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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
On This Day
Sheetmusicplus
Non classifié
4 476
Piano & claviers
Piano seul
2 150
Orgue
1 840
Piano Facile
1 060
Piano grosses notes
989
Piano, Voix
879
Piano, Voix et Guitare
472
Instruments en Do
404
1 Piano, 4 mains
113
Accompagnement Piano
108
Clavier
60
Piano Trio: piano, violon, violoncelle
52
Accordéon
37
2 Pianos, 4 mains
36
Piano (partie séparée)
19
Orgue, Piano (duo)
11
Piano Quatuor: piano, violon, alto, violoncelle
9
Orgue, Trompette (duo)
6
Piano Quatuor: piano, 2 violons, violoncelle
4
Clavecin
3
Piano Quintette: piano, 2 violons, alto, violoncelle
3
1 Piano, 6 mains
2
Ensemble de Pianos
1
+ 17 instrumentations
Retracter
Guitares
Guitare
199
Guitare notes et tablatures
187
Piano, Guitare (duo)
122
Ukulele
101
Ligne De Mélodie, (Paroles) et Accords
51
Basse electrique
46
Guitare (partie séparée)
35
2 Guitares (duo)
10
Dulcimer
9
Mandoline
8
Banjo
8
2 Ukuleles
5
Paroles et Accords
5
4 Guitares (Quatuor)
4
3 Guitares (trio)
2
Mandoline, Guitare (duo)
1
Ensemble de guitares
1
+ 12 instrumentations
Retracter
Voix
Chorale SATB
1 050
Chorale 3 parties
439
Chorale 2 parties
331
Chorale Unison
181
Chorale TTBB
138
Chorale SSAA
67
Voix duo, Piano
62
Voix Alto, Piano
39
Voix Soprano, Piano
36
Voix Tenor, Piano
36
Pack Instrumental pour Chorale
34
Voix duo
28
Voix Baryton, Piano
23
Voix haute
12
Voix Tenor
6
Voix Soprano
3
Voix basse, Piano
3
Voix moyenne, Piano
3
Voix seule
3
Chorale
3
Chorale SSATB
2
Chorale SATBB
2
Chorale SSAATTBB
2
Soli, choeur mixte et accompagnement
1
Voix Mezzo-Soprano, Piano
1
Chorale SSATTB
1
Chorale SSAATB
1
+ 22 instrumentations
Retracter
Vents
Flûte traversière et Piano
466
Hautbois, Piano (duo)
456
Clarinette et Piano
415
2 Saxophones (duo)
398
Saxophone Alto et Piano
381
Quatuor de Saxophones: 4 saxophones
293
Saxophone Tenor et Piano
290
Flûte traversière
217
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
194
Clarinette
187
Saxophone (partie séparée)
187
2 Flûtes traversières (duo)
183
Flûte, Hautbois, Clarinette, Basson
166
2 Clarinettes (duo)
166
Saxophone Soprano et Piano
139
Quintette de Saxophone: 5 saxophones
131
Quatuor de Clarinettes: 4 clarinettes
122
Saxophone Alto
122
Hautbois (partie séparée)
113
Saxophone Baryton, Piano
109
Saxophone Tenor
103
2 Hautbois (duo)
82
Flûte, Clarinette (duo)
81
3 Saxophones (trio)
69
Saxophone, Clarinette (duo)
68
Clarinette, Violon (duo)
63
2 Flûte à bec (duo)
56
Quatuor de Flûtes : 4 flûtes
54
Clarinette, Trompette (duo)
50
Hautbois, Clarinette (duo)
47
Hautbois
46
3 Clarinettes (trio)
46
Clarinette (partie séparée)
45
Quintette de Clarinettes: 5 clarinettes
45
Hautbois, Basson (duo)
44
Ensemble de saxophones
43
Ensemble de Flûtes
42
Flute (partie séparée)
36
Ensemble de Clarinettes
34
Flûte, Violon
33
Trio de Flûtes: 3 flûtes
33
Saxophone Soprano
33
Clarinette et Alto
28
Flûte, Alto (duo)
28
Flûte, Saxophone (duo)
25
Clarinette Basse, Piano
24
Cor anglais, Piano
23
Flûte, Hautbois (duo)
23
Quintette de Flûte : 5 flûtes
22
Flûte, Trompette (duo)
21
Saxophone Baryton
21
Hautbois, Flûte
20
Flûte à bec Soprano
20
Flûte, Hautbois, Clarinette (trio)
16
Flûte à Bec
14
Clarinette, Basson (duo)
14
Harmonica
14
Hautbois, violon (duo)
13
Hautbois, Clarinette, Basson (trio d'anches)
13
Flûte et Guitare
12
Clarinette, Harpe (duo)
12
Cor Anglais
11
Flûte, Violoncelle
11
Clarinette, Guitare (duo)
10
Flûte, Violon et Violoncelle
9
Flûte à bec Alto
9
Flûte, Hautbois, Basson
8
Flûte, Clarinette, Piano (trio)
8
Quatuor de Flûtes à bec
8
Hautbois, Violoncelle
8
Flûte, Violon, Piano
7
Flûte à bec Tenor
7
Hautbois, Harpe
6
Clarinette, Violoncelle (duo)
6
Flûte, Hautbois, Piano (trio)
6
Flûte, Clarinette et Basson
6
Saxophone et Harpe
5
2 Flûtes traversières, Piano
4
Flûte, Basson et Piano
4
Ensemble De Flûte à bec
4
3 Flûtes à bec (trio)
4
Clarinette Basse
3
Piccolo, Piano
3
Saxophone et Orgue
3
5 Flûtes à bec
3
Saxophone
3
Flûte, Violon, Violoncelle et Piano
2
Flûte à bec Soprano, Piano
2
Ensemble de Hautbois
2
Flûte irlandaise
2
Hautbois et alto (duo)
2
2 Clarinettes, Piano
2
Flûte, Alto et Piano
2
Clarinette, Violoncelle, Piano (trio)
2
Piccolo
2
Flûte traversière, Orgue (duo)
2
Flûte à bec Alto, Piano
2
Clarinette, Alto et Piano (trio)
1
Clarinette, Basson, Piano (trio)
1
2 Clarinettes, Basson
1
Flûte, Violoncelle, Piano (trio)
1
Cor anglais et Harpe (duo)
1
Flûte, alto et harpe
1
2 Saxophones, Piano
1
2 Cors Anglais Et Pianoforte
1
Flûte, trombone et piano
1
2 Flûtes traversières, Harpe
1
Hautbois, Clarinette et Piano (Trio)
1
Flûte de Pan
1
Flûte, Violoncelle, Guitare
1
Ensemble à vent
1
Clarinette, Trombone (duo)
1
4 Hautbois
1
Flute, Cor (duo)
1
Hautbois, Violon, Piano
1
Clarinette, Orgue
1
Saxophone et Guitare
1
Hautbois, Guitare (duo)
1
Flûte et Quatuor à Cordes
1
+ 114 instrumentations
Retracter
Cuivres
Trombone et Piano
334
Trompette, Piano
274
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
269
Trompette
262
Cor et Piano
186
Quatuor de Cuivres : 2 trompettes, trombone, tuba
175
Trombone
136
Tuba et Piano
116
Trompette (partie séparée)
115
Trombone (partie séparée)
107
Cor
107
2 Trompettes (duo)
96
2 Trombones (duo)
85
Tuba
84
Quatuor de Cuivres: 2 trompettes, Cor, trombone
69
Trompette, Saxophone (duo)
47
Trompette, Trombone (duo)
47
Quatuor de Cuivres
47
2 Cors (duo)
42
Euphonium, Piano (duo)
33
Cor (partie séparée)
30
Tuba (partie séparée)
27
Cor anglais, Piano
23
2 Tubas (duo)
20
Quatuor de cuivres: 4 trombones
17
Ensemble de Trombones
12
Cor Anglais
11
Trompette, Cor (duo)
11
Ensemble de Trompettes
10
Quatuor de cuivres: 4 cors
9
2 Euphoniums et 2 Tubas
8
Quatuor de cuivres: 4 trompettes
7
Cor et Harpe
7
Tuba et Orgue
7
Trompette, Harpe
6
3 Trompettes (trio)
6
Trio de Cuivres
6
Trombone, Tuba (duo)
6
Trombone, Orgue
6
4 Tubas
6
3 Trombones (trio)
5
Ensemble de Cors
5
Euphonium
4
Trombone, Cor (duo)
4
2 Euphoniums (duo)
4
Quatuor de cuivres: 2 trompettes, 2 trombones
4
Trompette, Tuba (duo)
4
Trompette, Basson (duo)
4
Trompette, Violoncelle (duo)
3
Trombone basse
3
3 Cors (trio)
3
3 Tubas (trio)
2
Trompette, Violoncelle et Piano
2
2 Trompettes, Clavier (piano ou orgue)
2
Euphonium, Tuba (duo)
2
Cor, Tuba (duo)
2
Cor et Orgue
2
Clarinette, Cor (duo)
2
Cor anglais et Harpe (duo)
1
2 Cors Anglais Et Pianoforte
1
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
1
+ 56 instrumentations
Retracter
Cordes
Violon et Piano
543
Quatuor à cordes: 2 violons, alto, violoncelle
533
Alto, Piano
432
Violoncelle, Piano
410
Violon
257
Violoncelle
229
Alto seul
180
2 Violons (duo)
174
Violon, Violoncelle (duo)
167
Harpe
161
Contrebasse, Piano (duo)
126
2 Violoncelles (duo)
111
Trio à Cordes: violon, alto, violoncelle
107
2 Altos (duo)
97
Contre Basse
95
Violon, Alto (duo)
81
Quintette à cordes: 2 violons, alto, violoncelle, basse
68
Alto (partie séparée)
48
Trio à Cordes: 2 violons, violoncelle
47
Contrebasse (partie séparée)
39
Violon (partie séparée)
36
2 Harpes (duo)
33
Harpe, Flûte (duo)
25
2 Contrebasses (duo)
24
Alto, Violoncelle (duo)
19
Trio à cordes: 3 violins
18
Trio à Cordes: 3 violoncelles
17
Alto et Harpe
15
Harpe, Violon (duo)
15
4 Violoncelles
12
Piano Trio: Violon, Alto, Piano
11
Violoncelle, Contrebasse (duo)
10
Harpe, Voix
9
Quatuor à cordes : 4 altos
9
Harpe, Violoncelle (duo)
9
Quatuor à cordes: 4 violons
8
Trio à cordes: 3 altos
7
Violon, Guitare (duo)
6
Violoncelle (partie séparée)
6
Violon, Basson (duo)
5
2 Violons, Piano
5
Violon, Clarinette, Piano (trio)
4
Quintette à cordes : 2 violons, alto et 2 violoncelles
4
Alto, Guitare (duo)
4
Flûte, Contrebasse (duo)
4
Trio à Cordes: 2 violons, alto
3
Violoncelle , Guitare (duo)
3
Harpe (partie séparée)
2
Harpe, Trombone (duo)
2
Ensemble d'Altos
2
Ensemble de Violons
2
4 Harpes
2
Violoncelle, Orgue
2
Alto et orchestre
1
2 Violoncelles, Piano
1
Alto et Basson
1
2 Altos, Piano
1
Harpe et Piano
1
Ensemble de Violoncelles
1
Violon, Violoncelle, Clarinette
1
4 Contrebasses
1
Alto, Orgue
1
Harpe et mandoline
1
Violon, Tuba (duo)
1
Harpe, Violon, Violoncelle
1
Violon, Orgue
1
+ 61 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
1 418
Orchestre
236
Ensemble Jazz
217
Cloches
192
Orchestre à Cordes
192
Ensemble de cuivres
105
Orchestre de chambre
57
Batterie
44
Jazz combo
43
Percussion (partie séparée)
32
Ensemble de Percussions
29
Fanfare
28
Batterie (partie séparée)
17
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
12
Marimba
9
Xylophone, Piano
6
Timbales (partie séparée)
4
Percussion
3
Xylophone
2
Vibraphone
2
Instrumentation Flexible
1
Piano et Orchestre
1
Conga
1
Vibraphone et Marimba
1
Bongos
1
Quintette de Cuivres: autres combinaisons
1
2 Marimbas
1
+ 22 instrumentations
Retracter
Autres
Formation musicale - Solfège
6
Théorie de la musique
1
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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35
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← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
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Vous avez sélectionné:
On This Day
SheetMusicPlus
Partitions à imprimer
12 partitions trouvées
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1
I Heard The Bells On Christmas Day [Jazz Version] (arr. Brent Edstrom)
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Voix haute
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Noël
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Brent Edstrom
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I Heard The Bells On Christmas
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Hal Leonard - Digital
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SheetMusicPlus
(High Voice) - Interactive Download SKU: HX.472206 Arranged by Brent Edstrom. This edition: Interactive Download. Christmas,Holiday,Jazz. Piano Vocal. 2 ...
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(High Voice) - Interactive Download SKU: HX.472206 Arranged by Brent Edstrom. This edition: Interactive Download. Christmas,Holiday,Jazz. Piano Vocal. 2 pages. Published by Hal Leonard - Digital (HX.472206).
$4.99
The Christmas Song (Chestnuts Roasting On An Open Fire) [Jazz Version] (arr. Brent Edstrom)
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Voix haute
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Noël
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Mel Torme
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Brent Edstrom
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The Christmas Song
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Hal Leonard - Digital
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SheetMusicPlus
(High Voice) - Interactive Download SKU: HX.472205 By Mel Torme. Arranged by Brent Edstrom. This edition: Interactive Download. Christmas,Holiday,Jazz. P...
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(High Voice) - Interactive Download SKU: HX.472205 By Mel Torme. Arranged by Brent Edstrom. This edition: Interactive Download. Christmas,Holiday,Jazz. Piano Vocal. 3 pages. Published by Hal Leonard - Digital (HX.472205).
$4.99
See How the Savior Stands a Pleading—High-Range Vocal Solo and Piano
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Voix haute
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AVANCÉ
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Musique Sacrée
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Joshua Leavitt
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Daniel Carter
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See How the Savior Stands a Pl
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Daniel Carter
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SheetMusicPlus
High Voice,Vocal Solo - Level 5 - SKU: A0.1074256 Composed by Joshua Leavitt. Arranged by Daniel Carter. Classical,Praise & Worship,Sacred,Traditional. ...
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High Voice,Vocal Solo - Level 5 - SKU: A0.1074256 Composed by Joshua Leavitt. Arranged by Daniel Carter. Classical,Praise & Worship,Sacred,Traditional. 7 pages. Daniel Carter #678546. Published by Daniel Carter (A0.1074256). John Leland’s descriptive and powerful text captivated Joshua Leavitt who composed a plaintive melody about the Savior’s pleading in our behalf on Judgement Day. This Appalachian folk hymn tune titled PLEADING SAVIOR was first published in “Christians Lyre†in 1830 in the Sacred Harp tradition. Arranged with a descriptive, emotive piano accompaniment that underscores the elegance and depth of the lamenting singer, the words conclude with a peaceful return to the Savior’s loving arms. Arranged for medium-range solo voice, high-range solo voice, and SSAA women’s chorus and piano available at danielcartermusic.com.
$4.99
At the Wall
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Voix haute
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INTERMÉDIAIRE/AVANCÉ
#
Kevin Cummings
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At the Wall
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Kevin Cummings
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SheetMusicPlus
High Voice,Vocal Solo - Level 4 - SKU: A0.905362 Composed by Kevin Cummings. Holiday,Patriotic,Sacred. 7 pages. Kevin Cummings #4603765. Published by Ke...
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High Voice,Vocal Solo - Level 4 - SKU: A0.905362 Composed by Kevin Cummings. Holiday,Patriotic,Sacred. 7 pages. Kevin Cummings #4603765. Published by Kevin Cummings (A0.905362). At the Wall pays tribute to those whose names are immortalized on the Vietnam Memorial in Washington, D.C. Appropriate for Memorial Day, July 4 or Veterans Day. This is the solo version of the song. A choral (SATB) arrangement is available.
$4.00
I Dream of You, to Wake (Soprano or Tenor and Piano)
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Voix haute
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INTERMÉDIAIRE/AVANCÉ
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Hunter A
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I Dream of You, to Wake
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Hunter A. Brown
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SheetMusicPlus
High Voice,Vocal Solo - Level 4 - SKU: A0.1013578 Composed by Hunter A. Brown. Concert,Contemporary. 12 pages. Hunter A. Brown #6288243. Published by Hu...
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High Voice,Vocal Solo - Level 4 - SKU: A0.1013578 Composed by Hunter A. Brown. Concert,Contemporary. 12 pages. Hunter A. Brown #6288243. Published by Hunter A. Brown (A0.1013578). I Dream of You, to Wake (soprano and piano) is an art song adaption of the sonnet by Christina Rossetti (1830-1894). The poem comes from her sonnet of sonnets - Monna Innominata (unknown lady) - in which she laments her lack of religious compatibility with the man she loves.With a duration of 4'00 - this song is perfect for the adept soprano, and would be ideal for a solo and ensemble contest or college recital.Key: B major, F-sharp minorRange: C#4 - G#5 I would love to hear from you! For questions, comments, or information about commissions, please reach out to me at hbrowncomp@gmail.comText: I dream of you to wake: would that I might Dream of you and not wake but slumber on. In happy dreams I hold you full in night. I blush again who waking look so wan; Brighter than sunniest day that ever shone, In happy dreams your smile makes day of night. Thus only in a dream we are at one, Thus only in a dream we give and take The faith that maketh rich who take or give; If thus to sleep is sweeter than to wake, To die were surely sweeter than to live, Though there be nothing new beneath the sun.
$9.99
David of the White Rock
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Voix haute
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David of the White Rock
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Schott Music - Digital
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SheetMusicPlus
High voice and piano - SKU: S9.Q20009 Dafydd y Garreg Wen. This edition: Sheet music. Downloadable. Duration 2 minutes. Schott Music - Digital #Q...
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High voice and piano - SKU: S9.Q20009 Dafydd y Garreg Wen. This edition: Sheet music. Downloadable. Duration 2 minutes. Schott Music - Digital #Q20009. Published by Schott Music - Digital (S9.Q20009). Welsh.According to tradition, the Bard David lived in a house called Y Garreg Wen (The White Rock) in a remote situation in North Wales. He was commonly called by his Christian name followed by the name of his house, a common custom in Wales, and one which survives to the present day.Like many other Welsh Bards, David was also a harpist, and is reputed to have had his harp continually at his side. On his death-bed, he is supposed to have asked that his harp be once more placed in his hands in order that he might play just one more tune.The melody he played was afterwards called by his name Dafydd Y Garreg Wen (David of the White Rock), and this same melody was performed on a single Welsh harp at his funeral, as was his dying wish.The Welsh words were subsequently added by Ceiriog Hughes in the nineteenth century. Words and melody are now inseparably linked, and are together widely known and regarded as one of the most popular of Welsh Traditional Songs.Richard Bowen (1963).
$4.99
Come Lie with Me (King David and Bathsheba) from "The Kings" - ACT 2:Song 5
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Voix haute
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McCorkle, Dennis F
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Come Lie with Me
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DF McCorkle Music and eBook Publications
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SheetMusicPlus
High Voice,Vocal Solo - SKU: A0.784831 Composed by McCorkle, Dennis F. Broadway,Christian,Jewish,Musical/Show,Rock. 25 pages. DF McCorkle Music and eBoo...
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High Voice,Vocal Solo - SKU: A0.784831 Composed by McCorkle, Dennis F. Broadway,Christian,Jewish,Musical/Show,Rock. 25 pages. DF McCorkle Music and eBook Publications #11753. Published by DF McCorkle Music and eBook Publications (A0.784831). ACT TWO: Song 5. The King, by Dennis McCorkle, is a contemporary pop-rock musical of the first two kings of Israel, Saul ben Kish and David ben Jesse and explores the contrasting lives and outcome of each man’s choices in life. [2 Samuel 11:2-4… - And it came to pass at eventide, that David arose from off his bed, and walked upon the roof of the king's house; and from the roof he saw a woman bathing; and the woman was very beautiful to look upon. 3 And David sent and inquired after the woman. And one said: ‘Is not this Bath-sheba, the daughter of Eliam, the wife of Uriah the Hittite?’ 4 And David sent messengers, and took her; and she came in unto him, and he lay with her;…] Once settled into Jerusalem and after a tiff with MICHAL, DAVID looks around his magnificent palace and as he walks on his balcony, he sees a lovely young woman bathing herself in the moonlight. Giving in to his impulses, orders his men to have her brought to the palace on the pretense of speaking to her about her husband, URIAH who is in the field with the troops. DAVID, seeing her beauty and rationalizing his own importance, proceeds to seduce her and lies with her [Come Lie with Me – David and Bathsheba]. BATHSHEBA, also lonely is seduced by his presence and gives in to his wishes. Leaving before daylight to escape notice, DAVID goes about business as usual, trying to forget what has happened. A few weeks later, a messenger arrives with a note from BATHSHEBA, DAVID, I'm pregnant! Also included with your order is our new 20 page catalog of over 150 titles at no additional charge.
$2.99
Hard Times Come Again No More (High Voice)
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INTERMÉDIAIRE/AVANCÉ
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Stephen Foster
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Judith L
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Hard Times Come Again No More
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Maggs
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SheetMusicPlus
High Voice,Vocal Solo - Level 4 - SKU: A0.821411 Composed by Stephen Foster. Arranged by Judith L. Maggs. 19th Century,Folk,Standards,Traditional. 4 pag...
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High Voice,Vocal Solo - Level 4 - SKU: A0.821411 Composed by Stephen Foster. Arranged by Judith L. Maggs. 19th Century,Folk,Standards,Traditional. 4 pages. Maggs #6345195. Published by Maggs (A0.821411). Stephen Foster wrote this American parlor song in the mid eighteen hundreds. It was very popular in its day, and is still sung. This arrangement is appropriate for a high singer, with an octave range from G to G. It is also available on SMP for medium high voice (Key of Eb - range Eb to Eb) and low voice (Key of C - range C to C).
$2.99
God So Loved the World (Solo voice version)
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INTERMÉDIAIRE
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Musique Sacrée
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contrast, the verse is almost
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Robert A
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God So Loved the World
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Robert A. Howard
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SheetMusicPlus
High Voice,Vocal Solo - Level 3 - SKU: A0.998804 Composed by Robert A. Howard. 21st Century,Easter,Lent,Praise & Worship,Sacred. 3 pages. Robert A. Howa...
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High Voice,Vocal Solo - Level 3 - SKU: A0.998804 Composed by Robert A. Howard. 21st Century,Easter,Lent,Praise & Worship,Sacred. 3 pages. Robert A. Howard #6064397. Published by Robert A. Howard (A0.998804). This is a simple E minor setting of the familiar Good Friday words, using a repeated binary structure, almost in the manner of an alternating verse/chorus form. The piece is a counterpart to Howard's own 2016 setting of the Ave Verum Corpus, with which it shares the same key (also available via Sheet Music Plus). The chorus displays a clearly morose yearning in its appoggiaturas, upward leap and consequent falling phrase. By contrast, the verse is almost a recitative, featuring tense repetitions on one tone above a series of chromatically descending triads and pedal point. The piece is appropriate for most standards of solo soprano or tenor. The accompaniment can be on piano or organ. Two other versions of this piece, for SATB choir, and for SA choir, are also available from Sheet Music Plus.
$2.99
Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition (D major, extra-high key)
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Voix haute
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AVANCÉ
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Strauss - Zueignung from Acht
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Nicole Elyse DiPaolo
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SheetMusicPlus
High Voice,Vocal Solo - Level 5 - SKU: A0.1329064 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period....
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High Voice,Vocal Solo - Level 5 - SKU: A0.1329064 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period. 3 pages. Nicole Elyse DiPaolo #917034. Published by Nicole Elyse DiPaolo (A0.1329064). The first of its kind, and the first entry in the Accessible Accompaniments library’s collection of small-hand-optimized song literature publications, this is Richard Strauss’s beloved “Zueignung,†from Acht Gedichte, op. 10 (1885), optimized (but not simplified) for the needs of collaborative pianists with small hands. “Small†is generally understood to be just an octave in span, with limited capacity to grab chord tones within a blocked octave aside from the occasional inner fifth.This edition was inspired by Boosey’s excellent small-hand edition of Frank Bridge’s “Love Went A-Riding†(erroneously labeled “simplified†on the front matter), which thins the large chords that would be problematic or impossible for a barely-an-8ve-reach collaborative pianist to play without adding musically inappropriate rolls or breaks, but also preserves the musical content and grammatically accurate voice-leading. Given that Strauss’s op. 10 collection is much more widespread on today’s concert programs than the Bridge, and given that average conservatory pianist heights and hand sizes have dropped significantly in the 20th and 21st centuries, the need for a similar adaptation in at least some of the op. 10 songs is obvious. Additionally, Strauss’s songs are often so orchestral in spirit—much more so than the Bridge—that the instinct to treat them as orchestral reductions to be adapted by each individual player should be as self-evident and considered as musically appropriate as it would be for any of Strauss’s beloved horn concerti. Performers should feel free to insert their own adaptations, additions, and omissions to this score as needed.The primary source material for this edition is Henle’s edition of the Acht Gedichte. However, any proprietary material that is not public domain (like their fingerings, front matter, and critical notes) is left out of this edition, leaving only what is public domain and edited by Ms. DiPaolo. Unreasonably large chords and arpeggio figures that would require being reachable by a larger hand have been condensed into figures more appropriate for the just-an-octave hand without sacrificing technique and excitement. This edition makes minor improvements to the engraving, like removing syllabic beaming in the voice and adding octave lines when appropriate. This edition also uses Accessible Accompaniments’ distinctive house style, marked by its visual beauty and ease of reading.While this song will be published in low, middle, and high keys for your convenience, please feel free to request another transposition if you are purchasing from a site that does not offer automatic transposition or you don’t see the key that you need. As the name says, Accessible Accompaniments is committed to accessibility—and that goes for singers, too!
$6.99
Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition (C major, high key)
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Voix haute
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AVANCÉ
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Strauss - Zueignung from Acht
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Nicole Elyse DiPaolo
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SheetMusicPlus
High Voice,Vocal Solo - Level 5 - SKU: A0.1327769 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period....
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High Voice,Vocal Solo - Level 5 - SKU: A0.1327769 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period. 3 pages. Nicole Elyse DiPaolo #915810. Published by Nicole Elyse DiPaolo (A0.1327769). The first of its kind, and the first entry in the Accessible Accompaniments library’s collection of small-hand-optimized song literature publications, this is Richard Strauss’s beloved “Zueignung,†from Acht Gedichte, op. 10 (1885), optimized (but not simplified) for the needs of collaborative pianists with small hands. “Small†is generally understood to be just an octave in span, with limited capacity to grab chord tones within a blocked octave aside from the occasional inner fifth.This edition was inspired by Boosey’s excellent small-hand edition of Frank Bridge’s “Love Went A-Riding†(erroneously labeled “simplified†on the front matter), which thins the large chords that would be problematic or impossible for a barely-an-8ve-reach collaborative pianist to play without adding musically inappropriate rolls or breaks, but also preserves the musical content and grammatically accurate voice-leading. Given that Strauss’s op. 10 collection is much more widespread on today’s concert programs than the Bridge, and given that average conservatory pianist heights and hand sizes have dropped significantly in the 20th and 21st centuries, the need for a similar adaptation in at least some of the op. 10 songs is obvious. Additionally, Strauss’s songs are often so orchestral in spirit—much more so than the Bridge—that the instinct to treat them as orchestral reductions to be adapted by each individual player should be as self-evident and considered as musically appropriate as it would be for any of Strauss’s beloved horn concerti. Performers should feel free to insert their own adaptations, additions, and omissions to this score as needed.The primary source material for this edition is Henle’s edition of the Acht Gedichte. However, any proprietary material that is not public domain (like their fingerings, front matter, and critical notes) is left out of this edition, leaving only what is public domain and edited by Ms. DiPaolo. Unreasonably large chords and arpeggio figures that would require being reachable by a larger hand have been condensed into figures more appropriate for the just-an-octave hand without sacrificing technique and excitement. This edition makes minor improvements to the engraving, like removing syllabic beaming in the voice and adding octave lines when appropriate. This edition also uses Accessible Accompaniments’ distinctive house style, marked by its visual beauty and ease of reading.While this song will be published in low, middle, and high keys for your convenience, please feel free to request another transposition if you are purchasing from a site that does not offer automatic transposition or you don’t see the key that you need. As the name says, Accessible Accompaniments is committed to accessibility—and that goes for singers, too!
$6.95
Does It Matter?
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AVANCÉ
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Mike Lyons
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Does It Matter?
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Lyons Music Services
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SheetMusicPlus
High Voice,Vocal Solo - Level 5 - SKU: A0.767060 Composed by Mike Lyons. 20th Century,Contemporary. 18 pages. Lyons Music Services #238419. Published by...
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High Voice,Vocal Solo - Level 5 - SKU: A0.767060 Composed by Mike Lyons. 20th Century,Contemporary. 18 pages. Lyons Music Services #238419. Published by Lyons Music Services (A0.767060). This song was written in response to Siegfried Sassoon's well-known war poem of the same title. I have tried to emulate the ironic tone of Sassoon's descriptions of the treatment of wounded and damaged men by the society for whom they have been fighting. This is as current a topic today as it was 50 years ago. The song is short at just under 2 minutes, but demands some difficult techniques from both singer and pianist. The vocal line, in particular, will need good control of breathing and pitch in the sliding arpeggio on the Ah!! after letter B and the line And people won't say that you're mad. The sudden ending is quite deliberate and the final bar rest should be counted in full. The listener should expect more, but there isn't anything more to say - we treat our soldiers badly!
$3.99
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