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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Public
Sheetmusicplus
Non classifié
4 455
Piano & claviers
Piano, Voix
6 109
Piano seul
3 110
Piano Facile
562
Piano, Voix et Guitare
285
Accordéon
251
Orgue
160
1 Piano, 4 mains
80
Instruments en Do
63
Accompagnement Piano
44
Piano Trio: piano, violon, violoncelle
27
2 Pianos, 4 mains
26
Tous Les Instruments
17
Piano Quintette: piano, 2 violons, alto, violoncelle
6
1 Piano, 6 mains
5
Piano Quatuor: piano, violon, alto, violoncelle
4
Orgue, Piano (duo)
4
Clavecin
4
Piano (partie séparée)
4
Clavier
3
Orgue, Trompette (duo)
3
Piano grosses notes
3
2 Pianos, 8 mains
2
Concertina
2
Piano Quatuor: piano, 2 violons, violoncelle
1
+ 19 instrumentations
Retracter
Guitares
Guitare notes et tablatures
1 522
Guitare
1 272
2 Guitares (duo)
284
Banjo
171
Mandoline
159
Ukulele
119
Piano, Guitare (duo)
118
Basse electrique
113
Dulcimer
85
Ensemble de guitares
22
Guitare Pedal Steel
20
Dobro
14
4 Guitares (Quatuor)
14
3 Guitares (trio)
12
Ligne De Mélodie, (Paroles) et Accords
11
Ukulele Baryton
5
2 Ukuleles
4
Guitare (partie séparée)
4
Luth
3
2 Mandolines (duo)
3
Paroles et Accords
3
Basse électrique (partie séparée)
1
Cithare
1
2 Dulcimers (duo)
1
Guitare, Orchestre
1
+ 20 instrumentations
Retracter
Voix
Chorale SATB
1 255
Chorale 3 parties
347
Voix seule
192
Chorale 2 parties
158
Chorale TTBB
109
Chorale Unison
87
Voix duo, Piano
67
Chorale SSAA
30
Voix haute
28
Voix Soprano, Piano
23
Chorale
21
Pack Instrumental pour Chorale
20
Voix duo
20
Voix Tenor, Piano
14
Voix Alto, Piano
5
Voix basse, Piano
5
Voix Baryton, Piano
5
Voix moyenne, Piano
4
Chorale SSATB
4
Voix, Guitare
4
Voix Tenor
3
Voix basse
3
Voix Soprano
2
Chorale SSAATB
2
Chorale SSAATTBB
1
Voix Mezzo-Soprano, Piano
1
Chorale SSATTB
1
Chorale, Orgue
1
+ 23 instrumentations
Retracter
Vents
Flûte et Guitare
587
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
548
Quatuor de Saxophones: 4 saxophones
538
Flûte traversière et Piano
461
Flûte, Hautbois, Clarinette, Basson
423
Quintette de Saxophone: 5 saxophones
387
Quatuor de Clarinettes: 4 clarinettes
376
Clarinette et Piano
346
Saxophone Alto et Piano
310
Hautbois, Piano (duo)
278
2 Flûtes traversières (duo)
255
2 Saxophones (duo)
254
2 Clarinettes (duo)
219
Saxophone Tenor et Piano
208
Clarinette
182
Flûte traversière
169
Saxophone (partie séparée)
100
Harmonica
83
Saxophone Alto
74
Hautbois (partie séparée)
63
Ensemble de Clarinettes
57
Ensemble de saxophones
57
Quatuor de Flûtes : 4 flûtes
56
Flûte à bec Soprano
55
Flûte, Hautbois, Clarinette (trio)
51
Saxophone Soprano et Piano
49
Saxophone Tenor
44
Flûte à Bec
39
3 Saxophones (trio)
39
3 Clarinettes (trio)
35
Flûte à bec Soprano, Piano
32
Flûte, Clarinette (duo)
29
Saxophone
28
Trio de Flûtes: 3 flûtes
27
2 Flûtes traversières, Piano
26
Quatuor de Flûtes à bec
26
Flûte à bec Alto
25
Ensemble De Flûte à bec
24
2 Flûte à bec (duo)
23
Saxophone Baryton, Piano
21
Quintette de Clarinettes: 5 clarinettes
21
Cor anglais, Piano
19
Flûte, Hautbois, Basson
19
Flûte, Violon et Violoncelle
18
Ensemble de Flûtes
16
Piccolo
14
2 Hautbois (duo)
14
Quintette de Flûte : 5 flûtes
13
Hautbois
13
Flûte à bec Alto, Piano
13
Flûte irlandaise
13
Hautbois, Basson (duo)
12
Flûte, Clarinette et Basson
12
Saxophone Soprano
12
5 Flûtes à bec
11
Saxophone, Clarinette (duo)
10
Clarinette (partie séparée)
10
Piccolo, Piano
9
3 Flûtes à bec (trio)
9
Hautbois, Clarinette (duo)
9
Clarinette, Violon (duo)
9
Flûte, Violon
9
Clarinette et Alto
8
Cor Anglais
8
Clarinette, Basson (duo)
7
Flûte, Violoncelle
7
2 Clarinettes, Basson
7
Clarinette Basse, Piano
7
Flûte, Alto (duo)
7
Hautbois, Clarinette, Basson (trio d'anches)
6
Flûte, Violoncelle, Piano (trio)
6
Flute, harpe et violon
5
Flûte à bec Tenor
5
Flûte, Clarinette, Cor, Basson (Quartet)
5
Clarinette, Trompette (duo)
5
Flûte, Hautbois (duo)
5
Clarinette, Guitare (duo)
5
Saxophone Baryton
4
Flute (partie séparée)
4
Flûte à Bec, Piano
4
Flûte, Saxophone (duo)
4
Flûte, Hautbois, Piano (trio)
4
Flûte de Pan
4
Flûte à bec Alto, Basse continue
3
Flûte, Violoncelle, Guitare
3
Hautbois, Basson et Piano
3
2 Clarinettes, Piano
3
2 Hautbois et Basson
3
Hautbois, Guitare (duo)
2
Saxophone et Piano
2
Flûte, Clarinette, Piano (trio)
2
Flûte et Quatuor à Cordes
2
4 Hautbois
2
Hautbois, Flûte
1
Clarinette Basse
1
Ensemble de Hautbois
1
Flûte, Trompette (duo)
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Clarinette, Harpe (duo)
1
Flûte, Violon, Piano
1
3 Hautbois
1
Flûte traversière, Basse continue
1
Flûte, Basson et Piano
1
2 Flûtes traversières, Harpe
1
Ensemble à vent
1
Ocarina
1
2 Hautbois, Piano
1
Clarinette, Violoncelle (duo)
1
Hautbois, Clarinette et Piano (Trio)
1
2 Saxophones, Piano
1
+ 105 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
642
Trombone et Piano
265
Trompette
260
Quatuor de Cuivres : 2 trompettes, trombone, tuba
245
2 Trompettes (duo)
208
Trompette, Piano
178
Quatuor de Cuivres: 2 trompettes, Cor, trombone
126
Cor et Piano
87
Ensemble de Trompettes
82
Trombone
78
Cor
45
Trompette (partie séparée)
40
Quatuor de Cuivres
35
Quatuor de cuivres: 4 trombones
33
Trombone (partie séparée)
32
Tuba
31
Tuba et Piano
29
Euphonium, Piano (duo)
28
Trompette, Trombone (duo)
26
2 Trombones (duo)
23
Euphonium
20
Cor anglais, Piano
19
Quatuor de cuivres: 4 cors
18
Trio de Cuivres
16
Ensemble de Cors
15
Ensemble de Trombones
13
2 Cors (duo)
10
Quatuor de cuivres: 4 trompettes
9
Trombone, Cor (duo)
8
Cor Anglais
8
2 Euphoniums et 2 Tubas
8
Trompette, Saxophone (duo)
6
3 Trompettes (trio)
6
Instruments en Sib
5
Trompette et Guitare
5
Cor, Tuba (duo)
5
2 Tubas (duo)
5
Trompette, Cor (duo)
5
Trombone basse
4
Tuba (partie séparée)
4
4 Tubas
4
3 Trombones (trio)
4
Trompette, violon (duo)
3
Trompette, Tuba (duo)
3
Bugle
3
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Bass Clef Instruments
3
Cornet A Pistons
2
Quatuor de cuivres: 2 trompettes, 2 trombones
2
Trombone basse et Piano
2
Cor (partie séparée)
2
Trompette, Orchestre
2
2 Trompettes, Clavier (piano ou orgue)
1
3 Cors (trio)
1
Tuba ou Euphonium ou Saxhorn
1
3 Tubas (trio)
1
Euphonium Ou Saxhorn Et Piano
1
Euphonium, Tuba (duo)
1
+ 53 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
955
Violon et Piano
467
Violon
359
Violoncelle, Piano
326
Alto, Piano
295
2 Violons (duo)
240
Violoncelle
146
Harpe
95
Alto seul
88
Violon, Violoncelle (duo)
70
2 Violoncelles (duo)
51
Trio à Cordes: violon, alto, violoncelle
50
Violon, Guitare (duo)
48
Contre Basse
44
2 Altos (duo)
39
Trio à Cordes: 2 violons, violoncelle
39
Violon, Alto (duo)
37
Alto (partie séparée)
31
Autoharp
20
4 Violoncelles
15
Contrebasse, Piano (duo)
15
Trio à cordes: 3 violins
15
Violon (partie séparée)
14
Quintette à cordes: 2 violons, alto, violoncelle, basse
14
Trio à cordes
13
Quatuor à cordes : 4 altos
13
Violoncelle , Guitare (duo)
12
Alto, Violoncelle (duo)
11
Piano Trio: Violon, Alto, Piano
10
Quintette à cordes: 2 violons, 2 altos, violoncelle
9
Violon, Basse continue
9
Trio à Cordes: 3 violoncelles
9
Violoncelle, Contrebasse (duo)
8
Quatuor à cordes: 4 violons
7
Flûte, Contrebasse (duo)
6
Trio à cordes: 3 altos
5
Harpe, Flûte (duo)
5
Contrebasse (partie séparée)
3
3 Harpes
3
2 Contrebasses (duo)
3
Ensemble d'Altos
2
Harpe, Violon, Violoncelle
2
Alto, Guitare (duo)
2
Ensemble de Violons
2
Violoncelle, Orchestre
2
Harpe et Piano
2
Harpe, Trombone (duo)
1
Harpe, Violon (duo)
1
2 Violons, Piano
1
Harpe, Voix
1
Alto et orchestre
1
Violon, Clarinette, Piano (trio)
1
2 Violons et Basse continue
1
2 Altos, Piano
1
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
Ensemble de Violoncelles
1
2 Harpes (duo)
1
4 Contrebasses
1
Violoncelle, Orgue
1
2 Violoncelles, Piano
1
+ 55 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
764
Orchestre
374
Ensemble de cuivres
271
Ensemble Jazz
165
Orchestre à Cordes
153
Batterie
115
Fanfare
101
Orchestre de chambre
94
Cloches
76
Ensemble de Percussions
53
Jazz combo
48
Quatuor à Vent : 4 instruments à vents
20
Percussion
18
Marimba
13
Xylophone
11
Caisse Claire
9
Xylophone, Piano
9
Vibraphone
7
Percussion (partie séparée)
5
Conga
4
Bongos
4
Bodhran
3
Cajon
3
Timbales
1
Batterie (partie séparée)
1
Trio à Vent: 3 instruments à vents
1
Quintette de Cuivres: autres combinaisons
1
2 Caisses Claires (duo)
1
Vibraphone et Marimba
1
Quintette à Vent
1
2 Xylophones
1
Timbales (partie séparée)
1
+ 27 instrumentations
Retracter
Autres
Théorie de la musique
10
Formation musicale - Solfège
8
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
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26
Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition (D major, extra-high key)
#
Voix haute
#
AVANCÉ
#
Classique
#
Richard Strauss
#
Nicole Elyse DiPaolo
#
Strauss - Zueignung from Acht
#
Nicole Elyse DiPaolo
#
SheetMusicPlus
High Voice,Vocal Solo - Level 5 - SKU: A0.1329064 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period....
(+)
High Voice,Vocal Solo - Level 5 - SKU: A0.1329064 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period. 3 pages. Nicole Elyse DiPaolo #917034. Published by Nicole Elyse DiPaolo (A0.1329064). The first of its kind, and the first entry in the Accessible Accompaniments library’s collection of small-hand-optimized song literature publications, this is Richard Strauss’s beloved “Zueignung,†from Acht Gedichte, op. 10 (1885), optimized (but not simplified) for the needs of collaborative pianists with small hands. “Small†is generally understood to be just an octave in span, with limited capacity to grab chord tones within a blocked octave aside from the occasional inner fifth.This edition was inspired by Boosey’s excellent small-hand edition of Frank Bridge’s “Love Went A-Riding†(erroneously labeled “simplified†on the front matter), which thins the large chords that would be problematic or impossible for a barely-an-8ve-reach collaborative pianist to play without adding musically inappropriate rolls or breaks, but also preserves the musical content and grammatically accurate voice-leading. Given that Strauss’s op. 10 collection is much more widespread on today’s concert programs than the Bridge, and given that average conservatory pianist heights and hand sizes have dropped significantly in the 20th and 21st centuries, the need for a similar adaptation in at least some of the op. 10 songs is obvious. Additionally, Strauss’s songs are often so orchestral in spirit—much more so than the Bridge—that the instinct to treat them as orchestral reductions to be adapted by each individual player should be as self-evident and considered as musically appropriate as it would be for any of Strauss’s beloved horn concerti. Performers should feel free to insert their own adaptations, additions, and omissions to this score as needed.The primary source material for this edition is Henle’s edition of the Acht Gedichte. However, any proprietary material that is not public domain (like their fingerings, front matter, and critical notes) is left out of this edition, leaving only what is public domain and edited by Ms. DiPaolo. Unreasonably large chords and arpeggio figures that would require being reachable by a larger hand have been condensed into figures more appropriate for the just-an-octave hand without sacrificing technique and excitement. This edition makes minor improvements to the engraving, like removing syllabic beaming in the voice and adding octave lines when appropriate. This edition also uses Accessible Accompaniments’ distinctive house style, marked by its visual beauty and ease of reading.While this song will be published in low, middle, and high keys for your convenience, please feel free to request another transposition if you are purchasing from a site that does not offer automatic transposition or you don’t see the key that you need. As the name says, Accessible Accompaniments is committed to accessibility—and that goes for singers, too!
$6.99
Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition (C major, high key)
#
Voix haute
#
AVANCÉ
#
Classique
#
Richard Strauss
#
Nicole Elyse DiPaolo
#
Strauss - Zueignung from Acht
#
Nicole Elyse DiPaolo
#
SheetMusicPlus
High Voice,Vocal Solo - Level 5 - SKU: A0.1327769 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period....
(+)
High Voice,Vocal Solo - Level 5 - SKU: A0.1327769 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period. 3 pages. Nicole Elyse DiPaolo #915810. Published by Nicole Elyse DiPaolo (A0.1327769). The first of its kind, and the first entry in the Accessible Accompaniments library’s collection of small-hand-optimized song literature publications, this is Richard Strauss’s beloved “Zueignung,†from Acht Gedichte, op. 10 (1885), optimized (but not simplified) for the needs of collaborative pianists with small hands. “Small†is generally understood to be just an octave in span, with limited capacity to grab chord tones within a blocked octave aside from the occasional inner fifth.This edition was inspired by Boosey’s excellent small-hand edition of Frank Bridge’s “Love Went A-Riding†(erroneously labeled “simplified†on the front matter), which thins the large chords that would be problematic or impossible for a barely-an-8ve-reach collaborative pianist to play without adding musically inappropriate rolls or breaks, but also preserves the musical content and grammatically accurate voice-leading. Given that Strauss’s op. 10 collection is much more widespread on today’s concert programs than the Bridge, and given that average conservatory pianist heights and hand sizes have dropped significantly in the 20th and 21st centuries, the need for a similar adaptation in at least some of the op. 10 songs is obvious. Additionally, Strauss’s songs are often so orchestral in spirit—much more so than the Bridge—that the instinct to treat them as orchestral reductions to be adapted by each individual player should be as self-evident and considered as musically appropriate as it would be for any of Strauss’s beloved horn concerti. Performers should feel free to insert their own adaptations, additions, and omissions to this score as needed.The primary source material for this edition is Henle’s edition of the Acht Gedichte. However, any proprietary material that is not public domain (like their fingerings, front matter, and critical notes) is left out of this edition, leaving only what is public domain and edited by Ms. DiPaolo. Unreasonably large chords and arpeggio figures that would require being reachable by a larger hand have been condensed into figures more appropriate for the just-an-octave hand without sacrificing technique and excitement. This edition makes minor improvements to the engraving, like removing syllabic beaming in the voice and adding octave lines when appropriate. This edition also uses Accessible Accompaniments’ distinctive house style, marked by its visual beauty and ease of reading.While this song will be published in low, middle, and high keys for your convenience, please feel free to request another transposition if you are purchasing from a site that does not offer automatic transposition or you don’t see the key that you need. As the name says, Accessible Accompaniments is committed to accessibility—and that goes for singers, too!
$6.95
Idylls - five songs for solo high voice (soprano or tenor) and piano, based upon poems by Alfred, Lo
#
Voix haute
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INTERMÉDIAIRE/AVANCÉ
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Stuart Brown
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Idylls - five songs for solo h
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Stuart Brown Music
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SheetMusicPlus
High Voice,Vocal Solo - Level 4 - SKU: A0.835449 Composed by Stuart Brown. 20th Century,Contemporary,Spiritual. 37 pages. Stuart Brown Music #4285583. P...
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High Voice,Vocal Solo - Level 4 - SKU: A0.835449 Composed by Stuart Brown. 20th Century,Contemporary,Spiritual. 37 pages. Stuart Brown Music #4285583. Published by Stuart Brown Music (A0.835449). If you are looking for a genuinely beautiful and rewarding work for solo voice and piano, to fill a 20-minute time slot, then Idylls is for you. It provides an opportunity for both singer and pianist to demonstrate an ability to communicate a wide range of emotions. It is particularly satisfying for the pianist, whose part is anything but subservient to the vocal line and provides an opportunity to shine. At notated tempo the work lasts just under 18 minutes; the concert première performance (in January 2019) lasted just short of 20 minutes because of the slower tempo at which the performers chose to take the fourth song.While intended primarily for the concert platform, Idylls contains some profoundly Christian themes that may make it suitable also for church use in an appropriate context.Although intended for professional use, Idylls may be within the technical capability of advanced high school students, noting that the third song ('Of old sat Freedom on the heights') has a piano part that was described as 'challenging' by the professional pianist who first performed it in public (Jonathan Ellis, January 12th, 2019).As noted above, Idylls can work for church services in various contexts, although not all of the songs are necessarily appropriate to the same context. The lyrics themselves provide the best guidance in this respect.From observing the rehearsal sessions of the two professionals who first performed the work (Chen Wang and Jonathan Ellis), the composer suggests that none of the songs - however apparently straightforward - should be taken for granted. There are nuances in all of them that require careful attention to timing and pitch. The vocal entries in the opening song require careful attention to pitch. In the second song concentrate on the timing and making it sound as light and dance-like as possible. The third song requires the singer to keep an E-flat in mind at all times (in order to pitch entries) and to sing to strict meter regardless of what the pianist is playing. The fourth song requires both grace and intensity. Pitch is the main issue, particularly some of the B-natural entries; pay special attention to timing in the first verse. The fifth and final song is melodically straightforward; pay attention to timing in the second verse.Stuart Brown composed Idylls in early 2015 specifically for the London-based Chinese soprano Chen Wang. She performed it in public for the first time, accompanied by Manchester-based pianist Jonathan Ellis, at a concert in the southwest of England in January 2019.Performing rights are handled in the UK by PRS for Music, in Canada by SOCAN, in the USA by ASCAP, BMI and SESAC. The full list of arrangements can be found at www.prsformusic.com/our-global-network/partnersAll contact and other information (including lyrics) can be found on the composer's website at https://stuartbrownmusic.com/discover-11.html
$7.74
Ave Maria - vocal solo-high
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Voix haute
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FACILE
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Phil Beaman
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Ave Maria - vocal solo-high
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Phil Beaman
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SheetMusicPlus
High Voice,Vocal Solo - Level 2 - SKU: A0.844444 Composed by Phil Beaman. 20th Century,Multicultural,New Age,Sacred,World. 4 pages. Phil Beaman #3364773...
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High Voice,Vocal Solo - Level 2 - SKU: A0.844444 Composed by Phil Beaman. 20th Century,Multicultural,New Age,Sacred,World. 4 pages. Phil Beaman #3364773. Published by Phil Beaman (A0.844444). The current media call this style of music Spiritual Minimalism. This particular composition utilizes the centering 'ah' of Buddhism, the meditative resting periods of Zen, the plainchant of Christianity, the minimalism of New Age, and more.The lyrics quote only the first 3 phrases of the traditional Ave Maria text. These 6 words are in common across most usages regardless of region or religion or purpose and impart a broader blessing. These 6 words are interspersed throughout the piece with the Ave (Hail) high in the range for celebration, Gratia (Grace) mid-range for acceptance, and Dominus (God) low in the range for humility.The vocal range of the song is thus quite large - a full two octaves. The High version goes from a B flat below the Treble Staff to an A flat above the Treble Staff. The Low version (a third lower) goes from a low G to a high F.The accompaniment is a circling minimalist 2 chord ostinato for the entire piece.Whether for personal meditation or public performance, this piece will relax, focus, and recharge all who perform it and hear it.(4 pages, 3:45 minutes)
$4.99
CALDARA Antonio: Sebben crudele, aria from the opera "La costanza in amor vince l'inganno", arranged
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Voix haute
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INTERMÉDIAIRE
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Antonio CALDARA
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Sergei PICHUGIN
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CALDARA Antonio: Sebben crudel
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Really Good Music, LLC.
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SheetMusicPlus
High Voice,Vocal Solo - Level 3 - SKU: A0.869032 Composed by Antonio CALDARA (1670 – 1736). Arranged by Sergei PICHUGIN. Baroque,Concert,Instruct...
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High Voice,Vocal Solo - Level 3 - SKU: A0.869032 Composed by Antonio CALDARA (1670 – 1736). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 5 pages. Really Good Music, LLC. #6404035. Published by Really Good Music, LLC. (A0.869032). Sebben crudele is an aria from the Opera-Pastorale La costanza in amor vince l'inganno (Faithfulness in love conquers treachery), composed by Antonio CALDARA (1670 – 1736) in 1710 for the public theater in Macerata and revised in 1716 for the Imperial Court in Vienna. It was arranged for voice and piano by Sergei Pichugin. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the key of F minor (F4 – G5) for high voice.
$5.95
Baloo my babe (Lady Anne Bothwell's lament)
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Voix haute
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Anonymous
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Early Music Scores
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Baloo my babe
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Early Music Scores
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SheetMusicPlus
High Voice,Vocal Solo - SKU: A0.791907 Composed by Anonymous. Arranged by Early Music Scores. Baroque,Classical,Renaissance. 1 pages. Early Music Scores...
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High Voice,Vocal Solo - SKU: A0.791907 Composed by Anonymous. Arranged by Early Music Scores. Baroque,Classical,Renaissance. 1 pages. Early Music Scores #6717081. Published by Early Music Scores (A0.791907). Voice and continuoComposed by Anonymous. From New York Public Library, MS Drexel 4257, f.31r-31v. Edited by Felipe Dias. 1 page.
$6.99
Light, My Light
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Voix haute
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INTERMÉDIAIRE/AVANCÉ
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William P
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Light, My Light
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William P. Gorton
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SheetMusicPlus
High Voice,Vocal Solo - Level 4 - SKU: A0.999880 Composed by William P. Gorton. 20th Century,Concert,Contemporary,Spiritual. 8 pages. William P. Gorton ...
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High Voice,Vocal Solo - Level 4 - SKU: A0.999880 Composed by William P. Gorton. 20th Century,Concert,Contemporary,Spiritual. 8 pages. William P. Gorton #6116565. Published by William P. Gorton (A0.999880). Light, My Light, captures the ecstasy we can feel in the experience of divine energy and the joy of living, or the brilliant natural light of the life-giving sunshine, if you like. The text by Tagore is characteristically exuberant, full of enthusiasm and celebration - something the world really could use! This work is more appropriate for the advanced or professional singer, great material for a conservatory recital by faculty or student, or for an art song concert in a public venue. It could also make a great wedding song. See other compositions by Dr. Gorton to make a set.
$8.95
WHEN I CAN READ MY TITLE CLEAR
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Voix haute
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J
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Sonny Rios
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WHEN I CAN READ MY TITLE CLEAR
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Sonny Rios
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SheetMusicPlus
High Voice,Vocal Solo - SKU: A0.962917 Composed by J.C. Lowry. Arranged by Sonny Rios. Christian,Contemporary,Jewish,Sacred. 5 pages. Sonny Rios #427812...
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High Voice,Vocal Solo - SKU: A0.962917 Composed by J.C. Lowry. Arranged by Sonny Rios. Christian,Contemporary,Jewish,Sacred. 5 pages. Sonny Rios #4278121. Published by Sonny Rios (A0.962917). WHEN I CAN READ MY TITLE CLEAR: This old public domain Christian song, by Isaac Watts and J.C. Lowry, has been arranged by Sonny Rios for solo High Voice. The song’s range is C4-A5 and is in English. The song speaks about a person’s final journey and arrival in his/her heavenly rest. The song may be used in Jewish or Christian services, concerts, and in funerals. This arrangement has been registered with the US Copyright Office and ASCAP. An MP3 of the piano accompaniment (with or without lead example) is available for purchase at tenor@sonnyrios.com. If you wish to record this arrangement, please obtain a license by emailing: tenor@sonnyrios.com.
$5.99
Stay oh stay why dost thou fly me
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Voix haute
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Classique
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John Wilson
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Early Music Scores
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Stay oh stay why dost thou fly
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Early Music Scores
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SheetMusicPlus
High Voice,Vocal Solo - SKU: A0.986800 Composed by John Wilson. Arranged by Early Music Scores. Baroque. 2 pages. Early Music Scores #592469. Published ...
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High Voice,Vocal Solo - SKU: A0.986800 Composed by John Wilson. Arranged by Early Music Scores. Baroque. 2 pages. Early Music Scores #592469. Published by Early Music Scores (A0.986800). Voice and continuo: John Wilson (1595-1674). From New York Public Library, MS Drexel 4257 , ff.67v-68r. Edited by Felipe Dias. 2 pages.
$5.99
AT THE CROSS
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Voix haute
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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R
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Sonny Rios
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AT THE CROSS
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Sonny Rios
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SheetMusicPlus
High Voice,Vocal Solo - Level 4 - SKU: A0.962905 Composed by R.E. Hudson. Arranged by Sonny Rios. Christian,Gospel,Praise & Worship,Sacred. 6 pages. Son...
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High Voice,Vocal Solo - Level 4 - SKU: A0.962905 Composed by R.E. Hudson. Arranged by Sonny Rios. Christian,Gospel,Praise & Worship,Sacred. 6 pages. Sonny Rios #4277077. Published by Sonny Rios (A0.962905). AT THE CROSS: This popular public domain song, composed by R.E. Hudson and written by Isaac Watts, has been masterfully arranged by Sonny Rios for solo High Voice. The lyrics, in this arrangement, are in English, Spanish and Cherokee, and are a testimony of how one came to Christ for salvation. The song is ideal for Christian services, as well as religious and secular concerts. It has a range of Eb4-Bb5. This arrangement has been registered with the US Copyright Office and ASCAP. An MP3 of the piano accompaniment (with or without lead example) is available for purchase at tenor@sonnyrios.com. If you wish to record this arrangement, please obtain a license by emailing: tenor@sonnyrios.com.
$5.99
Amazing Grace for Voice & Piano (B-flat) for High Voice
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Voix haute
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FACILE
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John Newton
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Morakot Cherdchoo-ngarm
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Amazing Grace for Voice &
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Emerald Music Publications
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SheetMusicPlus
High Voice,Vocal Solo - Level 2 - SKU: A0.810501 Composed by John Newton. Arranged by Morakot Cherdchoo-ngarm. Concert,Easter,Gospel,Sacred. 4 pages. Em...
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High Voice,Vocal Solo - Level 2 - SKU: A0.810501 Composed by John Newton. Arranged by Morakot Cherdchoo-ngarm. Concert,Easter,Gospel,Sacred. 4 pages. Emerald Music Publications #6671743. Published by Emerald Music Publications (A0.810501). Amazing Grace for Voice & Piano (B-flat) for High VoiceConsider for Soprano.
$5.95
Come Lie with Me (King David and Bathsheba) from "The Kings" - ACT 2:Song 5
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Voix haute
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McCorkle, Dennis F
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Come Lie with Me
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DF McCorkle Music and eBook Publications
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SheetMusicPlus
High Voice,Vocal Solo - SKU: A0.784831 Composed by McCorkle, Dennis F. Broadway,Christian,Jewish,Musical/Show,Rock. 25 pages. DF McCorkle Music and eBoo...
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High Voice,Vocal Solo - SKU: A0.784831 Composed by McCorkle, Dennis F. Broadway,Christian,Jewish,Musical/Show,Rock. 25 pages. DF McCorkle Music and eBook Publications #11753. Published by DF McCorkle Music and eBook Publications (A0.784831). ACT TWO: Song 5. The King, by Dennis McCorkle, is a contemporary pop-rock musical of the first two kings of Israel, Saul ben Kish and David ben Jesse and explores the contrasting lives and outcome of each man’s choices in life. [2 Samuel 11:2-4… - And it came to pass at eventide, that David arose from off his bed, and walked upon the roof of the king's house; and from the roof he saw a woman bathing; and the woman was very beautiful to look upon. 3 And David sent and inquired after the woman. And one said: ‘Is not this Bath-sheba, the daughter of Eliam, the wife of Uriah the Hittite?’ 4 And David sent messengers, and took her; and she came in unto him, and he lay with her;…] Once settled into Jerusalem and after a tiff with MICHAL, DAVID looks around his magnificent palace and as he walks on his balcony, he sees a lovely young woman bathing herself in the moonlight. Giving in to his impulses, orders his men to have her brought to the palace on the pretense of speaking to her about her husband, URIAH who is in the field with the troops. DAVID, seeing her beauty and rationalizing his own importance, proceeds to seduce her and lies with her [Come Lie with Me – David and Bathsheba]. BATHSHEBA, also lonely is seduced by his presence and gives in to his wishes. Leaving before daylight to escape notice, DAVID goes about business as usual, trying to forget what has happened. A few weeks later, a messenger arrives with a note from BATHSHEBA, DAVID, I'm pregnant! Also included with your order is our new 20 page catalog of over 150 titles at no additional charge.
$2.99
I Never Knew (King David and Bathsheba) from "The Kings" - ACT 2:Song 9
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Voix haute
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INTERMÉDIAIRE
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McCorkle, Dennis F
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I Never Knew
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DF McCorkle Music and eBook Publications
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SheetMusicPlus
High Voice,Vocal Solo - Level 3 - SKU: A0.784835 Composed by McCorkle, Dennis F. Broadway,Christian,Jewish,Musical/Show,Rock. 30 pages. DF McCorkle Musi...
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High Voice,Vocal Solo - Level 3 - SKU: A0.784835 Composed by McCorkle, Dennis F. Broadway,Christian,Jewish,Musical/Show,Rock. 30 pages. DF McCorkle Music and eBook Publications #11761. Published by DF McCorkle Music and eBook Publications (A0.784835). ACT 2: Song 9. The King, by Dennis McCorkle, is a contemporary pop-rock musical of the first two kings of Israel, Saul ben Kish and David ben Jesse and explores the contrasting lives and outcome of each man’s choices in life. [2 Samuel 11:27… - And when the mourning was past, David sent and took her home to his house, and she became his wife,…] Calling BATHSHEBA to him, DAVID promises to make a change of heart and urges BATHSHEBA to stay [I Never Knew – David and Bathsheba]. They go off to David's bedroom and consummate their promise to make changes in their lives. Also included with your order is our new 20 page catalog of over 150 titles at no additional charge.
$2.99
SARTORIO Antonio: Dolce Amor, bendato Dio, aria from the opera "Il Massenzio", - Voice an
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Voix haute
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INTERMÉDIAIRE
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Antonio SARTORIO
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Sergei PICHUGIN
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SARTORIO Antonio: Dolce Amor,
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Really Good Music, LLC.
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SheetMusicPlus
High Voice,Vocal Solo - Level 3 - SKU: A0.868656 Composed by Antonio SARTORIO (1630 – 1680). Arranged by Sergei PICHUGIN. Baroque,Concert,Instruc...
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High Voice,Vocal Solo - Level 3 - SKU: A0.868656 Composed by Antonio SARTORIO (1630 – 1680). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 5 pages. Really Good Music, LLC. #4366442. Published by Really Good Music, LLC. (A0.868656). Dolce Amor, bendato Dio is an aria from the opera Il Massenzio (1673), composed by Antonio SARTORIO (1630 – 1680). Despite the fact that Sartorio’s authorship has been reliably established, various publications of the arrangements of the aria for a long time named Francesco CAVALLI as a composer. The realization of the aria for voice and piano, made by Sergei Pichugin, is based on the first publications of the libretto of the opera (Venice, 1673; Rome, 1674) and on comparison of four manuscripts, mostly from the end of seventeenth century. It is available in the original key of A minor (E4 – G5).
$5.95
23rd Psalm (Pastures of Green) (David) from "The Kings" ACT 1:Song 11
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Voix haute
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INTERMÉDIAIRE
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McCorkle, Dennis F
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23rd Psalm
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DF McCorkle Music and eBook Publications
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SheetMusicPlus
High Voice,Vocal Solo - Level 3 - SKU: A0.784825 Composed by McCorkle, Dennis F. Christian,Jewish,Pop,Rock,Sacred. 10 pages. DF McCorkle Music and eBook...
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High Voice,Vocal Solo - Level 3 - SKU: A0.784825 Composed by McCorkle, Dennis F. Christian,Jewish,Pop,Rock,Sacred. 10 pages. DF McCorkle Music and eBook Publications #11739. Published by DF McCorkle Music and eBook Publications (A0.784825). ACT ONE: Song 11. The King, by Dennis McCorkle, is a contemporary pop-rock musical of the first two kings of Israel, Saul ben Kish and David ben Jesse and explores the contrasting lives and outcome of each man’s choices in life. [1 Samuel 16:11 - And Samuel said to Jesse: ‘Are here all your children?’ And he said: ‘There remains yet the youngest, and, behold, he tends the sheep.’ And Samuel said unto Jesse: ‘Send and fetch him; for we will not sit down till he come here.’ [Psalm 23 Sacred Melody of David.YAHWEH is My Shepherd I shall not want]. SAMUEL leaves SAUL and goes to the house of Jesse in Bethlehem where he chooses DAVID and anoints him as king. DAVID returns to the field and his sheep, trying to understand the meaning of the previous events [Pastures of Green – David and Ensemble]. The next morning, his father Jessie sends one of his servants to ask DAVID to take provisions to his brothers who are on the front line with SAUL engaged in a fierce battle with the Philistines. David leaves the sheep with the servant and goes off to the battlefield. Also included with your order is our new 20 page catalog of over 150 titles at no additional charge.
$2.99
Amazing Grace for Voice & Piano (A-flat)
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Voix haute
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FACILE
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Musique Sacrée
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John Newton
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Morakot Cherdchoo-ngarm
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Amazing Grace for Voice &
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Emerald Music Publications
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SheetMusicPlus
High Voice,Vocal Solo - Level 2 - SKU: A0.810500 Composed by John Newton. Arranged by Morakot Cherdchoo-ngarm. Concert,Easter,Gospel,Praise & Worship,Sa...
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High Voice,Vocal Solo - Level 2 - SKU: A0.810500 Composed by John Newton. Arranged by Morakot Cherdchoo-ngarm. Concert,Easter,Gospel,Praise & Worship,Sacred. 4 pages. Emerald Music Publications #6671741. Published by Emerald Music Publications (A0.810500). Amazing Grace for Voice & Piano (A-flat)Consider for Tenor and Mezzo soprano.
$5.95
The War Prayer (Downloadable)
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Voix haute
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Steven Mark Kohn
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The War Prayer
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
High voice and piano - Medium - SKU: MQ.8673-E Composed by Steven Mark Kohn. 15 pages. E. C. Schirmer Music Company - Digital #8673-E. Published by E. C...
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High voice and piano - Medium - SKU: MQ.8673-E Composed by Steven Mark Kohn. 15 pages. E. C. Schirmer Music Company - Digital #8673-E. Published by E. C. Schirmer Music Company - Digital (MQ.8673-E). English.This text has been adapted from Mark Twain's The War Prayer, which he wrote in 1904-5 to protest America’s involvement in the Spanish-American War. His family convinced him to keep if from publication, fearing it was too controversial. Published after his death, Twain makes the case that if God causes all things to happen and blesses select people, then He must also, willingly, deny others his blessing. It is the other side of prayer, the unspoken side, which Twain so brilliantly characterized in The War Prayer. Duration 8:00.
$10.00
BONONCINI Giovanni: Non posso disperar, aria from the opera "Eraclea", - Voice and Piano
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Voix haute
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INTERMÉDIAIRE
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Giovanni BONONCINI
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Sergei PICHUGIN
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BONONCINI Giovanni: Non posso
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Really Good Music, LLC.
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SheetMusicPlus
High Voice,Vocal Solo - Level 3 - SKU: A0.868828 Composed by Giovanni BONONCINI (1670 – 1747). Arranged by Sergei PICHUGIN. Baroque,Concert,Instr...
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High Voice,Vocal Solo - Level 3 - SKU: A0.868828 Composed by Giovanni BONONCINI (1670 – 1747). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 5 pages. Really Good Music, LLC. #4602791. Published by Really Good Music, LLC. (A0.868828). Non posso disperar is the aria from the opera Eraclea (1692), composed by Giovanni BONONCINI (1670 – 1747), although in some publications it was misattributed to Severo De LUCA (1684 – 1734). The aria was realized for voice and piano by Sergei Pichugin. It may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the key of F minor (Eb4 – G5) for high voice.
$5.95
Ah! je sens que mon coeur
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Voix haute
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Classique
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Joseph Chabanceau de La Barre
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Early Music Scores
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Ah! je sens que mon coeur
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Early Music Scores
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SheetMusicPlus
High Voice,Vocal Solo - SKU: A0.1326572 Composed by Joseph Chabanceau de La Barre. Arranged by Early Music Scores. Baroque. 2 pages. Early Music Scores ...
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High Voice,Vocal Solo - SKU: A0.1326572 Composed by Joseph Chabanceau de La Barre. Arranged by Early Music Scores. Baroque. 2 pages. Early Music Scores #914720. Published by Early Music Scores (A0.1326572). Voice and continuoComposed by Joseph Chabanceau de La Barre (1633-1678). From Airs à deux parties, avec les seconds couplets en diminution... Publication : Paris : R. Ballard, 1669. Edited by Felipe Dias. 2 pages.
$6.99
PORPORA Nicola: Già la notte s'avvicina, aria from the cantata, - Voice and Piano (G maj
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Voix haute
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INTERMÉDIAIRE/AVANCÉ
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Nicola PORPORA
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Sergei PICHUGIN
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PORPORA Nicola: Già la
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Really Good Music, LLC.
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SheetMusicPlus
High Voice,Vocal Solo - Level 4 - SKU: A0.868704 Composed by Nicola PORPORA (1686–1768). Arranged by Sergei PICHUGIN. Baroque,Concert,Instruction...
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High Voice,Vocal Solo - Level 4 - SKU: A0.868704 Composed by Nicola PORPORA (1686–1768). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Standards. 6 pages. Really Good Music, LLC. #4404622. Published by Really Good Music, LLC. (A0.868704). Già la notte s'avvicina is an aria from Solo cantata VI, written by the eminent Italian composer Nicola PORPORA (1686 – 1768). The cantatas were composed on the poetry of Pietro Metastasio, famous Italian librettist and poet, who once took music lessons from Porpora. The realization of the aria for voice and piano, made by Sergei Pichugin, is based on early publication of the composer’s twelve cantatas (London, 1735). The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the key of G major (D4 – G5) for high voice.
$5.95
CACCINI Francesca: O che nuovo stupor, aria, - Voice and Piano (G minor)
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Voix haute
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INTERMÉDIAIRE/AVANCÉ
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Francesca CACCINI
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Sergei PICHUGIN
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CACCINI Francesca: O che nuovo
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Really Good Music, LLC.
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SheetMusicPlus
High Voice,Vocal Solo - Level 4 - SKU: A0.868746 Composed by Francesca CACCINI (1587 – after 1641). Arranged by Sergei PICHUGIN. Baroque,Christma...
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High Voice,Vocal Solo - Level 4 - SKU: A0.868746 Composed by Francesca CACCINI (1587 – after 1641). Arranged by Sergei PICHUGIN. Baroque,Christmas,Concert,Instructional,Standards. 9 pages. Really Good Music, LLC. #4415015. Published by Really Good Music, LLC. (A0.868746). O che nuovo stupor is an Aria allegra by Francesca CACCINI (1587 – after 1641), an early Baroque Italian composer and singer, daughter of Giulio CACCINI. The realization of this wonderful Christmas song for voice and piano, made by Sergei Pichugin, is based on its publication in Il primo libro delle musiche (Florence, 1618). The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the original key of G minor (D4 – F5) for high voice.
$5.95
J'avois crû qu'en vous aimant
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Voix haute
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Classique
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Anonymous
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Early Music Scores
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J'avois crû qu'en vous a
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Early Music Scores
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SheetMusicPlus
High Voice,Vocal Solo - SKU: A0.791574 Composed by Anonymous. Arranged by Early Music Scores. Baroque,Classical. 2 pages. Early Music Scores #5298267. P...
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High Voice,Vocal Solo - SKU: A0.791574 Composed by Anonymous. Arranged by Early Music Scores. Baroque,Classical. 2 pages. Early Music Scores #5298267. Published by Early Music Scores (A0.791574). Voice and continuoComposed by Anonymous. Baroque period. From Brunetes, ou, Petits airs tendres, avec les doubles et la basse-continue : mélées de chansons a danser. Publication: A Paris: chez Christophe Ballard, 1703. Edited by Felipe Dias. 2 pages.
$6.99
CARISSIMI, Giacomo: Crudo amore, cantata for Voice (Soprano/Tenor) and Piano (B minor)
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Voix haute
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INTERMÉDIAIRE
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Giacomo CARISSIMI
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Sergei PICHUGIN
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CARISSIMI, Giacomo: Crudo amor
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Really Good Music, LLC.
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SheetMusicPlus
High Voice,Vocal Solo - Level 3 - SKU: A0.868631 Composed by Giacomo CARISSIMI (1605 – 1674). Arranged by Sergei PICHUGIN. Baroque,Concert,Instru...
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High Voice,Vocal Solo - Level 3 - SKU: A0.868631 Composed by Giacomo CARISSIMI (1605 – 1674). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Standards. 5 pages. Really Good Music, LLC. #4365804. Published by Really Good Music, LLC. (A0.868631). The cantata Crudo amore was composed by Giacomo CARISSIMI (1605 – 1674), one of the greatest composers of Italian Baroque. The realization of the tune for voice and piano, made by Sergei Pichugin, is based on its early publication in the collection Scelta di canzonette italiane de più autori (London, 1679). The cantata may be an invaluable addition to the repertoire of vocal teachers and students. The tune was transposed into B minor (F#4 – A5). .
$5.95
STRADELLA Alessandro: So ben, che mi saettano, canzonetta for Voice and Piano (D major)
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Voix haute
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INTERMÉDIAIRE/AVANCÉ
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Alessandro STRADELLA
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Sergei PICHUGIN
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STRADELLA Alessandro: So ben,
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Really Good Music, LLC.
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SheetMusicPlus
High Voice,Vocal Solo - Level 4 - SKU: A0.868650 Composed by Alessandro STRADELLA (1639 – 1682). Arranged by Sergei PICHUGIN. Baroque,Concert,Ins...
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High Voice,Vocal Solo - Level 4 - SKU: A0.868650 Composed by Alessandro STRADELLA (1639 – 1682). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Standards. 4 pages. Really Good Music, LLC. #4366426. Published by Really Good Music, LLC. (A0.868650). The canzonetta So ben, che mi saettano was composed by Alessandro STRADELLA (1639 – 1682). The realization of the tune for voice and piano, made by Sergei Pichugin, is based on its early publication in the collection Scelta di canzonette italiane de più autori (London, 1679). The canzonetta may be an invaluable addition to the repertoire of vocal teachers and students. It is available in D major (D4 – A5) for high voice. .
$5.95
CACCINI Francesca: Se muove a giurar, canzonetta, - Voice and Piano (G minor)
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Voix haute
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INTERMÉDIAIRE
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Francesca CACCINI
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Sergei PICHUGIN
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CACCINI Francesca: Se muove a
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Really Good Music, LLC.
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SheetMusicPlus
High Voice,Vocal Solo - Level 3 - SKU: A0.868751 Composed by Francesca CACCINI (1587 – after 1641). Arranged by Sergei PICHUGIN. Baroque,Concert,...
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High Voice,Vocal Solo - Level 3 - SKU: A0.868751 Composed by Francesca CACCINI (1587 – after 1641). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Standards. 5 pages. Really Good Music, LLC. #4415019. Published by Really Good Music, LLC. (A0.868751). The canzonetta Se muove a giurar was composed by Francesca CACCINI (1587 – after 1641), an early Baroque Italian composer and singer, daughter of Giulio CACCINI. The realization of the tune for voice and piano, made by Sergei Pichugin, is based on its publication in Il primo libro delle musiche (Florence, 1618). The canzonetta may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the original key of G minor (F4 – F5) for high voice. .
$5.95
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