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38
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Piano Trio: piano, violon, violoncelle
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Guitare
131
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111
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87
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61
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34
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23
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12
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11
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10
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10
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7
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7
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4
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3
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2
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1
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Chorale SATB
521
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127
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76
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69
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58
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30
Voix seule
25
Voix duo, Piano
10
Chorale
10
Voix duo
5
Voix haute
4
Chorale SSAATTBB
4
Voix Tenor
3
Voix Soprano, Piano
3
Voix Alto, Piano
2
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2
Voix, Guitare
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Chorale SATTB
1
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1
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VENTS
Hautbois, Piano (duo)
251
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247
Clarinette et Piano
240
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188
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170
Flûte traversière
131
Clarinette
125
Saxophone
124
2 Saxophones (duo)
101
Quatuor de Saxophones: 4 saxophones
84
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
76
Flûte, Hautbois, Clarinette, Basson
58
Quintette de Saxophone: 5 saxophones
58
Saxophone (partie séparée)
53
Saxophone Alto
50
Saxophone Tenor
48
Quatuor de Clarinettes: 4 clarinettes
47
Saxophone Soprano et Piano
45
Hautbois (partie séparée)
44
2 Flûtes traversières (duo)
39
2 Clarinettes (duo)
35
Quatuor de Flûtes : 4 flûtes
32
Saxophone Baryton, Piano
32
2 Flûte à bec (duo)
31
Ensemble de saxophones
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Clarinette (partie séparée)
27
2 Flûtes traversières, Piano
27
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25
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24
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21
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21
Flûte à Bec
20
Saxophone, Clarinette (duo)
19
Hautbois
19
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19
Clarinette, Violon (duo)
16
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16
Cor anglais, Piano
16
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13
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12
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12
Hautbois, Clarinette, Basson (trio d'anches)
12
Flûte à bec Soprano
11
Flûte, Hautbois, Clarinette (trio)
11
Clarinette Basse, Piano
10
Harmonica
9
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9
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6
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4
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Cor Anglais
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Trombone et Piano
200
Trompette
193
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151
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117
Trombone
99
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68
Cor et Piano
48
Cor
42
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42
Tuba et Piano
29
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27
Tuba
27
2 Trompettes (duo)
24
Quatuor de cuivres: 4 trombones
24
2 Trombones (duo)
22
Trombone (partie séparée)
22
Cor (partie séparée)
21
Quatuor de Cuivres
18
Cor anglais, Piano
16
Euphonium, Piano (duo)
15
Tuba (partie séparée)
13
Trompette, Saxophone (duo)
11
Ensemble de Trombones
11
2 Cors (duo)
11
Trompette, Trombone (duo)
10
2 Tubas (duo)
8
Euphonium
8
Ensemble de Trompettes
6
Quatuor de cuivres: 4 cors
4
Trompette, Cor (duo)
4
Trombone basse
3
Trompette, Basson (duo)
3
Trompette, Violoncelle (duo)
2
Cor et Harpe
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4 Tubas
1
2 Euphoniums et 2 Tubas
1
Cor et Basson (duo)
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1
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Trombone basse et Piano
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Trompette, Euphonium (duo)
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CORDES
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323
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252
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Violon
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Alto seul
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Harpe
73
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52
Trio à Cordes: violon, alto, violoncelle
50
Quintette à cordes: 2 violons, alto, violoncelle, basse
46
2 Violoncelles (duo)
35
2 Violons (duo)
29
Contre Basse
20
Contrebasse, Piano (duo)
20
Trio à Cordes: 2 violons, violoncelle
19
Alto (partie séparée)
19
2 Altos (duo)
19
Violon, Alto (duo)
19
Contrebasse (partie séparée)
16
Violon (partie séparée)
15
Piano Trio: Violon, Alto, Piano
7
4 Violoncelles
6
2 Contrebasses (duo)
6
Violon, Guitare (duo)
4
Harpe, Voix
4
Ensemble de Violons
4
Harpe, Flûte (duo)
4
Alto, Violoncelle (duo)
3
2 Harpes (duo)
3
Violoncelle (partie séparée)
3
Ensemble d'Altos
2
Alto et Harpe
2
Trio à Cordes: 2 violons, alto
2
Harpe, Violon (duo)
2
Violoncelle, Contrebasse (duo)
2
Quatuor à cordes: 4 violons
2
Trio à Cordes: 3 violoncelles
2
Harpe (partie séparée)
1
Violon, Basse continue
1
3 Harpes
1
Alto et Basson
1
Quatuor à cordes : 4 altos
1
Violon, Basson (duo)
1
Violoncelle , Guitare (duo)
1
Harpe, Violon, Violoncelle
1
Trio à cordes: 3 violins
1
Ensemble de Violoncelles
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
1013
Orchestre
193
Orchestre à Cordes
113
Ensemble Jazz
79
Fanfare
61
Ensemble de cuivres
57
Orchestre de chambre
53
Cloches
49
Percussion (partie séparée)
26
Batterie (partie séparée)
19
Jazz combo
19
Ensemble de Percussions
13
Batterie
11
Vibraphone
3
Marimba
2
Orchestre, Violon
1
2 Caisses Claires (duo)
1
Quintette de Cuivres: autres combinaisons
1
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Our Land
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The Unquiet Grave from American Death Ballads (Downloadable)
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High voice and piano - Moderately Difficult - Digital Download SKU: MQ.8454-2E Comp…
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High voice and piano - Moderately Difficult - Digital Download SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8454-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8454-2E). English.American Death Ballads was composed especially for tenor Brian Thorsett. We have been frequent collaborators since 2011, when he premiered the complete set of my Three Settings of W. B. Yeats for string quartet and tenor. At his urging, I transcribed and published my Three Poems of Christina Rossetti (originally for medium voice) for high voice, which he premiered at the San Francisco Conservatory in 2014. American Death Ballads was premiered by him at the San Francisco Conservatory, November 1, 2015, with pianist John Churchwell, and at the National Association of Teachers of Singing (NATS) Conference in Chicago, July 10, 2016, with pianist Warren Jones.The choice of texts for my American Death Ballads was inspired partly by Copland’s Old American Songs, which I deeply admire, but more by my dear friend and colleague the late Conrad Susa’s Two Murder Ballads. The ingenuity of Susa’s accompaniments for his ballads in imagining anew the original source material owes a great deal to Copland’s accompaniment for his songs. Though the content of my songs is completely original and not based on preexisting melodies, I have tried to expand on this further, as the texts are much longer, and go through many different moods and characters. The four texts I chose include stories about murder, death, and dying. Though two of the texts were written in England, they traveled to the colonies almost immediately. The subjects of the texts had spent time in America, and their stories were well known to Americans.Wicked Polly is a cautionary tale. Polly has lived a dissolute and immoral life, saying, 'I'll turn to God when I grow old.' Suddenly taken ill, she realizes that it is too late to repent. She dies in agony and is presumably sent to hell; young people are advised to heed. My musical setting is stately and preacherly in character for the narrator; for Polly it becomes pleading and remorseful. The Unquiet Grave was brought to the attention of Alan Lomax, the great American field collector of folk music, by English folk singer Shirley Collins. The text is taken from an English folk song dating from 1400. In The Unquiet Grave, a young man mourns his dead lover too fervently and prevents her from obtaining peace. The dead woman complains that his weeping is keeping her from peaceful rest. He begs a kiss; she tells him it would kill him. When he persists, wanting to join her in death, she explains that once they were both dead their hearts would simply decay, and that he should enjoy life while he has it. My setting is in a flowing Andante with a rocking accompaniment. Three voices are delineated here: the narrator, the mournful lover, and the dead lover speaking from the grave. The Dying Californian first appeared in the New England Diadem in 1854. Its lyrics are based on a letter from a New Englander’s sailor to his brother who is dying at sea while on the way to California to seek his fortune in the California gold fields. He implores his brother to impart his message to his father, mother, wife, and children. My setting opens with the singer alone in a moderate dirge tempo, then, joined by the piano, moves through many tonalities and moods before ending with supreme confidence as the speaker 'gained a port called Heaven/Where the gold will never rust.'Captain Kidd was a Scottish sailor who was tried and executed for piracy and murder in 1701. The American connection to this ballad is that Kidd escaped to America and for a time lived in New York and Boston, though he was a wanted criminal by the British authorities and was extradited to Britain, where he was hung at 'Executioner’s Dock.' The lyric was printed in Britain in 1701, traveling to the colonies almost immediately. Though the didactic tone of the text is similar to Wicked Polly, it expresses no regret until the final lines: 'Take warning now by me, and shun bad company, / Lest you come to hell with me, for I must die.' My setting is fast and spirited, expressing the confidence of a man who lived life as he wanted. -David Conte.
$3.50
3.16 €
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Voix haute
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David Conte
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The Unquiet Grave from American Death Ballads
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Contemporary Soprano Aria, "They Say You Can Find Love" from the opera "Menkaure"
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High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.730207 Composed by James…
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High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.730207 Composed by James Nathaniel Holland. Contemporary,Holiday,Opera,Wedding. 9 pages. James Nathaniel Holland #37039. Published by James Nathaniel Holland (A0.730207). They say you can find Love Contemporary Soprano aria in English from 21st Century opera (Duration: 4'30) Music and Libretto by American Costa Rican composer James Nathaniel Holland Composer website: http://lacoronadelossantos.net/jamesnathanielholland.htmlVideo: https://www.youtube.com/watch?v=br_0U00Ck4Q From the American Opera MENKAURE Full opera YouTube: https://www.youtube.com/playlist?list=PLEcbVsA36MCuT1hxkTAyLuChFGJjtj4Ia Lyrics: They say you can find love, but in truth it is love who finds you! No matter how you force things, no matter what you do. You may sit patiently waiting, As months or years pass you by, and then one day it happens, A glance, a smile, you spy. Yes, I want love to find me, To tangle and entwine me, And it will, I know it will in its own sweet time. (Entire Opera duration: 2 hours) BRIEF SYNOPSIS: 6,000 years ago an almighty ruler died in Aksum. But today he lives for one woman, Trista,who falls in love with his statue at the Metropolitan Museum of Art in New York City. She is pulled deep into obsession, and her family is unable to rescue her; she tries to kiss the statue's face, and is arrested. With a quest to find the statue's twin, she flees to the country Joondor, site of the ancient city of Aksum where she is ultimately consumed by her love for Menkaure. Opera Website Page: http://www.lacoronadelossantos.net/menkaureopera.html Composer's website: http://www.lacoronadelossantos.net/jamesnathanielholland.html
$3.95
3.56 €
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Voix haute
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James Nathaniel Holland
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Contemporary Soprano Aria, "They Say You Can Find Love" from the opera "Menkaure"
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James Nathaniel Holland
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SheetMusicPlus
Idylls - five songs for solo high voice (soprano or tenor) and piano, based upon poems by Alfred, Lo
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High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.835449 Composed by Stuar…
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High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.835449 Composed by Stuart Brown. 20th Century,Contemporary,Spiritual. 37 pages. Stuart Brown Music #4285583. Published by Stuart Brown Music (A0.835449). If you are looking for a genuinely beautiful and rewarding work for solo voice and piano, to fill a 20-minute time slot, then Idylls is for you. It provides an opportunity for both singer and pianist to demonstrate an ability to communicate a wide range of emotions. It is particularly satisfying for the pianist, whose part is anything but subservient to the vocal line and provides an opportunity to shine. At notated tempo the work lasts just under 18 minutes; the concert première performance (in January 2019) lasted just short of 20 minutes because of the slower tempo at which the performers chose to take the fourth song.While intended primarily for the concert platform, Idylls contains some profoundly Christian themes that may make it suitable also for church use in an appropriate context.Although intended for professional use, Idylls may be within the technical capability of advanced high school students, noting that the third song ('Of old sat Freedom on the heights') has a piano part that was described as 'challenging' by the professional pianist who first performed it in public (Jonathan Ellis, January 12th, 2019).As noted above, Idylls can work for church services in various contexts, although not all of the songs are necessarily appropriate to the same context. The lyrics themselves provide the best guidance in this respect.From observing the rehearsal sessions of the two professionals who first performed the work (Chen Wang and Jonathan Ellis), the composer suggests that none of the songs - however apparently straightforward - should be taken for granted. There are nuances in all of them that require careful attention to timing and pitch. The vocal entries in the opening song require careful attention to pitch. In the second song concentrate on the timing and making it sound as light and dance-like as possible. The third song requires the singer to keep an E-flat in mind at all times (in order to pitch entries) and to sing to strict meter regardless of what the pianist is playing. The fourth song requires both grace and intensity. Pitch is the main issue, particularly some of the B-natural entries; pay special attention to timing in the first verse. The fifth and final song is melodically straightforward; pay attention to timing in the second verse.Stuart Brown composed Idylls in early 2015 specifically for the London-based Chinese soprano Chen Wang. She performed it in public for the first time, accompanied by Manchester-based pianist Jonathan Ellis, at a concert in the southwest of England in January 2019.Performing rights are handled in the UK by PRS for Music, in Canada by SOCAN, in the USA by ASCAP, BMI and SESAC. The full list of arrangements can be found at www.prsformusic.com/our-global-network/partnersAll contact and other information (including lyrics) can be found on the composer's website at https://stuartbrownmusic.com/discover-11.html
$7.74
6.98 €
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Voix haute
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Stuart Brown
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Idylls - five songs for solo high voice
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Stuart Brown Music
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SheetMusicPlus
Over The Rainbow (from The Wizard Of Oz)
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High Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.626467 By Judy Garland. …
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High Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.626467 By Judy Garland. By Harold Arlen. Arranged by Stephen DeCesare. Film/TV. 5 pages. Exultet Music #5723463. Published by Exultet Music (A0.626467). The classic Academy Award-winning ballad which was written for the 1939 movie The Wizard of Oz, and was sung by actress Judy Garland has been freshly arranged for a High Vocal Solo with Piano accompaniment. An excellent edition to be added for your school or concert program.
$4.99
4.5 €
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Voix haute
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Judy Garland
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Stephen DeCesare
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Over The Rainbow
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Exultet Music
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SheetMusicPlus
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