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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
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FLUTE A BEC
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FLUTE TRAVERSI…
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GUITARE LAP ST…
HARMONICA
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HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
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SYNTHETISEUR
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XYLOPHONE
Move It On Over
Non classifié
241
Piano & claviers
Piano seul
119
Piano Facile
25
Piano, Voix et Guitare
17
Piano, Voix
11
Orgue
8
Instruments en Do
3
1 Piano, 4 mains
3
2 Pianos, 4 mains
2
Piano Quatuor: piano, violon, alto, violoncelle
2
Clavecin
1
Piano Quatuor: piano, 2 violons, violoncelle
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
2 Pianos, 8 mains
1
Piano Trio: piano, violon, violoncelle
1
+ 9 instrumentations
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Guitares
Guitare
17
Guitare notes et tablatures
14
Paroles et Accords
6
Ligne De Mélodie, (Paroles) et Accords
5
Basse electrique
4
Ukulele
4
2 Guitares (duo)
2
Mandoline
1
Piano, Guitare (duo)
1
4 Guitares (Quatuor)
1
Ensemble de guitares
1
Banjo
1
Cithare
1
Dulcimer
1
3 Guitares (trio)
1
+ 10 instrumentations
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Voix
Chorale SATB
36
Chorale 3 parties
13
Chorale SSAA
8
Chorale TTBB
5
Chorale 2 parties
4
Voix Baryton, Piano
3
Voix Tenor, Piano
3
Voix haute
2
Voix basse, Piano
1
Voix Tenor
1
+ 5 instrumentations
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Vents
Quatuor de Saxophones: 4 saxophones
26
2 Flûtes traversières, Piano
25
Ensemble de saxophones
25
Clarinette et Piano
15
2 Flûtes traversières (duo)
15
Quintette de Saxophone: 5 saxophones
14
Quatuor de Clarinettes: 4 clarinettes
13
Flûte traversière et Piano
13
Clarinette
12
Hautbois (partie séparée)
12
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
11
Hautbois, Piano (duo)
9
Saxophone Alto et Piano
8
2 Saxophones (duo)
8
Saxophone Tenor et Piano
8
Ensemble de Flûtes
6
Ensemble de Clarinettes
6
3 Saxophones (trio)
5
Flûte, Hautbois, Clarinette, Basson
5
Quintette de Flûte : 5 flûtes
4
Saxophone Soprano et Piano
4
Saxophone Alto
3
Quintette de Clarinettes: 5 clarinettes
3
Cor anglais, Piano
3
Flûte et Guitare
2
2 Clarinettes (duo)
2
Flûte traversière
2
Saxophone Baryton, Piano
2
Quatuor de Flûtes : 4 flûtes
2
Clarinette, Harpe (duo)
2
Quatuor de Flûtes à bec
2
Trio de Flûtes: 3 flûtes
2
Hautbois, Harpe
2
Clarinette, Basson (duo)
2
3 Clarinettes (trio)
1
Flûte, Clarinette (duo)
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte, Violon, Piano
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
2 Flûte à bec (duo)
1
2 Hautbois (duo)
1
2 Clarinettes, Piano
1
Flute (partie séparée)
1
Clarinette Basse, Piano
1
5 Flûtes à bec
1
3 Flûtes à bec (trio)
1
Saxophone (partie séparée)
1
Hautbois, Guitare (duo)
1
Clarinette, Guitare (duo)
1
Cor anglais et Harpe (duo)
1
Saxophone Tenor
1
Flûte à Bec
1
Cor anglais, Guitare (duo)
1
Flûte, Hautbois, Clarinette (trio)
1
Flûte à bec Alto
1
Saxophone et Orgue
1
+ 51 instrumentations
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
25
Quatuor de Cuivres
10
Trombone et Piano
9
Ensemble de Trombones
7
Tuba et Piano
5
Quatuor de Cuivres : 2 trompettes, trombone, tuba
5
Euphonium, Piano (duo)
5
Ensemble de Trompettes
5
Cor et Piano
4
Trombone
4
Ensemble de Cors
4
Tuba
4
Cor anglais, Piano
3
Trompette
3
Trompette (partie séparée)
2
Cor
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
2 Trompettes (duo)
2
3 Euphoniums
1
2 Euphoniums et 2 Tubas
1
Trompette, Piano
1
2 Cors (duo)
1
Cor anglais et Harpe (duo)
1
Cor anglais, Guitare (duo)
1
+ 19 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
50
Alto, Piano
17
Trio à Cordes: violon, alto, violoncelle
12
Violon et Piano
11
2 Violons (duo)
10
Violoncelle, Piano
7
Violoncelle
7
Harpe, Flûte (duo)
6
Violon
6
Violon, Violoncelle (duo)
4
2 Altos (duo)
3
Harpe
3
2 Violoncelles (duo)
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Contre Basse
2
Trio à Cordes: 3 violoncelles
2
Alto (partie séparée)
2
Alto, Violoncelle (duo)
1
Trio à Cordes: 2 violons, violoncelle
1
Quatuor à cordes: 4 violons
1
Quatuor à cordes : 4 altos
1
Violon, Alto (duo)
1
Violon, Clarinette, Piano (trio)
1
4 Violoncelles
1
Ensemble de Violons
1
Ensemble d'Altos
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Trio à cordes: 3 violins
1
Alto seul
1
Harpe, Violon (duo)
1
Trio à cordes: 3 altos
1
Violon, Guitare (duo)
1
Violoncelle , Guitare (duo)
1
+ 28 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
103
Orchestre
47
Orchestre à Cordes
19
Orchestre de chambre
18
Ensemble Jazz
6
Ensemble de cuivres
5
Jazz combo
2
Fanfare
1
Cloches
1
Ensemble de Percussions
1
Quintette de Cuivres: autres combinaisons
1
Piano et Orchestre
1
Xylophone
1
Batterie
1
+ 9 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
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CORNET
DEEJAY
DIDGERIDOO
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The Unquiet Grave from American Death Ballads (Downloadable)
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Voix haute
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David Conte
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The Unquiet Grave from America
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
High voice and piano - Moderately Difficult - SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer M...
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High voice and piano - Moderately Difficult - SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8454-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8454-2E). English.American Death Ballads was composed especially for tenor Brian Thorsett. We have been frequent collaborators since 2011, when he premiered the complete set of my Three Settings of W. B. Yeats for string quartet and tenor. At his urging, I transcribed and published my Three Poems of Christina Rossetti (originally for medium voice) for high voice, which he premiered at the San Francisco Conservatory in 2014. American Death Ballads was premiered by him at the San Francisco Conservatory, November 1, 2015, with pianist John Churchwell, and at the National Association of Teachers of Singing (NATS) Conference in Chicago, July 10, 2016, with pianist Warren Jones.The choice of texts for my American Death Ballads was inspired partly by Copland’s Old American Songs, which I deeply admire, but more by my dear friend and colleague the late Conrad Susa’s Two Murder Ballads. The ingenuity of Susa’s accompaniments for his ballads in imagining anew the original source material owes a great deal to Copland’s accompaniment for his songs. Though the content of my songs is completely original and not based on preexisting melodies, I have tried to expand on this further, as the texts are much longer, and go through many different moods and characters. The four texts I chose include stories about murder, death, and dying. Though two of the texts were written in England, they traveled to the colonies almost immediately. The subjects of the texts had spent time in America, and their stories were well known to Americans.Wicked Polly is a cautionary tale. Polly has lived a dissolute and immoral life, saying, 'I'll turn to God when I grow old.' Suddenly taken ill, she realizes that it is too late to repent. She dies in agony and is presumably sent to hell; young people are advised to heed. My musical setting is stately and preacherly in character for the narrator; for Polly it becomes pleading and remorseful. The Unquiet Grave was brought to the attention of Alan Lomax, the great American field collector of folk music, by English folk singer Shirley Collins. The text is taken from an English folk song dating from 1400. In The Unquiet Grave, a young man mourns his dead lover too fervently and prevents her from obtaining peace. The dead woman complains that his weeping is keeping her from peaceful rest. He begs a kiss; she tells him it would kill him. When he persists, wanting to join her in death, she explains that once they were both dead their hearts would simply decay, and that he should enjoy life while he has it. My setting is in a flowing Andante with a rocking accompaniment. Three voices are delineated here: the narrator, the mournful lover, and the dead lover speaking from the grave. The Dying Californian first appeared in the New England Diadem in 1854. Its lyrics are based on a letter from a New Englander’s sailor to his brother who is dying at sea while on the way to California to seek his fortune in the California gold fields. He implores his brother to impart his message to his father, mother, wife, and children. My setting opens with the singer alone in a moderate dirge tempo, then, joined by the piano, moves through many tonalities and moods before ending with supreme confidence as the speaker 'gained a port called Heaven/Where the gold will never rust.'Captain Kidd was a Scottish sailor who was tried and executed for piracy and murder in 1701. The American connection to this ballad is that Kidd escaped to America and for a time lived in New York and Boston, though he was a wanted criminal by the British authorities and was extradited to Britain, where he was hung at 'Executioner’s Dock.' The lyric was printed in Britain in 1701, traveling to the colonies almost immediately. Though the didactic tone of the text is similar to Wicked Polly, it expresses no regret until the final lines: 'Take warning now by me, and shun bad company, / Lest you come to hell with me, for I must die.' My setting is fast and spirited, expressing the confidence of a man who lived life as he wanted. -David Conte.
$3.50
People Get Ready
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Voix haute
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INTERMÉDIAIRE
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Musique Sacrée
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Rod Stewart
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David Neff
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People Get Ready
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David Neff
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SheetMusicPlus
High Voice,Vocal Solo - Level 3 - SKU: A0.1140878 By Rod Stewart. By Curtis Mayfield. Arranged by David Neff. Christian,Religious,Sacred,Spiritual. 6 pa...
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High Voice,Vocal Solo - Level 3 - SKU: A0.1140878 By Rod Stewart. By Curtis Mayfield. Arranged by David Neff. Christian,Religious,Sacred,Spiritual. 6 pages. David Neff #741130. Published by David Neff (A0.1140878). Curtis Mayfield’s gospel-influenced R&B hit, People Get Ready was named by Rolling Stone magazine as the 24th greatest song of all time, and it was dubbed by Martin Luther King, Jr, the unofficial anthem of the Civil Rights Movement. The song has been covered by top-tier singers from Bob Dylan, Bob Marley, Aretha Franklin, and the Staple Singers, to Jeff Beck and Rod Stewart. I decided to use it in a church context during the season of Advent, a time of expectation and getting ready. Here is the high-voice version of the arrangement I performed in December 2022. This sheet music is also available on this site for low voice and piano.
$5.99
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Move It On Over
