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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
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CORNET
DEEJAY
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EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
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FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
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XYLOPHONE
My Land - Synthesizer I
Non classifié
274
Piano & claviers
Piano seul
230
Piano, Voix
83
Piano, Voix et Guitare
60
Piano Facile
39
Orgue
17
Instruments en Do
12
Piano Trio: piano, violon, violoncelle
3
Accordéon
3
2 Pianos, 4 mains
2
1 Piano, 4 mains
2
Piano (partie séparée)
1
Piano Quatuor: piano, violon, alto, violoncelle
1
Accompagnement Piano
1
+ 8 instrumentations
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Guitares
Guitare
49
Piano, Guitare (duo)
22
Guitare notes et tablatures
17
Basse electrique
8
4 Guitares (Quatuor)
7
Ukulele
5
Ensemble de guitares
2
2 Guitares (duo)
2
Banjo
2
Ligne De Mélodie, (Paroles) et Accords
2
+ 5 instrumentations
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Voix
Chorale SATB
91
Chorale 3 parties
27
Chorale TTBB
16
Chorale SSAA
8
Chorale 2 parties
7
Chorale Unison
4
Voix Soprano, Piano
3
Voix Mezzo-Soprano, Piano
2
Voix Alto, Piano
2
Voix haute
2
Voix Tenor
2
Voix seule
2
Chorale
2
Voix duo
1
Voix basse
1
Voix Tenor, Piano
1
+ 11 instrumentations
Retracter
Vents
Hautbois, Piano (duo)
151
Clarinette et Piano
139
Flûte traversière et Piano
126
2 Saxophones (duo)
39
Saxophone Alto et Piano
30
Saxophone Tenor et Piano
26
Clarinette
25
Quatuor de Saxophones: 4 saxophones
24
Flûte traversière
23
Flûte, Hautbois, Clarinette, Basson
16
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
14
Hautbois (partie séparée)
14
2 Flûtes traversières (duo)
8
3 Clarinettes (trio)
8
Quatuor de Clarinettes: 4 clarinettes
7
Hautbois
6
Flûte, Clarinette (duo)
6
Saxophone, Clarinette (duo)
5
Quatuor de Flûtes : 4 flûtes
5
2 Clarinettes (duo)
5
Quintette de Saxophone: 5 saxophones
4
Saxophone Soprano et Piano
4
Clarinette, Trompette (duo)
4
Clarinette, Violon (duo)
4
2 Hautbois (duo)
4
Harmonica
3
Ensemble de Clarinettes
3
Cor anglais, Piano
3
Ensemble de Flûtes
3
Quintette de Clarinettes: 5 clarinettes
2
Ocarina
2
Flûte à bec Alto
2
3 Saxophones (trio)
2
Flûte, Alto (duo)
2
Flûte, Hautbois, Clarinette (trio)
2
Flûte et Guitare
2
Clarinette et Alto
2
Flûte à bec Soprano
2
Flûte, Trompette (duo)
2
Flûte à bec Soprano, Piano
2
Hautbois, Clarinette (duo)
2
Quatuor de Flûtes à bec
2
5 Flûtes à bec
2
Saxophone Baryton, Piano
2
Saxophone Soprano
1
Clarinette, Basson (duo)
1
Hautbois, Guitare (duo)
1
Trio de Flûtes: 3 flûtes
1
Quintette de Flûte : 5 flûtes
1
Flûte, Alto et Piano
1
Flûte, Saxophone (duo)
1
Piccolo
1
Flûte à bec Alto, Piano
1
Flûte, Hautbois, Basson
1
Hautbois, Basson (duo)
1
Flûte, Clarinette, Piano (trio)
1
Saxophone Alto
1
Flûte, Violon et Violoncelle
1
Clarinette, Alto et Piano (trio)
1
Flûte, Basson et Piano
1
Flûte, trombone et piano
1
2 Flûtes traversières, Piano
1
+ 57 instrumentations
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Cuivres
Trombone et Piano
61
Trompette
38
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
31
Trompette, Piano
28
Trombone
18
Quatuor de Cuivres : 2 trompettes, trombone, tuba
12
Cor et Piano
11
Trompette (partie séparée)
10
Tuba
7
Cor
6
Tuba et Piano
6
Quatuor de Cuivres
6
2 Trompettes (duo)
5
Quatuor de cuivres: 4 trombones
4
Trompette, Trombone (duo)
3
2 Trombones (duo)
3
Cor anglais, Piano
3
Euphonium, Piano (duo)
2
Trompette, Violoncelle et Piano
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Trombone, Violon (duo)
1
Trompette, Saxophone (duo)
1
Trio de Cuivres
1
Trombone basse et Piano
1
2 Tubas (duo)
1
Quatuor de cuivres: 4 cors
1
+ 21 instrumentations
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Cordes
Violon et Piano
67
Quatuor à cordes: 2 violons, alto, violoncelle
65
Violon
40
Violoncelle, Piano
38
Alto, Piano
38
Violoncelle
24
Violon, Violoncelle (duo)
21
Alto seul
13
Quintette à cordes: 2 violons, alto, violoncelle, basse
10
Alto (partie séparée)
9
Harpe
7
Violon, Alto (duo)
6
Contrebasse, Piano (duo)
6
2 Violons (duo)
6
Trio à Cordes: violon, alto, violoncelle
4
Contre Basse
4
2 Altos (duo)
4
2 Violoncelles (duo)
4
Trio à Cordes: 2 violons, violoncelle
2
Violoncelle, Contrebasse (duo)
2
Violoncelle , Guitare (duo)
1
Harpe, Voix
1
Harpe et Piano
1
Quatuor à cordes: 4 violons
1
4 Violoncelles
1
Violon, Guitare (duo)
1
Ensemble de Violons
1
Harpe, Flûte (duo)
1
Violon (partie séparée)
1
Trio à cordes: 3 violins
1
+ 25 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
67
Orchestre
30
Orchestre à Cordes
19
Fanfare
19
Ensemble Jazz
14
Ensemble de cuivres
11
Orchestre de chambre
9
Cloches
5
Jazz combo
3
Ensemble de Percussions
2
Batterie
2
Marimba
1
+ 7 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
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GUITARE LAP ST…
HARMONICA
HARPE
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LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
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ORGUE
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Vous avez sélectionné:
My Land - Synthesizer I
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Partitions à imprimer
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Waltz of the Roses (Think of My Love As A Rose), for High Voice Piano, Theme from The Snow Queen, A
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Voix haute
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INTERMÉDIAIRE
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James Nathaniel Holland
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Waltz of the Roses
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James Nathaniel Holland
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SheetMusicPlus
High Voice,Vocal Solo - Level 3 - SKU: A0.730413 Composed by James Nathaniel Holland. Contemporary,Holiday,Wedding. 8 pages. James Nathaniel Holland #33...
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High Voice,Vocal Solo - Level 3 - SKU: A0.730413 Composed by James Nathaniel Holland. Contemporary,Holiday,Wedding. 8 pages. James Nathaniel Holland #3369761. Published by James Nathaniel Holland (A0.730413). A beautiful, sentimental slow waltz from the Pas de Deux of the ballet, The Snow Queen by American composer James Nathaniel Holland. Â Here arranged for high voice (key of C), piano, and with guitar chords. Intermediate level. Perfect for Valentine's Day, Wedding Father Daughter Waltz, or anytime of the year! Orchestral accompaniment sold separately.Beautiful and bright as the Red Rose;With only one hope: 'You'll remember me.'Know that I'll always love you,And that this love will not fade.Fresh, so sweet, the fragrance,Of those happy times, wonderful, sublime, we once shared.If I should dare, say you still care!Think of my love as a Rose.(Brief music interlude)I wish you nothing but gladness,And a life filled with Joy!Seasons may come;Years, they may go,Love can survive,Through Winter's snow.And so this love will for you,Think of my love as a Rose.As Seasons fly; Years, as they go,Think of my love as a Rose!J.N. Holland (Duration: 6 minutes)YouTube Video Presentation: Â https://youtu.be/9dgnKajSsE8Facebook page: Â https://www.facebook.com/jamesnathanielholland/.
$4.95
The Unquiet Grave from American Death Ballads (Downloadable)
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Voix haute
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David Conte
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The Unquiet Grave from America
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
High voice and piano - Moderately Difficult - SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer M...
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High voice and piano - Moderately Difficult - SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8454-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8454-2E). English.American Death Ballads was composed especially for tenor Brian Thorsett. We have been frequent collaborators since 2011, when he premiered the complete set of my Three Settings of W. B. Yeats for string quartet and tenor. At his urging, I transcribed and published my Three Poems of Christina Rossetti (originally for medium voice) for high voice, which he premiered at the San Francisco Conservatory in 2014. American Death Ballads was premiered by him at the San Francisco Conservatory, November 1, 2015, with pianist John Churchwell, and at the National Association of Teachers of Singing (NATS) Conference in Chicago, July 10, 2016, with pianist Warren Jones.The choice of texts for my American Death Ballads was inspired partly by Copland’s Old American Songs, which I deeply admire, but more by my dear friend and colleague the late Conrad Susa’s Two Murder Ballads. The ingenuity of Susa’s accompaniments for his ballads in imagining anew the original source material owes a great deal to Copland’s accompaniment for his songs. Though the content of my songs is completely original and not based on preexisting melodies, I have tried to expand on this further, as the texts are much longer, and go through many different moods and characters. The four texts I chose include stories about murder, death, and dying. Though two of the texts were written in England, they traveled to the colonies almost immediately. The subjects of the texts had spent time in America, and their stories were well known to Americans.Wicked Polly is a cautionary tale. Polly has lived a dissolute and immoral life, saying, 'I'll turn to God when I grow old.' Suddenly taken ill, she realizes that it is too late to repent. She dies in agony and is presumably sent to hell; young people are advised to heed. My musical setting is stately and preacherly in character for the narrator; for Polly it becomes pleading and remorseful. The Unquiet Grave was brought to the attention of Alan Lomax, the great American field collector of folk music, by English folk singer Shirley Collins. The text is taken from an English folk song dating from 1400. In The Unquiet Grave, a young man mourns his dead lover too fervently and prevents her from obtaining peace. The dead woman complains that his weeping is keeping her from peaceful rest. He begs a kiss; she tells him it would kill him. When he persists, wanting to join her in death, she explains that once they were both dead their hearts would simply decay, and that he should enjoy life while he has it. My setting is in a flowing Andante with a rocking accompaniment. Three voices are delineated here: the narrator, the mournful lover, and the dead lover speaking from the grave. The Dying Californian first appeared in the New England Diadem in 1854. Its lyrics are based on a letter from a New Englander’s sailor to his brother who is dying at sea while on the way to California to seek his fortune in the California gold fields. He implores his brother to impart his message to his father, mother, wife, and children. My setting opens with the singer alone in a moderate dirge tempo, then, joined by the piano, moves through many tonalities and moods before ending with supreme confidence as the speaker 'gained a port called Heaven/Where the gold will never rust.'Captain Kidd was a Scottish sailor who was tried and executed for piracy and murder in 1701. The American connection to this ballad is that Kidd escaped to America and for a time lived in New York and Boston, though he was a wanted criminal by the British authorities and was extradited to Britain, where he was hung at 'Executioner’s Dock.' The lyric was printed in Britain in 1701, traveling to the colonies almost immediately. Though the didactic tone of the text is similar to Wicked Polly, it expresses no regret until the final lines: 'Take warning now by me, and shun bad company, / Lest you come to hell with me, for I must die.' My setting is fast and spirited, expressing the confidence of a man who lived life as he wanted. -David Conte.
$3.50
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My Land - Synthesizer I
