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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Reach
Non classifié
772
Piano & claviers
Piano seul
619
Piano, Voix et Guitare
313
Piano, Voix
234
Piano Facile
219
Instruments en Do
104
Orgue
37
Piano grosses notes
11
Piano Trio: piano, violon, violoncelle
7
1 Piano, 4 mains
6
Piano Quintette: piano, 2 violons, alto, violoncelle
4
Accordéon
3
Piano (partie séparée)
3
Piano Quatuor: piano, violon, alto, violoncelle
2
Accompagnement Piano
2
2 Pianos, 4 mains
1
Clavecin
1
Ligne De Mélodie, Piano
1
+ 12 instrumentations
Retracter
Guitares
Guitare notes et tablatures
149
Ligne De Mélodie, (Paroles) et Accords
90
Paroles et Accords
61
Guitare
49
Basse electrique
18
Ukulele
12
Piano, Guitare (duo)
11
Dulcimer
9
2 Guitares (duo)
7
Guitare (partie séparée)
5
Mandoline
2
Ensemble de guitares
2
Banjo
1
3 Guitares (trio)
1
4 Guitares (Quatuor)
1
Basse électrique (partie séparée)
1
+ 11 instrumentations
Retracter
Voix
Chorale SATB
332
Chorale 3 parties
107
Chorale TTBB
46
Chorale 2 parties
43
Chorale SSAA
35
Chorale Unison
28
Voix Alto, Piano
11
Pack Instrumental pour Chorale
11
Voix duo
9
Voix haute
9
Voix Soprano, Piano
9
Voix duo, Piano
9
Voix seule
7
Chorale
6
Male Voice
5
Voix Baryton, Piano
4
Voix Tenor, Piano
3
Voix Tenor
3
Voix basse, Piano
3
Voix Mezzo-Soprano, Piano
2
Voix moyenne, Piano
1
Chorale SSAATTBB
1
Voix Soprano, Orchestre
1
+ 18 instrumentations
Retracter
Vents
Saxophone Alto
80
Saxophone Tenor
74
Flûte traversière
68
Flûte traversière et Piano
63
Quatuor de Saxophones: 4 saxophones
58
Saxophone (partie séparée)
57
Clarinette
54
Clarinette et Piano
54
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
52
2 Saxophones (duo)
45
Hautbois, Piano (duo)
42
Saxophone Alto et Piano
40
Quatuor de Clarinettes: 4 clarinettes
38
Saxophone Tenor et Piano
38
2 Flûtes traversières (duo)
31
Flûte, Hautbois, Clarinette, Basson
29
Saxophone Baryton, Piano
27
Saxophone Soprano et Piano
27
Saxophone, Clarinette (duo)
20
Quatuor de Flûtes : 4 flûtes
19
Hautbois (partie séparée)
18
Cor anglais, Piano
18
2 Clarinettes (duo)
18
Saxophone Soprano
17
Quintette de Saxophone: 5 saxophones
15
Clarinette, Violon (duo)
14
Clarinette, Trompette (duo)
14
Clarinette Basse, Piano
14
Ensemble de Clarinettes
11
Flûte et Guitare
11
Flûte, Clarinette (duo)
9
Ensemble de saxophones
9
Quintette de Clarinettes: 5 clarinettes
8
2 Hautbois (duo)
8
Clarinette et Alto
8
Hautbois, Basson (duo)
8
Flûte, Violon
8
Flûte, Trompette (duo)
7
Hautbois, Flûte
7
Flûte, Alto (duo)
7
3 Saxophones (trio)
7
Flûte, Saxophone (duo)
6
Hautbois, Clarinette (duo)
6
Trio de Flûtes: 3 flûtes
5
3 Clarinettes (trio)
4
Quintette de Flûte : 5 flûtes
4
Flute (partie séparée)
4
Flûte, Hautbois, Clarinette (trio)
4
Hautbois, Clarinette, Basson (trio d'anches)
3
Ensemble de Flûtes
3
Clarinette (partie séparée)
3
Flûte à Bec
2
Quatuor de Flûtes à bec
2
5 Flûtes à bec
2
Flûte, Clarinette et Basson
2
Clarinette, Guitare (duo)
2
Flûte à bec Alto
2
Piccolo, Piano
2
Flûte, Clarinette, Piano (trio)
2
Flûte à bec Soprano
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Clarinette, Basson (duo)
1
Saxophone et Orgue
1
Saxophone et Guitare
1
Cor Anglais
1
3 Flûtes à bec (trio)
1
Hautbois, Violon, Piano
1
Flûte à bec Soprano, Piano
1
Flûte, Clarinette, Violon (trio)
1
Cor anglais, Guitare (duo)
1
Saxophone
1
Ensemble à vent
1
Flûte, Violon et Violoncelle
1
2 Flûte à bec (duo)
1
+ 69 instrumentations
Retracter
Cuivres
Trompette
74
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
72
Trompette, Piano
38
Quatuor de Cuivres : 2 trompettes, trombone, tuba
37
Trombone et Piano
35
Trombone
34
Cor et Piano
27
Euphonium, Piano (duo)
25
Cor anglais, Piano
18
2 Trombones (duo)
16
Trompette (partie séparée)
15
Trompette, Saxophone (duo)
15
Tuba et Piano
14
Trombone (partie séparée)
13
Cor
12
2 Trompettes (duo)
10
Quatuor de Cuivres
7
Trompette, Trombone (duo)
6
Tuba
5
Quatuor de Cuivres: 2 trompettes, Cor, trombone
4
Quatuor de cuivres: 4 cors
4
Quatuor de cuivres: 4 trombones
3
3 Cors (trio)
2
Ensemble de Trombones
2
3 Trombones (trio)
2
Cor (partie séparée)
2
3 Tubas (trio)
2
Euphonium
2
Ensemble de Cors
2
Euphonium, Tuba (duo)
2
Trio de Cuivres
2
4 Tubas
2
Trombone, Cor (duo)
1
2 Tubas (duo)
1
2 Cors (duo)
1
Trompette, Cor (duo)
1
Ensemble de Trompettes
1
Ensemble de Tubas
1
Cor Anglais
1
Quatuor de cuivres: 4 trompettes
1
Cor anglais, Guitare (duo)
1
Trombone basse et Piano
1
Tuba (partie séparée)
1
+ 38 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
161
Violon
107
Violon et Piano
68
Violoncelle
52
Violoncelle, Piano
52
Alto, Piano
39
Violon, Violoncelle (duo)
28
Alto seul
21
Trio à Cordes: violon, alto, violoncelle
20
Harpe
17
2 Violons (duo)
17
Trio à Cordes: 2 violons, violoncelle
14
2 Violoncelles (duo)
13
Contrebasse, Piano (duo)
11
Contre Basse
10
2 Altos (duo)
9
Violon, Alto (duo)
8
Violon, Guitare (duo)
7
Contrebasse (partie séparée)
6
Alto (partie séparée)
5
4 Violoncelles
4
Quintette à cordes: 2 violons, alto, violoncelle, basse
4
Trio à Cordes: 3 violoncelles
3
Alto, Guitare (duo)
2
Alto, Violoncelle (duo)
2
Violoncelle, Contrebasse (duo)
2
Trio à cordes: 3 violins
1
Quatuor à cordes : 4 altos
1
Trio à cordes: 3 altos
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Violoncelle , Guitare (duo)
1
Quatuor à cordes: 4 violons
1
Trio à Cordes: 2 violons, alto
1
Violoncelle (partie séparée)
1
Harpe, Flûte (duo)
1
Alto et Harpe
1
+ 31 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
315
Orchestre
87
Orchestre à Cordes
55
Fanfare
50
Ensemble de cuivres
49
Ensemble Jazz
46
Cloches
28
Orchestre de chambre
18
Jazz combo
13
Batterie
9
Ensemble de Percussions
7
Percussion (partie séparée)
6
Batterie (partie séparée)
5
Xylophone, Piano
3
Marimba
2
Piano et Orchestre
1
Vibraphone
1
+ 12 instrumentations
Retracter
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
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1
Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition (D major, extra-high key)
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Voix haute
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AVANCÉ
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Strauss - Zueignung from Acht
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Nicole Elyse DiPaolo
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SheetMusicPlus
High Voice,Vocal Solo - Level 5 - SKU: A0.1329064 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period....
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High Voice,Vocal Solo - Level 5 - SKU: A0.1329064 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period. 3 pages. Nicole Elyse DiPaolo #917034. Published by Nicole Elyse DiPaolo (A0.1329064). The first of its kind, and the first entry in the Accessible Accompaniments library’s collection of small-hand-optimized song literature publications, this is Richard Strauss’s beloved “Zueignung,†from Acht Gedichte, op. 10 (1885), optimized (but not simplified) for the needs of collaborative pianists with small hands. “Small†is generally understood to be just an octave in span, with limited capacity to grab chord tones within a blocked octave aside from the occasional inner fifth.This edition was inspired by Boosey’s excellent small-hand edition of Frank Bridge’s “Love Went A-Riding†(erroneously labeled “simplified†on the front matter), which thins the large chords that would be problematic or impossible for a barely-an-8ve-reach collaborative pianist to play without adding musically inappropriate rolls or breaks, but also preserves the musical content and grammatically accurate voice-leading. Given that Strauss’s op. 10 collection is much more widespread on today’s concert programs than the Bridge, and given that average conservatory pianist heights and hand sizes have dropped significantly in the 20th and 21st centuries, the need for a similar adaptation in at least some of the op. 10 songs is obvious. Additionally, Strauss’s songs are often so orchestral in spirit—much more so than the Bridge—that the instinct to treat them as orchestral reductions to be adapted by each individual player should be as self-evident and considered as musically appropriate as it would be for any of Strauss’s beloved horn concerti. Performers should feel free to insert their own adaptations, additions, and omissions to this score as needed.The primary source material for this edition is Henle’s edition of the Acht Gedichte. However, any proprietary material that is not public domain (like their fingerings, front matter, and critical notes) is left out of this edition, leaving only what is public domain and edited by Ms. DiPaolo. Unreasonably large chords and arpeggio figures that would require being reachable by a larger hand have been condensed into figures more appropriate for the just-an-octave hand without sacrificing technique and excitement. This edition makes minor improvements to the engraving, like removing syllabic beaming in the voice and adding octave lines when appropriate. This edition also uses Accessible Accompaniments’ distinctive house style, marked by its visual beauty and ease of reading.While this song will be published in low, middle, and high keys for your convenience, please feel free to request another transposition if you are purchasing from a site that does not offer automatic transposition or you don’t see the key that you need. As the name says, Accessible Accompaniments is committed to accessibility—and that goes for singers, too!
$6.99
Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition (C major, high key)
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Voix haute
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AVANCÉ
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Strauss - Zueignung from Acht
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Nicole Elyse DiPaolo
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SheetMusicPlus
High Voice,Vocal Solo - Level 5 - SKU: A0.1327769 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period....
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High Voice,Vocal Solo - Level 5 - SKU: A0.1327769 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period. 3 pages. Nicole Elyse DiPaolo #915810. Published by Nicole Elyse DiPaolo (A0.1327769). The first of its kind, and the first entry in the Accessible Accompaniments library’s collection of small-hand-optimized song literature publications, this is Richard Strauss’s beloved “Zueignung,†from Acht Gedichte, op. 10 (1885), optimized (but not simplified) for the needs of collaborative pianists with small hands. “Small†is generally understood to be just an octave in span, with limited capacity to grab chord tones within a blocked octave aside from the occasional inner fifth.This edition was inspired by Boosey’s excellent small-hand edition of Frank Bridge’s “Love Went A-Riding†(erroneously labeled “simplified†on the front matter), which thins the large chords that would be problematic or impossible for a barely-an-8ve-reach collaborative pianist to play without adding musically inappropriate rolls or breaks, but also preserves the musical content and grammatically accurate voice-leading. Given that Strauss’s op. 10 collection is much more widespread on today’s concert programs than the Bridge, and given that average conservatory pianist heights and hand sizes have dropped significantly in the 20th and 21st centuries, the need for a similar adaptation in at least some of the op. 10 songs is obvious. Additionally, Strauss’s songs are often so orchestral in spirit—much more so than the Bridge—that the instinct to treat them as orchestral reductions to be adapted by each individual player should be as self-evident and considered as musically appropriate as it would be for any of Strauss’s beloved horn concerti. Performers should feel free to insert their own adaptations, additions, and omissions to this score as needed.The primary source material for this edition is Henle’s edition of the Acht Gedichte. However, any proprietary material that is not public domain (like their fingerings, front matter, and critical notes) is left out of this edition, leaving only what is public domain and edited by Ms. DiPaolo. Unreasonably large chords and arpeggio figures that would require being reachable by a larger hand have been condensed into figures more appropriate for the just-an-octave hand without sacrificing technique and excitement. This edition makes minor improvements to the engraving, like removing syllabic beaming in the voice and adding octave lines when appropriate. This edition also uses Accessible Accompaniments’ distinctive house style, marked by its visual beauty and ease of reading.While this song will be published in low, middle, and high keys for your convenience, please feel free to request another transposition if you are purchasing from a site that does not offer automatic transposition or you don’t see the key that you need. As the name says, Accessible Accompaniments is committed to accessibility—and that goes for singers, too!
$6.95
The Unquiet Grave from American Death Ballads (Downloadable)
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Voix haute
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David Conte
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The Unquiet Grave from America
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
High voice and piano - Moderately Difficult - SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer M...
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High voice and piano - Moderately Difficult - SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8454-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8454-2E). English.American Death Ballads was composed especially for tenor Brian Thorsett. We have been frequent collaborators since 2011, when he premiered the complete set of my Three Settings of W. B. Yeats for string quartet and tenor. At his urging, I transcribed and published my Three Poems of Christina Rossetti (originally for medium voice) for high voice, which he premiered at the San Francisco Conservatory in 2014. American Death Ballads was premiered by him at the San Francisco Conservatory, November 1, 2015, with pianist John Churchwell, and at the National Association of Teachers of Singing (NATS) Conference in Chicago, July 10, 2016, with pianist Warren Jones.The choice of texts for my American Death Ballads was inspired partly by Copland’s Old American Songs, which I deeply admire, but more by my dear friend and colleague the late Conrad Susa’s Two Murder Ballads. The ingenuity of Susa’s accompaniments for his ballads in imagining anew the original source material owes a great deal to Copland’s accompaniment for his songs. Though the content of my songs is completely original and not based on preexisting melodies, I have tried to expand on this further, as the texts are much longer, and go through many different moods and characters. The four texts I chose include stories about murder, death, and dying. Though two of the texts were written in England, they traveled to the colonies almost immediately. The subjects of the texts had spent time in America, and their stories were well known to Americans.Wicked Polly is a cautionary tale. Polly has lived a dissolute and immoral life, saying, 'I'll turn to God when I grow old.' Suddenly taken ill, she realizes that it is too late to repent. She dies in agony and is presumably sent to hell; young people are advised to heed. My musical setting is stately and preacherly in character for the narrator; for Polly it becomes pleading and remorseful. The Unquiet Grave was brought to the attention of Alan Lomax, the great American field collector of folk music, by English folk singer Shirley Collins. The text is taken from an English folk song dating from 1400. In The Unquiet Grave, a young man mourns his dead lover too fervently and prevents her from obtaining peace. The dead woman complains that his weeping is keeping her from peaceful rest. He begs a kiss; she tells him it would kill him. When he persists, wanting to join her in death, she explains that once they were both dead their hearts would simply decay, and that he should enjoy life while he has it. My setting is in a flowing Andante with a rocking accompaniment. Three voices are delineated here: the narrator, the mournful lover, and the dead lover speaking from the grave. The Dying Californian first appeared in the New England Diadem in 1854. Its lyrics are based on a letter from a New Englander’s sailor to his brother who is dying at sea while on the way to California to seek his fortune in the California gold fields. He implores his brother to impart his message to his father, mother, wife, and children. My setting opens with the singer alone in a moderate dirge tempo, then, joined by the piano, moves through many tonalities and moods before ending with supreme confidence as the speaker 'gained a port called Heaven/Where the gold will never rust.'Captain Kidd was a Scottish sailor who was tried and executed for piracy and murder in 1701. The American connection to this ballad is that Kidd escaped to America and for a time lived in New York and Boston, though he was a wanted criminal by the British authorities and was extradited to Britain, where he was hung at 'Executioner’s Dock.' The lyric was printed in Britain in 1701, traveling to the colonies almost immediately. Though the didactic tone of the text is similar to Wicked Polly, it expresses no regret until the final lines: 'Take warning now by me, and shun bad company, / Lest you come to hell with me, for I must die.' My setting is fast and spirited, expressing the confidence of a man who lived life as he wanted. -David Conte.
$3.50
I Dream of You, to Wake (Soprano or Tenor and Piano)
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Voix haute
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INTERMÉDIAIRE/AVANCÉ
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Hunter A
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I Dream of You, to Wake
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Hunter A. Brown
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SheetMusicPlus
High Voice,Vocal Solo - Level 4 - SKU: A0.1013578 Composed by Hunter A. Brown. Concert,Contemporary. 12 pages. Hunter A. Brown #6288243. Published by Hu...
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High Voice,Vocal Solo - Level 4 - SKU: A0.1013578 Composed by Hunter A. Brown. Concert,Contemporary. 12 pages. Hunter A. Brown #6288243. Published by Hunter A. Brown (A0.1013578). I Dream of You, to Wake (soprano and piano) is an art song adaption of the sonnet by Christina Rossetti (1830-1894). The poem comes from her sonnet of sonnets - Monna Innominata (unknown lady) - in which she laments her lack of religious compatibility with the man she loves.With a duration of 4'00 - this song is perfect for the adept soprano, and would be ideal for a solo and ensemble contest or college recital.Key: B major, F-sharp minorRange: C#4 - G#5 I would love to hear from you! For questions, comments, or information about commissions, please reach out to me at hbrowncomp@gmail.comText: I dream of you to wake: would that I might Dream of you and not wake but slumber on. In happy dreams I hold you full in night. I blush again who waking look so wan; Brighter than sunniest day that ever shone, In happy dreams your smile makes day of night. Thus only in a dream we are at one, Thus only in a dream we give and take The faith that maketh rich who take or give; If thus to sleep is sweeter than to wake, To die were surely sweeter than to live, Though there be nothing new beneath the sun.
$9.99
Over The Rainbow
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Voix haute
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INTERMÉDIAIRE/AVANCÉ
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Comédie Musicale
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Film/TV
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Judy Garland
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Scott S
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Over The Rainbow
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Scott S. Stewart
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SheetMusicPlus
High Voice,Vocal Solo - Level 4 - SKU: A0.955797 By Judy Garland. By Harold Arlen. Arranged by Scott S. Stewart. Contemporary. 5 pages. Scott S. Stewart...
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High Voice,Vocal Solo - Level 4 - SKU: A0.955797 By Judy Garland. By Harold Arlen. Arranged by Scott S. Stewart. Contemporary. 5 pages. Scott S. Stewart #6036813. Published by Scott S. Stewart (A0.955797). Classically trained singers are generally first contact for most elementary, middle school and high school students via in-school programs, out-reach programs, etc. For those YAP programs/Studio Artists programs popular music arrangements are needed, and those available leave the singer oft' times wanting something more... This arrangement grew out of such an experience: a gifted singer & her talented pianist showed up at a school with the most generic of printed arrangements. Thus this attempt to create an ensemble of two - performing a tune recognized by all. All it requires is the singers art & soul.
$12.99
Jeanie with the Light Brown Hair - High Voice/piano
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Voix haute
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INTERMÉDIAIRE/AVANCÉ
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Stephen Foster
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Judith L
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Jeanie with the Light Brown Ha
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Maggs
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SheetMusicPlus
High Voice,Vocal Solo - Level 4 - SKU: A0.821406 Composed by Stephen Foster. Arranged by Judith L. Maggs. 19th Century,Traditional. 5 pages. Maggs #6340...
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High Voice,Vocal Solo - Level 4 - SKU: A0.821406 Composed by Stephen Foster. Arranged by Judith L. Maggs. 19th Century,Traditional. 5 pages. Maggs #6340897. Published by Maggs (A0.821406). Jeanie with the Light Brown Hair is one of Stephen Fosters best loved songs. This arrangement could be performed as a piano solo (advanced intermediate level) or as a vocal solo with accompaniment. The arrangement is in G major, which is high for the singer and reaches from D above middle C to high G. (An octave lower for the male singer.) Versions are also available for Medium-high voice (Key of F: range C to F) and medium low voice. (Key of D: range A to D)
$2.99
CALDARA Antonio: Sebben crudele, aria from the opera "La costanza in amor vince l'inganno", arranged
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Voix haute
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INTERMÉDIAIRE
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Antonio CALDARA
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Sergei PICHUGIN
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CALDARA Antonio: Sebben crudel
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Really Good Music, LLC.
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SheetMusicPlus
High Voice,Vocal Solo - Level 3 - SKU: A0.869032 Composed by Antonio CALDARA (1670 – 1736). Arranged by Sergei PICHUGIN. Baroque,Concert,Instruct...
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High Voice,Vocal Solo - Level 3 - SKU: A0.869032 Composed by Antonio CALDARA (1670 – 1736). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 5 pages. Really Good Music, LLC. #6404035. Published by Really Good Music, LLC. (A0.869032). Sebben crudele is an aria from the Opera-Pastorale La costanza in amor vince l'inganno (Faithfulness in love conquers treachery), composed by Antonio CALDARA (1670 – 1736) in 1710 for the public theater in Macerata and revised in 1716 for the Imperial Court in Vienna. It was arranged for voice and piano by Sergei Pichugin. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the key of F minor (F4 – G5) for high voice.
$5.95
Periwinkle
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Voix haute
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INTERMÉDIAIRE/AVANCÉ
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Alicia Willard
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Periwinkle
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Alicia Santee-Davis
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SheetMusicPlus
High Voice,Vocal Solo - Level 4 - SKU: A0.1027761 Composed by Alicia Willard. 20th Century,Blues,Contemporary. 34 pages. Alicia Santee-Davis #2923157. P...
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High Voice,Vocal Solo - Level 4 - SKU: A0.1027761 Composed by Alicia Willard. 20th Century,Blues,Contemporary. 34 pages. Alicia Santee-Davis #2923157. Published by Alicia Santee-Davis (A0.1027761). Periwinkle is a song cycle that was originally composed for mezzo-soprano and piano, but has been arranged for soprano and piano; it is a collection of character pieces using original poetry by Alicia Willard. High High Shoes is an upbeat, rhythmically active piece that illustrates the exhilaration and anxiety in reaching for one’s desires. Wings is a hauntingly slow array of uneasy dissonances, using only one line of text that is chopped into fragments and slowly arranged into a comprehensible statement. Boulders on Our Shoulders has a lilting jazz feel, including several piano solos that incorporate many aspects of the blues. Follow the Borrowers is much more introspective, with the music vividly conveying what the text colorfully provides in such lines as I’ll caress the tongue shapes. The title of the cycle is taken from a line of poetry in which the periwinkle dirt in the sky is introduced, providing one of many colors that are portrayed in the pieces. Periwinkle was written in 2009 and premiered at the University of North Carolina School of the Arts by Stephanie McAllister, mezzo-soprano, and the composer at the piano. After its recomposition, the soprano edition was premiered in Fairbanks, Alaska in 2016 by Amy Ingram, soprano, with the composer at the piano.
$16.95
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