s beloved “Zueignung,†from Acht Gedichte, op. 10 (1885), optimized (but not simplified) for the needs of collaborative pianists with small hands. “Small†is generally understood to be just an octave in span, with limited capacity to grab chord tones within a blocked octave aside from the occasional inner fifth.This edition was inspired by Boosey’s excellent small-hand edition of Frank Bridge’s “Love Went A-Riding†(erroneously labeled “simplified†on the front matter), which thins the large chords that would be problematic or impossible for a barely-an-8ve-reach collaborative pianist to play without adding musically inappropriate rolls or breaks, but also preserves the musical content and grammatically accurate voice-leading. Given that Strauss’s op. 10 collection is much more widespread on today’s concert programs than the Bridge, and given that average conservatory pianist heights and hand sizes have dropped significantly in the 20th and 21st centuries, the need for a similar adaptation in at least some of the op. 10 songs is obvious. Additionally, Strauss’s songs are often so orchestral in spirit—much more so than the Bridge—that the instinct to treat them as orchestral reductions to be adapted by each individual player should be as self-evident and considered as musically appropriate as it would be for any of Strauss’s beloved horn concerti. Performers should feel free to insert their own adaptations, additions, and omissions to this score as needed.The primary source material for this edition is Henle’s edition of the Acht Gedichte. However, any proprietary material that is not public domain (like their fingerings, front matter, and critical notes) is left out of this edition, leaving only what is public domain and edited by Ms. DiPaolo. Unreasonably large chords and arpeggio figures that would require being reachable by a larger hand have been condensed into figures more appropriate for the just-an-octave hand without sacrificing technique and excitement. This edition makes minor improvements to the engraving, like removing syllabic beaming in the voice and adding octave lines when appropriate. This edition also uses Accessible Accompaniments’ distinctive house style, marked by its visual beauty and ease of reading.While this song will be published in low, middle, and high keys for your convenience, please feel free to request another transposition if you are purchasing from a site that does not offer automatic transposition or you don’t see the key that you need. As the name says, Accessible Accompaniments is committed to accessibility—and that goes for singers, too!
$6.99
Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition (C major, high key)
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Voix haute
#
AVANCÉ
#
Classique
#
Richard Strauss
#
Nicole Elyse DiPaolo
#
Strauss - Zueignung from Acht
#
Nicole Elyse DiPaolo
#
SheetMusicPlus
High Voice,Vocal Solo - Level 5 - SKU: A0.1327769 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period....
(+)
High Voice,Vocal Solo - Level 5 - SKU: A0.1327769 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period. 3 pages. Nicole Elyse DiPaolo #915810. Published by Nicole Elyse DiPaolo (A0.1327769). The first of its kind, and the first entry in the Accessible Accompaniments library’s collection of small-hand-optimized song literature publications, this is Richard Strauss’s beloved “Zueignung,†from Acht Gedichte, op. 10 (1885), optimized (but not simplified) for the needs of collaborative pianists with small hands. “Small†is generally understood to be just an octave in span, with limited capacity to grab chord tones within a blocked octave aside from the occasional inner fifth.This edition was inspired by Boosey’s excellent small-hand edition of Frank Bridge’s “Love Went A-Riding†(erroneously labeled “simplified†on the front matter), which thins the large chords that would be problematic or impossible for a barely-an-8ve-reach collaborative pianist to play without adding musically inappropriate rolls or breaks, but also preserves the musical content and grammatically accurate voice-leading. Given that Strauss’s op. 10 collection is much more widespread on today’s concert programs than the Bridge, and given that average conservatory pianist heights and hand sizes have dropped significantly in the 20th and 21st centuries, the need for a similar adaptation in at least some of the op. 10 songs is obvious. Additionally, Strauss’s songs are often so orchestral in spirit—much more so than the Bridge—that the instinct to treat them as orchestral reductions to be adapted by each individual player should be as self-evident and considered as musically appropriate as it would be for any of Strauss’s beloved horn concerti. Performers should feel free to insert their own adaptations, additions, and omissions to this score as needed.The primary source material for this edition is Henle’s edition of the Acht Gedichte. However, any proprietary material that is not public domain (like their fingerings, front matter, and critical notes) is left out of this edition, leaving only what is public domain and edited by Ms. DiPaolo. Unreasonably large chords and arpeggio figures that would require being reachable by a larger hand have been condensed into figures more appropriate for the just-an-octave hand without sacrificing technique and excitement. This edition makes minor improvements to the engraving, like removing syllabic beaming in the voice and adding octave lines when appropriate. This edition also uses Accessible Accompaniments’ distinctive house style, marked by its visual beauty and ease of reading.While this song will be published in low, middle, and high keys for your convenience, please feel free to request another transposition if you are purchasing from a site that does not offer automatic transposition or you don’t see the key that you need. As the name says, Accessible Accompaniments is committed to accessibility—and that goes for singers, too!
$6.95
Eurydice to Orpheus
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Voix haute
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INTERMÉDIAIRE
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Robert A
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Eurydice to Orpheus
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Robert A. Howard
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SheetMusicPlus
High Voice,Vocal Solo - Level 3 - SKU: A0.998870 Composed by Robert A. Howard. 21st Century,Classical,Contemporary,Contest,Festival,Instructional. 8 pag...
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High Voice,Vocal Solo - Level 3 - SKU: A0.998870 Composed by Robert A. Howard. 21st Century,Classical,Contemporary,Contest,Festival,Instructional. 8 pages. Robert A. Howard #6348473. Published by Robert A. Howard (A0.998870). This short song for soprano and piano sets a poem by Robert Browning. The work principally uses the octatonic scale in a series of scalic semiquaver figurations, mainly in the right hand of the piano part. They seek to depict the sense of panic in the protagonist Eurydice as she seeks to see the face of her beloved, Orpheus. The declamatory vocal line develops a small number of key phrases and motifs. Meanwhile, the left hand of the piano part provides rhythmic interplay and interjects with occasional staccato bare fifths and octaves. The piece is appropriate for most standards of solo female voice whilst the piano accompaniment is best suited to advanced players.
$5.99
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